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Merrily We Roll Along is a mish-mash of high energy lunacy, reverence, and irreverence for forgotten pop stars, love for Saturday morning cartoons, and exploration of the side of Bandcamp where I seem to be the only one purchasing. Bringing to you the odd and the upbeat from a growing collection of pre-rock novelties, classic and neo-Vaudeville, jug bands, polka, klezmer, and more at the convenient hour of 8-9 AM EST, Merrily We Roll Along starts the day off with a little light-hearted musical tomfoolery cut with an occasional comedy sketch. It's organic, free-range, cheese with the occasional onion thrown in.
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Artist | Track | Year | Comments | Images | Approx. start time | |||||
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MHLee | Merrily We Roll Along Theme | 0:00:00 (Pop-up) | ||||||||
Al Jackson | Let's Drink Some Whiskey | 1950 | Youtube says one half of the comedy duo Patterson and Jackson. A recording of these two can be found. There is no better source and several other Al Jackson's active at the same time including the father of Al Jackson Jr. of Booker T. and the MGs. | 0:01:56 (Pop-up) | ||||||
Tom Archia and his All Stars | Drinkin' Blues | 1948 | I think I call him Tom Arch-ae-a here. Whoops. | 0:04:18 (Pop-up) | ||||||
Wynonie Harris | Drinkin' By Myself | 1946 | 0:07:11 (Pop-up) | |||||||
Jimmy Dorsey & His Orchestra | Bar Babble | 1941 | 0:09:58 (Pop-up) | |||||||
Blind Boy Chocolate & The Milk Shieks | Nobody Knows You When You're Down and Out | 2013 | 0:13:10 (Pop-up) | |||||||
Buddy Blue | Drinkin' Blues | 1999 | 0:16:52 (Pop-up) | |||||||
Chuck Mulkern and the Bar Room Boys | The Tavern Song | 1948 | 0:21:25 (Pop-up) | |||||||
Peter Sellers, Joan Collins, Anthony Newley | A Good Man Is Hard to Find | 1963 | 0:24:12 (Pop-up) | |||||||
Ian Whitcomb | Crazy | 1980 | 0:26:08 (Pop-up) | |||||||
Psoy Korolenko & Oy Division | Love Lays Low | 2013 | 0:29:36 (Pop-up) | |||||||
Circus Contraption | Drunkard's Dream | 2005 | 0:33:04 (Pop-up) | |||||||
Georgie's Tavern Band | He Put in a Bar, in the Back of His Car (And He's Driving Himself to Drink) | 1951 | 0:39:29 (Pop-up) | |||||||
Light Crust Doughboys | The Little Bar-Fly | 1942 | 0:41:57 (Pop-up) | |||||||
Jess Willard | Drinkin' At the Bar | 1953 | 0:44:41 (Pop-up) | |||||||
The Jesters | The Guy at the End of the Bar | 1941 | 0:47:18 (Pop-up) | |||||||
Billy Jones and Ernie Hare (The Happiness Boys) | Show Me the Way to Go Home | 1925 | 0:50:29 (Pop-up) | |||||||
Evans and Rogers | Sunny Side Up/Merrily We Roll Along | 2009 | 0:56:45 (Pop-up) |
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Listener comments!
Bri The Beatnik:
MHLee:
Bri The Beatnik:
MHLee:
Bri The Beatnik:
David in California:
MHLee:
Bri The Beatnik:
MHLee:
Bri The Beatnik:
MHLee:
Bri The Beatnik:
WR:
MHLee:
Bri The Beatnik:
Bri The Beatnik:
WR:
MHLee:
MHLee:
Bri The Beatnik:
Bri The Beatnik:
Bri The Beatnik:
WR:
Bri The Beatnik:
MHLee:
David in California:
MHLee:
MHLee:
David in California:
MHLee:
Bri The Beatnik:
MHLee:
Bri The Beatnik:
WR:
An interesting book I got recently is: "Jelly Roll Blues: Censored Songs & Hidden Histories" by Elijah Wald. It touches a variety of related topics but is mostly focused on the Jelly Roll Morton Library of Congress recording to get a view of how African American music was both censured by both folklorists and record companies for general public consumption and also how the fact that the entertainers and the recording people were from such different worlds that often the entertainers self-censured themselves.
It also touches a little on how traditions that were mostly oral were changed by the coming of recording.
Bri The Beatnik:
WR:
MHLee:
MHLee:
Bri The Beatnik:
MHLee:
Bri The Beatnik:
MHLee:
WR:
MHLee:
Bri The Beatnik:
WR:
Bri The Beatnik:
David in California:
MHLee:
MHLee:
MHLee:
WR:
David in California: