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February 13, 2009
A program for all of God's children (and none of his chillun) | ||
Add or read comments |
Artist | Selection | Album (Label / Recording date) |
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Theme Music: Sarah Webster Fabio |
Jujus: Alchemy of the Blues |
Jujus: Alchemy of the Blues
(Folkways 1976) |
ECD | In Tempo |
Major Force: The Original Art-Form
(Mo Wax 1990) |
Gulf Coast Seven |
Keep Your Temper (Listen: Pop-up) |
The Sound of Harlem: Jazz Odyssey, Volume 3 (Columbia 1925) |
Fats Waller & His Continental Rhythmn | Ain't Misbehavin' |
Harlem Comes to London
(Disques Swing 1938) |
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Carolina Shout |
From Spirituals to Swing
(Vanguard 1938) |
The Ten Blackberries (Duke Ellington) | St. James Infirmary |
Jazz From New York 1928-1932
(Historical 1930) |
James P. Johnson | Jungle Drums |
The Original James P. Johnson
(Smithsonian Folkways mid-1940s) |
Talkover Music: Rubén González |
Tumbao |
Introducing Rubén González
(World Circuit/Nonesuch 1999) |
Butch Stone & His Orchestra |
My Feet's Too Big (Listen: Pop-up) |
Even More Mellow Cats 'n' Kittens
(Ace 1947) |
Fats Noel | Rocket Flight |
Groove Station: King, Federal, Deluxe Saxblasters Vol. 1 (Westside ) |
James Von Streeter & His Wig Poppers | Hog's Knuckles |
R 'n' B Wig Poppers
(Lucky ) |
Lenny Lacour | Old Fish |
Walkin' the Bullfrog (Night Train ) |
Phil & Marie | Love Doctor |
She's My Black R&B Baby
(Still 1961) |
Larry Dale |
Please Tell Me |
Harlem Heavies
(Moonshine 1954) |
Lincoln Chase | Our Love Is Satisfactory |
Shoutin' Out the Blues
(R&B 1957) |
Talkover Music: Earl Hooker |
Can't Hold Out Much Longer |
The Moon Is Rising
(Arhoolie 1969) |
The Callahan Brothers |
Limb From the Old Apple Tree (Listen: Pop-up) |
In Memory of The Callahan Brothers
(Cattle Compact ) |
Bradley Kincaid & His Kentucky Mountain Boys | Ain't We Crazy |
Boppin Hillbilly, Volume 28
(Collector 1934) |
Dick Miller | Humpty Dumpty Love |
Hometown Jamboree (HBR 1956) |
Big BIll Lister | A Nickel for a Dozen Roses |
There's a Tear in My Bear
(Bear Family 1951) |
Jimmy Johnson | Woman Love |
Chicken Bop
(Starday 1956) |
Nettles Sisters | Beatle Um-Bum |
Rodeo/Excel The Friendly Label, Volume 2
(HBR 1956) |
Talkover Music: Bud Isaacs |
Hot Mockin' Bird |
Bud's Bounce
(Bear Family 1955) |
Geraldo Vandre |
Cantiga Brava (Listen: Pop-up) |
Canto Geral
(EMI 1967) |
Sergio Ricardo | A Mãe |
Deus e o Diabo na Terra do Sol (Soundtrack)
(FM3 1964) |
Rodger e Teti | O Lago |
Chão Sagrado
(RCA Victor 1974) |
A Barca do Sol | Córsário Sata |
A Barca do Sol
(Continental 1974) |
(click) |
Vide Verso Meu Endereço |
Adoniran Barbosa
(Odeon 1975) |
Batatinha | Direito de Sambar |
Samba da Bahia
(Fontana 1978) |
Bezerra da Silva | O Federal |
Bezerra da Silva e um Punhadode Bambas
(RCA 1982) |
Talkover Music: Franz Auffray |
Popcorn Popcorn |
Original Popcorn
(Egg 1969) |
Max Roach/Clifford Quintet |
All God's Children Got Rhythm [Note: I refuse to use "Chillun"] (Listen: Pop-up) |
The Historic California Concerts 1952
(Fresh Sound 1954) |
Idrees Sulieman | Cattin' |
Jammin' in Hi Fi With Gene Ammons
(Prestige 1957) |
Don Rendell / Ian Carr | Pavanne |
Live (Columbia 1969) |
Barbara Donald & Unity | Love for Eric |
The Past and Tomorrows
(Cadence 1982) |
Talkover Music: Manteca |
Afro Funky |
Ritmo + Sabor
(EM late 1960s) |
The Sons of Truth |
The Ghetto (Listen: Pop-up) |
A Message From the Ghetto
(Gospel Truth/Stax 1972) |
The Brockingtons |
Smackwater Jack |
The Brockingtons
(Today 1971) |
Bobby Womack | Point of No Return |
More Dirty Laundry: The Soul Of Black Country (Trikont ) |
David Porter |
Introduction If I Give It Up, I Want It Back Interlude When You Have to Sneak (You Have to Sneak) Interlude Help! |
Victim of the Joke? An Opera (Enterprise/Stax 1971) |
Kim Tolliver | Learn to Get Along Without You |
Come and Get Me, I'm Ready
(Chess 1973) |
Funkadelic | Mommy, What's a Funkadelic |
Funkadelic
(Westbound 1970) |
Matata | Something in Mind |
Feelin' Funk
(President 1972) |
Closing Theme: John Lee Hooker |
Stand By |
I Feel Good
(Jewel 1971) |
Listener comments! | |
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9:33am
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Sunset Park, I have NOT done my Top Ten list. Yet. I promise it sometime before '10. | |
9:34am
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I found a gem this week and wanted to share. http://thegroovegrotto.blogspot.com/2007/05/shakin-fit.html Killer stuff!! | |
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10:01am
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what rap is that from? I'm going nuts trying to remember. | |
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10:11am
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I hope you took some ibuprofen or something... | |
10:15am
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10:20am
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You do need to walk gingerly, now, along the paths of a thousand enemies in your extra cold zone. Knee stories...malicious meniscus episodes...oy, yeah. | |
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10:39am
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I got that Adoniran Barbosa here: http://tinyurl.com/cjrxd5 Enjoy! | |
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10:49am
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It was "Macbeth". | |
10:51am
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Max pronounced it "Children," so that's how I'm presenting it. The great Jerome Kern had no compunction about tossing around African-American dialect in his songs, but when the individuals whose humanity he called on for inspiration refuse to fulfill his rather sheltered understanding of them, well, I won't perpetuate it neither. At least not when Max Roach himself refuses to. | |
10:55am
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10:57am
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A very big one. | |
11:00am
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11:03am
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Mike; [singing] All God's chillun' got a sa-a-a-y!" | |
11:05am
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Love the show Doug. | |
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11:07am
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Your show reminds me of my childhood. | |
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11:08am
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"Recognizing that Simone would benefit from formal training with a piano teacher, but also realizing that the family could not afford the lessons, Simone's mother arranged to clean the home of a British piano teacher in exchange for lessons for her daughter. Inspired by the lessons, the talented Simone hoped to be the first African–American concert pianist. She earned a one–year scholarship at the Juilliard School of Music in New York City, but ran out of money and could not continue studying there. She was not accepted into her dream school, the prestigious Curtis Institute of Music in Philadelphia; for the rest of her life, she believed racism was the reason for her rejection. She dropped her plans for a classical piano career and began singing in clubs. In 1954, she began playing and singing at the Midtown, an Irish pub in Atlantic City, New Jersey. She took the stage name Simone partly in honor of her favorite actress, Simone Signoret, and partly to hide her nightclub singing from her mother, whose religious sensibilities forbade it." | |
11:10am
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Good show,Doug. | |
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11:16am
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ONE REQUEST? Tito Puente "Things to Come" off of "Mambo of the Times" | |
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Trev ! Welcome. | |
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11:53am
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LB's version of the GA would've been SPECTACULAR. sigh. | |
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12:00pm
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Gaze lovingly at my other playlists | Take a gander at the WFMU Homepage | |
See other artists I've played | ||