I never miscue a record. I am punctual, well-prepared, and dislike clutter. Outgoing and helpful, I'm always appropriately dressed. I do not behave erratically and have excellent penmanship. My CD's never skip, and I am in good health. I like all the notes, in any order.
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Artist | Track | Album | Comments | Approx. start time | ||||||
---|---|---|---|---|---|---|---|---|---|---|
Aphex Twin | Mᵢ⁻¹ = −∂ ∑ Dᵢ[n] [∑ Fⱼᵢ[n−1] + F extᵢ[n⁻¹]] | Windowlicker single | continued from the long rally | 0:00:00 (Pop-up) | ||||||
Plastikman | Kriket | Musik | 0:04:26 (Pop-up) | |||||||
Holger Hiller | Gut und Böse | As Is | 0:10:06 (Pop-up) | |||||||
Black Dice | Smiling Off | Broken Ear Record | 0:15:06 (Pop-up) | |||||||
Sejayno | Laity / Cemetary Rose | The Laity | 0:24:25 (Pop-up) | |||||||
Leprechaun Catering | Night In Amnesia | Kumquats, Lychees | 0:39:32 (Pop-up) | |||||||
Leprechaun Catering | Poulet, Poulet-Poulet, Poulet! 2 | Kumquats, Lychees | 0:39:32 (Pop-up) | |||||||
Lifetones | Distance No Object | For a Reason | 0:56:49 (Pop-up) | |||||||
African Head Charge | Depth Charge | Drastic Season | 1:03:44 (Pop-up) | |||||||
African Head Charge | In A Trap | Environmental Studies | 1:07:44 (Pop-up) | |||||||
Keith Hudson | Hunting | Flesh of My Skin Blood of My Blood | 1:12:00 (Pop-up) | |||||||
Automaton | Astral Altar | Dub Terror Exhaust | 1:14:25 (Pop-up) | |||||||
Kit Clayton | Nuchu / Nia-Ikala | Nek Sanalet | 1:26:01 (Pop-up) | |||||||
The Nazgûl | Shelob's Lair | The Nazgûl | 1:37:53 (Pop-up) | |||||||
H.N.A.S. | Schliesslich Kamen Wir Zu | Abwassermusik | 1:50:02 (Pop-up) | |||||||
P.D. | Progressive Disco I | Ingwelos Ingwelos | 2:09:43 (Pop-up) | |||||||
Thoeung Son | ? | Cambodian Cassette Collection | CDR Mark Gergis burned for FMU...some of which was later released on Sublime Frequencies "Cambodian Cassette Archives" | 2:12:54 (Pop-up) | ||||||
Lý Ngựa Ô | Vợ Chồng Làm Biéng | Hò! #1 – Roady Music From Vietnam (2000) | 2:16:16 (Pop-up) | |||||||
Đàn Bầu Việtnam | Rider In The Sky | Hò! #1 – Roady Music From Vietnam (2000) | 2:19:30 (Pop-up) | |||||||
Ahmad Baki & H. Fadil | Usah Dikenang | Folk and Pop Sounds of Sumatra, vol. 2 | 2:23:15 (Pop-up) | |||||||
Elvy Sukaesih | Sengaja | Music of Indonesia 2: Indonesian Popular Music | 2:29:19 (Pop-up) | |||||||
Idjah Hadidjah | Hiji Catetan | Tonggeret | reissued on Nonesuch as "West Java: Sundanese Jaipong and Other Popular Music" | 2:32:38 (Pop-up) | ||||||
? | Panceng Ora Disedya | Street Music of Java | 2:40:52 (Pop-up) | |||||||
? | Hai Cium Dong | Street Music of Java | 2:44:13 (Pop-up) | |||||||
musicians based in Nanga Sangkai on the Ambalau river in West Kalimantan | Tumbang Gaya' | Music of Indonesia 13: Kalimantan Strings | 2:47:11 (Pop-up) | |||||||
? | Solo de Clarinette double murali | Inde: Rajasthan: Musiciens Professionnels Populaires | 2:53:11 (Pop-up) |
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Listener comments!
G:
bryce:
Marmalade Kitty:
Cecile:
Cecile:
bryce:
bruceleh:
Are you going to be at Roulette Monday night for the Messiaen?
Cecile:
bryce:
still b/p:
Just read that in the 70s, when Etta was in rehab, Keith Richards wrote her and said she could tour with the Stones if she stayed clean. Kind of like Evel Knievel saying "you can work with me if you're a safe, courteous driver."
tim from champaign:
Ken From Hyde Park:
bryce:
Nathan:
channeling Keith R.:
hubba:
bryce:
Guessing:
bryce:
Guessing:
hubba:
B z:
BSI:
BSI:
Dr. to top DJs:
Zman:
Horns:
Old timer:
BSI:
Cheri Pi:
Cheri Pi:
Cheri Pi:
Clock:
BSI:
Noise Receptacle:
Self-Esteem Coach:
Bridie O'Farrell:
D in Miami:
bryce:
G:
The railroads did the same thing when they were peaking and declining in the 20th century, and instead of adapting or competing with other transpotation modes, they became dysfunctional wards of the government. Nice work, guys.
Culture-selling companies need to work harder at figuring out how to make a smoother, easier delivery mode (the internet) work for them, rather than bribing the government to protect them from having to do so. They just can't order the tide not to come in. If they ruin the open internet here, other countries will come in to fill that gap, and they (and we) will be worse off than before.
Bridie:
liquid:
D in Miami:
Noise Receptacle:
BSI:
bryce:
G:
It's been obvious since the mid 90s that information/entertainment delivery was going to switch to the internet. And even that long-term shift is just the most recent step in the vast development of improved transportation and communication that has been ongoing since the early 1800s. It shouldn't be any kind of news to these big blundering mass-culture behemoths.
If big companies haven't figured out how to make the internet work for them by now without demanding it just be ruined, they should be firing their big-salary "strategists" and finding better ones.
andymorphic:
G:
northguineahills:
Sue:
BSI:
Mark Williams:
bryce:
Hugo:
bryce:
marty:
George of Troy:
B z:
Dead Corporate Eyes:
Joe Voltage:
Dump Button:
dc pat:
dc pat:
navigator:
bryce:
dc pat:
Joe Voltage:
Van in DC:
bryce:
BSI:
Norman Cakes:
Sue:
Norman Cakes:
Sue:
bryce:
Norman Cakes:
Joe Voltage:
chuck e. jesus:
Norman Cakes:
Carmichael:
bryce:
Norman Cakes:
plastiquejesus:
Norman Cakes:
Nathan:
Hostess:
bryce:
Frenchman:
Deviled Corporate Eggs:
hey, the paprika is spoiled!
nic:
Norman Cakes:
BSI:
Cecile:
matt:
Carmichael:
Norman Cakes:
Toto:
Norman Cakes:
matt:
Norman Cakes:
Frenchman:
matt:
asjon:
Van in DC:
Carmichael:
Hugo:
Hugo:
mick:
not that i thought one existed
robyn:
Hugo:
Cecile:
bryce:
Cecile:
Yalc:
chuck e. jesus:
chuck e. jesus:
bryce:
charles, YES! P.D. morphed into P16D4
Zman:
Hugo:
dc pat:
dc pat:
bryce:
Marshall Stacks:
Carmichael:
Carmichael:
Hugo:
Hugo: