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Music with vocals weird & wonderful -- beatboxing, yodels, auction chants, Tuvan throatsinging, & eerie polyphonies.
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Artist | Track | Album | Label | Approx. start time |
---|---|---|---|---|
Dorzé singers | Song of a Halak'a Festival | V/A: Ethiopia: Polyphony of the Dorze | Le Chant du Monde | 0:00:00 (Pop-up) |
Abdul Karim Khan | Malkauns | V/A: Strings of Pearls | Canary | 0:04:20 (Pop-up) |
Martin Lau | Lautpoesie/Soundmapping of the Mouth/Improv - VI. | Numen | Atemwerft | 0:09:49 (Pop-up) |
Music behind DJ: The Necks |
Silverwater |
Silverwater |
ReR Megacorp |
0:17:51 (Pop-up) |
Toshi Tsuchutori | Natural Voice with Harmonium and Wind | Breath | 0:27:34 (Pop-up) | |
Ari musicians | Alla Geyscha | V/A: Ethiopie: Polyphonies Ari | Ocora | 0:43:12 (Pop-up) |
Music behind DJ: The Necks |
Silverwater |
Silverwater |
ReR Megacorp |
0:47:09 (Pop-up) |
Overtone Choir Spektrum | Villarosa Sarialdi (excerpt) | None | None | 0:58:49 (Pop-up) |
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Listener comments!
Froggie:
Dan Bodah:
Rich in Washington:
Wouldn't that be something?
Michael 98145:
jessicafallible:
Dan Bodah:
Uncle Michael:
Dan Bodah:
melinda:
Dan Bodah:
Uncle Michael:
the Canterbury wood-elf:
Ike:
Uncle Michael:
chris:
Mike tp:
Mike tp:
Dan Bodah:
Dan Bodah:
Well, the sleeve notes by Ashley Kahn are extremely informative, but I would question the assumption that there is something 'spiritual' about this last phase of Trane’s musical journey. If it’s there I can’t hear it. What I do hear is the momentum of what he’d done before—and a situation he’d helped to create—carrying him towards a terminus, a brick wall, a dead-end or, in the cosmic scheme of things, some kind of interstellar void. Or, to bring things back down to earth with Elvin’s reasons for quitting, 'a lot of noise.'"
From www.newyorker.com...
Ken From Hyde Park:
cat:
david_:
Froggie:
cat: