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Familiar & forgotten gems from 50-plus years of music on the darker side, shoegaze, synthpop, goth, psychedelia, darkwave, with unapologetic detours into 70s pop. In a dark night of the soul, it's always 3 o'clock in the morning.
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Artist | Track | Album | Label | Year | Comments | Images | Approx. start time | |||
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The Birthday Massacre | In the Dark | Pins and Needles | Metropolis | 2010 | 0:00:00 (Pop-up) | |||||
Valerie Gentile | Scarred | Love is Luxury | Valerie Gentile & Filip Abbex Nex | 2013 | On the show next week! | 0:03:06 (Pop-up) | ||||
Devo | Booji Boy's Funeral | Hardcore Devo Vol. 2 (1974-1977) | Ryko | 1991 | 0:07:44 (Pop-up) | |||||
Broadcast | Locusts | The Future Crayon | Warp | 2006 | 0:11:42 (Pop-up) | |||||
Slowdive | Some Velvet Morning | Souvlaki | Creation Records | 1994 | 0:16:53 (Pop-up) | |||||
The Moody Blues | You Can Never Go Home | Every Good Boy Deserves Favour | Decca | 1971 | 0:19:53 (Pop-up) | |||||
The Raveonettes | Summer Moon | Raven in the Grave | Vice Records | 2011 | 0:24:07 (Pop-up) | |||||
The Hollies | Separated | Moving Finger (aka Confessions of the Mind) | Epic | 1970 | 0:27:05 (Pop-up) | |||||
Faith & The Muse | Vervan | Elyria | Tess Records | 1994 | 0:30:24 (Pop-up) | |||||
Chapterhouse | Breather | Whirlpool | Dedicated | 1991 | 0:37:21 (Pop-up) | |||||
The Casket Girls | Walking on a Wire | Sleepwalking | Graveface Records | 2012 | 0:41:36 (Pop-up) | |||||
Trust | Are we Arc? | Joyland | Arts & Crafts Records | 2014 | 0:44:45 (Pop-up) | |||||
Ultra Vivid Scene | Poison | Ultra Vivid Scene:Joy 1967-1990 | 4AD | 1990 | 0:49:23 (Pop-up) | |||||
Music behind DJ: Nanase Hikaru |
jibrille-silent mourning |
Angel Sanctuary OST |
No Label |
0:52:50 (Pop-up) |
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Live on WFMU Engineered by Serge Z |
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Blackstone Rngrs | Descendant Of | Live on WFMU | WFMU | 2014 | 0:59:58 (Pop-up) | |||||
Blackstone Rngrs | You Never | Live on WFMU | WFMU | 2014 | 1:05:16 (Pop-up) | |||||
Blackstone Rngrs | Prey Don't Find Me | Live on WFMU | WFMU | 2014 | 1:07:41 (Pop-up) | |||||
Blackstone Rngrs | Ode to Patsy Jean | Live on WFMU | WFMU | 2014 | 1:12:05 (Pop-up) | |||||
Blackstone Rngrs | Honeydew | Live on WFMU | WFMU | 2014 | 1:15:32 (Pop-up) | |||||
Blackstone Rngrs | Untitled | Live on WFMU | WFMU | 2014 | 1:19:48 (Pop-up) | |||||
Blackstone Rngrs | Frozen Echo | Live on WFMU | WFMU | 2014 | 1:24:17 (Pop-up) | |||||
Blackstone Rngrs | Judas Tree | Live on WFMU | WFMU | 2014 | 1:29:11 (Pop-up) | |||||
Blackstone Rngrs | Aviant Blue | Live on WFMU | WFMU | 2014 | 1:34:07 (Pop-up) | |||||
Blackstone Rngrs | Interview | Live on WFMU | WFMU | 2014 | 1:39:51 (Pop-up) | |||||
Daniel Bornhorat, Ruth Smith, Derek "DK" Kutzer |
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Blackstone Rngrs | Nights/Days | Descendant | Saint Marie Records | 2014 | 1:46:37 (Pop-up) | |||||
Blackstone Rangers | Mutiny at Toho Bay (Into the Sea) | Into the Sea | Dallas Distortion Music | 2012 | 1:51:08 (Pop-up) | |||||
Music behind DJ: Cocteau Twins |
Oomingmak (instrumental) |
Cocteau Twins Singles Collection Box Set |
Capitol |
1:53:33 (Pop-up) |
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Emilie Simon | Space Oddity | Bowie Mania | Naive | 2007 | 2:02:01 (Pop-up) | |||||
Mazzy Star | She's My Baby | So Tonight That I Might See | Capitol | 1993 | 2:05:44 (Pop-up) | |||||
Wire | Attractive Space | Change Becomes Us | Pink Flag | 2013 | 2:10:03 (Pop-up) | |||||
Pink Floyd | A Saucerful of Secrets | A Saucerful of Secrets | EMI | 1968 | 2:13:40 (Pop-up) | |||||
Leandra | Divergent Mirrors of Decay | Isomorphine | Drakkar Records | 2013 | 2:25:11 (Pop-up) | |||||
Black Tape For a Blue Girl | Tell Me You've Taken Another | 10 Neurotics | Projekt | 2009 | 2:30:00 (Pop-up) | |||||
Rise and Fall of a Decade | Grandest Illusion | Noisy But Empty | Hyperium Records | 1993 | 2:34:10 (Pop-up) | |||||
Cocteau Twins | My Love Paramour | Head Over Heels | 4AD | 1983 | 2:38:25 (Pop-up) | |||||
Every Silver Lining Has a Cloud | Such A Waste | Every Silver Lining Has a Cloud | Projekt | 2010 | 2:41:59 (Pop-up) | |||||
Bee Gees | Day Time Girl (mono) | Horizontal | Polydor | 1968 | 2:45:02 (Pop-up) | |||||
Beck | Turn Away | Morning Phase | Capitol | 2014 | 2:48:05 (Pop-up) | |||||
Kiss the Anus of a Black Cat | Wander or Wavier | Hewers of Wood and Drawers of Water | Zealrecords | 2010 | 2:50:35 (Pop-up) | |||||
Johnny Cash | Delia's Gone | American Recordings | American Recordings | 1994 | 2:52:48 (Pop-up) | |||||
Syd Barrett | Gigolo Aunt (loop) | Barrett | Harvest | 1970 | 2:55:21 (Pop-up) |
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Listener comments!
P-90:
Julie:
Guido from Cologne:
Will Emile Simon performance go to the FMA?
Julie:
Guido from Cologne:
P-90:
Guido from Cologne:
Sun here!
And I have to work! :-(
Droll:
(Seattle is partly overcast, 64F)
Julie:
BadGuyZero:
Julie:
BadGuyZero:
Guido from Cologne:
Being in German rights society GEMA the option for other licensing is finished for livetime. (Hard to believe but true.) Just asking ...
Julie:
Droll:
Matt from Springfield:
Morning Julie and Upside Down Bats! Great Rngrs performance!
Julie:
Julie:
BadGuyZero:
Julie:
Droll:
Band is just fantastic, that is really what I think.
P-90:
Julie:
Matt from Springfield:
@Julie: Really, my Springfield? Where!?
Guido from Cologne:
Love it!
Guido from Cologne:
Thanks for the info! Roiughly the same here.
The thing is with composers rights.
If you are a member of GEMA you make a kind of live-long contract, that from that point in your live you must distribute everthing you creat with the GEMA and international partners involved. You are even not allowed to put somthing to public domain, nor Creative Commons or even just put sth. to Youtube for self promotion. (There are protests and sues against this. But no solutions yet.)
Julie:
Julie:
Matt from Springfield:
Julie:
Julie:
Matt from Springfield:
And that's appropos--Paul Williams is best known for being a songwriter (though thanks to you we have heard his singing, as well!)
Julie:
Droll:
In some ways GEMA sounds cool, in the US you're on you're own and you end up publishing through ASCAP or BMI or some other smaller-scale accounting fiasco. At least it's all public record with GEMA.
P-90:
Matt from Springfield:
Droll:
Guido from Cologne:
Matt from Springfield:
Droll:
BadGuyZero:
Guido from Cologne:
Way better than mike switched off as happened to john Allen recently.
Matt from Springfield:
Julie:
Matt from Springfield:
Guido from Cologne:
There are some advantages in German law that preven the artist form fooleries. Like it is not possible to sell an authorship away completely.
On the other hand GEMA is so incredibly old fashioned. They rely on the good old method to gather music licence money by visiting shops and listen after public radio doodeling. They sue YouTube ... wich basically is not too wrong ... since big company is living on bootlegging in the very end.
But I think it would have been the very duty of the rights societies to set up asomething like sopztify in the very dawning of MP3 ... it would have been the justest system of music licencsing imaginable. Instead they imped musicians on using modern methods of self promotion. It is so plain annoying.
Matt from Springfield:
P-90:
BTW you guys may have heard that whenever Dean Martin was broke, he would sell someone a share of his future income for a cash "investment", eventually he had promised several thousand percent of his earnings (but he wasn't a songwriter).
Droll:
Matt from Springfield:
Matt from Springfield:
That can be a front page quote for FMU in general--Lowest of lo-fi detrius, delivered to you in high quality streaming! :)
fred von helsing:
Guido from Cologne:
Fidelity to what?
All rock music is NoFi !
My very personal point of view.
I was thinking about re-mastering the one or the other unlucky FMA-content ... if i just had the time.
Guido from Cologne:
Droll:
[Crying onto Guido's shoulder] You must come to Seattle or I must come to Cologne to discuss the moment things went wrong... as if they were ever right.
BadGuyZero:
BadGuyZero:
fred von helsing:
Matt from Springfield:
fred von helsing:
fred von helsing:
P-90:
Maybe the "hall" style reverb the engineer used on the live set was left on for the interview? Or was the interview not done right after the set? Actually, the big reverb sounded cool on the interview, like a Murray the K old-style AM radio sound
Matt from Springfield:
fred von helsing:
Julie:
Finbar:
Guido from Cologne:
Guido from Cologne:
Guido from Cologne:
I'm about to dance in the sun, but i was supposed to do something "productive" ... gee ... sun, music , chatting ...
Finbar:
Matt from Springfield:
Wynford C Eagle:
Guido from Cologne:
- Dancing in the sun : € 86,-
fred von helsing:
Julie:
Finbar:
Matt from Springfield:
P-90:
@ Julie: Unfortunately, as I 'm sure you know, all that bullshit is the norm at Summerstage, When I go there, I go in dreading what might go on in the audience, particularly whoever I'm gonna wind up in the vicinity of...
@fred von h. Good Morning!
fred von helsing:
Droll:
I wish to stay upwind of the bouncing cosmic butt wind.
fred von helsing:
Sem Chumbo:
Julie:
Finbar:
fred von helsing:
Matt from Springfield:
Morning, Dark Knight Sem! (Someone at least should record that as a side project...)
Julie:
Sem Chumbo:
@FVH: Smells of Futures Passed
Matt from Springfield:
Old BGs! Nice!
Matt from Springfield:
Guido from Cologne:
DeaconDave:
Julie:
Julie:
DeaconDave:
DeaconDave:
Matt from Springfield:
Guido from Cologne:
Must run shortly! Loved it!
Thank you Julie!
DeaconDave:
Julie:
Julie:
DeaconDave:
Droll:
Have a fun week, yinz!
Matt from Springfield:
And just like that...Julie's gone! Thanks to the Blackstone Rngrs, Serge Z, Julie and WFMU for a great set and show!
fred von helsing:
Matt from Springfield:
P-90: