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Three hours of adventurous jazz drawing on the Destination: Out archives and other planes of there.
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Artist | Track | Album | Label | Year | Comments | Approx. start time |
---|---|---|---|---|---|---|
The Roscoe Mitchell Art Ensemble | Tatas-Matoes | Congliptious | Nessa | 1968 | ||
Music behind DJ: Sun Ra |
The Perfect Man |
My Brother The Wind, Vol. I |
Saturn Research |
1970 |
0:02:35 (Pop-up) |
|
Art Blakey & The Jazz Messengers | Sleeping Dancer Sleep On | Like Someone in Love | Blue Note | 1960/1967 | HBD, Wayne Shorter! (b. 25 Aug.) | 0:07:34 (Pop-up) |
Miles Davis | E.S.P. | E.S.P. | Columbia | 1965 | 0:15:06 (Pop-up) | |
Wayne Shorter | Capricorn | Super Nova | Blue Note | 1969 | 0:20:29 (Pop-up) | |
David Murray | Geri Allen | Terri Lynne Carrington | Samsara (For Wayne) | Perfection | Motéma | 2016 | 0:28:13 (Pop-up) | |
Kirk Lightsey & Harold Danko | Lester Left Town | Shorter By Two | Sunnyside | 1983 | 0:33:51 (Pop-up) | |
Grachan Moncur III | Nomadic | Some Other Stuff | Blue Note | 1964 | 0:36:51 (Pop-up) | |
Wayne Shorter | Calm | Odyssey of Iska | Blue Note | 1971 | 0:44:37 (Pop-up) | |
Wayne Shorter | Infant Eyes | Speak No Evil | Blue Note | 1964 | 0:47:56 (Pop-up) | |
Wayne Shorter Quartet | Zero Gravity to the 10th Power | Without a Net | Blue Note | 2013 | 0:54:49 (Pop-up) | |
Music behind DJ: Sugarman 3 |
Baby I Love You |
1:02:49 (Pop-up) |
||||
Alice Coltrane | Turiya & Ramakrishna | Ptah, The El Daoud | Impulse! / ABC Records | 1970 | HBD, Alice (b. 27 Aug.) | 1:10:59 (Pop-up) |
Alice Coltrane | The Ankh of Amen-Ra | Universal Consciousness | Impulse! / ABC Records | 1971 | 1:18:53 (Pop-up) | |
Alice Coltrane | Journey In Satchidananda | Journey In Satchidananda | Impulse! / ABC Records | 1971 | 1:24:27 (Pop-up) | |
Pharoah Sanders | Japan | Tauhid | Impulse! | 1967 | 1:29:58 (Pop-up) | |
Sonny Sharrock | Blind Willie | Guitar | Enemy Records | 1986 | HBD, Sonny (b. 27 Aug.) | 1:33:23 (Pop-up) |
Sonny Sharrock | Soon | Monkey - Pockie - Boo | BYG/Actuel | 1970 | 1:38:03 (Pop-up) | |
Sonny Sharrock | Fear of a Ghost Planet | Space Ghost: Coast to Coast | Cartoon Network | 1994 | 1:45:34 (Pop-up) | |
Sonny Sharrock | Many Mansions | Ask the Ages | Axiom | 1991 | 1:47:40 (Pop-up) | |
Alice Coltrane | Going Home | Lord of Lords | Impulse! / ABC Records | 1972 | 1:56:57 (Pop-up) | |
Music behind DJ: Booker T. & the MGs |
Melting Pot |
2:06:49 (Pop-up) |
||||
Tom Abbs & Frequency Response | Regret | Hawthorne | Engine Studios | 2018 | 2:12:18 (Pop-up) | |
Mário Costa | Aluminum Foil | Oxy Patina | Clean Feed | 2018 | 2:15:37 (Pop-up) | |
Catherine Sikora & Brian Chase | so. the | untitled: after | Chaikin Records | 2018 | 2:18:31 (Pop-up) | |
Lynn Cassiers | Water Fall | Imaginary Band | Clean Feed | 2018 | 2:22:25 (Pop-up) | |
Binker and Moses | How Fire Was Made | Alive in the East? | Gearbox | 2018 | 2:26:50 (Pop-up) | |
Stephanie Richards | Solana | Trio Music | pfMENTUM | 2018 | 2:31:13 (Pop-up) | |
Music behind DJ: Natural Food |
Fair Breeze on Buzzard's Bay |
2:35:22 (Pop-up) |
||||
Aretha Franklin | (Sweet Sweet Baby) Since You've Been Gone | Lady Soul | Atlantic | 1968 | 2:40:03 (Pop-up) | |
Aretha Franklin | Baby, I Love You | Aretha Arrives | Atlantic | 1967 | 2:42:14 (Pop-up) | |
Aretha Franklin | Niki Hoeky | Lady Soul | Atlantic | 1968 | 2:44:37 (Pop-up) | |
Aretha Franklin | Ain't Nobody (Gonna Turn Me Around) | Aretha Arrives | Atlantic | 1967 | 2:47:02 (Pop-up) | |
Aretha Franklin | Tracks of My Tears | Soul '69 | Atlantic | 1969 | 2:49:35 (Pop-up) | |
Aretha Franklin | You Keep Me Hangin' On | Rare & Unreleased Recordings from the Golden Reign of the Queen of Soul | Rhino/Atlantic | 1969/2007 | This Girl's in Love with You/Spirit in the Dark outtake | 2:52:20 (Pop-up) |
Aretha Franklin | That's The Way I Feel About 'Cha (alternate) | Rare & Unreleased Recordings from the Golden Reign of the Queen of Soul | Rhino/Atlantic | 1972/2007 | Hey Now Hey (The Other Side Of The Sky outtake | 2:55:35 (Pop-up) |
Music behind DJ: Dudu Pukwana & Spear |
Flute Music |
Flute Music |
Caroline |
1975 |
3:01:19 (Pop-up) |
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Listener comments!
Scraps:
Jeff Golick:
listener james from westwood:
Scraps:
Jeff Golick:
Scraps:
Uncle Michael:
Jeff Golick:
Stanley:
Jeff Golick:
Andrew Waterloo:
Jeff Golick:
Uncle Michael:
Jeff Golick:
Uncle Michael:
Jeff Golick:
Doug Schulkind:
Good morning!
Doug Schulkind:
JtotheK:
Jeff Golick:
Ahoy hoy, @JtotheK!
Sem:
Jeff Golick:
Jeff Golick:
Doug Schulkind:
Jeff Golick:
Sem:
Jeff Golick:
Dean:
WINE-uh shohr-TAY
Doug Schulkind:
Jeff Golick:
@Doug! See ya! Thanks for stopping by. Wish you could stay longer for Shorter.
Dean:
Jeff Golick:
Dean:
doctorjazz:
Jeff Golick:
Jeff Golick:
Dean:
Jeff Golick:
doctorjazz:
Jeff Golick:
Jeff Golick:
Dean:
Jeff Golick:
doctorjazz:
Scraps:
Scraps:
Jeff Golick:
Re Sharrock, via wiki: "He wanted to play tenor saxophone from his youth after hearing John Coltrane on Davis's Kind of Blue on the radio at age 19, but his asthma prevented this. Sharrock said repeatedly, however, that he still considered himself 'a horn player with a really fucked up axe.'"
Dean:
Jeff Golick:
Jeff Golick:
doctorjazz:
glenn:
Scraps:
Dean:
Jeff Golick:
rw:
doctorjazz:
Jeff Golick:
Scraps:
Scraps:
Dean:
Scraps:
Jeff Golick:
@Dean: I got that same RS Yellow guide. (Also Blue and Red, too.)
Dean:
Dean:
doctorjazz:
Jeff Golick:
Scraps:
Jeff Golick:
Dean:
Well, Richard Meltzer wrote the review of L.A. Woman. He was (perhaps still is) a huge Doors fan, and he loved the album. Ben Gerson reviewed Other Voices a bit more equivocally. I hung out with Meltzer a bit in the '90s, and I confess I never quite got his admiration for The Doors. But he was exactly right in his veneration of The Germs.
Dean:
glenn:
Scraps:
doctorjazz:
doctorjazz:
melinda:
rw:
Jeff Golick:
Jeff Golick:
doctorjazz:
doctorjazz:
Jeff Golick:
Dean:
Dean:
Jeff Golick:
Dean:
Dean:
rw:
Jeff Golick:
Scraps:
Dean:
Jeff Golick:
Scraps:
Jeff Golick:
doctorjazz:
rw:
rw:
Scraps:
Dean:
Dean:
rw:
Scraps:
Dean:
Dean:
The roster these days otherwise looks way more mainstream than it used to be.
rw:
Uncle Michael:
Dean:
Re: Brotzmann & Heino, I suppose in a Venn diagram kinda way there's an area of jazz to which you could refer.
Scraps:
Jeff Golick:
Jeff Golick:
Scraps:
Jeff Golick:
rw:
We ran into a few people the following week who had been to the show and their answers seemed to depend on whether they had gone to see Brotzmann with Haino or Haino with Brotzmann.
Dean:
rw:
Jeff Golick:
Jeff Golick:
doctorjazz:
rw:
Jeff Golick:
Doug Schulkind:
rw:
doctorjazz:
Jeff Golick:
doctorjazz:
Jeff Golick:
Dean:
Stanley:
doctorjazz:
Jeff Golick:
doctorjazz:
(see if I can get myself out to bike Watchung now...). Been fun!
Jeff Golick:
rw:
Jeff Golick:
Stanley:
Thanks, again for a most enjoyable show
(Amazing Grace - that's the one
Doug Schulkind:
rw:
rw:
Jeff Golick:
doctorjazz:
Jeff Golick:
doctorjazz:
Listener Gregory: