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June 18, 2014: Courtney Barnett and the Courtney Barnetts (live set)
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Artist | Track | Album | Label | Approx. start time | ||||||
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Lee Morgan | Yes I Can, No You Can't (edit) | The Gigolo | Blue Note | 0:00:00 (Pop-up) | ||||||
Rory McLeod | Love Like a Rock (In a Stormy Sea) | Footsteps and Heartbeats | Cooking Vinyl | 0:03:47 (Pop-up) | ||||||
Marmalade Souls | Famous | In Stereo | Rainbow Quartz | 0:07:22 (Pop-up) | ||||||
F.S.K. (Freiwillige Selbstkontrolle) | Jazz Lexikon | Tel Aviv | Phantom Sound & Vision | 0:10:45 (Pop-up) | ||||||
The Tiger Lillies | Sing a Song | Live at WFMU 11/3/04 | Misery Guts | 0:19:08 (Pop-up) | ||||||
Amor de Días | Maureen | The House at Sea | Merge | 0:24:00 (Pop-up) | ||||||
The West Coast Pop Art Experimental Band | A Child's Guide to Good & Evil | A Child's Guide to Good & Evil | Sundazed | 0:29:32 (Pop-up) | ||||||
Giant Sand | Red Right Hand | Cover Magazine | Fire Records | 0:32:15 (Pop-up) | ||||||
Elastic Summer | Kids (MGMT cover) | live on Seven Second Delay 17 NOV 10 | WFMU | 0:36:14 (Pop-up) | ||||||
Brian Wilson | Summertime | Brian Wilson Reimagines Gershwin | Disney Pearl Series | 0:45:19 (Pop-up) | ||||||
Scala Choir and Kolacny Brothers | I Touch Myself | Dream On | PIAS | 0:48:07 (Pop-up) | ||||||
Del Shannon | The Big Hurt | This is My Bag | Beat Goes On | 0:50:24 (Pop-up) | ||||||
Tom Waits | Step Right Up | Small Change | Elektra | 0:52:32 (Pop-up) | ||||||
COURTNEY BARNETT & THE COURTNEY BARNETTS | LIVE ON WFMU | engineers: Jean-Paul Gautreaux and Scott Williams | 1:00:30 (Pop-up) | |||||||
Courtney Barnett | Don't Apply Compression Gently | live on WFMU (recorded June 17, 2014) | Milk Records | 1:01:10 (Pop-up) | ||||||
Courtney Barnett | Avant Gardener | live on WFMU (recorded June 17, 2014) | Milk Records | 1:03:36 (Pop-up) | ||||||
Courtney Barnett | interview seg 1 | 1:10:26 (Pop-up) | ||||||||
Courtney Barnett | David | live on WFMU (recorded June 17, 2014) | Milk Records | 1:12:40 (Pop-up) | ||||||
Courtney Barnett | History Eraser | live on WFMU (recorded June 17, 2014) | Milk Records | 1:15:32 (Pop-up) | ||||||
Courtney Barnett | interview seg 2 | 1:19:10 (Pop-up) | ||||||||
Courtney Barnett | Scotty Says | live on WFMU (recorded June 17, 2014) | Milk Records | 1:21:39 (Pop-up) | ||||||
George Russell Sextet | The Lydiot | Ezz-thetics | Riverside | 1:28:17 (Pop-up) | ||||||
Peter Bastin | How to Make a Tape Recorder | The World of Peter Bastin | Peter Bastin | 1:35:51 (Pop-up) | ||||||
Bill Wells Trio | Presentation Piece #1 | Also in White | Geographic | 1:38:04 (Pop-up) | ||||||
Sharon Van Etten | Nothing Will Change | Are We There | Jagjaguwar | 1:47:15 (Pop-up) | ||||||
Beach Boys | Feel Flows | Surf's Up | Capitol | 1:50:41 (Pop-up) | ||||||
Parquet Courts | Bodies Made Of | Sunbathing Animal | What's Your Rupture? | 2:01:45 (Pop-up) | ||||||
Pursuit of Happiness | Cigarette Dangles | The Downward Road | Polygram | 2:04:46 (Pop-up) | ||||||
The Jethros | You've Made Me So Very Happy | Love Musix | Rumblestiltskin | 2:07:18 (Pop-up) | ||||||
Used Alien Mind | Machine Gun Love | Positive Mental Theme | Used Alien Mind | 2:11:57 (Pop-up) | ||||||
Leona Bass with the Lost Guitars | I Want to Marry an Egghead | NJX@NY$!#2 | Radiophone Archives | 2:14:42 (Pop-up) | ||||||
Rahsaan Roland Kirk | Echoes of Primitive Ohio and Chili Dogs | The Case of The 3-Sided Dream In Audio Color | Atlantic | 2:17:55 (Pop-up) | ||||||
Ex Cops | Ken | True Hallucinations | Fat Possum | 2:29:23 (Pop-up) | ||||||
Killing Joke | Tension | What's THIS for...! | Malicious Damage | 2:31:41 (Pop-up) | ||||||
Vermillion Sands | Wake Me When I Die | Vermillion Sands | Sacred Bones | 2:35:52 (Pop-up) | ||||||
Les Thugs | Moon Over Marin | Virus 100: Dead Kennedy Covers | Alternative Tentacles | 2:38:17 (Pop-up) | ||||||
Murals | Turning Still | On a Passing Cloud | Murals | 2:43:41 (Pop-up) | ||||||
Cara Dillon | River, Run | A Thousand Hearts | Charcoal | 2:46:14 (Pop-up) | ||||||
Harold Nicholas | Beyond the Sea | Funny Bones (film soundtrack album) | Don't Know Records | 2:50:06 (Pop-up) |
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Listener comments!
rrg:
Laura L:
Michael:
Irwin:
rrg:
Laura L:
Guido from Cologne:
Hello everyone!
common:
Guido from Cologne:
nate:
rrg:
rrg:
rrg:
Michael:
Guido from Cologne:
Ken From Hyde Park:
rrg:
still b/p:
Irwin:
Guido from Cologne:
Michael:
Ken From Hyde Park:
common:
rrg:
Irwin:
Guido from Cologne:
Laura L:
http://bangonacan.org/2014/june/bang_on_a_can_marathon_brookfield_place_winter_garden
common:
Andrew Waterloo:
rsj:
berbo:
scala fan:
rrg:
common:
MD:
Mike Sin:
rrg:
Play that one too.
Guido from Cologne:
still b/p:
rrg:
Guido from Cologne:
Irwin:
Mike East:
nickybones:
MD:
Rectitude:
Guido from Cologne:
rrg:
I always kinda-sorta liked it even though there's a little too much hippie sentiment in there.
Ken From Hyde Park:
Irwin:
Andrew Waterloo:
rrg:
rrg:
That's not a dig, Andrew. It's just a fact.
My brother was a MuchMusic VJ so a lot of that stuff is burned into my head, too.
Listening Out There:
Andrew Waterloo:
Guido from Cologne:
rrg:
rrg:
Listening Out There:
Guido from Cologne:
Andrew Waterloo:
rrg:
Listening Out There:
nickybones:
Irwin:
Laura L:
rrg:
Laura L:
rrg:
Irwin:
Droll:
CB: [Laughing too hard to respond] "Yeah! I've had plenty of horrible day jobs!"
IC: Our listeners want to know you've suffered for your art.
No, I do NOT want to hear good musicians suffer for their art.
...and then her story about her parents. Musicians are held in such low regard, when it manifests itself in stories and shows like this... I'm speechless.
On a happier note, "How to Make a Tape Recorder" was excellent and your show is great (when you're not portraying mistreating musicians as normal/okay). You have always been encouraged to test the limits of how much Killing Joke is appropriate. And hearing the Bonzo Shuffle can only foretell good things. I'm looking forward to players who were omitted from the first episode: Hampton, Rich, Gadd, Bozzio, Smith, Peart, Colaiuta, Copland, Phillips... So many great drummers to enjoy and compare and contrast...
Irwin:
mrose:
Irwin, this is why I've been listening to you for the past 35 years. Your deliciously outrageous sense of humor has been a cornerstone of what you offer listeners.