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March 7, 2018: 2018 Marathon Week #1 with Joel St. Germain
Listen to this show:
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Artist | Track | Album | Approx. start time | |||||||
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Lee Morgan | Sweet Honey Bee | Charisma | 0:00:00 (Pop-up) | |||||||
Robyn Hitchcock | Virginia Woolf | WriterSongs: Irwin's 2018 Marathon Premium CD | 0:08:52 (Pop-up) | |||||||
Chip Wickham | The Beatnik | Lovemonk single LMNKV102-B | 0:11:30 (Pop-up) | |||||||
The Owls | Isaac Bashevis Singer | WriterSongs: Irwin's 2018 Marathon Premium CD | 0:22:27 (Pop-up) | |||||||
Chemtrails | A Beautiful Cog in the Monolithic Death Machine | Calf of the Sacred Cow | 0:25:24 (Pop-up) | |||||||
Primitives | Crash | The Primitives | 0:28:15 (Pop-up) | |||||||
Dandy Warhols | Nietzsche | WriterSongs: Irwin's 2018 Marathon Premium CD | 0:30:58 (Pop-up) | |||||||
Jenny O. | Case Study | Peace & Information | 0:42:50 (Pop-up) | |||||||
MGMT | When You're Small | Little Dark Age | 0:45:42 (Pop-up) | |||||||
The Critters | Gone For Awhile | Tracks | 0:49:34 (Pop-up) | |||||||
Magnetic Fields | Me and Fred and Dave and Ted | 50 Song Memoir | 0:51:58 (Pop-up) | |||||||
Cola Jet Set | El Fin del Mundo | El Fin del Mundo | 1:05:03 (Pop-up) | |||||||
Bushman's Revenge | We Travel the Spaceways | Never Mind the Botox | 1:08:06 (Pop-up) | |||||||
Barrence Whitfield & the Savages | Oscar Levant | WriterSongs: Irwin's 2018 Marathon Premium CD | 1:13:47 (Pop-up) | |||||||
Reno Bo | Have You Seen Her Face | Flashback to the Future: B-Sides, Covers & Others | 1:26:28 (Pop-up) | |||||||
John Denver | Annie's Song (clean radio edit) | To Sir, With Love | 1:29:09 (Pop-up) | |||||||
The Dust Jackets | J.K. Rowling | WriterSongs: Irwin's 2018 Marathon Premium CD | 1:31:32 (Pop-up) | |||||||
Turn Me on Dead Man | Beatle George | God Bless the Electric Freak | 1:36:24 (Pop-up) | |||||||
Rip Rig + Panic | Subversive Wisdom | I Am Cold | 1:39:16 (Pop-up) | |||||||
Mary Brett Lorson | Theme from Whatever | Themes from Whatever | 1:57:47 (Pop-up) | |||||||
Sunflower Bean | Twentytwo | Twentytwo in Blue | 2:02:26 (Pop-up) | |||||||
Elliot Galvin | Bikini Island | The Influencing Machine | 2:06:56 (Pop-up) | |||||||
Modest Mouse | Bukowski | WriterSongs: Irwin's 2018 Marathon Premium CD | 2:12:10 (Pop-up) | |||||||
Ariel Pink | Heaven | Dedicated to Bobby Jameson | 2:27:16 (Pop-up) | |||||||
Jazz Party | Rock 'n' Roll Graveyard | Monday Night | 2:28:13 (Pop-up) | |||||||
The Clientele | Everyone You Meet | Music for the Age of Miracles | 2:32:10 (Pop-up) | |||||||
Icky Blossoms | Ashes to Ashes | A Salute to the Thin White Duke: The Songs of David Bowie | 2:36:09 (Pop-up) | |||||||
Alvvays | Lollipop (Ode to Jim) | Antisocialites | 2:46:20 (Pop-up) | |||||||
Sniveling Shits | Bring Me the Head of Yukio Mishima | WriterSongs: Irwin's 2018 Marathon Premium CD | 2:49:16 (Pop-up) |
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Listener comments!
brainiac:
Always at that feast
Chinese, Burmese, Indian
Dune dune dune, dang dang dang
Boom boom boom, bang bang bang,
A permit we have got,
A permit we have got.
βrian:
Good afternoon.
Michael 98145:
Wild Neil:
Lixiviated Life:
Itzall Ablurr:
JFR:
Linda Lee:
common:
Keith from Oregon:
fletchernyc:
βrian:
Sean B.:
TDK60:
βrian:
Irwin:
Linda Lee:
Tony Seymour:
Listener Robert:
Some day I'm going to have to do a side-by-side of that "Yes I Can" with the "Man from UNCLE" theme. Like the way I've put links to each other from these two:
www.youtube.com...
www.youtube.com...
Or the Dharma theme from "Lost" and the theme to "Department S", though in that case I'm sure it was deliberate.
chris:
βrian:
Linda Lee:
Linda Lee:
Alison Porchnik:
brainiac:
Listener Robert:
In January I had to dip into my Neilsen respondent incentive bucks, so waiting to do a couple more surveys before I can send any to the station; it'll probably happen some time during the marathon.
Jeff Moore:
www.youtube.com...
βrian:
βrian:
Mark Hurst:
Linda Lee:
Irwin:
Linda Lee:
Vincent Nifigance:
Mark Hurst:
rrg:
Listener Robert:
Cl@m_digger:
Alison Porchnik:
queems:
Linda Lee:
βrian:
Woo:
Irwin:
βrian:
common:
TDK60:
TDK60:
Dean:
Linda Lee:
βrian:
TDK60:
Dean:
Linda Lee:
Mark Hurst:
TDK60:
Linda Lee:
Mark Hurst:
Mark Hurst:
TDK60:
βrian:
TDK60:
Linda Lee:
TDK60:
Linda Lee:
?:
"Great pop things".
Hoboken Jack:
caver_mike:
Michael 98145:
TDK60:
chris:
Linda Lee:
JakeGould:
TDK60:
Linda Lee:
Michael 98145:
ɨkɛ:
TDK60:
βrian:
Linda Lee:
Ken From Hyde Park:
Linda Lee:
Asheville Jon:
www.youtube.com...
βrian:
biancabob:
Rich in Washington:
sue:
heyitschris:
chris:
heyitschris:
chris:
rrg:
Linda Lee:
Doobois:
ⓔⓘⓚ:
Linda Lee:
Doobois:
Linda Lee:
Linda Lee:
Ken From Hyde Park:
TDK60:
Bas NL:
All out Scott:
Joel St. Germain:
Linda Lee:
brainiac:
It was Stan, wasn't it?
Bas NL:
Michael 98145:
TDK60:
Michael 98145:
brainiac:
Michael 98145:
TDK60:
Webhamster Henry:
KevinfromBayRidge:
Michael 98145:
Linda Lee:
Irwin:
TDK60:
Michael 98145:
chris:
Linda Lee:
Linda Lee:
Tennessee Jeb:
Michael 98145:
“I don't hate them...I just feel better when they're not around.”
― Charles Bukowski, Barfly
chris:
Irwin:
Born in Germany in 1920, Charles Bukowski was dragged during adolescence to California by his impoverished parents, who raised him on a regimen of physical and emotional abuse. As a kid he suffered bad acne, causing schoolmates to torment the timid, awkward youngster. The horrible truth that pain is relentless and people mostly worthless came on early and set in firmly. But two discoveries changed everything: booze and the written word. Bukowski had a genius for both: the former went in prodigiously, the latter came out abundantly.
What followed were several decades of factory jobs and post office drudgery, underscoring failed attempts to make it as an author. This period was marked by long stretches of hard drinking, short bursts of romantic foment, and rare moments of creative encouragement. He stopped writing for a decade (his "ten-year drunk"). By the late 1960s he'd stripped away the vestiges of art damage from his early work and distilled the everyday ass-kickings, arrests and inebriated fornication into a growing body of fearless poems and prose.
Bukowski was celebrated by outsider-fixated literati, the French, and rock critics. Filmmakers began to take note of this sub-blue collar demi-Beat with no pretense toward redemption, transcendence or politics. He was an ugly mofo with nothing to declare but genius. Versions of Bukowski, played by Ben Gazzara, Mickey Rourke and Matt Dillon belched and mumbled across theater screens. Enter money, which bought more liquor and more time to write. Celebs posed for pictures with him as if they were old comrades.
In 1980, Bukowski gave his last public reading, recorded on video. In one scene he recites a desperate letter from a fan—a perhaps typical dispatch, veering between insecurity and hero-baiting—to a crowd of hipster scum. The audience laughs on cue at high irony and low mockery, using one fan's naive fulsomeness to revel in their own bullyboy stupidity. The poet obliges them without the slightest evident pleasure or interest. The incident makes Bukowski a thumbnail for "crazy drunk writer dude"—for those who value such delusions. It's hard to recognize the disciplined artist who hammered out startlingly moving literature. Read a few of the eulogies for women he loved, his reveries on the everyday things he saw as beautiful. They're good. They're useful.
Linda Lee:
TDK60:
Michael 98145:
― Charles Bukowski
Druseph:
Ken From Hyde Park:
brainiac:
All out Scott:
Gord:
Ken From Hyde Park:
Dean:
TDK60:
Linda Lee:
Michael 98145:
Carmichael:
Irwin:
Irwin:
TDK60:
Ken From Hyde Park:
Carmichael:
brainiac:
Linda Lee:
TDK60:
TDK60:
Parq:
wfmu.org...
brainiac:
https://www.flickr.com/photos/wfmu/293368091
TDK60:
Hoboken Jack:
yippie:
Michael 98145:
Linda Lee:
Dean:
Michael 98145: