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Obscure musical gems, avant experimentation, and classics worth rehearing. A conurbation of Leslie speakers, timbales, plungers, arch-tops, tablas, and squeaky reeds. Black ties, pork pies, Cuban boots, Nudie suits, bobbysocks, turtlenecks, and high-heeled sneakers. Jazz is the north star but it’s a wide universe, so says The Laughing Clock.
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Artist | Track | Album | Label | Year | Comments | Images | New | Approx. start time |
---|---|---|---|---|---|---|---|---|
Count Basie | M Squad Theme (excerpt) | Basic Basie | MPS | 1969 | Eric Dixon (fl) Freddie Green (g) Norman Keenan (b) Harold Jones (d) Chico O'Farrill (arr), et al. | 0:00:00 (Pop-up) | ||
Music behind DJ: Red Garland |
M Squad Theme |
Red In Bluesville |
Prestige |
1969 |
4/17/1959: Red Garland (p) Sam Jones (b) Art Taylor (d) |
0:00:31 (Pop-up) |
||
Timo Lassy Trio | Better Together | Music for Ukraine | We Jazz Records | 2022 | Timo Lassy, tenor sax / Ville Herrala, bass / Jaska Lukkarinen, drums. Recorded live at Savoy Theatre, Helsinki, Oct. 2021. | 0:03:59 (Pop-up) | ||
Gordon Grdina | Lost in Redding | Oddly Enough: The Music of Tim Berne | Attaboygirl Records | 2022 | April 2021: Grdina (guitars, oud, dobro) | 0:17:52 (Pop-up) | ||
The Max Roach Quintet | Tympanalli | The Many Sides of Max | Mercury | 1964 | 1/22/1959: Booker Little (tp) Julian Priester (tb) George Coleman (ts) Art Davis (b) Max Roach (d,tymp) | 0:25:28 (Pop-up) | ||
Music behind DJ: Don Pullen |
Big Alice (alternate take) |
Richard's Tune |
Sackville |
2014 CD reissue of "Solo Piano Album" with two bonus tracks. Recorded 1975. |
0:30:19 (Pop-up) |
|||
Nick Dunston | Inhale/Exhale | Spider Season | Out of Your Head Records | 2022 | 10/31/2021: Kaila Vandever (tb,effects) Nick Dunston (b,effects,comp) DoYeon Kim (gayageum,voice) | 0:36:13 (Pop-up) | ||
Jin Hi Kim | Company | KumonGuitar | What Next? | 1993 | Jin Hi Kim (komungo) Derek Bailey (g) | 0:39:25 (Pop-up) | ||
Joseph Holbrooke Trio | Campo | The Moat Recordings | Tzadik | December 1998: Derek Bailey (guitar), Gavin Bryars (bass), Tony Oxley (drums) | 0:48:24 (Pop-up) | |||
Isang Yun | Gagok (1972) for voice, guitar & percussion | Chamber Music II (L'Art Pour L'Art) | cpo | 1991 | Norma Enns (soprano), Michael Schröder (guitar), Matthais Kaul (percussion) | 0:55:12 (Pop-up) | ||
Music behind DJ: Mary Lou Williams |
Medi I |
Zoning |
Smithsonian Folkways |
1/17/1974, with Bob Cranshaw (bass guitar). DJP remix. |
1:04:24 (Pop-up) |
|||
Billy Bang | Improvisation for Sweet Space | Distinction Without a Difference | Corbett vs Dempsey | 8/12/1979: Gaku Gallery (NYC). | 1:08:59 (Pop-up) | |||
Buddy Hubbard | So Sweet | The George Mitchell Collection | 2008 | 1:14:34 (Pop-up) | ||||
Carolina Chocolate Drops | Your Baby Ain't Sweet Like Mine | Genuine Negro Jig | Nonesuch | 2010 | January 2009: Dom Flemons (vocal, banjo), Rhiannon Giddens (vocal, kazoo), Justin Robinson (vocal), Súle Greg Wilson (tambourine) | 1:16:37 (Pop-up) | ||
Matthew Shipp | The Sweet Science | Right Hemisphere | Rogueart | 2008 | Recorded on January 5th 2006. | 1:19:36 (Pop-up) | ||
Jelly Roll Morton | Sweet Substitute | The Complete Commodore Jazz Recordings, vol. I | Mosaic | 1988 | 1/4/1940: Henry "Red" Allen (tp) Joe Britton (tb) Albert Nicholas (cl) Eddie Williams (as) Jelly Roll Morton (p,vcl) Wellman Braud (b) Zutty Singleton (d) | 1:21:17 (Pop-up) | ||
Patsy Cline | Sweet Dreams (of You) | MCA | 1991 | 2/5/1963: Harold Bradley (6-String Electric Bass); Floyd Cramer (Piano); Ray Edenton (Rhythm Guitar); Murrey "Buddy" Harman (Drums); Randy Hughes (Acoustic Guitar); The Jordanaires (Vocals); Grady Martin (Electric Guitar); Bob Moore (Acoustic Bass); Bill Pursell (Vibraphone); plus strings | 1:24:08 (Pop-up) | |||
Giants of Jazz | Sweet and Lovely | Giants of Jazz | Concord Jazz | 11/12/1972, Switzerland. Kai Winding (tb) Thelonious Monk (p) Al McKibbon (b) Art Blakey (d) | 1:26:42 (Pop-up) | |||
Music behind DJ: Susie Ibarra Trio |
Dreams (Alternate Take) |
Radiance |
Hopscotch |
1999 |
7/18/1999: Cooper-Moore (p,harp,diddley-bo) Charles Burnham (vln) Susie Ibarra (d,perc) |
1:29:29 (Pop-up) |
||
Félix Lemerle | Dahlka | Blues for the End of Time | Tzim Tzum Records | 2024 | 12/17/2018: Félix Lemerle – guitar. Bertha Hope – piano. Ari Roland – upright bass. Jimmy Cobb – drums. DL release 2022. CD release 2024. | * | 1:35:57 (Pop-up) | |
Riley Mulherkar | King Porter Stomp | Riley | Westerlies | 2024 | 2020-2022. Riley Mulherkar (trumpet), Chris Pattishall (piano, programming, sound design), Russell Hall (bass), Kyle Poole (drums), Rafiq Bhatia (programming, sound design) | * | 1:41:42 (Pop-up) | |
Riley Mulherkar | Hopscotch | Riley | Westerlies | 2024 | 2020-2022. Riley Mulherkar (trumpet), Chris Pattishall (piano, programming, sound design), Russell Hall (bass), Kyle Poole (drums), Rafiq Bhatia (programming, sound design) | * | 1:45:39 (Pop-up) | |
Amanda Gardier | I Wonder if It Remembers Me | Auteur: Music Inspired by the Films of Wes Anderson | 2024 | February 2022: Gardier (alto sax), Charlie Ballantine (guitar), Jesse Wittman (bass), Dave King (drums) | * | 1:50:58 (Pop-up) | ||
Music behind DJ: Joe Chambers Moving Picture Orchestra |
M Squad Theme |
Live at Dizzy's Club Coca-Cola |
Savant |
2012 |
September 2011. Craig Handy (tenor sax), David Weiss (trumpet), Xavier Davis (piano), Dwayne Burno (bass), Joe Chambers (drums, vibes, arranger), Steve Berrios (percussion), et al. |
1:55:05 (Pop-up) |
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Listener comments!
Listener Gregory:
Jeff Golick:
neveract:
Jeff Golick:
doctorjazz:
DJ Peter:
neveract:
DJ Peter:
Listener Gregory:
Listener Gregory:
DJ Peter:
WR:
Yeah, and the band played on...
DJ Peter:
Listener Gregory:
adamdoesit:
DJ Peter:
DJ Peter:
Jeff Golick:
neveract:
Listener Gregory:
DJ Peter:
adamdoesit:
LG, that sounds great to me. I love Ron Miles and mellow tones. Thanks for the gig report.
Listener Gregory:
WR:
Listener Gregory:
Listener Gregory:
neveract:
WR:
DJ Peter:
Put it this way... Kenton might maybe appear on my marathon premium...
Listener Gregory:
DJ Peter:
DJ Peter:
Embrace the contradiction!
Listener Gregory:
DJ Peter:
adamdoesit:
DJ Peter:
Listener Gregory:
DJ Peter:
Jeff Golick:
Listener Gregory:
Jeff Golick:
DJ Peter:
adamdoesit:
DJ Peter:
That said, not being aware of Bailey's book I'm now going to try to track it down
Listener Gregory:
tom tom the pipers son:
coelacanth∅:
adamdoesit:
tom tom the pipers son:
Listener Gregory:
tom tom the pipers son:
tom tom the pipers son:
DJ Peter:
DJ Peter:
DJ Peter:
Listener Gregory:
The joke is in there... somewhere.
DJ Peter:
tom tom the pipers son:
adamdoesit:
tom tom the pipers son:
WR:
tom tom the pipers son:
DJ Peter:
DJ Peter:
Uh, but the Marxists like serialism...
"The Marxists are wrong!"
Jeff Golick:
Jeff Golick:
WR:
DJ Peter:
Listener Gregory:
WR:
Jeff Golick:
adamdoesit:
Listener Gregory:
WR:
Listener Gregory:
Listener Gregory:
tom tom the pipers son:
WR:
DJ Peter:
DJ Peter:
Listener Gregory:
tom tom the pipers son:
dut- dut - dut dut -da da
tom tom the pipers son:
DJ Peter:
tom tom the pipers son:
WR:
adamdoesit:
WR:
DJ Peter:
tom tom the pipers son:
adamdoesit:
Thank you, DJ Peter.
tom tom the pipers son:
neveract:
WR:
Listener Gregory:
BTW, I have my eye on a great clock photo, but the light was all wrong, so I have to wait until the shadows are gone. You’ll see.
coelacanth∅:
DJ Peter:
doctorjazz:
Loved the "Sweet" Set-Schipp, Jelly Roll, Cline, and the rest was great! (If I were there in real time, wiudda had to comment on Henry Red Allen's solo on the Morton, which is killer).
One of these days have to figure out a good way to digitize vinyl (though I don't think I'll live long enough to do it all). I have that Commodore/Mosiac set; haven't pulled it in some time, but some fine stuff on there.
And getting that other King Porter/JElly Roll was a treat-not familiar to me, was nicely done.
(puppy sitting, listening on laptop-Oyoot Laila jumped and stared at the laptop when Billy Bang came on).
OK, gone on too long, Thanks DJ Peter! Happy President's Day!
doctorjazz:
I was listening on my MacBook this morningh with the puppy mext to me. She was laying quietly next to me when the Billy Bang came on; her ears stood straight up, and she got up and started licking my laptop (not sure if it was a positive or negative reaction, I'll consider it positive).
(lastly: I sent Bob Brainen some Buell Neidlinger albums, a set of bluegrass players playing mostly jazz, the second a string ensemble playing Herbie Nichols music-any interest?)