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An odyssey of the ears powered by the moon, the stars, & a pixie dusting of ecstatic electricity...
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Artist | Track | Album | Label | Year | Comments | New | Approx. start time | |||
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Alarm Will Sound | Fingerbib | Acoustica: Alarm Will Sound Performs Aphex Twin | Cantaloupe | 2005 | this piece arranged by Jonathan Newman / 20-member band who began playing together while studying at the Eastman School of Music in Rochester, NY / Performers: Michael Harley (bassoon), Alan Pierson (celesta, cocktail stirrer kalimba), Stefan Freund (cello, curtain rods), Bill Kalinkos (clarinet, alto sax), Beth Stimpert (clarinet, bass clarinet), Jason Treuting (drum set, percussion, air pumps), Lawson White (drum set, percussion, plastic tubing), Miles Brown (electric bass, double bass, engraving tool), Evan Hause (electric guitar, percussion), Jessica Johnson (flute, alto flute, piccolo flute, curtain rods), Matt Marks (horn, horsoon, hose horn, Jew's harp), Jackie Leclair (oboe, English horn), Peter Wise (percussion, curtain rods, mbira), Payton MacDonald (percussion, steel drums), John Orfe (piano, celesta, Fender Rhodes electric piano), James Hirschfeld (trombone), Jason Price (trumpet, duck call), John Pickford Richards (viola, accordion), Courtney Orlando (violin, piano, voice), Caleb Burhans (violin, viola, voice, piano, water hose) & Martha Cluver (voice, tambura, curtain rods) / "Fingerbib" appeared in its original form on the 1996 Aphex Twin album, "Richard D. James Album" on Sire Records | 0:00:00 (Pop-up) | ||||
The Pull of Autumn | Shimmer Lizard | The Pull of Autumn | RBM | 2018 | Daniel Darrow (from Johanna’s House of Glamour) & Luke James (frontman of Fashion) / orig. from Newport, RI & now based in Boston | * | 0:03:34 (Pop-up) | |||
Jessica Moss | Particles | Entanglement | Constellation | 2018 | 2nd solo album / of punk group, A Silver Mt. Zion & quartet Black Ox Orkestar, who plays European Jewish folk music / from Canada | * | 0:08:09 (Pop-up) | |||
John Adams | China Gates | Road Movies | Nonesuch | 2004 | teaches composition at the San Francisco Conservatory of Music | 0:29:33 (Pop-up) | ||||
Bing & Ruth | Rails | City Lake | RVNG International | 2015 | group formed by composer & pianist David Moore at NYC's New School / 3rd album / orig. issued in 2010 on Happy Talk Records / this 2015 version was issued with 3 bonus tracks | 0:33:53 (Pop-up) | ||||
Au Revoir Simone / Eric Stoltz, Mary Stuart Masterson & Scott Coffey | The Way To There / It's Just Time...It's Not Like It Means Anything | The Bird of Music / Some Kind of Wonderful | Our Secret Record Company | 2006 | band name came from a line in "Pee-Wee's Big Adventure" / 2nd album from trio Erika Forster (vocals, keyboards), Annie Hart (vocals, keyboards, bass) & Heather D'Angelo (vocals, drum machine, keyboard) | 0:41:26 (Pop-up) | ||||
Morricone Youth | Danger By Starlight | Danger Diabolik | Country Club | 2018 | If you're local, come on down to Monty Hall on Fri Oct 26 when Morricone Youth performs live to Alfred Hitchcock’s 1927 British silent film, THE LODGER! / or check out Devon E. Levins Morricone Island show on Tuesdays from 7-8 pm & anytime here: http://www.wfmu.org/playlists/PE | * | 0:48:02 (Pop-up) | |||
CARROM | Brahui Telepathy | Prehistories | CARROM | 2018 | from Toronto | * | 0:51:19 (Pop-up) | |||
Temple | Crazy Hat / Kingdom Of Gabriel (excerpt) | Temple | Guerssen | 2018 | orig. released in 1976 on Pyramid Records / AKA Heinz Kramer (guitar), Joachim Weiss (bass), Otto Bretnacher (drums), Pauline Fund (vocals & percussion), Poseidon (vocals), Rolf Foeller (guitar) & Zeus B. Held (AKA Bernd Held) | 0:56:25 (Pop-up) | ||||
Juana Molina / Field Works | Dedication, Consecration | Born In The Ear (V/A) | Temporary Residence | 2018 | Inspired by Stuart Hyatt’s audio field recordings, musicians from around the world have contributed complex sonic narratives under the Field Works banner, using Hyatt’s samples and soundscapes. Following an original essay by Erik Anderson, "Born in the Ear" documents the collision of urban and rural to create a complex sonic portrait of Lancaster County, PA. | * | 1:06:53 (Pop-up) | |||
Floris Vanhoof | Track 1 | Talking Gongs | Edições CN | 2017 | based in Belgium / AKA NOZEM/MUTANT & The Soft Cushions | 1:10:50 (Pop-up) | ||||
William Orbit / Corey Haim, Corey Feldman & Jamison Newlander | Barbarik / Notice Anything Unusual About Santa Carla Yet? | Trance Europe Express 3 (V/A) / The Lost Boys | Volume | 1994 | AKA William Wainwright from UK / co-founder of Guerilla Records / other aliases: Bassomatic, Billy Beat, Billy Buttons, Krunch Groove, Pieces In A Modern Style, Playdo, Stone Free, Strange Cargo, The Electric Chamber, VC, & Wayne Wright | 1:16:26 (Pop-up) | ||||
Brooklyn Youth Chorus | So Quietly | Silent Voices | New Amsterdam | 2018 | * | 1:20:38 (Pop-up) | ||||
Eluvium & Field Works | They Coat The Land In Names | Born In The Ear (V/A) | Temporary Residence | 2018 | inspired by Stuart Hyatt's field recordings / AKA Portland, Oregon-based Matthew Cooper | * | 1:25:48 (Pop-up) | |||
Biosphere | Le Grand Dome | Cirque | Touch | 2000 | AKA Geir Jenssen from Norway / 4th album under the Biosphere moniker | 1:29:40 (Pop-up) | ||||
SKY H1 / Dennis Hopper | Huit / ...Show It To Me | Mono No Aware (V/A) / Blue Velvet | Pan | 2017 | producer from Brussels, Belgium | 1:34:42 (Pop-up) | ||||
Loscil & Field Works | Imprints | Born In The Ear (V/A) | Temporary Residence | 2018 | AKA Scott Morgan, from Vancouver, British Columbia, Canada / The name "Loscil" is taken from the "looping oscillator" function in Csound / Scott Morgan was also the drummer for the band, Destroyer | * | 1:38:33 (Pop-up) | |||
Nesa Azadikhah | Random City (Tehran) Part 2 | Random City (Tehran) EP | 2016 | this 3-song EP was made using recordings from urban environments combined with city noises of Tehran / artist is based in Tehran, Iran | 1:41:45 (Pop-up) | |||||
M. Geddes Gengras / Tom Hiddleston | Threshold / Sonnet 18 (by William Shakespeare) | Ishi | Leaving | 2014 | Sonnet 18 by William Shakespeare: Shall I compare thee to a summer’s day? / Thou art more lovely and more temperate: / Rough winds do shake the darling buds of May, / And summer’s lease hath all too short a date; / Sometime too hot the eye of heaven shines, / And often is his gold complexion dimm'd; / And every fair from fair sometime declines, / By chance or nature’s changing course untrimm'd; / But thy eternal summer shall not fade, / Nor lose possession of that fair thou ow’st; / Nor shall death brag thou wander’st in his shade / When in eternal lines to time thou grow’st: / So long as men can breathe or eyes can see, / So long lives this, and this gives life to thee. | 1:46:02 (Pop-up) | ||||
GTTCATT | Jim Denley vs. GTTCATT | Motion Movement In Australian Sound | Preservation | 2003 | AKA Australian duo Martin Ng & Mathias Gmachi | 2:10:45 (Pop-up) | ||||
Emika | Finally Free (Coda) | Melanfonie | Emika | 2017 | 5th full-length album from Ema Jolly from the UK & now based out of Berlin | 2:13:46 (Pop-up) | ||||
Stuart Hyatt & Field Works | The Last Long Walk | Born In The Ear (V/A) | Temporary Residence | 2018 | FIELD WORKS is a collective of experimental pop musicians from around the globe, whose projects are rooted in participatory research – audio field recordings, interviews, visual documentation – where the world itself becomes a recording studio / The group gets its name from the sciences, using observation and experimentation to create the narrative elements of a new kind of place-based music / The collective is led by interdisciplinary artist Stuart Hyatt, whose original field recordings made along a single street in Indianapolis became the foundation for the group’s debut album, "The National Road" | * | 2:15:57 (Pop-up) | |||
Pulse Emitter / Bryan Cranston | Track 5 / Ozymandias (by Percy Bysshe Shelley) | Meditative Music 2 | Expansive | 2008 | AKA Daryl Groetsch / from the album: "this recording (aims to take) you to a peaceful, balanced place, a sound environment befitting sleep, massage, or deep reflective thought. recorded with modular and FM synthesizers for pure waves of simple beauty" / "Ozymandias" by Percy Bysshe Shelley: I met a traveller from an antique land, / Who said—“Two vast and trunkless legs of stone / Stand in the desert. . . . Near them, on the sand, / Half sunk a shattered visage lies, whose frown, / And wrinkled lip, and sneer of cold command, / Tell that its sculptor well those passions read / Which yet survive, stamped on these lifeless things, / The hand that mocked them, and the heart that fed; / And on the pedestal, these words appear: / My name is Ozymandias, King of Kings; / Look on my Works, ye Mighty, and despair! / Nothing beside remains. Round the decay / Of that colossal Wreck, boundless and bare / The lone and level sands stretch far away.” | 2:21:20 (Pop-up) | ||||
Tim Hecker / Corey Haim & Jason Patric | This Life / He Was Protecting You | Konoyo / The Lost Boys | Kranky | 2018 | Taking cues from Gagaku, a form of Japanese classical music performed at the Tokyo Imperial Court / Gagaku employ the yo scale, a pentatonic scale with ascending intervals of 2, 3, 2, 2, and 3 semitones between the 5 scale tones | * | 2:25:41 (Pop-up) | |||
396 Hz | Liberation From Fear | Solfeggio Harmonics Vol. 1 | The ancient solfeggio scale consists of 9 frequencies. The intent of 396 Hz frequency is in turning grief into joy & liberating guilt & fear. This frequency liberates the energy and has beneficial effects on feelings of guilt. It cleanses the feeling of guilt, which often represents one of the basic obstacles to realization, enabling achievement of goals in the most direct way. The ‘Ut’ tone releases you from the feeling of guilt and fear by bringing down the defense mechanisms. 396 Hz frequency searches out hidden blockages, subconscious negative beliefs, and ideas that have led to one's present situations. | 2:34:21 (Pop-up) | ||||||
Lisa Gerrard & Pieter Bourke / Kiefer Sutherland, Alex Winter, Brooke McCarter, Billy Wirth & Jason Patric | Shadow Magnet / You Are One Of Us, Michael!! | Duality / The Lost Boys | 4AD | 1998 | duo from Australia | 2:38:25 (Pop-up) | ||||
Alarm Will Sound | Le Ray Au Soleyl | a/rhythmia | Nonesuch | 2009 | this piece composed by Johannes Oconia in late 14th century | 2:45:35 (Pop-up) | ||||
Kikagaku Moyo | Entrance | Masana Temples | Guruguru Brain | 2018 | 5th album from Daoud Popal, Go Kurosawa, Kotsuguy, Ryu Kurosawa, & Tomo Katsurada from Tokyo, Japan / "Kikagaku Moyo" translates to "Geometric Patterns" | * | 2:49:20 (Pop-up) | |||
Modern English | I Melt With You | After the Snow | Sire | 1982 | 2nd album from English quintet Robbie Grey (vocals), Gary McDowell (guitar), Michael Conroy (bass), Richard Brown (drums) and Stephen Walker (keyboards) | 2:50:09 (Pop-up) | ||||
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