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A live, improvised sound collage experiment, going back 28 years, weaving mesmerizing new soundscapes from found and collected materials right in the present moment.
Pop music, speeches, live phone calls and spontaneous monologues become ambient loopy layered threads riding the liminal spaces between waking and dreaming. [On hiatus.]
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Also available as an MP3 podcast. More info at our Podcast Central page.
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November 22, 2017: The Importance of Having a Voice & The Need for Creative Inquiry | Download full MP3
Two classic & mildly political collages in two hours.
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Artist | Track | Album | Year | Comments | Approx. start time |
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Ken's Last Ever Extravaganza | The Need for Creative Inquiry (Just sit on the bench and watch the ballgame) | Show #339, from Nov. 2, 2004 | 2004 | Free creation without the arbitrary limiting effects of coersive institutions. | |
Emergency Alert System | Required Weekly Test | 0:00:28 (MP3 | Pop-up) | |||
Emergency Alert System | Live sounds of EAS printer | 0:00:42 (MP3 | Pop-up) | |||
The User | Dot Matrix 1 | Right after EAS printer | 0:00:55 (MP3 | Pop-up) | ||
Ken | Identification | 2004 | 0:01:54 (MP3 | Pop-up) | ||
Brain Science | Public Radio | Support for NPR/National Public Radio as National Business Radio.com | 0:01:59 (MP3 | Pop-up) | ||
Belle and Sebastian | Judy and the Dream of Horses (Live at KCRW 8/26/2003) | About 5 copies. Is that enough dead air? | 0:03:33 (MP3 | Pop-up) | ||
Judy Garland | Everybody just better sit on the bench and watch the ballgame. | Judy Garland Speaks (Disc 1) | 0:08:48 (MP3 | Pop-up) | ||
Monte Cross | Title | A Clockwork Orange (Alternate soundtrack) | 0:11:40 (MP3 | Pop-up) | ||
DJ Clone | Dislocution | Fortuitous Concourse of Atoms | 1999 | 0:14:08 (MP3 | Pop-up) | |
DJ Clone | Drowse | 0:14:13 (MP3 | Pop-up) | |||
DJ Clone | Formule | Fortuitous Concourse of Atoms | 1999 | 0:14:19 (MP3 | Pop-up) | |
DJ Clone | Inconvergence | 0:14:24 (MP3 | Pop-up) | |||
Bill Cosby | Conflict | To Russell My Brother | 1968 | The mind and the body don't get along at all | 0:14:29 (MP3 | Pop-up) |
Noam Chomsky | Interview with Michel Foucault | Manufacturing Consent DVD / 1971 Discussion Between Noam Chomsky & Michel Foucault | 1971 | A decent society should seek to maximize the potential for creative expression | 0:15:15 (MP3 | Pop-up) |
Escape Mechanism | Culture | 1998 | 0:16:41 (MP3 | Pop-up) | ||
Michael Moore (director) | Various scenes | Roger & Me film | Incl. former GM workers now staffing prisons where their fellow picket-line-mates are jailed | 0:18:09 (MP3 | Pop-up) | |
David Lynch (director), Lara Flynn Boyle, others (actors) | Various scenes | Twin Peaks: Pilot episode | Crying by Lara Flynn Boyle | 0:19:50 (MP3 | Pop-up) | |
George W. Bush | Debate excerpts | Presidential Debate 2004 #1 | 2004 | 0:21:23 (MP3 | Pop-up) | |
Joel Coen & Ethan Coen (director/writer), Sam Elliott (actor), George Bush, Sr. (voice) | Scene: Sometimes There's a Man | The Big Lebowski film | "Sometimes there's a man, he's the man for his time and place. And even if he's a lazy man, which would place him high in the running for laziest world-wide..." "This will not stand, this aggression against Kuwait." | 0:22:05 (MP3 | Pop-up) | |
When In Rome | The Promise | Steve Masters Presents- A Trip Back To The 80's | Intro looped for most of show, resolved at end | 0:24:46 (MP3 | Pop-up) | |
John Kerry | Debate excerpts | Presidential Debate 2004 #1 | 2004 | 0:26:28 (MP3 | Pop-up) | |
Ken's Last Ever Radio Extravaganza | Interview excerpts | On-air interview with K.L.E.R.E. 2/7/2004 | 2004 | Improvisation, the nature of the intentional accident, more | 0:28:33 (MP3 | Pop-up) |
Shifty and M-Sli(c)k da ninjA | Oompa Loompa (Sweets) | Willy Wonka and the Chocolate Factory remix | 0:30:06 (MP3 | Pop-up) | ||
Ken's Last Ever Radio Extravaganza | Please Call Stella | Show #310 from 4/30/2004 | 2004 | Many sources used within, not listed here. Full show here | 0:30:47 (MP3 | Pop-up) |
Live phone call | Woman, unclear | 2004 | 0:31:57 (MP3 | Pop-up) | ||
Ken | Identification | 2004 | 0:32:22 (MP3 | Pop-up) | ||
Live phone call | Things fly through the air, electoral college, thousands of lawyers, the resistance | 2004 | The guy | 0:34:45 (MP3 | Pop-up) | |
Ken | A resistance of lawyers | 2004 | 0:36:04 (MP3 | Pop-up) | ||
Jackson Brown | Lawyers in Love | 0:38:23 (MP3 | Pop-up) | |||
Wendy Carlos | 0:39:08 (MP3 | Pop-up) | ||||
Live phone call | Resistance is futile | 2004 | The guy | 0:42:48 (MP3 | Pop-up) | |
Michel Foucault | Interview excerpts | Manufacturing Consent DVD / 1971 Discussion Between Noam Chomsky & Michel Foucault | 1971 | 0:42:56 (MP3 | Pop-up) | |
Ovo | Dad, Something's Come Up | Funny (In a Sad Way) | 2000 | Brief | 0:43:01 (MP3 | Pop-up) |
Bill Cosby | The Losers | To Russell My Brother | 1968 | 2-year olds | 0:43:09 (MP3 | Pop-up) |
Live phone call | Bush is a thief, he's a dog with a bone, follow the money trail | 2004 | He's knawing on the marrow, sucking it out. The guy | 0:47:50 (MP3 | Pop-up) | |
Valentino | Dogs-Doberman Growls | Valentino Sound Effects Library Volume 13 | 0:48:32 (MP3 | Pop-up) | ||
Valentino | Dogs-Doberman Barks | Valentino Sound Effects Library Volume 13 | 0:48:42 (MP3 | Pop-up) | ||
Valentino | Dogs-Dog | Valentino Sound Effects Library Volume 13 | 0:48:54 (MP3 | Pop-up) | ||
Valentino | Dogs-Pack Barking | Valentino Sound Effects Library Volume 13 | 0:48:59 (MP3 | Pop-up) | ||
Valentino | Dogs-Dog-Angry Growl | Valentino Sound Effects Library Volume 13 | 0:49:05 (MP3 | Pop-up) | ||
Valentino | Dogs-Dog Kennel Ambience | Valentino Sound Effects Library Volume 13 | 0:49:13 (MP3 | Pop-up) | ||
Ken | Identification | 2004 | 0:49:58 (MP3 | Pop-up) | ||
Live phone call | Bush will be tried as a war criminal. It's up to the lawyers | 2004 | The guy | 0:50:45 (MP3 | Pop-up) | |
Ken | Thanks | 2004 | 0:51:10 (MP3 | Pop-up) | ||
Ken | Later | 2004 | 0:54:46 (MP3 | Pop-up) | ||
When In Rome | The Promise | Loop finally releases | 0:55:32 (MP3 | Pop-up) | ||
Ken's Last Ever Extravaganza | The Importance of Having a Voice | Show #322, from July 13, 2004 | 2004 | (Lords & peasants, factories & workers; outraged about many things; things you are going to say to people; the right time and the wrong week; just to be able to say that you don't agree; no place like home.) Full source listing | 0:58:38 (MP3 | Pop-up) |
Tavishi | Desert Mirage | Tavishi & Mambo | 2016 | 1:56:09 (MP3 | Pop-up) |
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Sounds great! Happy Thanksgiving! | |
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images2.imgbox.com... | |
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``The term was widely used to describe a type of 19th-century British drama made popular by James Planché. Planché defined it as "the whimsical treatment of a poetical subject." The term is derived from the Italian word stravaganza, meaning extravagance. An extravaganza is a literary or musical work (often musical theatre) characterized by freedom of style and structure and usually containing elements of burlesque, pantomime, music hall and parody. It sometimes also has elements of cabaret, circus, revue, variety, vaudeville and mime. `` | |
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