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Postwar atmospherica.
Jazz modernism, mystical pop, electronic creaks & pulses, Latin rhythms, soundtrack & library moods, cinematic surf, exotica & instrumental curios, soul heartache, hypnotic blues & R&B, spoken trances, lonesome country & rock 'n' roll, strange scales, drones, haze.
Plus experimental and ephemeral moving image flotsam live-screened every week on the Flame-O-Scope™.
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Artist | Track | Album | Approx. start time |
---|---|---|---|
Clare Fischer | Morning | Manteca! | |
Poncho Sanchez | Morning | Poncho | 0:04:07 (Pop-up) |
Robert Drasnin | You | Voodoo Exotic Music From Polynesia And The Far East | 0:11:14 (Pop-up) |
Bruno Nicolai | Ciam | La Muraglia Asiatica | 0:15:21 (Pop-up) |
Roger Roger | Sound Industrial N°5 | Studio Ganaro: Space Oddities 1972-1982 LP | 0:16:57 (Pop-up) |
Colleen | Ritournelle | Everyone Alive Wants Answers | 0:19:12 (Pop-up) |
John Baker | Structures | BBC Radiophonic Workshop | 0:21:56 (Pop-up) |
Russ Garcia | Volcanoes of Mercury | Fantastica: Music from Outer Space | 0:25:06 (Pop-up) |
Music behind DJ: |
welcome to the club |
0:28:59 (Pop-up) |
|
Eula Cooper | Try | 7" 45 | 0:39:58 (Pop-up) |
Copeland Davis | Morning Spring | Smouldering Secrets | 0:42:04 (Pop-up) |
Gwenno | Hi a Skoellyas Liv a Dhagrow | Le Kov | 0:46:18 (Pop-up) |
Koop (with Cecilia Stalin) | Waltz for Koop | Waltz for Koop | 0:51:12 (Pop-up) |
Music behind DJ: |
the wide open |
0:54:49 (Pop-up) |
|
Frank Minion | Theme Five: Later | The Soft Land of Make Believe (Introduction to Black Opium Street) | 0:59:15 (Pop-up) |
Stan Tracey | Starless and Bible Black | Jazz Suite (Inspired By Dylan Thomas's Under Milk Wood) | 1:01:02 (Pop-up) |
Helen Merrill | The Thrill Is Gone | You've Got a Date With the Blues | 1:05:21 (Pop-up) |
The Rockbusters | Tough Chick | 7" 45 | 1:08:22 (Pop-up) |
Mal Waldron | Brindle's Place | Sweet Love, Bitter | 1:10:51 (Pop-up) |
Leith Stevens and His Orchestra | Lilli | Private Hell 36 | 1:13:56 (Pop-up) |
Roscoe Weathers Quintet | Root Flute | 7" 45 | 1:16:41 (Pop-up) |
Eddie Palmieri | Que Suena La Orquesta | Mambo Con Conga Is Mozambique | 1:20:43 (Pop-up) |
Nappy Brown | Coal Miner | 7" 45 | 1:26:28 (Pop-up) |
Music behind DJ: |
bright groovy things |
1:28:50 (Pop-up) |
|
Gene Ludwig | Soul Mountain | 7" 45 | 1:38:54 (Pop-up) |
Som Tres | Spooky | Um É Pouco, Dois É Bom, Êste Som Três É Demais | 1:41:52 (Pop-up) |
Philippe Sarde | Jukes Box Chez Saidani | Mood Mosaic Vol 10 | 1:44:32 (Pop-up) |
Les Baroques | I Was Wrong | 7" 45 | 1:47:13 (Pop-up) |
The Apollos | That's the Breaks | 7" 45 | 1:49:07 (Pop-up) |
The Outsiders | The Guy with the Long Liverpool Hair | 7" 45 | 1:51:40 (Pop-up) |
Gloria Garcia with Ike & Tina Revue | No Puedes Extrañar (Lo Que Nunca Has Tenido) | 7" 45 | 1:53:57 (Pop-up) |
Music behind DJ: |
isle of somewhere |
1:56:27 (Pop-up) |
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Listener comments!
chresti:
hyde:
Little Danny:
melinda:
coelacanth∅:
Little Danny:
Flash Strap:
chresti:
Little Danny:
geezerette:
( shakes sandals free of sand. )
I'll be in the corner booth doing paper work.
coelacanth∅:
MrFab:
Little Danny:
Little Danny:
Little Danny:
MrFab:
northguineahills:
Little Danny:
Flash Strap:
Little Danny:
still b/p:
Little Danny:
chresti:
Little Danny:
coelacanth∅:
it'll go well with lemon-ginger-echinacea juice though.
Flash Strap:
Flash Strap:
Little Danny:
chresti:
still b/p:
northguineahills:
Flash Strap:
coelacanth∅:
northguineahills:
(*needs more sleep*)
coelacanth∅:
Little Danny:
Little Danny:
northguineahills:
Little Danny:
chresti:
space bed music
coelacanth∅:
Little Danny:
coelacanth∅:
MrFab:
hyde:
hyde:
coelacanth∅:
...and what ihyde said!
Dano59:
chresti:
coelacanth∅:
- oh, and Cheers!
Little Danny:
still b/p:
Little Danny:
Little Danny:
chresti:
coelacanth∅:
still b/p:
Little Danny:
coelacanth∅:
chresti:
coelacanth∅:
chresti:
melinda:
chresti:
coelacanth∅:
chresti:
chresti:
coelacanth∅:
chresti:
melinda:
coelacanth∅:
MrFab:
coelacanth∅:
Little Danny:
geezerette:
Little Danny:
coelacanth∅:
geezerette:
Little Danny:
Little Danny:
geezerette:
@Danny, totally agree.
chresti:
Little Danny:
northguineahills:
coelacanth∅:
-i'd be a good wealthy person though, because i'm a good poor person and i don't have that many years left to learn to be a greedy asshole!
northguineahills:
coelacanth∅:
still b/p:
coelacanth∅:
chresti:
geezerette:
Danny, my favorite too! The kind of record you console yourself with when you break up. Play it over & over.
This whole noirish set is beautiful.
Dig Mal Waldron.
Just saw John Casavette "Faces" on Filmstruck. It's hard to watch but brilliant and this music reminded me to mention. From '68, B&W,.
chresti:
coelacanth∅:
Little Danny:
I love "Faces," been a minute since I watched it
still b/p:
chresti:
geezerette:
coelacanth∅:
melinda:
still b/p:
melinda:
Little Danny:
still b/p:
Another interesting note heard recently about distinctly different approaches and purposes while working on set: Hitchcock and Montgomery Clift, “I Confess.” Never seen the picture though.
MrFab:
melinda:
coelacanth∅:
chresti:
MrFab:
coelacanth∅:
still b/p:
geezerette:
coelacanth∅:
coelacanth∅:
MrFab:
chresti:
coelacanth∅:
chresti Thank you i'll check that.
geezerette:
Curtis Harrington was director, (I think...).
Little Danny:
chresti:
coelacanth∅:
Little Danny:
Little Danny:
geezerette:
Lovely show, Danny and cool ones!
Good Night, all!
coelacanth∅:
coelacanth∅:
Little Danny:
coelacanth∅:
chresti:
chresti:
still b/p:
coelacanth∅:
good night, or 'till then, comrades
chresti:
Little Danny: