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Friday
9am - Noon
(EDT)
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On
WFMU's
Give the Drummer Radio
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March 24, 2017
The magnificence of Shrimp Boats | ||
Add or read comments |
Artist | Selection | Album (Label / Recording date) |
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Theme Music: Sarah Webster Fabio |
Jujus: Alchemy of the Blues |
Jujus: Alchemy of the Blues
(Folkways 1976) |
ECD | In Tempo |
Major Force: The Original Art-Form
(Mo' Wax 1990) |
Talkover Music: Preston Love |
Chicken Gumbo |
Preston Love's Omaha Bar-B-Q
(Kent 1970) |
Talkover Music: S. Brugnolini |
Diatomea |
Speedball Experience: Obscure Pop Jazz from Early '70s Italian Music Library (Editions Giaguaro ) |
Roswell Rudd | Maine |
Maine
(Bhvaast 1976) |
Dollar Brand | Shrimp Boats |
Peace
(The Sun 1971) |
Talkover Music: Odell Brown & the Organ-izers |
Tough Tip |
Ducky
(Cadet 1968) |
Talkover Music: Oliver Sain |
Night Time |
b/w Bus Stop
(Abet 1974) |
Rangda | Plugged Nickel |
Formerly Extinct
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The 31st of February | A Nickel's Worth of Benny's Help |
The 31st of February
(Vanguard 1968) |
Can | Waiting for the Streetcar |
The Lost Tapes Box Set
(Spoon 1968) |
Talkover Music: The Qualitons |
Slowman |
Panoramic Tymes
(Tramp 2009) |
Closing Theme: John Lee Hooker |
Stand By |
I Feel Good
(Jewel 1971) |
Listener comments! | |
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@Listener Robert The Drummer Stream plays a continuous flow of sem-automated sounds. When a live show comes on the stream, that sound source hooks in "downstream" from the continuous flow, which is still running behind it. If the connection of the live programming buffers, it could kick you back to the always running flow behind it. Does that answer your question? | |
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The host of Cool Blue Flame is the fellow behind the incredible Office Naps music-sharing site: www.officenaps.com | |
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@Mr C I want to bottle you and give you away as a marathon premium next year. | |
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We are a lean, mean, groovy music machine! | |
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"Just hum it." | |
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Ho ho, βrian! Hee Hee, Artie Haywire! Hmm hmm, Webhamster Henry! | |
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View image on Twitter | |
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Hallo, Uncle Paradiddle! | |
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I have that John Hartford record under a pile here somewhere. | |
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"While cellphones have made photography commonplace today, few people owned cameras in the 1940s." The writer...how could she...what is she...where would that....???? | |
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All these amazing Chuck Berry shows/sets make me realize that what I don't know about music would fill the known universe, plus a little more. | |
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"No? Thanks." | |
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Are you suggesting that that Wee Wee was Johnny Johnson? | |
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New nomenclature, saw it as I was driving back on a road sign. Pop stardom will surely follow. | |
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THANK YOU, HUGO! | |
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That version of Wee Wee Hours was released under Chuck Berry's name on the Bear Family collection Plug It In! Turn It Up! Electric Blues 1939-2005. That's where I have it from. | |
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Hans Dulfer ~ tenor sax Arjen Gorter ~ bass Martin van Duynhoven ~ drums | |
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www.youtube.com... | |
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My kind of set! Also saw him many times at Sweet Basil (took my wife to see him and Ekaya on our first date). | |
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IT'S FRIDAY. As the man said. | |
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I have so many records that sound SO much better when I hear them on my radio colleagues programs. | |
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Thanks, Doug. | |
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I some heartily reject the algorithm-driven streaming services that try to "learn" my preferences. Fuck you, algorithm-driven everythings! | |
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Who are top five or ten Ritually Beaten groups/artists on FMU? Yes, ELP, Phil Collins, Eagles, Rush...? | |
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Great band name, The Closet Dead. | |
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Hey hey, David D! I was glowing about your Chuck Berry covers set earlier. | |
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This song is not on my copy. | |
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She'd possibly punch you in the face for calling her Luci. | |
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Doug, no cover of Promised Land? | |
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Yes absolutely. Nat Cole actually had to sign contracts that forbid him from being credited on piano (if I am remembering correctly). | |
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OT: A sentence I just read in a book: "In one of his most famous poems, Philip Larkin talks about sexual intercourse being invented in 1963." I am ignorant, and intrigued. | |
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www.wfmu.org... | |
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Well tracks like this make me think: "Second prize, 10 minutes of Waiting for the Streetcar. First prize, 20 minutes of Waiting for the Streetcar." | |
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I remember when Pittsburgh still had streetcars in the 1970's. Some of them were painted in Peter Max designs. | |
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Fake news Fake bosoms What next. | |
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F for Flake | |
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Not that I'm aware of. I will email Steinski and ask. | |
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Steinski used to maintain a blog, but he hasn't updated it in a while. I get these tracks straight from him. | |
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wfmu.org... | |
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@Henry - good reminder, thanks | |
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www.youtube.com... | |
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Gaze lovingly at my other playlists | Take a gander at the WFMU Homepage | |
See other artists I've played | ||