WFMU: destination: OUT with Jeff Golick: Playlist from February 9, 2015

Listener comments!
	11:59am listener james from westwood: Good morning, Jeff, Jeff, and all!!
	🥁 12:01pm duke: Happy snowy day LJFW, Jeffs, Doug, and ell etc.
	12:01pm Jeff J: Morning Listener James! Thanks for joining us.
	🥁 12:01pm duke: *all
	12:02pm Jeff J: Heya Duke! Rainy not snowy here, but definitely under some weather.
	🥁 12:06pm Doug Schulkind: Not working today! Two full hours of D:O magnificence!
	12:06pm fred: Good afternoon Jeffs and non-Jeffs
	12:07pm listener james from westwood: Workload is light on this side, too, so distractions will be minimal!
	12:08pm Jeff J: Good afternoon Fred! And Doug - glad you're with us for the full Monty!
	12:09pm Webhamster Henry: Good afternoon (East coast), I'm the only one in the office.
	🥁 12:10pm duke: Did the Grammys happen last night? I feel either old or weird because I don't care about any of the people that are mentioned on the news as winning?
	12:11pm Jeff Golick: I think they did, @duke! Was similarly (blissfully) ignorant until I got a news update on my tablet...
	12:12pm Jeff J: Afternoon, Henry. Glad you could be with us and free of pesky co-workers.
	12:12pm Jeff Golick: Bass player Mike Richmond (no relation to Dannie) gets the unenviable job of holding the low end down for this Mingus tribute.
	12:13pm Jeff J: Grammys - Not Newsworthy since.... the 70s?
	12:15pm Dean: Mike Richmond has played bass with Mingus Big Band in NYC.
	🥁 12:15pm duke: That was a pretty slick change up in Ode to Mingus
	12:20pm Jeff Golick: Soul Note/Black Saint/Giovanni Bonandrini really kept the flame alive there for a while...
	12:21pm Jeff Golick: Thanks, listener "wikipedia" Dean!
	12:25pm Webhamster Henry: Who needs the Grammys when you have Hoof 'n' Mouth?
	🥁 12:26pm Doug Schulkind: In the earliest '80s, I saw a Mingus rep band with Don Pullen and Mike Richmond. (Was that Mingus Fantasy? I can't recall the name.) Pretty amazingly great. In that show, Pullen dislocated a finger in the middle of a punishing piano solo. He pulled his digit back into position and kept pounding. Must've been in intense pain, but you couldn't tell it.
	12:27pm Dean: The "pedia" in this case was my recollection of liner notes. I heard MBB at Fez under Time Cafe about 15 years ago. The cafe was jam-packed and the subway rumbled periodically under the floor. Quite a show.
	12:27pm Jeff Golick: Was that at Fez, Doug?
	12:28pm Jeff J: Sounds amazing, Doug. Would've loved to have seen Pullen play live.
	12:28pm Jeff Golick: Heh - x-post, Dean. I saw the Mingus Big Band there, too; mid-1990s.
	🥁 12:28pm Doug Schulkind: @Jeff Golick Nope. It was at Oberlin College.
	12:29pm Shaun: Mingi
	12:31pm Jeff Golick: Welcome, @Shaun!
	12:33pm Shaun: Cheers jeff and all.
	12:33pm Jeff J: Always thought the Art Ensemble's ECM albums were direly underrated.
	12:34pm Jeff Golick: @Jeff J: it's like two great tastes that I didn't think went together
	12:35pm Shaun: If Doug could link to the archive of his show where he played all variants of Fables of Faubus...
	🥁 12:36pm Doug Schulkind: The Mingus Big Band had that looooong residency at Fez. For a while in the mid-'90s, I was in charge of organizing WFMU's ticket giveaways. Virtually every club and venue was generous and pleased to offer free tickets to WFMU for giveaways. Fez was great, too, but for the Mingus Big Band shows, I had to deal directly with Sue Mingus, and she was a beast. She demanded to know which shows/DJs were going to give away the tickets and she wanted to hear recordings of how the giveaways were announced. She wanted to be assured that the tickets would be given away on purely jazz shows. It was explained that WFMU didn't have genre-specific programming. I told her we couldn't promise that and she seemed ready to pull the plug. It was insane. I forget how it got resolved, but WFMU ended up giving away tickets to the Mingus BB shows for many years.
	12:38pm Jeff Golick: I respect such protectors of legacies, but am also glad to steer clear of dealing with them.
	12:39pm Shaun: Bass clarinet always makes me think of Mingus because of Solo Dancer.
	🥁 12:44pm Doug Schulkind: @Shaun I never did a show with multiple versions of Fables of Faubus, but I did blog about the song with two versions: blog.wfmu.org...
	12:47pm Dean: I bet Shaun's thinking of this: https://wfmu.org/playlists/shows/47526
	12:51pm northguineahills: Full Force, Never even heard of that AEC album, cool!
	12:52pm Jeff Golick: The WSQ quartet album we just played has this wonderful Roy DeCarava image on the cover: www.christies.com...
	🥁 12:54pm Doug Schulkind: @Dean Yikes! Forgot all about that. I give all credit to my executive producer.
	12:55pm Jeff Golick: Heya, @northguineahills!
	12:58pm listener james from westwood: @Doug, I have visions of Sue listening to a tape of Pat Duncan hawking the Mingus tix during brief breaks from giant playlists of hardcore 45s.
	12:58pm listener james from westwood: Also, I may have you to thank indirectly for winning Everything But the Girl tix from FMU sometime in that time frame.
	1:04pm doca: Hey, guys. Dennis González always makes me happy.
	🥁 1:05pm Doug Schulkind: @LJFW Charles would have been the more likely Mingus to appreciate Pat Duncan's inner magic.
	1:06pm Jeff Golick: Same here, @doca. Same here.
	1:06pm Jeff J: Just thinking there's never enough Dennis Gonzalez on this show...
	1:07pm northguineahills: Not familiar w/ Frank Gordon, it's always a pleasure to hear jazz from the 80s from an artist I'm not familiar w//
	1:07pm Jeff Golick: This selection emerges fully formed from George Lewis's book on the AACM.
	1:13pm Shaun: @Dean Make your way to the pay winduh. Cheers. And thanks for that blog link too, Doug.
	1:14pm Dean: First lottery I've ever won. Braggers gotta brag: George Lewis used a paper I wrote for a course he taught at Columbia on Sonic Texts of the Black Atlantic.
	1:15pm tr;sh: Hays and hellos.
	1:15pm Jeff Golick: Such a rare treat to hear Threadgill go off on a blues. Whoa, @Dean! That is certainly something to hang your hat on.
	1:16pm Jeff J: Hey Tr;sh - thanks for joining us! Dean - Impressive about the paper! That Lewis class must've been amazing.
	1:18pm Dean: Alas, I didn't take his class. I wrote the paper for an unrelated seminar at another school. My guess is he taught the class while he was writing the AACM book.
	🥁 1:20pm Doug Schulkind: I treasure Lewis' AACM book like the sacred text it is, but I found it so full of off-putting academic jargon. Kept pulling me out of my reverie.
	1:22pm northguineahills: I always thought, Air (French band), should have sampled Air.
	1:22pm Jeff J: Academic jargon, which mars many texts, seems proof of Burroughs dictum that language is a virus.
	1:24pm Jeff Golick: I went to an AACM event in NYC that launched the book, w/ Lewis and others discussing the AACM. It was not terribly memorable (to me), and my main recollection is that they ran out of books and I couldn't buy one there.
	1:25pm listener james from westwood: After editing such text for so long, I've built up a sort of immunity. But one does come across some beauts in ac-prose now and again. And it does have a sad knack for ironing the joy out of a topic. (Reason #29384 why I opted out of grad school.)
	1:29pm Dean: There's jargon and there's jargon. Worst offender in my memory is Homi K. Bhabha. Judith Butler can run a close second. But I'm a sucker for some of Derrida's mush, and to this day I return to Paul de Man's prose, despite his infamy. Not academic, but threateningly nonsensical, is John Ashbery's poetry, which to my ear does what language is supposed to do. E.g., In all my years as a pedestrian serving juice to guests, it never occurred to me thoughtfully to imagine how a radish feels. Those are the first three lines of "This Economy." I can't love writing more.
	1:30pm Uncle Michael: I knew nothing of David Murray till he associated with the Grateful Dead. Sometimes that's just how it is.
	1:35pm Jeff J: I love Ashbery, Dean. Happy to wade through his flirtations with the nonsensical since they're always shot through with wonder and surprise. Wish more academics tried to transform their jargon into something that alive.
	1:37pm ?: Just seen Whiplash - would you agree with me the film portrays the wrong end of jazz- I mean the boring, Lincoln Center, Wynton Marsalis view that somehow just must conform to a so called golden period standard set somewhere between 1940 -1960?
	1:38pm ?: that jazz must conform to a so called golden period standard set somewhere between 1940 -1960?
	1:39pm Dean: There was a Marsalis thread here last week: http://wfmu.org/playlists/shows/59300
	1:39pm Jeff Golick: 'afternoon, @Uncle Michael! Indeed. We can only know what we know.
	1:40pm Jeff Golick: As for jargon, the worst language offenses seem to come out of business-speak these days, where layoffs = "right-sizing" etc. But my current situation in the publishing "space" might be coloring this view at the moment...
	1:42pm Dean: I'm going to change the subject. Thanks to ELO, I can't get "Can't Get It Out of My Head" out of my head.
	1:42pm Uncle Michael: I haven't seen Whiplash but the criticism I've read of it describes it such that I'm put in mind of sports and military movies like "Rocky," and "An Officer and a Gentleman." The criticism describes the arts as being portrayed in a manner that seems to have nothing to do with art at all.
	🥁 1:43pm Doug Schulkind: @Jeff Golick I've been in that space since I got laid off in '09.
	1:44pm Jeff Golick: @Doug: getting mighty crowded in here.
	1:44pm tr;sh: @JeffG When to pull out the ol' 'Handbook of Corporate Bullshit', or whatever it was called. And say, "Wait, forgive me, I have to look that up." Followed by an aggrandized, "Ohhhh!"
	1:49pm Jeff Golick: @tr;sh: Yup. BTW, the front line of this group Synthesis is David Murray, Olu Dara, and Arthur Blythe.
	1:49pm Jeff J: We talked about Whiplash on the show a few months back. It's ludicrous in how it portrays the jazz world and creative pursuits in general. The military movie comparison is apt - the teacher is straight out of Full Metal Jacket. There's a great review of it on the Talkhouse by the drummer from Oneida that's worth yr time.
	🥁 1:50pm Doug Schulkind: I have not listened to this Synthesis record (or their other one) in at least 20 years. I am a failure.
	1:52pm Jeff Golick: There's another one???????
	🥁 1:53pm Doug Schulkind: Gotta go run down to my basement.
	1:53pm doca: I've enjoyed reading the discussion about academic jargon while studying in a library transcribing parts of books for my highly specialized doctoral thesis. Thanks for the show, double Jeffs!
	1:54pm Jeff Golick: @Doug: 20 years is a total exaggeration: wfmu.org...
	1:54pm Dean: @doca: "transcribing parts of books" -- Do you mean taking notes? (Joke)
	1:57pm Jeff Golick: or as Malcolm Gladwell would have it: writing.
	1:58pm doca: @Dean: Haha transcribing as in "Reading boring books and being too annoyed to really write down and trying to understand it, so I'm just copying things to read later". I saw it here and noticed that "transcribe" doesn't have the same sense as in Portuguese. ugh
	1:59pm Uncle Michael: I uses to copy parts of world book encyclopedias for social studies reports. like that?
	🥁 1:59pm Doug Schulkind: 17 years. I'm still an ass. The OTHER Synthesis record is called Six By Six (Chiaroscuro, 1977) Same lineup as on Sentiments, but it Courtney Wynter (tenor sax, clarinet, bassoon) is in the David Murray chair.
	2:00pm Dean: Portuguese! It doesn't even have jargon. It has jargão.
	2:01pm doca: Yes, I just love the tilde
	2:01pm Uncle Michael: Thanks for the show, Jeff(s)!
	🥁 2:01pm Doug Schulkind: Group co-leader Ken Hutson starts the liner notes with this: "In the resurrection of the ritual dedicated to the perpetuation of the living force in nature and the living force in the valuable creations of humankind, each generation renews its faith in the power of music in a manner of style suitable to its time."
	🥁 2:01pm duke: Thanks Jeffs
	2:03pm tr;sh: Great listening all around. Figured out some puzzle-y work stuff I've been stuck on, too. Thanks all.
	2:03pm listener james from westwood: @UM: A guy in a high school writing class of mine copied 95% of Stephen King's "Lawnmower Man" and passed it off as his own. He got busted back to the Stone Age. Jolly fun today, gents! Many thanks!
	2:03pm doca: Hahah just laughed loud on the Alan Parsons joke
	2:03pm Shaun: Shit hot. Cheers.
	2:05pm Jeff J: Thanks all!
	2:07pm Jeff Golick: What Jeff J said! Thanks to @Uncle Michael, @duke, @doa, @Shaun, @Doug Schulkind; @Dean; @tr;sh; @listener james in westwood; @ngh...and all the ships at sea.

destination: OUT with Jeff Golick: Playlist from February 9, 2015

View Jeff Golick's profile

Three hours of adventurous jazz drawing on the Destination: Out archives and other planes of there.

Sunday 9am - Noon (EST) | On WFMU's Give the Drummer Radio
Give the Drummer Radio LIVE Audio Streams (Get help): Pop-up | 128k MP3

<-- Previous playlist | Back to destination: OUT with Jeff Golick playlists | Next playlist -->

February 9, 2015: Odes & hymns.

Listen to this show: Pop-up listen Pop-up player!

Artist	Track	Album	Label	Year
Roscoe Mitchell	Tatas-Matoes "Tatas-Matoes" by "Roscoe Mitchell"	Congliptious	Nessa	1968
Music behind DJ: Sun Ra	The Perfect Man "The Perfect Man" by "Sun Ra"	The Singles	Evidence	1974/1996
Dannie Richmond Quartet	Ode to Mingus	Ode to Mingus	Soul Note	1979
Charles Mingus	Goodbye Pork Pie Hat	Mingus Ah Um	Columbia	1959
Art Ensemble of Chicago	Charlie M	Full Force	ECM	1980
Music behind DJ: John Cale & Terry Riley	Church of Anthrax	Church of Anthrax	Columbia	1971
World Saxophone Quartet	Dance Until Dawn (For Little Anthony)	Dances and Ballads	Elektra/Nonesuch	1987
Dennis González & Faruq Z Bey w/ Northwoods Improvisers Septet	Hymn for Tomasz Stańko	Hymn for Tomasz Stańko	Qbico	2009
Frank Gordon	Clarion Echoes "Clarion Echoes" by "Frank Gordon"	Clarion Echoes	Soul Note	1985
Air	Buddy Bolden's Blues "Buddy Bolden's Blues" by "Air"	Air Lore	Arista Novus	1979
David Murray Trio	Take the Coltrane	The Hill	Black Saint	1988
Music behind DJ: Booker T. & the MG's	Melting Pot "Melting Pot" by "Booker T. & the MG's"	Melting Pot	Stax	1971
Gianluigi Trovesi Octet	From G to G	From G to G	Soul Note	1992
Synthesis	Flowers for Albert "Flowers for Albert" by "Synthesis"	Sentiments	Ra Records	1979
Anthony Braxton	Mohawk "Mohawk" by "Anthony Braxton"	Charlie Parker Project 1993	hat ART	1995
Music behind DJ: Dudu Pukwana & Spear	Flute Music "Flute Music" by "Dudu Pukwana & Spear"	Flute Music	Caroline	1975

RSS feeds for destination: OUT with Jeff Golick: Playlists feed | MP3 archives feed

| E-mail Jeff Golick | Other WFMU Playlists | All artists played by destination: OUT with Jeff Golick |

Listener comments!
	11:59am listener james from westwood: Good morning, Jeff, Jeff, and all!!
	🥁 12:01pm duke: Happy snowy day LJFW, Jeffs, Doug, and ell etc.
	12:01pm Jeff J: Morning Listener James! Thanks for joining us.
	🥁 12:01pm duke: *all
	12:02pm Jeff J: Heya Duke! Rainy not snowy here, but definitely under some weather.
	🥁 12:06pm Doug Schulkind: Not working today! Two full hours of D:O magnificence!
	12:06pm fred: Good afternoon Jeffs and non-Jeffs
	12:07pm listener james from westwood: Workload is light on this side, too, so distractions will be minimal!
	12:08pm Jeff J: Good afternoon Fred! And Doug - glad you're with us for the full Monty!
	12:09pm Webhamster Henry: Good afternoon (East coast), I'm the only one in the office.
	🥁 12:10pm duke: Did the Grammys happen last night? I feel either old or weird because I don't care about any of the people that are mentioned on the news as winning?
	12:11pm Jeff Golick: I think they did, @duke! Was similarly (blissfully) ignorant until I got a news update on my tablet...
	12:12pm Jeff J: Afternoon, Henry. Glad you could be with us and free of pesky co-workers.
	12:12pm Jeff Golick: Bass player Mike Richmond (no relation to Dannie) gets the unenviable job of holding the low end down for this Mingus tribute.
	12:13pm Jeff J: Grammys - Not Newsworthy since.... the 70s?
	12:15pm Dean: Mike Richmond has played bass with Mingus Big Band in NYC.
	🥁 12:15pm duke: That was a pretty slick change up in Ode to Mingus
	12:20pm Jeff Golick: Soul Note/Black Saint/Giovanni Bonandrini really kept the flame alive there for a while...
	12:21pm Jeff Golick: Thanks, listener "wikipedia" Dean!
	12:25pm Webhamster Henry: Who needs the Grammys when you have Hoof 'n' Mouth?
	🥁 12:26pm Doug Schulkind: In the earliest '80s, I saw a Mingus rep band with Don Pullen and Mike Richmond. (Was that Mingus Fantasy? I can't recall the name.) Pretty amazingly great. In that show, Pullen dislocated a finger in the middle of a punishing piano solo. He pulled his digit back into position and kept pounding. Must've been in intense pain, but you couldn't tell it.
	12:27pm Dean: The "pedia" in this case was my recollection of liner notes. I heard MBB at Fez under Time Cafe about 15 years ago. The cafe was jam-packed and the subway rumbled periodically under the floor. Quite a show.
	12:27pm Jeff Golick: Was that at Fez, Doug?
	12:28pm Jeff J: Sounds amazing, Doug. Would've loved to have seen Pullen play live.
	12:28pm Jeff Golick: Heh - x-post, Dean. I saw the Mingus Big Band there, too; mid-1990s.
	🥁 12:28pm Doug Schulkind: @Jeff Golick Nope. It was at Oberlin College.
	12:29pm Shaun: Mingi
	12:31pm Jeff Golick: Welcome, @Shaun!
	12:33pm Shaun: Cheers jeff and all.
	12:33pm Jeff J: Always thought the Art Ensemble's ECM albums were direly underrated.
	12:34pm Jeff Golick: @Jeff J: it's like two great tastes that I didn't think went together
	12:35pm Shaun: If Doug could link to the archive of his show where he played all variants of Fables of Faubus...
	🥁 12:36pm Doug Schulkind: The Mingus Big Band had that looooong residency at Fez. For a while in the mid-'90s, I was in charge of organizing WFMU's ticket giveaways. Virtually every club and venue was generous and pleased to offer free tickets to WFMU for giveaways. Fez was great, too, but for the Mingus Big Band shows, I had to deal directly with Sue Mingus, and she was a beast. She demanded to know which shows/DJs were going to give away the tickets and she wanted to hear recordings of how the giveaways were announced. She wanted to be assured that the tickets would be given away on purely jazz shows. It was explained that WFMU didn't have genre-specific programming. I told her we couldn't promise that and she seemed ready to pull the plug. It was insane. I forget how it got resolved, but WFMU ended up giving away tickets to the Mingus BB shows for many years.
	12:38pm Jeff Golick: I respect such protectors of legacies, but am also glad to steer clear of dealing with them.
	12:39pm Shaun: Bass clarinet always makes me think of Mingus because of Solo Dancer.
	🥁 12:44pm Doug Schulkind: @Shaun I never did a show with multiple versions of Fables of Faubus, but I did blog about the song with two versions: blog.wfmu.org...
	12:47pm Dean: I bet Shaun's thinking of this: https://wfmu.org/playlists/shows/47526
	12:51pm northguineahills: Full Force, Never even heard of that AEC album, cool!
	12:52pm Jeff Golick: The WSQ quartet album we just played has this wonderful Roy DeCarava image on the cover: www.christies.com...
	🥁 12:54pm Doug Schulkind: @Dean Yikes! Forgot all about that. I give all credit to my executive producer.
	12:55pm Jeff Golick: Heya, @northguineahills!
	12:58pm listener james from westwood: @Doug, I have visions of Sue listening to a tape of Pat Duncan hawking the Mingus tix during brief breaks from giant playlists of hardcore 45s.
	12:58pm listener james from westwood: Also, I may have you to thank indirectly for winning Everything But the Girl tix from FMU sometime in that time frame.
	1:04pm doca: Hey, guys. Dennis González always makes me happy.
	🥁 1:05pm Doug Schulkind: @LJFW Charles would have been the more likely Mingus to appreciate Pat Duncan's inner magic.
	1:06pm Jeff Golick: Same here, @doca. Same here.
	1:06pm Jeff J: Just thinking there's never enough Dennis Gonzalez on this show...
	1:07pm northguineahills: Not familiar w/ Frank Gordon, it's always a pleasure to hear jazz from the 80s from an artist I'm not familiar w//
	1:07pm Jeff Golick: This selection emerges fully formed from George Lewis's book on the AACM.
	1:13pm Shaun: @Dean Make your way to the pay winduh. Cheers. And thanks for that blog link too, Doug.
	1:14pm Dean: First lottery I've ever won. Braggers gotta brag: George Lewis used a paper I wrote for a course he taught at Columbia on Sonic Texts of the Black Atlantic.
	1:15pm tr;sh: Hays and hellos.
	1:15pm Jeff Golick: Such a rare treat to hear Threadgill go off on a blues. Whoa, @Dean! That is certainly something to hang your hat on.
	1:16pm Jeff J: Hey Tr;sh - thanks for joining us! Dean - Impressive about the paper! That Lewis class must've been amazing.
	1:18pm Dean: Alas, I didn't take his class. I wrote the paper for an unrelated seminar at another school. My guess is he taught the class while he was writing the AACM book.
	🥁 1:20pm Doug Schulkind: I treasure Lewis' AACM book like the sacred text it is, but I found it so full of off-putting academic jargon. Kept pulling me out of my reverie.
	1:22pm northguineahills: I always thought, Air (French band), should have sampled Air.
	1:22pm Jeff J: Academic jargon, which mars many texts, seems proof of Burroughs dictum that language is a virus.
	1:24pm Jeff Golick: I went to an AACM event in NYC that launched the book, w/ Lewis and others discussing the AACM. It was not terribly memorable (to me), and my main recollection is that they ran out of books and I couldn't buy one there.
	1:25pm listener james from westwood: After editing such text for so long, I've built up a sort of immunity. But one does come across some beauts in ac-prose now and again. And it does have a sad knack for ironing the joy out of a topic. (Reason #29384 why I opted out of grad school.)
	1:29pm Dean: There's jargon and there's jargon. Worst offender in my memory is Homi K. Bhabha. Judith Butler can run a close second. But I'm a sucker for some of Derrida's mush, and to this day I return to Paul de Man's prose, despite his infamy. Not academic, but threateningly nonsensical, is John Ashbery's poetry, which to my ear does what language is supposed to do. E.g., In all my years as a pedestrian serving juice to guests, it never occurred to me thoughtfully to imagine how a radish feels. Those are the first three lines of "This Economy." I can't love writing more.
	1:30pm Uncle Michael: I knew nothing of David Murray till he associated with the Grateful Dead. Sometimes that's just how it is.
	1:35pm Jeff J: I love Ashbery, Dean. Happy to wade through his flirtations with the nonsensical since they're always shot through with wonder and surprise. Wish more academics tried to transform their jargon into something that alive.
	1:37pm ?: Just seen Whiplash - would you agree with me the film portrays the wrong end of jazz- I mean the boring, Lincoln Center, Wynton Marsalis view that somehow just must conform to a so called golden period standard set somewhere between 1940 -1960?
	1:38pm ?: that jazz must conform to a so called golden period standard set somewhere between 1940 -1960?
	1:39pm Dean: There was a Marsalis thread here last week: http://wfmu.org/playlists/shows/59300
	1:39pm Jeff Golick: 'afternoon, @Uncle Michael! Indeed. We can only know what we know.
	1:40pm Jeff Golick: As for jargon, the worst language offenses seem to come out of business-speak these days, where layoffs = "right-sizing" etc. But my current situation in the publishing "space" might be coloring this view at the moment...
	1:42pm Dean: I'm going to change the subject. Thanks to ELO, I can't get "Can't Get It Out of My Head" out of my head.
	1:42pm Uncle Michael: I haven't seen Whiplash but the criticism I've read of it describes it such that I'm put in mind of sports and military movies like "Rocky," and "An Officer and a Gentleman." The criticism describes the arts as being portrayed in a manner that seems to have nothing to do with art at all.
	🥁 1:43pm Doug Schulkind: @Jeff Golick I've been in that space since I got laid off in '09.
	1:44pm Jeff Golick: @Doug: getting mighty crowded in here.
	1:44pm tr;sh: @JeffG When to pull out the ol' 'Handbook of Corporate Bullshit', or whatever it was called. And say, "Wait, forgive me, I have to look that up." Followed by an aggrandized, "Ohhhh!"
	1:49pm Jeff Golick: @tr;sh: Yup. BTW, the front line of this group Synthesis is David Murray, Olu Dara, and Arthur Blythe.
	1:49pm Jeff J: We talked about Whiplash on the show a few months back. It's ludicrous in how it portrays the jazz world and creative pursuits in general. The military movie comparison is apt - the teacher is straight out of Full Metal Jacket. There's a great review of it on the Talkhouse by the drummer from Oneida that's worth yr time.
	🥁 1:50pm Doug Schulkind: I have not listened to this Synthesis record (or their other one) in at least 20 years. I am a failure.
	1:52pm Jeff Golick: There's another one???????
	🥁 1:53pm Doug Schulkind: Gotta go run down to my basement.
	1:53pm doca: I've enjoyed reading the discussion about academic jargon while studying in a library transcribing parts of books for my highly specialized doctoral thesis. Thanks for the show, double Jeffs!
	1:54pm Jeff Golick: @Doug: 20 years is a total exaggeration: wfmu.org...
	1:54pm Dean: @doca: "transcribing parts of books" -- Do you mean taking notes? (Joke)
	1:57pm Jeff Golick: or as Malcolm Gladwell would have it: writing.
	1:58pm doca: @Dean: Haha transcribing as in "Reading boring books and being too annoyed to really write down and trying to understand it, so I'm just copying things to read later". I saw it here and noticed that "transcribe" doesn't have the same sense as in Portuguese. ugh
	1:59pm Uncle Michael: I uses to copy parts of world book encyclopedias for social studies reports. like that?
	🥁 1:59pm Doug Schulkind: 17 years. I'm still an ass. The OTHER Synthesis record is called Six By Six (Chiaroscuro, 1977) Same lineup as on Sentiments, but it Courtney Wynter (tenor sax, clarinet, bassoon) is in the David Murray chair.
	2:00pm Dean: Portuguese! It doesn't even have jargon. It has jargão.
	2:01pm doca: Yes, I just love the tilde
	2:01pm Uncle Michael: Thanks for the show, Jeff(s)!
	🥁 2:01pm Doug Schulkind: Group co-leader Ken Hutson starts the liner notes with this: "In the resurrection of the ritual dedicated to the perpetuation of the living force in nature and the living force in the valuable creations of humankind, each generation renews its faith in the power of music in a manner of style suitable to its time."
	🥁 2:01pm duke: Thanks Jeffs
	2:03pm tr;sh: Great listening all around. Figured out some puzzle-y work stuff I've been stuck on, too. Thanks all.
	2:03pm listener james from westwood: @UM: A guy in a high school writing class of mine copied 95% of Stephen King's "Lawnmower Man" and passed it off as his own. He got busted back to the Stone Age. Jolly fun today, gents! Many thanks!
	2:03pm doca: Hahah just laughed loud on the Alan Parsons joke
	2:03pm Shaun: Shit hot. Cheers.
	2:05pm Jeff J: Thanks all!
	2:07pm Jeff Golick: What Jeff J said! Thanks to @Uncle Michael, @duke, @doa, @Shaun, @Doug Schulkind; @Dean; @tr;sh; @listener james in westwood; @ngh...and all the ships at sea.

destination: OUT with Jeff Golick: Playlist from February 9, 2015

Listener comments!

(C) 2024 WFMU. Generated by KenzoDB, written 2000-2024 by Ken Garson