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Observations of Deviance is a vinyl focused, free form program that harkens back to early days of underground FM radio. Your host, David Mittleman, hunts down the most exotic, unusual and off-the-beaten-track music from around the world in a number of genres: Spiritual Jazz, Free Improvisation, Experimental Electronics, Ethnographic Oddities and World-Wide Psychedelic Funk. You are guaranteed to hear sounds you’ve never heard before.
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Artist | Track | Album | Label | Year | Comments | Approx. start time | ||||
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Connie Price & The Keystones | Favelas ft. Sadat X & Diana Purim | Favelas 7" | Rocafort | 2024 | https://rocafortrecords.bandcamp.com/album/favelas-ft-sadat-x-diana-purim-b-w-favelas-instrumental | 0:02:11 (Pop-up) | ||||
Lloyd Charmers | Roots Of Africa (Hello Africa Version) | Peace And Love, 2CD Edition | Doctor Bird / Cherry Red | 2024 | https://www.cherryred.co.uk/product/dadawah-peace-and-love-2cd-edition/ | 0:06:10 (Pop-up) | ||||
R.A.P. Ferreira & Fumitake Tamura | begonias (feat. Hprizm) | the First Fist to Make Contact When We Dap | Alpha Pup | 2024 | https://afrolab9000.bandcamp.com/album/the-first-fist-to-make-contact-when-we-dap | 0:09:54 (Pop-up) | ||||
Beans | ZWAARD 1 | ZWAARD | Tygr Rawwk | 2024 | https://beansiswack.bandcamp.com/album/zwaard | 0:13:55 (Pop-up) | ||||
Roland Kirk | Spirits Up Above | Volunteered Slavery | Atlantic | 1969 | 0:17:46 (Pop-up) | |||||
Osibisa | Spirits Up Above | Wↄyaya | MCA | 1971 | composed by Roland Kirk | 0:21:24 (Pop-up) | ||||
Septet Matchi-Oul | Parisonophobie | Terremoto | SouffleContinu | 2024 | originally released 1971 ; https://soufflecontinurecords.bandcamp.com | 0:32:29 (Pop-up) | ||||
Petelo Vicka et son Nzazi | Sungu Lubuka | Congo Funk! - Sound Madness From The Shores Of The Mighty Congo River (Kinshasa/Brazzaville 1969-1982) | Analog Africa | 2024 | https://analogafrica.bandcamp.com/album/congo-funk-sound-madness-from-the-shores-of-the-mighty-congo-river-kinshasa-brazzaville-1969-1982-analog-africa-no-38 | 0:37:15 (Pop-up) | ||||
Sahra Halgan | Sharaf | Hiddo Dhawr | Danaya | 2024 | https://sahrahalgan.bandcamp.com/album/hiddo-dhawr | 0:45:03 (Pop-up) | ||||
Mouvement Y'en a Marre | Dafa Leer (Eve Crazy, Nit-Doff, Gaston, Fatim, Thiat, Messager, Dou Marley) | Dafa Leer | Mouvement Y'en a Marre | 2024 | https://youtu.be/OXzVzIhoeuo?si=yGGrWGA8reUF7TvY | 0:49:00 (Pop-up) | ||||
Project Gemini | Colours & Light | Colours & Light | Mr. Bongo | 2024 | https://projectgemini.bandcamp.com/album/colours-light | 0:52:25 (Pop-up) | ||||
Riley Mulherkar | Ride or Die | Riley | Westerlies | 2024 | https://rileymulherkar.bandcamp.com/album/riley | 0:56:44 (Pop-up) | ||||
John Coltrane | Dahomey Dance | Olé Coltrane | Impulse! | 1961 | Mono | 1:04:15 (Pop-up) | ||||
Dadawah | Run Come Rally | Peace And Love, 2CD Edition | Doctor Bird / Cherry Red | 2024 | https://www.cherryred.co.uk/product/dadawah-peace-and-love-2cd-edition/ | 1:15:07 (Pop-up) | ||||
Hamid Drake feat. Shabaka Hutchings | Journey in Satchidananda | Live 2023-03-25, Teatro Donizetti, Bergamo, Italy | N/A | 2023 | 1:22:45 (Pop-up) | |||||
SAICOBAB | Nachin Machine | NRTYA | Thrill Jockey | 2024 | https://saicobab.bandcamp.com/album/nrtya | 1:37:27 (Pop-up) | ||||
Groupe D'Animation U.F.P.D.G. | Mpebe | MERCI YAYA BONGO - Les Groupes d’Animation Féminins du Gabon 1982-1989 | Secousse | 2024 | https://secousse.bandcamp.com/album/merci-yaya-bongo-les-groupes-d-animation-f-minins-du-gabon-1982-1989 | 1:44:29 (Pop-up) | ||||
Thelonious Monk | Brilliant Corners | Brilliant Corners | Riverside | 1957 | Mono | 1:51:33 (Pop-up) | ||||
Booker Ervin | Franess | Structurally Sound | Pacific Jazz | 1967 | featuring & composed by Charles Tolliver | 1:59:17 (Pop-up) | ||||
Toshiyuki Honda | Living In A City | Funk Tide - Tokyo Jazz-Funk From Electric Bird 1978-87 | WeWantSounds | 2024 | https://wewantsounds.bandcamp.com/album/funk-tide-tokyo-jazz-funk-from-electric-bird-1978-87 | 2:09:23 (Pop-up) | ||||
James Brandon Lewis Quartet | Transfiguration | Transfiguration | Intakt | 2024 | https://jamesbrandonlewis.bandcamp.com/album/transfiguration | 2:12:43 (Pop-up) | ||||
Alice Coltrane | Shiva Loka | The Carnegie Hall Concert | Impulse! | 2024 | recorded 1971 ; https://jazz.centerstagestore.com/products/alice-coltrane-the-carnegie-hall-concert-opaque-galaxy-orange-lp | 2:19:42 (Pop-up) | ||||
The Connection | Natural Thing (Supernatural Thing Version) | Peace And Love, 2CD Edition | Doctor Bird / Cherry Red | 2024 | https://www.cherryred.co.uk/product/dadawah-peace-and-love-2cd-edition/ | 2:37:03 (Pop-up) | ||||
Machi Oul Big Band | Quetzalcoatl | Quetzalcoatl | SouffleContinu | 2024 | originally released 1976 ; https://soufflecontinurecords.bandcamp.com | 2:40:26 (Pop-up) | ||||
Michael Gregory Jackson | Clarity | Clarity | Bija | 1977 | 2:48:32 (Pop-up) | |||||
Marc Levin Ensemble | Love Song | Songs Dances And Prayers | Sweet Dragon | 1973 | 2:52:54 (Pop-up) | |||||
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Listener comments!
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Freddie Hubbard — trumpet
Eric Dolphy — alto saxophone
McCoy Tyner — piano
Reggie Workman — bass
Art Davis — bass
Elvin Jones — drums
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Henry found himself in Kingston in the late 1950s where he worked for Coxsone Dodd at the legendary Studio One. By 1968, he had formed the group Sons of Negus and the first overtly Rasta record label, Zion Disc. As Rasta filtered into the mainstream, Henry released more music including albums for Trojan, Dynamic and Grounation labels.
Originally released in 1974, Peace And Love - Wadadasow is Dadawah's magnum opus. Produced by Lloyd Charmers, the album features slinky basslines, wah-wah guitar, hypnotic keyboards, dubbed-out studio trickery and, of course, the propulsive drumming and rhythmic chanting characteristic of Nyahbinghi."
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Ngoho Ange - Dance, Spoken Words
Shabaka Hutchings - Tenor Sax, Clarinet, African Flute, Shakuhachi
Jan Bang - Electronic
Pasquale Mirra - Vibes
Jamie Saft - Piano, Organ
Joshua Abrams - Bass, Guembri
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arlo:
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Sonny Rollins – tenor saxophone
Max Roach – drum
Ernie Henry – alto saxophone
Oscar Pettiford – double bass
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Aruán Ortiz: Piano
Brad Jones: Bass
Chad Taylor: Drums
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Strange how the nonentities of yesterday have become the heroes of today.
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