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Music of all kinds that hits me in the pit of my stomach, all arranged to find your sweet spot, too. Plus radio shows from the 1940s & 1950s: dramas, mysteries, sci-fi, detectives, and more.
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July 14, 2008: Show 195: It's Bastille Day, after all.
(listen to entire show / each individual set / each individual song)
Show time: 12 AM - 3 AM
The start and end times for each individual set and each individual song are exact.
Listen to this show:
Pop-up player!
Artist | Track | Album | Label | Comments | Special | |||||
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Set 1: The Spacious Mind, live at Skogsnas October 26, 1999. We hear the entire concert. (Listen to this set: Pop-up) |
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The Spacious Mind | Upon Which Areas May The Circles Be Drawn?" (track 1) (Listen: Pop-up) | Live Volume One: Do Your Thing But Don't Touch Ours | Goddamn I'm A Countryman |
An easy-moving, often slow space-blues, sort of a spacey-mournful feel at times, picks up near end, best at lower volume.
Most concerts can be played 1 track at a time, but not this 1. I think it's essential to listen to this concert as a whole & all together. Done so, it creates a mood that is just not present otherwise. Very fine music, indeed. |
*** | |||||
The Spacious Mind | Jam (track 2) (Listen: Pop-up) | Live Volume One: Do Your Thing But Don't Touch Ours | Goddamn I'm A Countryman | Quiet psych-rock blues, picks up speed for a while but then calms down. | *** | |||||
The Spacious Mind | The One That Really Won The War (track 3) (Listen: Pop-up) | Live Volume One: Do Your Thing But Don't Touch Ours | Goddamn I'm A Countryman | Starts easy, a bit heavier than what came before, picks up speed moderately & gradually, quieter last 3 minutes. | *** | |||||
The Spacious Mind | Interplanetarian Lovemachine pt III (track 4) (Listen: Pop-up) | Live Volume One: Do Your Thing But Don't Touch Ours | Goddamn I'm A Countryman | Mellow, the space-blues feeling really returns, easy tempo, builds a little for a while. | *** | |||||
The Spacious Mind | Euphoria Euphoria (track 5) (Listen: Pop-up) | Live Volume One: Do Your Thing But Don't Touch Ours | Goddamn I'm A Countryman |
Quiet and gentle start as a kind of guitar and organ introspection, builds almost imperceptibly until it finally fades out as the band plays on.
The concert actually went on for another 15 minutes or so, but the limitations how it was recorded didn't allow for that long a recording. |
*** | |||||
Mic break between Sets 1 & 2. Background music played during it: (Listen to this set: Pop-up) |
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Les Chakachas | Love is like a Violin (track 4) | Arriba! | RCA International | Phat, sentimental sound. Feels like it's the slow song at the record hop. | ||||||
Set 2: the old radio show portion of the evening. (Listen to this set: Pop-up) |
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Escape | Border Town | Originally broadcast December 23, 1949 | (no label) |
Not exactly a holiday special with a happy story....Our anti-hero, played by Jack Webb, is on a cross country bus trip to Hollywood. He finds some money, and sells it in a seedy Mexican border town. He promptly gets drugged and robbed - and it's downhill from there, because Mr. Wearily Existential (Webb) wants his money back, especially after he finds out the money is real. Or is it?
"Border Town" is episode #101 in the Escape series, and also starts William Conrad and Jeanette Nolan. From John Dunning's The Encylcopedia Of Old-Time Radio: "...widely considered radio's greatest series of high adventure....Never on radio was the action formula more effectively utilized." |
*** | |||||
Mic break between Sets 2 & 3. Background music played during it: (Listen to this set: Pop-up) |
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Les Chakachas | Love is like a Violin (track 4) | Arriba! | RCA International | Phat, sentimental sound. Feels like it's the slow song at the record hop. | ||||||
Set 3: a good half hour of mostly punk. Great to play loud! (Listen to this set: Pop-up) |
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Jesus Trip | The (Magnificent Breathing Machine) Ventilator (track 2) (Listen: Pop-up) | The Morning Star | Bottled Rag | Slow+ tempo druggy punk-psych, with a distant Public Image influence. The music was no doubt influenced by a group member's actual chemotherapy. | ||||||
Imperial Leather | Power Of Blame (track 4) (Listen: Pop-up) | Do You Know Where Your Children Are? | Profane Existance | Easy tempo, solid. | ||||||
Amebix | Carnage (track 10) (Listen: Pop-up) | No Sanctuary | Alternative Tentacles | Deep, dark, and quirky. | *** | |||||
Ministry And Co-Conspirators | Radar Love (track 3) (Listen: Pop-up) | Cover Up | 13th Planet | Lots of fun. Their version of Golden Earring's classic. | *** | |||||
Mildred Pierce | D.O.M. (track 19) (Listen: Pop-up) | R.A.F.R. Volume 2 | Flipside | A really good compilation. We hear more from it later in this set. | ||||||
Cosmic Psychos | Guns Away (CD 2, track 17) (Listen: Pop-up) | Fifteen Years, A Million Beers | Dropkick | More big sound from a great band. | *** | |||||
Los Creepers | Hey (track 7) (Listen: Pop-up) | LA County Line | Split Seven | |||||||
Ultraviolent | Dead Generation (track 12) (Listen: Pop-up) | Killed By Hardcore | Redrum | Does the Dead Generation come after the Blank Generation? | ||||||
Hellacopters | Lowdown (track 3) (Listen: Pop-up) | R.A.F.R. Volume 2 | Flipside | |||||||
Coffin Cheaters | Kids Are Gonna Fight (track 20) (Listen: Pop-up) | R.A.F.R. Volume 2 | Flipside | Some fine garage punk. | ||||||
MOB 47 | Nitlott (track 5) (Listen: Pop-up) | Dom Ljuger Igen | Communichaos Media | From their website: "...after a mere 20 years they are back....One of the most influential bands in Swedish hardcore." | ||||||
Ratas Del Vaticano | Encadenado a la Rutina (track 7) (Listen: Pop-up) | Mocosos Pateticos | Delhotel | The fastest track in the set. | ||||||
Mic break between Sets 3 & 4. Background music played during it: (Listen to this set: Pop-up) |
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Les Chakachas | Love is like a Violin (track 4) | Arriba! | RCA International | Phat, sentimental sound. Feels like it's the slow song at the record hop. | ||||||
Set 4: some sacred music, from Java. (Listen to this set: Pop-up) |
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Local musicians of the Gamelan Sekati Guntur Madu of Kraton Surakarta | Sekaten gending (track 2) | Gamelan Of Central Java II: Ceremonial Music | Felmay | Airy and mystical. A "gending" is a composition. This is a "sacred" gamelan, "used only to play the type of music heard here." We hear one of "the most ancient and revered in Central Java." Track 1 on this CD is a shorter version of the same piece - we'll hear it at a later date. | *** | |||||
End of show mic break. Background music played during it: (Listen to this set: Pop-up) |
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Les Chakachas | Love is like a Violin (track 4) | Arriba! | RCA International | Phat, sentimental sound. Feels like it's the slow song at the record hop. |
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Listener comments!
Droll:
That said, fine show. Play any damn thing you like.
Andrew: