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Sounds from the archive of the future, sonic drilling into the past, dissonant rumbling, lyrical melodies, noises (human, animal, mechanical, digital) inscrutable yet honest, desultory but consistent.
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Artist | Track | Album | Label | Comments | Approx. start time |
---|---|---|---|---|---|
0:00:00 (Pop-up) | |||||
Karen Verros | You Just Gotta Know My Mind | v/a: Hard Workin' Man: The Jack Nitzsche Story vol. 2 | RPM | 0:01:54 (Pop-up) | |
Groundhog | Take It Off | Major Minor | aka Joe "Groundhog" Richardson --1969 | 0:05:18 (Pop-up) | |
Y Pants | The Fly | Y Pants | Periodic Document | lyrics: Emily Dickinson | 0:09:01 (Pop-up) |
F De Masi & A Alessandroni | Teme di Londra M.10 | V/A: Beat at Cinecitta | Crippled Dick Hot Wax | 0:11:09 (Pop-up) | |
Sylvia Plath | The Applicant | v/a: Treasury of 100 Modern American Poets | Spoken Arts | 0:12:40 (Pop-up) | |
Blurt | The Bells | Cut It! | LTM | 0:14:03 (Pop-up) | |
Toy Love | I Don't Mind | Live at the Gluepot | Goner | Recorded Aukland, 1980 | 0:22:12 (Pop-up) |
Puppies | Animal Farm | v/a: God Save the Kinks | Neotomic | 0:24:30 (Pop-up) | |
Anne Marie & the Pistons | Private World | V/A: Homework #7 Experimental DIY Singles A&B | Messthetics | Boston, 1980 | 0:26:58 (Pop-up) |
Quentin Crisp | Stop the Music | v/a: Miniatures | Voiceprint | 0:29:10 (Pop-up) | |
Brion Gysin | I've Come to Free the Words | The Spoken Word | British Library | Joint release Brion Gysin and Wm. Burroughs | 0:29:59 (Pop-up) |
Walter Ruttmann | Weekend (excerpt) | V/A: An Anthology of Noise and Electronic Music / FirstA-Chronology | Sub Rosa | From Ruttmann's 1930 "film without pictures" | 0:31:31 (Pop-up) |
Jeanne Lee | Sundance | Conspiracy | Earthforms | 0:37:07 (Pop-up) | |
Sten Hansen | Tracks 4 and 6 | Text-Sound Compositions | Fylkingen | 0:50:00 (Pop-up) | |
Mauricio Kagel | Zweiter Teil (excerpt) | Acustica | Deutsche Grammophon | 1972 | 0:53:38 (Pop-up) |
Can | Millionenspiel | The Lost Tapes 1968-1975 | Mute | 1:00:16 (Pop-up) | |
Neil Young | Transformer Man | Trans | Geffen | 1:07:12 (Pop-up) | |
Josephine Foster | Waterfall | Blood Rushing | Fire | 1:10:14 (Pop-up) | |
Rob St. John | Your Phantom Limb | v/a: The Wire Tapper 28 | The Wire | 1:17:40 (Pop-up) | |
John Cale | Cordoba | Wrong Way Up | Opal / Warner Bros. | 1:19:33 (Pop-up) | |
Minnie Ripperton | Les Fleur (sic) | Come to My Garden | Varese Sarabande | 1:24:02 (Pop-up) | |
John Fahey | Themes and Variations | Rain Forests, Oceans and Other Themes | Varrick | Moondog cover | 1:27:07 (Pop-up) |
Adrian Mitchell | Take Stalk Between Teeth, Pull Stalk From Blossom, Throw Blossom Over Arm Towards Enemy, Lie Flat and Await Explosion | no label | Performing live on John Peel's Perfumed Garden, Mar. 6, 1968 | 1:30:24 (Pop-up) | |
Terry Callier | Lean on Me | Occasional Rain | Verve | 1:35:27 (Pop-up) | |
Jim Sullivan | Highways | U.F.O. | Light in the Attic | 1:41:41 (Pop-up) | |
Francois de Roubaix | Piti Piti Pas | Sdtk: L'Homme Orchestre | Universal | 1:43:59 (Pop-up) | |
Baden Powell | Canto de Ossanha | Baden Powell | Elenco | 1968 | 1:48:36 (Pop-up) |
Mary Lou Williams' Girl Stars | Mamblues | v/a: Jazz Women: A Feminist Retrospective | Stash | 1:54:57 (Pop-up) |
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Listener comments!
deanland:
Inner Ear Detour:
deanland:
G:
After the ball was over, Bonnie took out her glass eye,
Put her false teeth in the water, hung up her wig to dry;
Placed her false arm on the table, laid her false leg on the chair;
After the party was over, Bonnie was only half there!
david:
david:
Marmalade kitty:
Inner Ear Detour:
frenchee:
Inner Ear Detour:
aniri:
frenchee:
Inner Ear Detour:
Andy: