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Friday
9am - Noon
(EST)
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On
WFMU's
Give the Drummer Radio
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January 8, 2016
Dap toning | ||
Add or read comments |
Artist | Selection | Album (Label / Recording date) |
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Theme Music: Sarah Webster Fabio |
Jujus: Alchemy of the Blues |
Jujus: Alchemy of the Blues
(Folkways 1976) |
ECD | In Tempo |
Major Force:
(Mo' Wax 1990) |
Talkover Music: Steven Bernstein |
Let My People Go |
Diaspora Soul
(Tzadik 1999) |
Talkover Music: Bud Powell |
Comin' Up |
The Scene Changes
(Blue Note 1958) |
Talkover Music: Muslimgauze |
How Rustem, the Thief, Moves Through Fire |
Sufiq
(Soleilmoon 2000) |
Talkover Music: Balsara & Singing Sitars |
My Favorite Things |
The Sound of Music
(Odeon 1967) |
Talkover Music: Maceo & All the King's Men |
Maceo |
Doing Their Own Thing
(Charly 1970) |
Talkover Music: Dollar Brand |
Cape Town Fringe |
Cape Town Fringe
(Chiaroscuro 1977) |
Closing Theme: John Lee Hooker |
Stand By |
I Feel Good
(Jewel 1971) |
Listener comments! | |
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I won't cut and run like Art Bell. Or like Uncle Eddie and Aunt Sadie. @ndbob It commemorates the Battle of New Orleans in the War of 1812. The battle began on January 8, 1814. | |
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Last time I saw Aaron Neville he did that hand jive with his brothers, cracked me up seeing a big fella like him with face scars tickling hands. | |
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I'm loving the background music, Steve Bernstein (couild be louder, though...) | |
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Hellos, Sarah N! and lucyinbrooklynwhohadvietnamesedinnerwithjessielastnight! And I bow low, to you, Uncle Maestro. | |
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Good morning, Mr C and Hugo! | |
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God and Adam are so cool. | |
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Your gifimage today reminds me of this recent NYE image, which has been meme'd to death: i.dailymail.co.uk... | |
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"The exact origins of the term are unknown, but it is believed to have reflected an early 20th-century perception that Chinese immigrants did the menial labor they were consigned to with a bare minimum of adequacy, and were content with minimal reward for it." | |
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I was listening on the smartphone in the car in traffic during the 8th of January set, but did not get to a computer until now. Things about the war of 1812: The war was already officially over before the Battle of New Orleans (and battle of Pensacola) were fought, but word had not made it to all troops and ships involved. Neither side declared victory for the war. It was settled diplomatically, and considered a stalemate. It was the last war in which the British and US fought on opposite sides. The US and Great Britain have been at peace with each other for over 200 years. By the end of the 19th century the US and Great Britain were collaborating on connecting to each other with transatlantic cables. | |
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@Brian in UK I love Sam & Dave's "I'm a Souliman." | |
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One step, two step and tickle him under there. That's what the Graphics Interchange Format reminds me of. | |
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Doug of the Philip Larkin skool. | |
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Najat AĆ¢tabou was born into a lower-class family, with five brothers and four sisters. She dreamed of becoming a lawyer, but her life would take a different direction. Singing was her favorite thing to do and she would walk to school every morning singing songs. When she reached the age of thirteen, she would sneak out of her bedroom window and sing at local weddings and school parties for money. At one of these parties, a guest recorded her voice with a tape recorder. The tape was sold illegally throughout Morocco and the song "J'en ai marre" ("I've had enough of it") became especially popular. Her family soon found out about her singing and did not accept her choice of vocation. HER BROTHERS THREATENED TO KILL HER IF SHE CONTINUED. She was afraid and decided to run away from home. She fled to the local music shop, that being her first choice because "they played music there", as she later said. That very day a coincidence happened. A famous Moroccan music producer Mustapha El Mils walked into the shop, looking for Najat AĆ¢tabou after he had heard the song "J'en ai marre". He asked for her trust and to join him in Casablanca. Having no choice, she left for Casablanca, where she would stay for three years, living with the mother of the music producer. After these three years, her family found her and they made up. [emphasis added] | |
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Star audience material. @Listener Gregory I am searching furiously for a brain-reattaching track. Hang on! | |
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You've always been a big supporter of Ogun control. | |
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On the Dedication Orchestra, look here: inconstantsol.blogspot.no... (shameless plug) | |
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Howdy, Mike East! | |
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@Lane G I don't remember you saying that. How deeply cool that is! | |
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What sound do you get when you pitch a piano down a shaft? A Flat Minor | |
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Throwing an accordion in a dumpster without hitting the sides | |
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www.cafeoto.co.uk... | |
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@doctorjazz Cream of the crop of South African jazzers in this group, starting with the all-time-brilliant Kippie Moeketsi on alto sax. | |
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wfmu.org... | |
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er,am i late? | |
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And one of the few good uses of pick noise (the other that comes to mind is Buddy Cage's fuzztone stuff with NRPS) | |
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Dollar Brand, Cape Town Fringe...beautiful! | |
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@Flash Strap We can have a hot one Doug eating contest! | |
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@Brian: I have. I'll be back on the waves next week! | |
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Uncle Michael will be passing out marehgeewanna cigarettes during his good-time radio show. It all begins next: wfmu.org... | |
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NOT SORRY! | |
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Says it all, for me. | |
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12:00pm
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I played THAT on my Xmas Day show, too! | |
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Gaze lovingly at my other playlists | Take a gander at the WFMU Homepage | |
See other artists I've played | ||