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The finest in Micronesian doo-wop, Appalachian mambo, Turkish mariachi, pygmy yodeling of
Baltimore, Portuguese juju, Cajun gamelan, tuba choirs from Mozambique, Inuit marching bands,
Filipino free jazz, Egyptian kabuki theater, and throat singers of the Lower East Side.
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August 23, 2024: There's the rub
Artist | Track | Album | Label | Year | Approx. start time | |||||
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Music behind DJ: Sarah Webster Fabio |
Jujus: Alchemy of the Blues |
Jujus: Alchemy of the Blues |
Folkways |
1976 |
0:00:00 (Pop-up) |
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Music behind DJ: ECD |
In Tempo |
Major Force: The Original Art-Form |
Mo' Wax |
1990 |
0:04:04 (Pop-up) |
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Kikue Sugimoto | 葛の葉子別れ []Kuzunoha-Kowakare | Gozeuta: Nagaoka Goze | Off Note | 1964 | 0:07:38 (Pop-up) | |||||
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Music behind DJ: Bobby Ellis & the Observers |
Head Shot |
b/w Dennis Brown: Here I Come |
Observer |
1977 |
0:34:52 (Pop-up) |
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The Nighthawks | Six Three O | b/w Jackson Town Gal | The Aristocrat of Records | 1950 | 0:40:08 (Pop-up) | |||||
John Brim | Trouble in the Morning | b/w Humming Blues | JOB | 1951 | 0:42:50 (Pop-up) | |||||
Robert Jr. Lockwood | Glory for Man | b/w My Daily Wish | Mercury (unissued) | 1951 | 0:45:37 (Pop-up) | |||||
Jimmy Reed | Pretty Thing | b/w I'm Gonna Ruin You | Vee-Jay | 1955 | 0:48:01 (Pop-up) | |||||
Howlin' Wolf | I Asked for Water | b/w So Glad | Chess | 1956 | 0:50:44 (Pop-up) | |||||
Sonny Boy Williamson | Little Village | Bummer Road | Chess | 1957 | 0:53:32 (Pop-up) | |||||
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Music behind DJ: Earl Hooker |
Can't Hold Out Much Longer |
The Moon Is Rising |
Arhoolie |
1968 |
1:05:25 (Pop-up) |
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Sun Ra | Free Improvisation | Solo Piano Venice 1977 | Enterplanetary Koncepts | 1977 | 1:10:38 (Pop-up) | |||||
Don Pullen | Song Played Backwards | Richard's Tune | Sackville | 1975 | 1:15:23 (Pop-up) | |||||
Marilyn Crispell | Rhythms Hung in Undrawn Sky | Selected Works 1983-1986 | Leo | 1983 | 1:24:27 (Pop-up) | |||||
Muhal Richard Abrams | The Infinitive Flow | Afrisong | Whynot | 1975 | 1:30:17 (Pop-up) | |||||
Horace Tapscott | Something for Kenny | Song of the Unsong | Interplay | 1978 | 1:36:22 (Pop-up) | |||||
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Music behind DJ: Fats Waller |
I'm a Hundred Percent for You |
b/w You Fit Into the Picture |
Victor |
1938 |
1:42:04 (Pop-up) |
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Imo Brothers International Band | Oke-Osisi | Imo Brothers International Band | Afrodisia | 1977 | 1:50:12 (Pop-up) | |||||
L'Orchestra Kilimambogo Brothers Band | Zabeth | Maisha ya Town | World Record | 1977 | 1:58:29 (Pop-up) | |||||
Orchestre Regional De Segou | Batumanbe | Orchestre Régional De Ségou | Mali Music | 1970 | 2:03:01 (Pop-up) | |||||
Horoya Band | Zoumana | Savane Profonde | Editions Syliphone Conakry | 1973 | 2:10:06 (Pop-up) | |||||
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Music behind DJ: Fela Aníkúlápó-Kuti & Afrika 70 |
Yellow Fever |
Yellow Fever |
Afrodisia |
1976 |
2:19:45 (Pop-up) |
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Harold Melvin & the Blue Notes | Be for Real | I Miss You | Philadelphia International | 1972 | 2:24:27 (Pop-up) | |||||
Randy Brown | Too Little in Common | Welcome to My Room | Parachute | 1978 | 2:31:46 (Pop-up) | |||||
Rance Allen Group | See What You Done | Truth Is Where It's At | Gospel Truth | 1972 | 2:38:04 (Pop-up) | |||||
Labi Siffre | I Got The... | Remember My Song | EMI | 1975 | 2:44:19 (Pop-up) | |||||
Orquestra Was feat. Sweet Pea Atkinson | Forever's a Long, Long Time | Forever's a Long, Long Time | Verve Forecast | 1997 | 2:50:46 (Pop-up) | |||||
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Music behind DJ: John Lee Hooker |
Stand By |
I Feel Good |
Jewel |
1970 |
2:57:34 (Pop-up) |
Give the Drummer Radio denounces explicit and implicit racism and condemns the culture of white supremacy. Black Lives Matter. |
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Listener comments!
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tom tom the pipers son:
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tom tom the pipers son:
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So very glad all y'all are here with me!
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Gather the children 'round for this tale of delight.
Coming up next.
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"When asked to choose some of his favourite blues records in a recent interview, Richards was quick to name Jimmy Reed’s 1956 single ‘You Got Me Dizzy’. “He was totally unique amongst even all of the other 1950s and ’60s bluesmen out of Chicago,..."
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good EArly morning to you...
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In good news it's Linda Thompson's birthday!
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One of the greatest compilations of African popular music ever!
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Howdy, burke!
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Coming up at the top of the hour!
Tap into the real: wfmu.org...
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The magnificent Hinky Dinky Time is next next next!
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This is me being improbably awake before the crack of noon, which allows me to experience wonders like Doug's show live!
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Thanks, Doug!
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HANK WILLIAMS!!
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WR:
Seems that discogs repeats the info given by the record company.
www.offnote.org...
Twice it states that a highlight of the release is a 1954 recording of Sugimoto.
goze-museum.com...
This Goze Museum site list of important dates starts with Sugimoto in 1964 starting to focus on documenting her tradition and a well known Japanese artist learning of her work.
Without the full text of the notes on the release we cannot tell for sure if it is a 54 / 64 typo that got repeated or if somehow Sugimoto was recorded in 1954. I'm leaning to typo.
Additionally here is a goze uta school site. The page I link is interview with two elder practitioners who discuss Sugimoto and another of the last great goze uta teachers, Haru Kobayashi, that they learned from. There is a photo of the grave of Sugimoto.
www.echigo-gozeuta.com...
WR: