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Sounds from the archive of the future, sonic drilling into the past, dissonant rumbling, lyrical melodies, noises (human, animal, mechanical, digital) inscrutable yet honest, desultory but consistent.
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Artist | Track | Album | Comments | Approx. start time | ||||||
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0:00:00 (Pop-up) | ||||||||||
Gil Trythall | Polk Salad Annie | Nashville Gold - Switched on Moog | 0:03:55 (Pop-up) | |||||||
Jim Turner | Timbermill Mountain | The Well Tempered Saw | 0:06:04 (Pop-up) | |||||||
Transvalue | #43 | Transvalue 1 | 0:09:05 (Pop-up) | |||||||
Alessandro Bosetti | Claeys | Zwölfzungen | Haitian creole composition - vox Claeys Gabriel | 0:13:35 (Pop-up) | ||||||
Chicano Batman | La Manzanita | Chicano Batman | 0:18:46 (Pop-up) | |||||||
The Comedian Harmonists | Der Alte Cowboy (The Last Roundup) | The Comedian Harmonists | 0:22:24 (Pop-up) | |||||||
The Coasters | The Snake and the Bookworm | Coast Along With the Coasters | 0:30:39 (Pop-up) | |||||||
The T.S.U. Toronados | The Toronados | And Now... | 0:33:02 (Pop-up) | |||||||
The WFMU Hoof n Mouth Tabernacle Choir, under the direction of Kurt Gottschalk | I Am Sitting in a Room (DJ Carousel Remix) | Alvin Lucier's I Am Sitting in a Room (Kurt's 2009(?) WFMU Marathon Premium) | 0:36:36 (Pop-up) | |||||||
Rene Hell | Razor. P+ | Porcelain Opera | 0:39:17 (Pop-up) | |||||||
Richard Trythall | Ommagio a Jerry Lee Lewis | v/a: CMCD - Six Classic Concrete Electroacoustic and Electronic Works 1970-90 | 0:46:07 (Pop-up) | |||||||
Big Maybelle | 96 Tears | v/a: Soulin' vol. 4 | 0:52:56 (Pop-up) | |||||||
"Tautu" Archer | Ama Ama | v/a: Unheard Ofs and Forgotten Abouts | 0:55:33 (Pop-up) | |||||||
Phil Cochran and the Artistic Heritage Ensemble | Creation of the Beast | Armageddon | 1:08:02 (Pop-up) | |||||||
Edikanfo | Blinking Eyes | The Pace Setters | prod. by Brian Eno | 1:12:18 (Pop-up) | ||||||
Lô Borges | Aos Baroes | Lô Borges | 1:16:51 (Pop-up) | |||||||
Love | The Red Telephone | Forever Changes | 1:19:49 (Pop-up) | |||||||
Tono Bungay and Tower Recordings | We Cut Glass | Rules of Thumb | 1:24:18 (Pop-up) | |||||||
Josephine Foster | The Golden Window | v/a: The Believer June 2005 Music Issue comp. | 1:25:24 (Pop-up) | |||||||
Margo Guryan | Take a Picture | Take a Picture | 1:28:14 (Pop-up) | |||||||
Van Morrison | Ring Worm | Bang Records Contractural Obligations Sessions 1968 | 1:31:15 (Pop-up) | |||||||
Sally Timms and the Drifting Cowgirls | Chained to This Anchor of Love | This House Is a House of Trouble! | 1:40:51 (Pop-up) | |||||||
Robert Wyatt | Stalin Wasn't Stallin' | v/a: Rough Trade Singles | 1:45:13 (Pop-up) | |||||||
Japanther | Life Is Strange | Rock & Roll Ice Cream | 1:48:31 (Pop-up) | |||||||
Tropa Macaca | Tronco Nu | Marfim | 1:50:32 (Pop-up) | |||||||
Bryan Lewis Saunders | N1 vs N3 (12/16/07) | N1-N4 Variations | sleep talkin'! | 1:55:42 (Pop-up) | ||||||
Tristram Cary | The Curious History of Money (sound effects pt 11) | It's Time For Tristram Cary: Works For Film, Television, Exhibition and Sculpture | 1:58:58 (Pop-up) | |||||||
Yoko Ono "Grapefruit" public service / audience participation segment volume 5 DRINKING PIECE FOR ORCHESTRA
Imagine letting a goldfish swim across the sky Let it swim from the West to the East Drink a liter of water. Imagine letting a goldfish swim across the sky Let it swim from the East to the West. |
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William Hooker | Flow | Black Mask | Jason Hwang violin, electronics | 2:08:06 (Pop-up) | ||||||
The Marshmallow Staircase | Lesbian Sushi | Terror de Lune | 2:19:10 (Pop-up) | |||||||
Davila 666 | Iado dos Borrando El Negro (She's a Rainbow) | v/a: Their Hispanic Majesties Request | 2:22:43 (Pop-up) | |||||||
Mike Rep and the Quotas | Mama Was a Schizo | Stupor Hiatus | 2:27:31 (Pop-up) | |||||||
Annie Gosfield | Four Roses | Burnt Ivory and Loose Wires | 2:34:29 (Pop-up) | |||||||
Sonic Youth | +- | Goodbye 20th Century | comp. Takehisa Kosugi | 2:40:12 (Pop-up) | ||||||
Tom Ze | Defect 2: Curiosidade (Amon Tobin remix) | 12" | 2:47:16 (Pop-up) | |||||||
Messer für Frau Müller | Intro / Count Down to the End | Remixodelica | 2:53:42 (Pop-up) | |||||||
Mats Gustafsson & Yoshimi | (track 2) (excerpt) | Words on the Floor | 3:00:12 (Pop-up) |
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Listener comments!
david from ks.:
critter:
david from ks.:
BSI:
critter:
Parq:
critter:
annie:
critter:
critter:
Drummer Some:
david from ks.:
annie:
critter:
critter:
annie:
critter:
annie:
critter:
annie:
critter:
Bad Ronald:
http://i.imgur.com/o3V3g.jpg
david from ks.:
David:
critter:
annie:
annie:
critter:
BSI:
annie:
critter:
annie:
we all win!!!
critter:
annie:
annie:
critter:
annie:
critter:
david from ks.:
annie:
BSI:
-BSI
Lewis:
MD:
The Man:
critter:
david from ks.:
MD:
Cecile:
annie:
Mike East:
MD:
Some Guy:
doug from hell:
david from ks.:
David:
Some Guy:
critter:
david from ks.:
Some Guy:
Lewis:
Cecile:
Mike East, did you see Dinner for Schmucks? It was a little long, and Paul Rudd was kind of not used right, but the rest of it is flippin' hilarious.
Mike East:
em:
Mike East:
Cecile:
stefica:
Cecile:
And the dioramas are astonishing. Really cool. There are dioramas. I say no more.
Mike East:
Cecile:
Steve Carell was quoted as saying that he wants one for his house.
And the fake art they did for Kieran Vollard, Jemaine's character is amazing and hilarious, too.
They could have just as easily dropped the rest of the stuff and made a great art world satire.
Jinx:
Cecile:
Cecile:
efd:
still b/p:
Carmichael:
Barflies in the corner:
David:
annie:
still b/p:
annie:
andres:
many thanks for thanks for amazing show
a