View Jesse Jarnow's profile |
Grand pianos in the surf, singing frogs, hyphenated psych, outtakes, live collaging, twangy drone, old folk, and ephemeral pop.
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Artist | Track | Album | Label | Year | Comments | Approx. start time | ||||
---|---|---|---|---|---|---|---|---|---|---|
Marisa Anderson | Will the Circle Be Unbroken | Traditional and Public Domain Songs | Mississippi | 2013 | 0:00:00 (Pop-up) | |||||
Bardo Pond | Power Children | Volume 8 | Fire | 2017 | 0:02:59 (Pop-up) | |||||
Telecult Powers | Rise Wm. Rise | Rise William Rise - Tribute to William Burger | Opposite | 2018 | 0:06:58 (Pop-up) | |||||
Eeli | Bird Song | Bird Song | exohexoh | 2018 | 0:10:44 (Pop-up) | |||||
Jon Collin | Blue Confessional | The Nature | Early Music | 2017 | 0:15:18 (Pop-up) | |||||
Phish | In A Misty Glade | Party Time | JEMP | 2009 | 0:22:17 (Pop-up) | |||||
Sleeping States | Under a Capricorn Sky | I Wonder 7" | Caspian | 2007 | 0:24:53 (Pop-up) | |||||
Itasca | Snow Melt | Morning Flower | Dove Cove | 2018 | 0:28:48 (Pop-up) | |||||
Meg Baird and Charlie Saufley | Protection Hex | Hexadic III | Drag City | 2018 | 0:35:45 (Pop-up) | |||||
Brigid Mae Power | Down on the Ground | The Two Worlds | Tompkins Square | 2018 | 0:39:36 (Pop-up) | |||||
Yoshida Takuro | Aoi Natsu | Even a Tree Can Shed Tears: Japanese Folk & Rock 1969-1973 | Light in the Attic | 2017 | 0:43:23 (Pop-up) | |||||
Andre Brasseur & His Multi-Sound Organ | Mad Train | Sounds of the Unexpected | Ace | 1977/2017 | 0:46:21 (Pop-up) | |||||
The Ramrods | Night Ride | Teen Beat 6 | Ace | 1963/2018 | 0:48:42 (Pop-up) | |||||
Andros Island Group | Time | Deep River Of Song: Bahamas 1935: Chanteys And Anthems From Andros And Cat Island | Rounder | 1935/1999 | 0:58:18 (Pop-up) | |||||
Ali Farka Touré | Wakata Gouna | Vol. 2 | MM2 | 1988 | 1:01:36 (Pop-up) | |||||
Les Fantômes | I Wanna Be Your Dog | PUNK 45: Les Punks: The French Connection. The First Wave Of Punk 1977-80 | Soul Jazz | 1978/2016 | Happy Year of the Dog. | 1:09:58 (Pop-up) | ||||
The Real Kids | Just Like Darts | The Kids/The Real Kids 74/77-78 Demos | Crypt | 1974/2018 | 1:12:53 (Pop-up) | |||||
MC5 | American Ruse | Babes In Arms | ROIR | 1966/1983 | 1:15:56 (Pop-up) | |||||
Drinks | Real Outside | Hippo Lite | Drag City | 2018 | 1:18:26 (Pop-up) | |||||
Courtney Barnett | Nameless, Faceless | Tell Me How You Really Feel | Mom+Pop/Marathon Artists/Milk! | 2018 | 1:22:58 (Pop-up) | |||||
Lunar Orbit/ The Chipmunks | Walk Like An Egyptian (at 16 speed) | Hits from the Cloud, v. 3: A Frow Show Treasury of Endangered Audio, 2017 Marathon Premium | (no label) | 2015 | 1:26:26 (Pop-up) | |||||
ensemble, et al. | Medal Meddle Metal | The Slow Reveal | (no label) | 2017 | 1:40:40 (Pop-up) | |||||
Josiah Steinbrick | (Carbon Steel, Four Spheres, Four Drums, Three Synthesizers) | Meeting of Waters | Leaving | 2017 | 1:45:58 (Pop-up) | |||||
Bitchin Bajas | Yonaguni | Bajas Fresh | Drag City | 2017 | 1:51:27 (Pop-up) | |||||
Otto Sidharta | Chimes | Indonesian Electronic Music, 1979-1992 | Sub Rosa | 2018 | 2:01:13 (Pop-up) | |||||
Robert Rental & Glenn Wallis | Track 1 | Robert Rental & Glenn Wallis | Dark Entries | 1979/2018 | 2:10:50 (Pop-up) | |||||
Crazy Doberman | Free LSD Part 1 | Free LSD | Radical Documents | 2018 | 2:15:28 (Pop-up) | |||||
Soshi Hosoi | Mister Diviner (The Majhong Touhhaiden) | Diggin' In The Carts, A Collection Of Pioneering Japanese Video Game Music | Hyperdub | 2018 | 2:26:09 (Pop-up) | |||||
Baino & Os Novos Caetanos | Vô Batê Pá Tu | Baiano & Os Novos Caetanos | CID | 1974 | 2:30:07 (Pop-up) | |||||
Droot'n & Co | Man Smart / Woman Smarter | Our Trip Is Short, v. 1 | Your Trip Is Short | 2017 | 2:33:04 (Pop-up) | |||||
2:40:19 (Pop-up) | ||||||||||
Dr. Lonnie Smith | On A Misty Night | All In My Mind | Blue Note | 2018 | 2:40:14 (Pop-up) | |||||
Margo Guryan | Why Do I Cry | 27 Demos | Burger | 2001 | 2:47:15 (Pop-up) | |||||
Everly Brothers | Mr. Soul | Nice Guys | Synergie OMP | 1968/2011 | via Probe Is Turning-On The People | 2:49:32 (Pop-up) | ||||
Gene and Debbe | I'l Come Running | Playboy 7" | TRX | 1967 | 2:52:40 (Pop-up) |
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Listener comments!
grtyvr:
grtyvr:
jj.:
grtyvr:
jj.:
yippie:
grtyvr:
Adamsworth:
katharsis:
Adamsworth:
Adamsworth:
grtyvr:
yippie:
coelacanth∅:
grtyvr:
grtyvr:
grtyvr:
jj.:
coelacanth∅:
grtyvr:
jj.:
grtyvr:
Adamsworth:
yippie:
grtyvr:
Adamsworth:
jj.:
grtyvr:
grtyvr:
Adamsworth:
grtyvr:
Adamsworth:
grtyvr:
yippie:
RomanDogBird:
Adamsworth:
katharsis:
Adamsworth:
grtyvr:
grtyvr:
grtyvr:
jj.:
www.discogs.com...
and this guy claims responsibility:
nowtoronto.com...
coelacanth∅:
then i figured maybe with newer digital technology they just sang it to the music and it was put through a process to make it sound like shit, er, i mean "chipmunks.
...i've never researched it.
grtyvr:
hey future 16 is the best speed to play it at.....
grtyvr:
coelacanth∅:
... i wanted to play a chipmunks record at a slower speed when i was a kid of maybe 6, but my mother wouldn't allow chipmunks records in the house. i'm sure many many people have done it.
(we also had an rca suitcase stereo record player with 4 speeds; so either a 45 at 33, or a 33 at 16)
grtyvr:
coelacanth∅:
Adamsworth:
jj.:
coelacanth∅:
- i'd be happy to hear crazy doberman by itself but it's good to hear it mashed up as well.
coelacanth∅:
Thanks Jesse
'night people
yippie:
yippie:
grtyvr:
Gooberz.jpg:
Adamsworth:
Adamsworth:
yippie:
grtyvr:
jj.:
grtyvr:
jj.:
grtyvr:
John from CDA: