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An odyssey of the ears powered by the moon, the stars, & a pixie dusting of ecstatic electricity...
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Artist | Track | Album | Label | Year | Comments | New | Approx. start time | |||
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EFSS (Erren Flessig Schottler Steffen) / Brad Pitt, George Clooney, Andy Garcia & Oprah Winfrey | Movement / Are You Watching Oprah? | Tidal Shift / Ocean's Eleven | Bandcamp | 2018 | from Germany | * | 0:00:00 (Pop-up) | |||
Terekke | L8r H8r | Improvisational Loops | Music From Memory | 2018 | 2nd album from Matt Gardner / album conceived as an aid for yoga | * | 0:09:52 (Pop-up) | |||
Yu-Utsu w/ Hello Meteor | Prime | Yu-Utsu | Midwest Collective | 2018 | AKA Thomas Takashi O'Malley | * | 0:11:17 (Pop-up) | |||
Dennis Young | Na Chia | Synthesis (Electronic Music 1984-1988) | Bureau B | 2018 | of Liquid Liquid | * | 0:14:55 (Pop-up) | |||
Francois Bayle | La Preuve Par Le Sens | L'Experience Acoustique | Recollection GRM | 2015 | album orig. composed between 1969-72 / He coined the term Acousmatic Music (from Greek ἄκουσμα akousma, "a thing heard") which is a form of electroacoustic music that is specifically composed for presentation using speakers, as opposed to a live performance. It stems from a compositional tradition that dates back to the introduction of musique concrète in the late 1940s. The music is produced with the aid of various music technologies, such as digital recorders, digital signal processing tools and digital audio workstations. Using such technology various sound materials can be combined, juxtaposed, and transformed in any conceivable manner. In this context the compositional method can be seen as a process of sound organization. | 0:16:55 (Pop-up) | ||||
Makeness | Day Old Death | Loud Patterns | Secretly Canadian | 2018 | from 1st full-length album by Kyle Molleson, whose studio is located in the Outer Hebrides, a chain of small islands in the Scottish highlands | * | 0:20:15 (Pop-up) | |||
VCMG | Windup Robot | Ssss | Mute | 2012 | written and produced by Vince Clarke & Martin Gore / VCMG= their initials + Voltage Control Modulation Generator | 0:23:53 (Pop-up) | ||||
Dynatron / George Scott, Peter Sellers, & Peter Bull | Pulse Power / This Is Absolute Madness! | Escape Velocity / Dr. Strangelove | Aphasia | 2012 | from debut album from Jeppe Hasseriis from Hadsten, Denmark | 0:28:59 (Pop-up) | ||||
Liquid Liquid | Lub Dupe | Liquid Liquid | Grand Royal | 1997 | orig. released as a 12" by 99 Records in 1981 | 0:34:38 (Pop-up) | ||||
Depeche Mode vs. The Doors vs. Tears For Fears | Personal Roadhouse Shout (DJs From Mars Bootleg) | 0:35:58 (Pop-up) | ||||||||
Carpenter Brut | 347 Midnight Demons | Trilogy | No Quarter | 2015 | AKA Franck Hueso from Poitiers, France | 0:40:31 (Pop-up) | ||||
Waveshaper / Groucho Marx, Mr. Smith | The Engineer Part II / Strange Dame? | Station Nova / A Night In Casablanca | NewRetroWave | 2016 | from Stockholm, Sweden | 0:44:52 (Pop-up) | ||||
d.notive / Robert Duvall | Red Light Syndrome / Someday This War's Gonna End | Sentinel / Apocalypse Now | 2016 | AKA producer Matt Larson from Minneapolis, Minnesota | 0:47:50 (Pop-up) | |||||
Nobuo Uematsu | Rainy Day, Children | Phantasmagoria | NTT Publishing | 1994 | video game composer from Japan | 0:53:32 (Pop-up) | ||||
Nick Drake | Introduction | When The Day Is Done - The Orchestrations Of Robert Kirby (VA) | Ace | 2018 | orig from Drake's 2nd album, Bryter Layter, which came out in 1976 / "Richard Hewson, a well known arranger, and a fifteen piece orchestra had been brought in to arrange Nick's songs. At the session, Nick started getting hotter and hotter under the collar. Hewson had wanted to orchestrate pieces from Five Leaves Left. Drake wanted to orchestrate his new instrumental pieces. Drake kept getting quietly more and more aggravated, and in the end he dug his heels in and dismissed the arrangements. He said he'd get this friend at Cambridge, Robert Kirby, whom he thought would be much more sympathetic to what he was doing. Robert had never before done anything in his life in a recording studio. But two weeks later he was booked together with a bunch of musicians. I remember... We were flabbergasted. He was so good." - John Wood, sound engineer | * | 0:57:25 (Pop-up) | |||
Windweaver | Healing Music | composed using 432 Hz frequency | 1:10:30 (Pop-up) | |||||||
Cam Deas | Exercise 2 | Time Exercises | The Death Of Rave | 2018 | Cameron Deas' 1st album to be composed solely for modular synths & computer | * | 1:15:29 (Pop-up) | |||
Annea Lockwood | World Rhythms | New Music for Electronic and Recorded Media: Women In Electronic Music 1977 (V/A) | New World Records | 2006 | orig. 1975 / from New Zealand / explored the process of healing through sound / this piece consists of 10 channels of sound (previously taped) which are amplified and sent to 10 lousspeakers in such a way that each channel is relayed (unmixed with any other channel) to a particular speaker. Each channel relays one of the following environmental sounds: pulsars; earthquakes; volcanic activity; geysers and mud pools; rivers; peepers; fire and crows; a storm on a lake; wave lapping on a lake shore; and human breathing. Levels are controlled during the performance, individual channels faded in and out, allowing for as many of the possible combinations of sounds to be heard, ranging from one channel alone, to all 10 channels simultaneously. | 1:19:33 (Pop-up) | ||||
David Tudor | Neural Synthesis No. 6 (excerpt) | Neural Synthesis Nos. 6-9 | Lovely Music | 1995 | started as a pianist & later on focused on his own electronic compositions | 1:23:22 (Pop-up) | ||||
Eno, Moebius, Roedelius | Broken Head | After the Heat | Sky Records | 1978 | Engineered by Conny Plank & recorded at his studio / AKA Brian Eno, Dieter Moebius (Harmonia, Cluster & Liliental) & Hans-Joaquin Roedelius (Harmonia & Cluster) | 1:28:05 (Pop-up) | ||||
Gabor Csupo | Ondo | Industrium Post Mortem: China (V/A) | Tone Casualties | 1996 | Hungarian-American / co-founder of animation studio Klasky Csupo / founder of Tone Casulaties label | 1:33:07 (Pop-up) | ||||
Maryanne Amacher | Excerpt from Stain - The Music Rooms | Imaginary Landscapes - New Electronic Music (V/A) | Elektra Nonesuch | 1989 | American composer and installation artist, who is known for working extensively with a family of psychoacoustic phenomena called auditory distortion products (also known as distortion product otoacoustic emissions and combination tones), in which the ears themselves produce audible sound. | 1:37:15 (Pop-up) | ||||
Magic Sword | The Beginning | Volume 1 | Tender Loving Empire | 2015 | 1:40:17 (Pop-up) | |||||
College (feat. Electric Youth) | A Real Hero | Drive (Original Motion Picture Soundtrack) | track orig. released as part of a 5-song EP by Flexx Records in 2009 / AKA David Grellier from Nantes, France / founder of Valerie record label | 1:45:42 (Pop-up) | ||||||
Steven Wilson | Perfect Life | Hand. Cannot. Erase. | Kscope | 2015 | from Britain | 1:50:06 (Pop-up) | ||||
Francois Bayle | Rosace 3 | Vibrations Composées / Grande Polyphonie | Magison | 1992 | ori.g 1973 | 1:54:22 (Pop-up) | ||||
Quixotic / Brad Pitt & Matt Damon | Palms / And For God's Sake, Under Any Circumstances, Don't... | Quixotic EP / Ocean's Eleven | Future City Records | 2013 | AKA Krisztian Miklosy from Budapest | 1:56:13 (Pop-up) | ||||
Ricardo Villalobos | Enfants (Chants) | Sei Es Drum | 2008 | 12" / Villalobos was born in Chile, but when he was very young, his family moved to Germany when Pinochet overthrew the socialist government of Salvador Allende in 1973 | 2:13:13 (Pop-up) | |||||
Dissolved | A Night Spiraling | Tangled Prismatics | Daddy Tank | 2018 | AKA Paul Daniels (AKA Apydiagirls) orig. from Scotland & now based in Vancouver | * | 2:22:25 (Pop-up) | |||
Cut Chemist | Energy (Interlude 2) | Die Cut | A Stable Sound | 2018 | from 4th album by Lucas MacFadden (from Jurassic 5) | * | 2:28:05 (Pop-up) | |||
Ladytron / Elliot Gould, George Clooney & Brad Pitt | Ghosts / You're Still In the Middle of the *$?! Desert | Velocifero / Ocean's Eleven | Cobraside | 2008 | from 4th album by quartet Daniel Hunt, Helen Marnie, Mira Aroyo & Reuben Wu | 2:28:55 (Pop-up) | ||||
GUM | The Underdog | The Underdog | Spinning Top | 2018 | from 4th album by Jay Watson (from Tame Impala & Pond) | * | 2:33:21 (Pop-up) | |||
Tidal Channel | Humash Wealth Management, Inc | The 35 Anniversary of BC Studio (V/A) | Bronson | 2018 | Album is a 2016 live document to pay tribute to iconic producer, Martin Bisi / Mixed & edited by Martin Bisi | * | 2:34:44 (Pop-up) | |||
Koplant No | Before We Go | Elker | 2018 | Joel Vanderheyden (saxophone, beats, vocals) / Brian Lewis Smith (trumpet, laptop, keys) / Drew Morton (basses, synth) / Rob Baner (drums, samples, vibes) | * | 2:36:45 (Pop-up) | ||||
Bernard Parmegiani | Dance, Per Nastro Magnetico | 1962 | In composing this piece, which dates from 1962, the author resorted to the experience of using one single sound source, the voice, which is habitually treated with instrumental support. The manipulations aim at making evident and underlining the natural inflections of the voice. In sum, a kind of endeavor analogous to the one that makes a transition from gesture to dance possible, and this is what these sound movements try to evoke. Born in Paris, in 1927, Bernard Parmegiani joined the Groupe de Recherches Musicales in 1959, after having worked for five years as a sound engineer for television. | 2:38:46 (Pop-up) | ||||||
Cut Chemist | The Lift Part 2 (The Dream Sequence) | Die Cut | * | 2:42:37 (Pop-up) | ||||||
JG Thirlwell & Dana Schechter w/ special guests Laura Ortman and the BC Radiophonic Choir | Downhill | BC-35: The 35 Year Anniversary of BC Studio | Bronson | 2018 | * | 2:43:33 (Pop-up) | ||||
Zombie Hyperdrive | Red Eyes | Hyperion | NewRetroWave | 2016 | from this artist's bandcamp page: sandworms. you've probably never seen one. they're pretty underground. | 2:46:24 (Pop-up) | ||||
Bill Burr | Muffins | 2:48:46 (Pop-up) | ||||||||
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Listener comments!
jkeigh:
CarolCrow:
Ken From Hyde Park:
jkeigh:
Hi from Holland:
CarolCrow:
CarolCrow:
phbbbt!!:
CarolCrow:
phbbbt!!:
CarolCrow:
northguineahills:
jkeigh:
jkeigh:
CarolCrow:
northguineahills:
I woke up at 6am, worked until 6pm (we're a startup, so we didn't hire workers, and I'm the youngest one there [not so youthy anymore myself') then hit the pub my house afterwards. Any day you can drink at work isn't a bad one.
CarolCrow:
northguineahills:
northguineahills:
Kevin-san:
CarolCrow:
CarolCrow:
northguineahills:
jkeigh:
jkeigh:
phbbbt!!:
MrTum:
Good Morning from Blighty Carol.
Kevin-san:
jkeigh:
phbbbt!!:
northguineahills:
Zetti:
jkeigh:
jkeigh:
CarolCrow:
CarolCrow:
CarolCrow:
CarolCrow:
northguineahills:
CarolCrow:
jkeigh:
northguineahills:
Mark R:
debt collector:
Love from Burlington VT
northguineahills:
ack, Cut Chemist and Ladytron!!!!
Parmegiani!!!!
/need my fainting couch.
//realized a Parmegiani piece at the Kitchen once w/ a minimal techno band over a decade ago.....
northguineahills:
jkeigh:
upstate sean:
upstate sean:
upstate sean:
CarolCrow:
CarolCrow: