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The Failure of Noise
The Failure of Sound
The Failure of Rock
The Failure of the Avant Garde
The Failure of the Space Age
The Failure of Jazz
The Failure of Psychedelia
The Failure of Krautrock
The Failure of Electronic
The Failure of Pop
The Failure of Free-form
The Failure of the 20th Century
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Artist | Track | Album | Approx. start time | |||||||
---|---|---|---|---|---|---|---|---|---|---|
James Last | Mr. Giant Man | Voodoo Party | 0:00:00 (Pop-up) | |||||||
R.A. Cantius. | Krapp's Last Blues (part 2) | Playing in the Dirt | 0:09:35 (Pop-up) | |||||||
Ian William Craig | On the Reach of Explanations | A Turn Of Breath (Deluxe Edition) | 0:12:16 (Pop-up) | |||||||
Luc Ferrari | Labyrinthe de Violence/Dance (excerpt) | Labyrinthe de Violence | 0:18:22 (Pop-up) | |||||||
Joel Stern | Stradbroke Verse | Objects. Masks. Props | 0:26:57 (Pop-up) | |||||||
H | #8 | Nevada | 0:38:23 (Pop-up) | |||||||
Sinistri | Untitled #11 | Timing the 183K Pulse | 0:42:23 (Pop-up) | |||||||
Crescent | Abstract Forms | Electronic Sound Constructions | 0:46:40 (Pop-up) | |||||||
Matt Valentine With Alex Neilson & Erika Elder & Moses Jiggs | Pulsations | Untitled | 0:51:59 (Pop-up) | |||||||
Claire Thomas & Susan Vezey | Diamonds & Ashes | Snatch Paste: An Assortment of Snatch Tapes (V/A) | 0:59:44 (Pop-up) | |||||||
Madeleine Cocolas | A Memory, Blown Out | Spectral | 1:09:45 (Pop-up) | |||||||
Krzysztof Komeda | Main Title | Rosemary's Baby OST | 1:11:58 (Pop-up) | |||||||
Steve Reich | Come Out | New Sounds in Electronic Music (V/A) | 1:14:49 (Pop-up) | |||||||
Madeleine Cocolas | Northern Storm | Spectral | 1:40:57 (Pop-up) | |||||||
Richard Youngs | Bridge of Allan | This Is Not a Lament | 1:45:45 (Pop-up) | |||||||
Jeremy Young | Carta Vetrata | Amaro | 1:53:54 (Pop-up) | |||||||
Karlheinz Stockhausen | Region I (excerpts) | Hymnen | 2:00:16 (Pop-up) | |||||||
Tamás Ungváry | Istenem, Uram! | 5 Composers Second Coming, Electroacoustic Music from Sweden | 2:12:31 (Pop-up) | |||||||
Sverre larssen | Sønnavinden | Wind Harp Recordings 1976–1977 | 2:19:51 (Pop-up) | |||||||
Jeff Stonehouse | Become Becoming (excerpt) | Become Becoming | 2:24:20 (Pop-up) | |||||||
Alvin Curran | Charlie's Park | Theme Park | 2:39:08 (Pop-up) | |||||||
David First | The Softening Door | Privacy Issues (Droneworks 1996-2009) | 2:45:44 (Pop-up) | |||||||
Maki Asakawa | House of the Rising Sun (live 1972) | 2:53:13 (Pop-up) |
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Listener comments!
Krull Sagan:
winston legthigh:
John07928:
common:
Threemoons 🌛🌝🌜:
John07928:
Ken From Hyde Park:
Bruce S.:
dale:
bobobobob plasticland:
winston legthigh:
Will thee Sound Guy:
Handy Haversack:
Hello, Fabio, Failsafes.
2/3 of the Perrin Family:
Handy Haversack:
bleubombersune:
Bruce S.:
winston legthigh:
royvis:
Philip:
TDK60:
Rexedog:
Crosby in KC:
winston legthigh:
PaulRobeson1924:
winston legthigh:
Bruce S.:
Jim the Poet:
Bruce S.:
Handy Haversack:
TDK60:
Not the ancient Romans?
John07928:
Bruce S.:
Bruce S.:
Rev. Turnip Druid:
John07928:
Katharsis:
Bruce S.:
PaulRobeson1924:
spodiodi:
John07928:
Jim the Poet:
spodiodi:
Bruce S.:
Steve Mussolini:
Jim the Poet:
coelacanth∅:
bobob fabtriplasticland:
Will thee Sound Guy:
Katharsis:
Handy Haversack:
Bruce S.:
common:
Bruce S.:
The Oscar:
John07928:
tom tom the pipers son:
Rev. Turnip Druid:
Andres:
Bruce S.:
Listener Jonny in MA............. d-_-b:
Listener Jonny in MA............. d-_-b:
Jim the Poet:
The Oscar:
THEbass:
newton:
morphe':
somebody ..
Do you remember that guy John
somebody ..
Do you remember that guy John
somebody ..
Do you remember that guy John
somebody ..
Attica is in Front of Us ...
It is not the Bullet that kills You it is the Hole..
sorry .. got inspired thinking ..
Thanks Fabio !!
THEbass:
Keys_Made:
Mister Dobalina:
Gnomon (Knight of Petrichor):
newton:
group of young African-American men who were on trial for murder stemming from an event
during Harlem’s 1964 riots. “Come Out” is constructed from a tape loop containing the voice
of Daniel Hamm, one of the Harlem Six, saying, “I had to, like, open the bruise up, and let some
of the bruise blood come out to show them,” a narration of Hamm’s experience of proving to
police that he had been beaten in jail. With Hamm’s voice recorded and duplicated on two
loops of magnetic audio tape in different machines, Reich slowly de-synchronized their playback
speed, producing his signature “phasing” technique in two channels hard panned in stereo.
Reich further split this loop into four and eventually eight channels repeating the phrase “come
out to show them,” editing together a final work that increases dramatically in complexity. The
result is an early example of what Reich called “music as a gradual process,” full of emergent
psychoacoustic phenomena and complex rhythmic patterns that Reich would continue to explore
throughout his career."
THEbass:
KWilde:
Larry in Merrlin:
chresti:
Jim the Poet:
The Oscar:
Lewis:
Bruce S.:
Larry in Merrlin:
The Oscar:
Lewis:
Jim the Poet:
Enflod:
Bruce S.:
Bruce S.:
Jim the Poet:
ledzeppelinsucks:
Joey!:
morphe':
do not go until post Fabio..
Do you remember that guy John
somebody ..
https://soundcloud.com/scottjohnson-composer/01-john-somebody-part-i
Attica is in Front of me..
https://www.youtube.com/watch?v=Q2_0Kz17nqM
It is not the Bullet that kills You it is the Hole..
https://www.youtube.com/watch?v=-zA6LL78KYU
Howard & the Cats:
Listener Bryan (the Professor):
The Oscar:
Bruce S.:
Listener Bryan (the Professor):
French Penis Blanket:
lpfnrobin:
French Penis Blanket:
French Penis Blanket:
northguineahills:
lpfnrobin:
morphe':
Soupeur
Ike:
mulholland-drive.net...
lpfnrobin:
morphe':
John07928:
WoodsOfMaine:
I just hope I can cobble together some more $$ before the new Bon Jovi record comes out.
winston legthigh:
morphe':
Le terme soupeur désigne ainsi tout d'abord des individus qui éprouvent du plaisir à manger de la nourriture imbibée de l'urine d'autrui, notamment du pain abandonné volontairement dans des urinoirs publics (vespasiennes2) puis récupéré pour être consommé1 (il était parfois attaché par une ficelle3). On emploie plus rarement le terme « croûtenard ». Cette pratique était notamment répandue à Paris et à Marseille mais aussi aux États-Unis jusque dans les années 1960-19704, et on y trouve plusieurs références dans la littérature populaire de l'époque.
Il existe également une pratique alternative, qui consiste à boucher volontairement un urinoir et d'attendre qu'il se remplisse. L'individu urine ensuite lui-même dedans en submergeant totalement son pénis dans l'urine des précédents usagers, d'où l'expression la plus fréquente, « faire trempette ».
Bruce S.:
John07928:
morphe':
Bread soaked in urine
This specific meaning refers to individuals who take pleasure in consuming food soaked in the urine of others,[2] in particular bread abandoned and later retrieved at public urinals.[3] This practice was popular in Paris and Marseille up until the 1960s and 1970s. There were numerous contemporary references in popular culture.[citation needed]
There existed an alternative where a public urinal is stopped in order to wait for it to fill. Then a person would enter it and submerge his penis into the urine of previous users. This was alternatively called dipping.
John07928:
lpfnrobin:
French Penis Blanket:
morphe':
lpfnrobin:
newton:
Bruce S.:
morphe':
just working the the urban anthropology...
nic:
WoodsOfMaine:
WoodsOfMaine:
morphe':
lpfnrobin:
newton:
lpfnrobin:
Bruce S.:
Jim the Poet:
PaulRobeson1924:
PaulRobeson1924:
PaulRobeson1924:
Tony:
PaulRobeson1924:
Rev. Turnip Druid:
Simono:
northguineahills:
TDK60:
morphe':
https://gothamist.com/news/state-lawmakers-seek-funding-to-fix-subway-bottleneck-in-central-brooklyn
Andres:
PaulRobeson1924:
northguineahills:
Andres:
Bruce S.:
PaulRobeson1924:
Andres:
morphe':
C = the best .. A = early and B is mediocre ...
Bruce S.:
morphe':
morphe':
Bruce S.:
THEbass:
Bruce S.:
nic:
morphe':
I am from Bklyn ...1961 = Sunset Park ...
Listener Jonny in MA............. d-_-b:
Andres:
newton:
Bruce S.:
Handy Haversack:
chresti:
morphe':
Old story but now costs even more:
"Liquid Gold: What an $18 million maple syrup heist tells us about the economics of supply management"
https://www.elibrary.imf.org/view/journals/022/0050/002/article-A017-en.xml
Bruce S.:
morphe':
Thanks Fabio !!!!
chresti:
Bruce S.:
TDK60:
Handy Haversack:
Bruce S.:
Handy Haversack:
Ken From Hyde Park:
Bruce S.:
enjoy you're week everyone thanks
spodiodi:
bleubombersune:
Andres:
Will thee Sound Guy:
Steve Mussolini:
coelacanth∅:
Bas NL: