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Obscure musical gems, avant experimentation, and classics worth rehearing. A conurbation of Leslie speakers, timbales, plungers, arch-tops, tablas, and squeaky reeds. Black ties, pork pies, Cuban boots, Nudie suits, bobbysocks, turtlenecks, and high-heeled sneakers. Jazz is the north star but it’s a wide universe, so says The Laughing Clock.
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Artist | Track | Album | Label | Year | Comments | Images | Approx. start time |
---|---|---|---|---|---|---|---|
Count Basie | M Squad Theme (excerpt) | Basic Basie | MPS | 1969 | Eric Dixon (fl) Freddie Green (g) Norman Keenan (b) Harold Jones (d) Chico O'Farrill (arr), et al. | 0:00:00 (Pop-up) | |
Music behind DJ: Red Garland |
M Squad Theme |
Red In Bluesville |
Prestige |
1969 |
4/17/1959: Red Garland (p) Sam Jones (b) Art Taylor (d) |
0:00:30 (Pop-up) |
|
Quest | Natural Selection | Natural Selection | Pathfinder | 1988 | June 1988: David Liebman (sop) Richie Beirach (p) Ron McClure (b,el-b) Billy Hart (d) | 0:04:41 (Pop-up) | |
David Liebman & Richie Beirach | Some Other Time | Double Edge | Storyville | 1985 | 4/21/1985: David Liebman (sop) Richie Beirach (p) | 0:12:48 (Pop-up) | |
David Liebman & Richie Beirach | Oleo | Double Edge | Storyville | 1985 | 4/21/1985: David Liebman (sop) Richie Beirach (p) | 0:17:02 (Pop-up) | |
Lookout Farm | Mitsuku | Mosaic Select 12: David Liebman & Richie Beirach | Mosaic | 2004 | Live at the Keystone Korner, 1976. David Liebman (sop,ts,perc) Richie Beirach (p,el-p) Frank Tusa (el-b,b) Jeff Williams (d) Todd Barkan (perc) | 0:20:44 (Pop-up) | |
Music behind DJ: Don Pullen |
Big Alice (alternate take) |
Richard's Tune |
Sackville |
2014 CD reissue of "Solo Piano Album" with two bonus tracks. Recorded 1975. |
0:27:43 (Pop-up) |
||
Abercrombie Quartet | Veils | M | ECM | 1981 | November 1980: Richie Beirach (p) John Abercrombie (el-g,g) George Mraz (b) Peter Donald (d) | 0:32:03 (Pop-up) | |
Richard Beirach | Pendulum | Elm | ECM | 1979 | May 1979: Richie Beirach (p) George Mraz (b) Jack DeJohnette (d) | 0:37:40 (Pop-up) | |
Quest | Gargoyles | Quest II | Storyville | 1986 | 4/17/1986: David Liebman (sop) Richie Beirach (p) Ron McClure (b) Billy Hart (d) | 0:44:07 (Pop-up) | |
Music behind DJ: Mary Lou Williams |
Medi I |
Zoning |
Smithsonian Folkways |
1/17/1974, with Bob Cranshaw (bass guitar). DJP edit. |
0:53:19 (Pop-up) |
||
David Liebman & Richie Beirach | Invocation | Mosaic Select 12: David Liebman & Richie Beirach | Mosaic | 2004 | Live in NY, 1990. David Liebman (sop,ts,alto-fl) Richie Beirach (p) | 0:58:44 (Pop-up) | |
Music behind DJ: Susie Ibarra Trio |
Dreams (Alternate Take) |
Radiance |
Hopscotch |
1999 |
7/18/1999: Cooper-Moore (p,harp,diddley-bo) Charles Burnham (vln) Susie Ibarra (d,perc) |
1:26:37 (Pop-up) |
|
Chet Baker Trio | Broken Wing | Daybreak | Storyville | 1986 | 10/4/1979: Chet Baker (tp,vcl) Doug Raney (g) Niels-Henning Orsted Pedersen (b) | 1:31:26 (Pop-up) | |
Richie Beirach | Paradox | Some Other Time: A Tribute to Chet Baker | Triloka | 1990 | April 1989: Richie Beirach (p) George Mraz (b) Adam Nussbaum (d) Randy Brecker (tp) John Scofield (g) | 1:39:22 (Pop-up) | |
Quest | The 4th. Wall / Rectilinear | Midpoint (Quest III: Live at the Montmartre Copenhagen Denmark) | Storyville | 1988 | April 1987: David Liebman (sop) Richie Beirach (p) Ron McClure (b) Billy Hart (d) | 1:46:10 (Pop-up) | |
Richie Beirach/George Coleman | Rectilinear | Convergence | Triloka | 1991 | November 1990: George Coleman (ts,sop) Richie Beirach (p) | 1:52:11 (Pop-up) | |
Music behind DJ: Joe Chambers Moving Picture Orchestra |
M Squad Theme |
Live at Dizzy's Club Coca-Cola |
Savant |
2012 |
September 2011. Craig Handy (tenor sax), David Weiss (trumpet), Xavier Davis (piano), Dwayne Burno (bass), Joe Chambers (drums, vibes, arranger), Steve Berrios (percussion), et al. |
1:57:25 (Pop-up) |
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Listener comments!
DJ Peter:
substack.com...
doctorjazz:
Listener Gregory:
spodiodi:
doctorjazz:
doctorjazz:
Listener Gregory:
doctorjazz:
DJ Peter:
spodiodi: is your new avatar pic a... WFMU panacotta?
Jeff Golick:
DJ Peter:
Jeff Golick:
Listener Gregory:
Listener Gregory:
DJ Peter:
And yes, definitely some "Peace Piece" and then he takes it OUT
doctorjazz:
gofund.me...
doctorjazz:
DJ Peter:
doctorjazz:
But, yeah, that open ECM sound...
coelacanth∅:
adamdoesit:
Peter, I haven’t read the Ethan Iverson Beirach essay yet. I enjoy his writing, and also his vacations from it.
Listener Gregory:
coelacanth∅:
DJ Peter:
adam you'll be glad to know this is a shorter piece of Iverson's... yes, he can go on, but I always learn something.
LG: I had thought that everyone called me Peter for ever, but someone was paging through my high school yearbook and pointed out that everyone called me Pete. I had no recollection of that...!
adamdoesit:
Soule:
Listener Gregory:
DJ Peter:
DJ Peter:
doctorjazz:
Listener Gregory:
DJ Peter:
doctorjazz:
adamdoesit:
doctorjazz:
doctorjazz:
Listener Gregory:
Listener Gregory:
DJ Peter:
spodiodi:
montypython.fandom.com...
DJ Peter:
tom tom the pipers son:
adamdoesit:
Jeff g. via app,:
DJ Peter:
Jeff g. via app,:
DJ Peter:
northguineahills:
doctorjazz:
DJ Peter:
DJ Peter:
Jeff g. via app,:
tom tom the pipers son:
DJ Peter:
adamdoesit:
tom tom the pipers son:
Listener Gregory:
DJ Peter:
Which is kinda understandable because those are the famous words.
Less understandable: Francis Davis reported that he introduced "Wagon Wheels" as "a song by Sonny Rollins called Way Out West."
Also understandable but... yeah we get it, you're in your 20s and don't really know music history
Listener Gregory:
Jeff g. via app,:
DJ Peter:
DJ Peter:
adamdoesit:
northguineahills:
DJ Peter:
tom tom the pipers son:
adamdoesit:
tom tom the pipers son:
tom tom the pipers son:
doctorjazz:
tom tom the pipers son:
DJ Peter:
Listener Gregory:
northguineahills:
spodiodi:
northguineahills:
doctorjazz:
adamdoesit:
doctorjazz:
Listener Gregory:
DJ Peter:
doctorjazz:
DJ Peter:
adamdoesit:
doctorjazz:
DJ Peter:
Then in 1998 saw the trio in a weird venue in Long Beach: the stage was at the end of this long room, ceiling maybe 20 feet high (cafe I think) and the stage was ten feet above us at the end of the room. Love that trio, big fan of Jean-Jacques Avenel and you could really hear him in the trio setting
DJ Peter:
solo mon:
DJ Peter:
adamdoesit:
doc, yeah, I didn't get the animus, but it was hard to miss.
DJ Peter:
solo mon:
DJ Peter:
wfmu.org...
Hello! Hello? Hello!
adamdoesit:
Listener Gregory:
Soule:
DJ Peter:
doctorjazz:
spodiodi:
doctorjazz:
Soule:
tom tom the pipers son:
Soule:
doctorjazz:
adamdoesit:
adamdoesit:
Listener Gregory:
Listener Gregory:
coelacanth∅:
WR:
DJ Peter: