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Three hours of adventurous jazz drawing on the Destination: Out archives and other planes of there.
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Artist | Track | Album | Label | Year | Comments | Approx. start time |
---|---|---|---|---|---|---|
The Roscoe Mitchell Art Ensemble | Tatas-Matoes | Congliptious | Nessa | 1968 | 0:00:00 (Pop-up) | |
Music behind DJ: Sun Ra |
The Perfect Man |
My Brother The Wind, Vol. I |
Saturn Research |
1970 |
0:03:53 (Pop-up) |
|
Anthony Braxton | Opus 58 | Creative Orchestra Music 1976 | Arista | 1976 | 0:06:15 (Pop-up) | |
Dave Burrell with Tyrone Brown | Struttin' with Some Barbecue | Recital | CIMP | 2001 | 0:12:22 (Pop-up) | |
Paul Plimley | Lisle Ellis | Dancing in Your Head | Kaleidoscopes (Ornette Coleman Songbook) | hat ART | 1992 | 0:17:27 (Pop-up) | |
Johnny Dyani | Afrikan Anthem (Zulu) / Afrikan Blues / Ithi Gqi | African Bass | Red Record | 1979 | 0:21:10 (Pop-up) | |
Taylor Ho Bynum | Comin' On/For Bradford | THB Bootlegs, Vol. 4: Duo with Mark Dresser | [self-released] | 2014/2018 | 0:33:22 (Pop-up) | |
The Soul Jazzmen | Inhlupeko | Inhlupeko (Distress) | City Special | 1969 | 0:42:03 (Pop-up) | |
Sun Ra | One Day in Rome | Other Voices, Other Blues | Horo | 1978 | 0:52:27 (Pop-up) | |
Music behind DJ: Mouse On Mars |
Fantastic Analysis |
0:57:48 (Pop-up) |
||||
Tim Daisy's Fulcrum Ensemble | Glass and Lead | Animation | Relay Recordings | 2018 | 1:07:10 (Pop-up) | |
Khan Jamal Quintet | Nobody Know De Trouble I See | Balafon Dance | CIMP | 2002 | 1:15:19 (Pop-up) | |
Michael Bisio | Joe Giardullo | Digeridawn | Primal Intentions | Cadence Jazz Records | 2001 | 1:22:57 (Pop-up) | |
Kahil El'Zabar's Tri-Factor Trio | Baby K for Kaduvwa | If You Believe | 8th Harmonic Breakdown | 2002 | 1:27:17 (Pop-up) | |
Josh Sinton | kasra 1_Sound | kasra | [self-released] | 2018 | 1:33:45 (Pop-up) | |
Oba Loba | Leigionella | Sir Robert Williams | three:four records | 2017 | 1:50:28 (Pop-up) | |
Eric Dolphy | God Bless the Child | Here and There | Prestige | 1960 | 1:53:12 (Pop-up) | |
Music behind DJ: Chaz Jankel |
To Woo Lady Kong |
1:58:40 (Pop-up) |
||||
Erasmo Carlos | Aquarela do Brasil | Erasmo Carlos e Os Tremendões | RGE | 1970 | 2:05:13 (Pop-up) | |
Os Brazoes | Volks Volkswagen Blue | Os Brazoes | 2:07:50 (Pop-up) | |||
Arthur Verocai | Sylvia | Arthur Verocai | Continental | 1972 | 2:10:36 (Pop-up) | |
Caetano Veloso | Lost in the Paradise | Caetano Veloso (1969) | Philips | 1969 | 2:13:36 (Pop-up) | |
Gilberto Gil | 2001 | Gilberto GIl (1969) | Philips | 1969 | 2:17:19 (Pop-up) | |
Gal Costa | Sebastiana | Gal Costa (1969) | Philips | 1969 | 2:21:03 (Pop-up) | |
Rita Lee | Vamos Tratar da Saude | Hoje Ă© o Primeiro Dia do Resto da Sua Vida | Polydor | 1972 | 2:23:29 (Pop-up) | |
Nelson Angelo e Joyce | Vivo ou Morto | Nelson Angelo e Joyce | Odeon | 1972 | 2:26:25 (Pop-up) | |
Luis Bonfa | Manha De Carnaval (Morning Of The Carnival) | Solo in Rio 1959 | Smithsonian Folkways | 1959 | 2:28:37 (Pop-up) | |
Music behind DJ: Natural Food |
Granny on the Gramophone |
2:30:57 (Pop-up) |
||||
Galaxie 500 | Blue Thunder (Saxophone Version) | Uncollected Galaxie 500 | Rykodisc | 2004 | (Ralph Carney, sax) | 2:36:52 (Pop-up) |
The Modern Lovers | Old World | The Modern Lovers | Beserkley | 1976 | 2:39:05 (Pop-up) | |
The Lyres | How Could I Have Done All of These Things | On Fyre | Ace of Hearts Records | 1984 | 2:43:00 (Pop-up) | |
Mission of Burma | Trem Two | b/w OK / No Way | Ace of Hearts Records | 1982 | 2:46:30 (Pop-up) | |
The Pixies | Gigantic | Surfer Rosa | 4AD | 1988 | 2:50:39 (Pop-up) | |
Throwing Muses | Cry Baby Cry | Chains Changed | 4AD | 1987 | 2:55:22 (Pop-up) | |
Scruffy the Cat | Mybabyshe'salright | Tiny Days | Relativity | 1987 | 2:58:45 (Pop-up) | |
Music behind DJ: Dudu Pukwana & Spear |
Flute Music |
Flute Music |
Caroline |
1975 |
3:01:23 (Pop-up) |
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Listener comments!
Scraps:
Jeff Golick:
listener james from westwood:
Jeff Golick:
listener james from westwood:
Listener Robert:
You could even make some of them 3-word sentences. How many men should I send there; all 50 at once? "March 20 first."
Jeff Golick:
Jeff Golick:
Doug Schulkind:
Jeff Golick:
Doug Schulkind:
Brian in UK:
On your marks, get set........
listener james from westwood:
Jeff Golick:
doctorjazz:
Jeff Golick:
Ken From Hyde Park:
Uncle Michael:
Jeff Golick:
Uncle Michael:
Jeff Golick:
Uncle Michael:
doctorjazz:
doctorjazz:
Polyus:
Jeff Golick:
Jeff Golick:
Polyus:
glenn:
glenn:
Polyus:
www.instagram.com...
www.instagram.com...
Jeff Golick:
Jeff Golick:
glenn:
doctorjazz:
Polyus:
Jeff Golick:
glenn:
Listener Robert:
sberger:
sberger:
doctorjazz:
Jeff Golick:
Jeff Golick:
doctorjazz:
doctorjazz:
Jeff Golick:
doctorjazz:
Jeff Golick:
listener james from westwood:
The real test will be how much flex Clay can exert. If everyone who he name-checks at roll call were to do a Mouse pledge, we'd be in great shape.
doctorjazz:
But it would make sense, if he was on that side for the set. But I'd think the engineer would correct it in the mix later..
Listener Robert:
Jeff Golick:
Dean:
Dean:
I've had plenty of coffee.
Jeff Golick:
glenn:
glenn:
listener james from westwood:
glenn:
an upsala school bus.
Uncle Michael:
Dean:
Uncle Michael:
Uncle Michael:
Dean:
Uncle Michael:
Dean:
Uncle Michael:
Here, the streets all have names: "Frank Sinatra," "Bob Hope," "Dinah Shore," "Ginger Rogers," etc.
doctorjazz:
doctorjazz:
Great Marathon all!
Jeff Golick:
Uncle Michael:
Jeff, this Boston set needs some Buffalo Tom. They played L.A. last night.
Uncle Michael:
sberger:
Jeff Golick:
Jeff Golick:
Dean:
Jeff Golick:
listener james from westwood:
Jeff Golick:
Dean:
listener james from westwood:
Jeff Golick:
Jeff Golick: