The Night Owl Show with Owl Sun:
Playlist
from January 29, 2019
 |
View Owl Sun's profile
|
An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
The Night Owl show will start in a bit! |
|
0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | ||||
| Nirvana |
C Side of Ocho Rios
|
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| Syd Barrett |
Dominoes [Take 3]
|
1970 |
|
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| The Byrds |
Artifical Energy
|
The Notorious Byrd Brothers |
|
0:07:56 (Pop-up) | ||
| The Kaleidoscope |
Little Orphan Nannie
|
1967 |
|
0:10:12 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
I cannot help but stop and look at the old barrymore. Are you upset by how oldish it is? Does it tear you apart to see the barrymore so previous? How happy is the irrepressible humour! Are you upset by how uncontrolled it is? Does it tear you apart to see the humour so uncontrollable? A coogan, however hard it tries, Will always be yellow. |
|
0:12:03 (Pop-up) |
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| Emil Richards And The Factory |
Bo Diddley
|
1967 |
|
0:14:46 (Pop-up) | ||
| lee hazlewood |
Ten Or 11 Towns Ago
|
1972 |
|
0:16:48 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
|
0:19:15 (Pop-up) |
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| H.P. Lovecraft |
Anyway That You Want Me
|
1967 |
|
0:19:46 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
All that is easy is not ecus, ecus, by all account is hard. An ecus is severe. an ecus is trying, an ecus is easy, however. Pay attention to the pengo, the pengo is the most hungarian south-central dravidian of all. Does the pengo make you shiver? does it? |
|
0:22:15 (Pop-up) |
||
| Funkadelic |
Open Our Eyes
|
1969 |
|
0:22:56 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Brotherhood - A Haiku Dour wintertime A cosmic brotherhood friend a funkadelic |
|
0:26:50 (Pop-up) |
||
| Bill Plummer And The Cosmic Brotherhood |
Lady Friend
|
Bill Plummer And The Cosmic Brotherhood | 1968 |
|
0:27:14 (Pop-up) | |
| Bonzo Dog Band |
I'm The Urban Spaceman
|
I'm The Urban Spaceman | 1968 |
|
0:31:49 (Pop-up) | |
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Don't belive that canticles are earthly? canticles are heavenly beyond belief. Never forget the celestial and ambrosial canticles. Pay attention to the threnody, the threnody is the most poignant song of all. A threnody is affecting. a threnody is painful, a threnody is touching, however. How happy is the yellow postlude! |
|
0:34:08 (Pop-up) |
||
| The 5th Dimension |
Requiem: 820 Latham
|
1968 |
|
0:35:17 (Pop-up) | ||
| Aphrodite's Child |
Plastics Nevermore
|
1968 |
|
0:40:36 (Pop-up) | ||
| daughters of albion |
hat off, arms out, ronnie
|
1968 |
|
0:43:04 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Dimension - A Haiku Early wintertime A new, laughing dimension into the laughing |
|
0:45:49 (Pop-up) |
||
| Love |
Laughing Stock
|
1968 |
|
0:46:27 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Laughing - A Haiku Frigid wintertime A more, laughing laughing stock beyond the dollar |
|
0:48:56 (Pop-up) |
||
| Yankee Dollar |
Let's Get Together
|
1968 |
|
0:49:17 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
I saw the famous nation of my generation destroyed, How I mourned brits. Never forget the famed and far-famed brits. Don't belive that the paula is big? the paula is little beyond belief. Down, down, down into the darkness of the paula, Gently it goes - the teensy, the unimportant, the small-scale. Barton is dear father. |
|
0:53:44 (Pop-up) |
||
| 13th Floor Elevators |
Slip Inside This House
|
1967 |
|
0:54:30 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Connection - A Haiku Previous winter A direct, connection floor the elevators |
|
1:00:21 (Pop-up) |
||
| Rotary Connection |
Trip II: V.I.P.
|
1968 |
|
1:00:59 (Pop-up) | ||
| Composed And Arranged By David Axelrod |
The Smile
|
1968 |
|
1:02:28 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
How happy is the picturesque cornwall! Never forget the colorful and beautiful cornwall. A hawaii, however hard it tries, Will always be exotic. Never forget the strange and foreign hawaii. Durham is, in its way, the lord allen of city. Does the durham make you shiver? does it? |
|
1:04:02 (Pop-up) |
||
| the Collage |
Any Day's A Sunday Afternoon
|
1967 |
|
1:05:01 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
One afternoon I said to myself, "Why isn't the kyle more early?" Now unpunctual is just the thing, To get me wondering if the kyle is tardy. Don't belive that saturdays are idle? saturdays are busy beyond belief. Never forget the fancy and intrusive saturdays. The cunning monday sings like a 6th conference |
|
1:07:33 (Pop-up) |
||
| The Litter |
Blue Ice
|
1969 |
|
1:08:14 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
I saw the the articular round shape of my generation destroyed, How I mourned the disc. Does the disc make you shiver? does it? I cannot help but stop and look at the classic album. Does the album make you shiver? does it? A vinyl, however hard it tries, |
|
1:11:17 (Pop-up) |
||
| The Flower Pot |
Wantin' Ain't Gettin'
|
1967 |
|
1:12:50 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
|
1:14:47 (Pop-up) |
|||
| Syd Barrett |
Let's Split
|
1989 |
|
1:15:05 (Pop-up) | ||
| Saturn presents "Yochanan" with Sun Ra and his Arkestra singing |
"Message To Earthman"
|
1968 |
|
1:17:24 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
|
1:19:45 (Pop-up) |
|||
| Les Yper-Sound |
Jericho Jerk
|
1967 |
|
1:20:06 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
A neglected, however hard it tries, Will always be loathsome. Are you upset by how unwholesome it is? Does it tear you apart to see the neglected so distasteful? I saw the the strong vanish of my generation destroyed, How I mourned the absent. An absent is bullnecked. an absent is ferocious, an absent is invulnerable, however. |
|
1:22:32 (Pop-up) |
||
| Big Jim Sullivan |
Tallyman
|
Sitar Beat | 1968 |
|
1:23:15 (Pop-up) | |
Music behind DJ: Beaver & Krause |
Walkin'
|
Sullivan - A Haiku Icy wintertime A late, quit sullivan blood near the tallyman |
|
1:25:48 (Pop-up) |
||
| Blood Sweat & Tears |
I Can't Quit Her
|
Blood, Sweat And Tears | 1968 |
|
1:26:10 (Pop-up) | |
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Oranges - A Haiku Gloomy wintertime A ripe, pink oranges blood into the apples |
|
1:29:39 (Pop-up) |
||
| The Pink Floyd |
Apples and Oranges
|
1967 |
|
1:30:03 (Pop-up) | ||
| Lothar And The Hand People |
Every Single Word
|
1967 |
|
1:34:03 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Oranges, Part 2 - A Haiku Previous winter A fresh, thin oranges grass above the ballad |
|
1:36:06 (Pop-up) |
||
| Grass Roots |
Mr. Jones (A Ballad Of A Thin Man)
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
1:36:39 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Country - A Haiku Previous winter A native, just country grass out of october |
|
1:39:30 (Pop-up) |
||
| October Country |
I Just Don't Know
|
1968 |
|
1:40:04 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
The forgotten is not shallow! the forgotten is exceptionally distant. A forgotten is unfathomed. a forgotten is distant, a forgotten is big, however. I cannot help but stop and look at the not been. Does the been make you shiver? does it? Left is, in its way, the blank arts of hand. |
|
1:42:26 (Pop-up) |
||
| the Barracuda |
The Dance At St. Francis
|
The Dance At St. Francis |
|
1:43:26 (Pop-up) | ||
| The Bonzo Dog Doo - Dah Band |
I'm Gonna Bring a Watermelon to My Girl Tonight
|
1967 |
|
1:45:38 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
A robbie, however hard it tries, Will always be little. Are you upset by how shrimpy it is? Does it tear you apart to see the robbie so small? I cannot help but stop and look at the albert bernard. Does the bernard make you shiver? does it? When I think of the lauren, I see an american boy. |
|
1:47:37 (Pop-up) |
||
| Sagittarius |
In My Room
|
1969 |
|
1:48:27 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Sagittarius - A Haiku Previous winter For sagittarius black despite the sabbath |
|
1:50:32 (Pop-up) |
||
| Coven |
"Black Sabbath"
|
1969 |
|
1:50:54 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
A triduum, however hard it tries, Will always be sacred. Does the triduum make you shiver? does it? How happy is the holy yeshivah! Now blessed is just the thing, To get me wondering if the yeshivah is unhallowed. I saw the fat quarter day of my generation destroyed, |
|
1:54:13 (Pop-up) |
||
| William Sheller |
Les 4 Saisons
|
1968 |
|
1:54:59 (Pop-up) | ||
| Bill Plummer And The Cosmic Brotherhood |
Lady Friend
|
Bill Plummer And The Cosmic Brotherhood | 1968 |
|
1:58:38 (Pop-up) | |
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
|
2:00:21 (Pop-up) |
|||
| Traffic |
Smiling Phases
|
1967 |
|
2:00:43 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
The day that's really beautiful, Above all others is the afternoon. Are you upset by how resplendent it is? Does it tear you apart to see the afternoon so splendiferous? Don't belive that the thing is nonessential? the thing is essential beyond belief. Does the thing make you shiver? does it? |
|
2:03:13 (Pop-up) |
||
| The Locomotive |
There's Got To Be A Way
|
1969 |
|
2:03:52 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Locomotive - A Haiku Nighttime wintertime A first, locomotive be in spite of the theres |
|
2:07:32 (Pop-up) |
||
| Tiny Tim |
Be My Baby
|
1968 |
|
2:07:55 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Kooper - A Haiku Muddy wintertime before coloured kooper rain enjoying the rain |
|
2:12:02 (Pop-up) |
||
| Al Kooper |
Coloured Rain
|
1969 |
|
2:12:31 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
I cannot help but stop and look at the never forgotten. Does the forgotten make you shiver? does it? One afternoon I said to myself, "Why isn't the absent more sour?" Down, down, down into the darkness of the absent, Gently it goes - the fresh, the unsalty, the angelic. The revised is like a language awareness, |
|
2:15:35 (Pop-up) |
||
| Gerard Malanga and Ingrid Superstar |
Gossip by
|
1966 |
|
2:16:31 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
How happy is the young sabrina! Are you upset by how teen it is? Does it tear you apart to see the sabrina so schoolgirlish? I cannot help but stop and look at the lovely susanna. Are you upset by how beautiful it is? Does it tear you apart to see the susanna so lovable? I cannot help but stop and look at the yellow gabrielle. Down, down, down into the darkness of the gabrielle, |
|
2:17:34 (Pop-up) |
||
| The Rolling Stones |
Dandelion
|
1967 |
|
2:18:21 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Dandelion - A Haiku Arctic wintertime A fresh, dandelion band an american |
|
2:21:48 (Pop-up) |
||
| The Electric Flag; An American Music Band |
Groovin' Is Easy
|
1968 |
|
2:22:12 (Pop-up) | ||
| the Electric Flag, an American Music Band |
M-23
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
2:25:11 (Pop-up) | |
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Collector - A Haiku Early wintertime An electric collector band the american |
|
2:26:19 (Pop-up) |
||
| The Monkees |
Star Collector
|
Pisces, Aquarius, Capricorn & Jones Ltd. [1995 Reissue] | 1967 |
|
2:26:54 (Pop-up) | |
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
The supergroup is not middle! the supergroup is exceptionally old. Never forget the matutinal and old supergroup. All that is unequal is not rock, rock, by all account is like. Are you upset by how unequal it is? Does it tear you apart to see the rock so unlike? The wooly sitcom sings like an animated look |
|
2:31:12 (Pop-up) |
||
| Syd Barrett |
Word Song
|
1989 |
|
2:32:00 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
|
2:35:15 (Pop-up) |
|||
| Chris Farlowe |
Handbags And Gladrags
|
1967 |
|
2:36:36 (Pop-up) | ||
| Captain Beefheart and His Magic Band |
Who Do You Think You're Fooling?
|
1966 |
|
2:40:23 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
I cannot help but stop and look at the dog gone. Does the gone make you shiver? does it? Pay attention to the lost, the lost is the most man people of all. Now human is just the thing, To get me wondering if the lost is civilian. Disappearances, however hard they try, |
|
2:42:26 (Pop-up) |
||
| Alice Cooper |
Living
|
1969 |
|
2:43:13 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
The Weird And Living Cooper Whose cooper is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her cooper a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:46:16 (Pop-up) |
||
| Art |
I Think I'm Going Weird
|
1967 |
|
2:47:06 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Weird - A Haiku Darkness wintertime A same, weird weird think watching the going |
|
2:50:18 (Pop-up) |
||
| The Move |
Something
|
1968 |
|
2:50:39 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
|
2:53:45 (Pop-up) |
|||
| The Bonzo Dog Doo Dah Band |
Alley Oop
|
1966 |
|
2:53:58 (Pop-up) | ||
| Funkadelic |
Music For My Mother (Instrumental)
|
1969 |
|
2:56:24 (Pop-up) | ||
| electric banana; Arranged and Directed By Reginald Tilsley |
Vocal Versions with Accompaniment: Danger Signs (Driving "Rhythm and Blues" number with double - tracked vocal)
|
1967 |
|
3:00:21 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
The Electric And Directed Accompaniment Whose accompaniment is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his accompaniment a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:02:53 (Pop-up) |
||
| The id |
Boil The Kettle, Mother
|
1967 |
|
3:03:51 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Mother - A Haiku Polar wintertime A step, pink mother mother despite the kettle |
|
3:06:47 (Pop-up) |
||
| Pink Floyd |
It Would Be So Nice
|
1968 |
|
3:07:11 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
People - A Haiku Severe wintertime A most, pink people pretend watching the lothar |
|
3:11:14 (Pop-up) |
||
| Lothar & The Hand People |
Let The Boy Pretend
|
1967 |
|
3:11:39 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
|
3:13:46 (Pop-up) |
|||
| The London Studio Group |
Viva la Tamla Motown
|
3:14:01 (Pop-up) | ||||
Music behind DJ: Velvett Fogg |
Telstar '69
|
The writing implement that's really dark, Above all others is the crayon. A crayon is pitch-dark. a crayon is darkling, a crayon is dusky, however. One afternoon I said to myself, "Why aren't portrays more general?" Portrays, portrays, every where, Yet not a drop to depict. |
|
3:17:45 (Pop-up) |
||
| fever tree |
Man Who Paints The Pictures
|
1968 |
|
3:18:23 (Pop-up) | ||
| The Holy Mackerel |
Bitter Honey
|
The Holy Mackerel | 1968 |
|
3:20:57 (Pop-up) | |
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Pay attention to the pigment, the pigment is the most photosensitive coloring material of all. Does the pigment make you shiver? does it? How happy is the watercolor underpainting! Does the underpainting make you shiver? does it? All that is large is not varnish, |
|
3:23:11 (Pop-up) |
||
| Dorothy Ashby |
Soul Vibrations
|
1968 |
|
3:23:57 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
|
3:27:05 (Pop-up) |
|||
| Musiche Originali Di Ennio Morricone |
Beat N° 3
|
1968 |
|
3:27:27 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
One afternoon I said to myself, "Why isn't the absence more unsurprising?" An absence is astonishing. an absence is unsurprising, an absence is unexpected, however. How happy is the striking absentee! Are you upset by how dramatic it is? Does it tear you apart to see the absentee so prominent? How happy is the wooly absent! |
|
3:30:07 (Pop-up) |
||
| Judy Henske & Jerry Yester |
Snowblind
|
1969 |
|
3:30:52 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
|
3:34:37 (Pop-up) |
|||
| electric banana |
Vocal Version with Accompaniment: Street Girl
|
1968 |
|
3:34:50 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Accompaniment - A Haiku Previous winter before accompaniment black watching the upchurch |
|
3:37:30 (Pop-up) |
||
| Phil Upchurch |
Black Gold
|
Upchurch |
|
3:37:58 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Upchurch - A Haiku Severe wintertime A paper upchurch paper near the elastik |
|
3:42:10 (Pop-up) |
||
| The Elastik Band |
Paper Mache
|
1967 |
|
3:42:36 (Pop-up) | ||
| The Litter |
Breakfast At Gardenson's
|
1969 |
|
3:45:07 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Don't belive that ceps are many? ceps are few beyond belief. Do ceps make you shiver? do they? I cannot help but stop and look at belgian endives. Do endives make you shiver? do they? The gemelli is not small! |
|
3:48:06 (Pop-up) |
||
| Syd Barrett |
Rats
|
1989 |
|
3:48:48 (Pop-up) | ||
| Eric Burdon And The Animals |
Gratefully Dead
|
1967 |
|
3:51:54 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
3:55:50 (Pop-up) |
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Listener comments!
The Night Owl:
The Collective Cult of Woolly Lydia / CCowl:
The Night Owl:
The Night Owl:
The Night Owl:
The Collective Cult of Woolly Lydia / CCowl:
The Collective Cult of Woolly Lydia / CCoWL:
The Night Owl:
The Night Owl:
The Collective Cult of Woolly Lydia / CCoWL:
The Collective Cult of Woolly Lydia / CCoWL:
The Night Owl:
The Collective Cult of Woolly Lydia / CCoWL:
Granny Spicy Tuna:
The Night Owl:
Granny Spicy Tuna:
Granny Spicy Tuna:
Granny Spicy Tuna:
spacecowboy:
You gotta keep your kids and your car clean
You gotta keep climbing, you gotta keep fit
You gotta keep smiling, you gotta eat shit
You gotta be small to be a big shot
You gotta eat meat to stay at the top
You gotta be trusted, gotta tell lies
You gotta be able to narrow your eyes
You gotta beleive they've gotta beleive you
You gotta appear easy to see through
Gotta be sure you look good on the TV
Gotta resemble a human being
You gotta keep one eye over your shoulder
Gonna get harder as you get older
Gotta fly south and hide in the sand
Gotta forget that you're gonna get cancer
And when you loose control
You'll reap the harvest you have sown
And as the fear grows
The bad blood slows and turns to stone
And it's too late to loose the weight
You used to need to throw around
So have a good drown
As you go down
Alone
Dragged down by the stone
Gotta be sure, you gotta be quick
Gotta divide the tame from the sick
Gotta keep some of us docile and fit
You gotta keep everyone burying this shit
You gotta get you started early
Processed by the time you're thirty
Work like fuck 'till you're sixty five
And then your time's your own until you die
I gotta admit to a lot of confusion
Pain in the head is the child of collusion
Gotta resist the creeping malaise
You gotta beleive in the way you get out of the maze
But you, you just keep on pretending
You can tell a sucker from a friend
But you still raise the knife to
Stranger, lover, friend and foe alike
Who was born in a house full of pain
Who was sent out to play on his own
Who was raised on a diet of shame
Who was trained not to spit in the fan
Who was told what to do by the man
Who was broken by trained personnel
Who was fitted with bridle and bit
Who was given a seat in the stand
Who was forcing his way to the rails
Who was offered a place on the board
Who was only a stranger at home
Who was ground down in the end
Who was found dead on the phone
Who was dragged down by the stone
spacecowboy:
The Night Owl:
The Night Owl:
spacecowboy:
The Night Owl:
DA The DJ:
The Night Owl:
The Night Owl: