|
|||
Friday
9am - Noon
(EDT)
|
On
WFMU's
Give the Drummer Radio
|
December 13, 2013
Not a dry ear in the house | ||
Add or read comments |
Artist | Selection | Album (Label / Recording date) |
---|
Theme Music: Sarah Webster Fabio |
Jujus: Alchemy of the Blues |
Jujus: Alchemy of the Blues
(Folkways 1976) |
ECD | In Tempo |
Major Force: The Original Art-Form
(Mo' Wax 1990) |
Talkover Music: Augustus Pablo |
Drums to the King |
Blowing With the Wind
(Greensleeves 1978) |
Alexander Von Schlippenbach & Tony Oxley | Thorn Apple |
Digger’s Harvest
(FMP 1998) |
Radu Malfatti & Stephan Wittwer | So |
Und?
(FMP 1978) |
Talkover Music: Manteca |
Afro Funky |
Ritmo + Sabor
(EM late 1960s) |
Talkover Music: Annbjørg Lien |
The Water Lily |
|
Talkover Music: Clifford Coulter |
Big Fat Funky Shirley |
East Side San Jose
(Impulse! 1970) |
Vinny Golia | Alone a) ...At Nite b) Try Toane |
Openhearted
|
Serge Chaloff | How About You |
Blue Serge
(Capitol 1956) |
Sam Rivers | Dawn |
Sizzle
(Impulse! 1975) |
Talkover Music: Bateria Fantastica da Portela |
Demonstraçao de Som e Andamento |
Batucada Capoeira
(Soul Jazz 1978) |
Talkover Music: Flevans |
Hey Mr Bundle |
Make New Friends
(Tru Thoughts 2004) |
Closing Theme: John Lee Hooker |
Stand By |
I Feel Good
(Jewel 1971) |
Listener comments! | |
🥁
8:52am
:
| |
8:53am
:
| |
🥁
8:57am
:
| |
8:59am
:
| |
8:59am
:
| |
9:00am
:
| |
🥁
9:00am
:
| |
🥁
9:02am
:
| |
🥁
9:02am
:
good chilly morning, all!! | |
9:03am
:
| |
9:03am
:
| |
🥁
9:03am
:
| |
9:04am
:
Aye aye, Doctor Michael. | |
9:12am
:
| |
9:12am
:
| |
9:14am
:
Brother Paul! Brother Paul! | |
9:18am
:
| |
9:19am
:
| |
9:19am
:
| |
9:20am
:
| |
9:20am
:
| |
🥁
9:21am
:
| |
9:22am
:
| |
9:23am
:
The only comedians I'll eat are vegetarians. @ndbob He often recorded under the name "Wes Tuttle." @AndrewC I think you have to be 97 or older to view those videos (98 in Tennessee). | |
🥁
9:24am
:
| |
9:33am
:
Now I know you don't trouble your tv machine too often but Welsh detective series 'Y Gwyll' well worth a view when the BBC screen it in 2014. Set in and around Aberystwyth. | |
🥁
9:38am
:
| |
9:40am
:
| |
9:41am
:
And that is just so fucking great! I love you. | |
9:43am
:
I once eat snacks with R.E.M. before they hit the big time. (This was around 1981 or maybe 1982.) I have a policy against playing the music of artists I've snacked with. No I don't. I have no policies about anything. Don't believe a word I said, except in the previous comment, which is all true. | |
🥁
9:45am
:
www.malcolmpryce.com | |
9:48am
:
The latest DMG newsletter says that there is a "new" Isipingo out on Ogun, all reportedly unreleased material. Thought you'd like to know. | |
9:49am
:
| |
9:49am
:
| |
9:49am
:
| |
🥁
9:50am
:
| |
9:52am
:
| |
🥁
9:53am
:
| |
9:55am
:
| |
9:55am
:
I said yes of course. | |
9:55am
:
| |
9:57am
:
| |
9:59am
:
noun. 1. The repeated stroke of something long and loose. adverb. 1. With repeated strokes and noise, as of something long and loose. | |
10:03am
:
| |
10:04am
:
| |
10:05am
:
| |
10:06am
:
Have you ever played any of Isabel's remarkable sister, Violetta Parra's songs ? And yes, this Alasdair cd is in the car player right now ! | |
10:06am
:
PLEASED TO MEAT YOU | |
10:09am
:
| |
🥁
10:10am
:
| |
10:10am
:
| |
🥁
10:10am
:
| |
🥁
10:14am
:
| |
🥁
10:15am
:
| |
10:17am
:
| |
10:18am
:
| |
10:19am
:
| |
10:21am
:
| |
10:24am
:
| |
🥁
10:25am
:
| |
10:26am
:
| |
10:27am
:
| |
10:29am
:
| |
10:29am
:
| |
10:30am
:
| |
10:31am
:
| |
10:31am
:
No! What you do is the TRUE avant garde. Don't ever give it up, kid. | |
10:32am
:
| |
10:32am
:
| |
10:33am
:
| |
🥁
10:33am
:
| |
10:34am
:
| |
🥁
10:35am
:
| |
10:36am
:
| |
10:36am
:
| |
10:37am
:
| |
10:41am
:
| |
10:44am
:
| |
10:45am
:
| |
10:45am
:
| |
10:46am
:
| |
🥁
10:47am
:
At times this almost seemed like a pastiche but your ears do not lie? It gives good music, glenn!! muscleshoals.co.uk | |
🥁
10:47am
:
| |
10:49am
:
More bananas: www.demotivationalposters.net... | |
10:55am
:
| |
10:57am
:
| |
🥁
11:01am
:
| |
11:01am
:
| |
11:02am
:
| |
11:03am
:
| |
11:04am
:
| |
11:04am
:
| |
🥁
11:05am
:
Which side of the bed, simon? Oh the far side. | |
11:09am
:
| |
11:09am
:
| |
11:10am
:
This bass player sounds like a spastic bumble bee on my tablet speakers. | |
11:12am
:
| |
11:13am
:
| |
11:19am
:
| |
11:20am
:
| |
11:23am
:
| |
11:24am
:
| |
11:24am
:
| |
11:26am
:
I bet these gents could dance pretty well. @Carmichael Either that or maybe just an "installation." @Webham Hen My work is done. | |
11:28am
:
Hinky Dinky Time with Uncle Michael follows this show in about half an hour. Uncle Michael's playlist page is here: wfmu.org... | |
11:30am
:
| |
11:42am
:
| |
11:43am
:
| |
11:43am
:
Victor BRADY hails from St. Croix in the United States Virgin Islands. He moved to mainland USA sometime in the 60's, and established himself as a popular and influential performer of the steel drum, performing in Central Park on a regular basis. Brady himself doesn't quite like the notion of coining his instrument of choice a steel drum - for him that is a cruder instrument consisting of a large 55 gallon steel barrel. Brady prefers to call the more refined instrument he plays a steel piano. Anyhow, his steel drum performances were popular, and he soon became something of a tutor of the instrument - many performers of steel drums today can thank Brady or one of his students from the 60's and 70's for their skills in performing on the instrument. Although mostly performing live outdoors or in special events, Brady got the chance to see his work issued on albums as well. In the late 60's he played on Scott Fagan's album South Atlantic Blues, and at about that time a talent scout from Polydor was suitably impressed by Brady's performance to offer him a record deal. The result was the album "Brown Rain", released in 1970. On this effort his steel piano was blended with a psychedelic form of heavy progressive rock, a stylisitc expression popular at the time. In 1976 he would release another album, this time on New Your based Inner City Records. This sophomore effort, "Classic Soul", will be less interesting for those with an interest in progressive rock. But those with more than a passing interest in the steel drum as an instrument should find Brady's take on the classical works covered on this album to be a fascinating sonic experience. In 1977 Brady gave a one-man lecture/demonstration on the Steel Piano at the Smithsonian Institute in Washington D.C., simply named "Lecture on the Steel Piano, 1977". The lecture is still available from the Smithsonian Institute for those who'd like to know more about this artist or this version of the steel drum. And while not recording any more solo albums Victor Brady kept going as an active performer of the steel drums, with a strong reputation among fans and performers of this instrument. He is still around and doing well. www.progarchives.com... | |
11:44am
:
Don't let the plumber turn off the Brown Rain. | |
11:47am
:
| |
11:47am
:
| |
11:48am
:
| |
11:49am
:
| |
11:49am
:
Not aware of any reissue. I would be happy to send you — and anyone — digital files of the songs. Just send me an email. | |
11:49am
:
| |
11:51am
:
| |
11:51am
:
Yikes! I didn't know about that limitation. Howdy NGH! | |
11:51am
:
| |
11:52am
:
| |
11:53am
:
| |
11:54am
:
| |
11:54am
:
I will see you all in the next room. wfmu.org... | |
11:55am
:
| |
11:56am
:
| |
11:56am
:
| |
🥁
11:56am
:
| |
11:56am
:
| |
11:56am
:
| |
11:57am
:
| |
🥁
11:58am
:
| |
🥁
11:58am
:
| |
11:58am
:
| |
11:59am
:
| |
🥁
12:00pm
:
| |
12:00pm
:
| |
Gaze lovingly at my other playlists | Take a gander at the WFMU Homepage | |
See other artists I've played | ||