View Jeff Golick's profile |
Three hours of adventurous jazz drawing on the Destination: Out archives and other planes of there.
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Artist | Track | Album | Label | Year | Images | Approx. start time |
---|---|---|---|---|---|---|
The Roscoe Mitchell Art Ensemble | Tatas-Matoes | Congliptious | Nessa | 1968 | 0:00:00 (Pop-up) | |
Music behind DJ: Sun Ra |
The Perfect Man |
My Brother The Wind, Vol. I |
Saturn Research |
1970 |
0:02:25 (Pop-up) |
|
Peter Brötzmann & Paal Nilssen-Love | South of No Return | Chicken Shit Bingo | Trost Records | 2015/2024 | 0:05:34 (Pop-up) | |
Okkyung Lee | Story of You and Me | Nihm | Tzadik | 2005 | 0:10:33 (Pop-up) | |
Lemon Quartet | Absence of Appropriate Affect | Lemon Law | Dead Currencies | 2024 | 0:14:38 (Pop-up) | |
Daniel Carter & Stefan Christoff | Joël Lavoie - Les Vapeurs Qui S'échappent | In Astronomy (remixes) | rohs! records | 2024 | 0:18:28 (Pop-up) | |
Susan Alcorn, Simone Baron, Killick Hinds | Apparitious | New Baltimore Quiet | Killick | 2024 | 0:25:25 (Pop-up) | |
Mary Halvorson | Ultramarine | Cloudward | Nonesuch Records | 2024 | 0:35:19 (Pop-up) | |
The Dogmatics | It Never Yielded Results Which They Had Failed to Discover by Other Means | Chop Off the Tops | The Dogmatics | 2018 | 0:42:33 (Pop-up) | |
Lao Dan | It's All by Luck | Sorrow Blows: Saxophone Solo For Reel-to-reel Tape Recording | Old Heaven Books | 2024 | 0:52:01 (Pop-up) | |
Rodrigo Amado / The Bridge | (Visiting) Ghosts | Beyond the Margins | Trost Records | 2023 | 0:58:29 (Pop-up) | |
Music behind DJ: Booker T. & The MGs |
Melting Pot |
1:06:11 (Pop-up) |
||||
Sun Ra | Rhapsody in Blue | Haverford College Solo Rhodes, Jan. 1980 | Modern Harmonic | 1980/2022 | 1:14:14 (Pop-up) | |
Terry Riley | Pasha Rag | Standard(S)And: Kobuchizawa Sessions #1 | Star & Rainbow | 2023 | 1:20:51 (Pop-up) | |
Atomic | Louange à l'Éternité de Jésus | Pet Variations | Odin Records | 2018 | 1:25:04 (Pop-up) | |
Mal Waldron Quintet with Steve Lacy | The Seagulls of Kristiansund | One-Upmanship | enja | 1977 | 1:32:44 (Pop-up) | |
Hardcell | Manatee Woman | Electric and Acoustic Live | Screwgun Records | 2004 | 1:44:05 (Pop-up) | |
Music behind DJ: Chaz Jankel |
To Woo Lady Kong |
1:59:51 (Pop-up) |
||||
Dexter Gordon | Second Balcony Jump | Go! | Blue Note | 1962 | 2:05:53 (Pop-up) | |
Lee Morgan | The Sidewinder | The Sidewinder | Blue Note | 1964 | 2:13:02 (Pop-up) | |
Louis Armstrong & His All-Stars | All That Meat and No Potatoes | Satch Plays Fats: A Tribute To The Immortal Fats Waller | Columbia | 1955 | 2:23:07 (Pop-up) | |
Coleman Hawkins | Body and Soul | Bluebird/RCA | 1939 | 2:28:23 (Pop-up) | ||
Thelonious Monk Septet | Well, You Needn't | Monk's Music | Riverside Records | 1957 | 2:32:18 (Pop-up) | |
John Coltrane | Mr. Day | Plays the Blues | Atlantic | 1960 | 2:42:45 (Pop-up) | |
Louis Jordan | Ain't Nobody Here But Us Chickens | Someone Up There Digs Me | Mercury | 1957 | 2:50:28 (Pop-up) | |
Frank Sinatra | Brazil | Come Fly with Me | Capitol | 1957 | 2:53:32 (Pop-up) | |
Music behind DJ: Dudu Pukwana & Spear |
Flute Music |
Flute Music |
Caroline |
1975 |
2:56:21 (Pop-up) |
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Listener comments!
chresti:
Making coffee..
DJ Peter:
Good morning all!
listener james from westwood:
hyde:
Jeff Golick:
tom tom the pipers son:
Sem:
Jeff Golick:
Jeff Golick:
You and me, both, hyde. Hello!
Good morning, tom tom the pipers son.
Howdy, Sem!
chresti:
alanr:
listener james from westwood:
hyde:
tom tom the pipers son:
Listener Gregory:
Jeff Golick:
Thanks and greetings, Listener Gregory.
And TY, ljfw, hyde, tom tom the pipers son...
DJ Peter:
tom tom the pipers son:
Jeff Golick:
Jeff Golick:
Yvang:
tom tom the pipers son:
Jeff Golick:
adamdoesit:
Jeff Golick:
Uncle Michael:
Jeff Golick:
wendy del formaggio:
Jeff Golick:
Stork:
tom tom the pipers son:
DJ Peter:
Stork:
Uncle Michael:
Listener Gregory:
Jeff Golick:
Listener Gregory:
Jeff Golick:
Doug Schulkind:
tom tom the pipers son:
DJ Peter:
www.arsnovaworkshop.org...
DJ Peter:
Jeff Golick:
Jeff Golick:
Listener Gregory:
Jeff Golick:
Jeff Golick:
DJ Peter:
doctorjazz:
wendy del formaggio:
Jeff Golick:
Jeff Golick:
wendy del formaggio:
Jeff Golick:
Doug Schulkind:
tom tom the pipers son:
Andrew in Toronto:
Andrew in Toronto:
wendy del formaggio:
When I’m at my desk I’ll try to remember to send you some photos.
Jeff Golick:
Jeff Golick:
wendy del formaggio:
doctorjazz:
Andrew in Toronto:
thedogmatics.bandcamp.com
Jeff Golick:
Uncle Michael:
tom tom the pipers son:
Jeff Golick:
doctorjazz:
Uncle Michael:
Jeff Golick:
tom tom the pipers son:
Uncle Michael:
Stork:
Listener Gregory:
DJ Peter:
Stork:
chresti:
Andrew in Toronto:
doctorjazz:
Stork:
chresti:
Andrew in Toronto:
rodrigoamado.bandcamp.com...
doctorjazz:
doctorjazz:
adamdoesit:
tom tom the pipers son:
Listener Gregory:
hyde:
Stork:
hyde:
Andrew in Toronto:
tom tom the pipers son:
Jeff Golick:
hyde:
tom tom the pipers son:
doctorjazz:
www.nytimes.com...
Doug Schulkind:
Jeff Golick:
adamdoesit:
Jeff Golick:
adamdoesit:
doctorjazz:
Jeff Golick:
tom tom the pipers son:
Jeff Golick:
Listener Gregory:
Listener Gregory:
Jeff Golick:
doctorjazz:
doctorjazz:
Jeff Golick:
adamdoesit:
tom tom the pipers son:
Listener Gregory:
tom tom the pipers son:
zzz:
zzz:
billorcutt.bandcamp.com...
live set of Bill Orcut guitar quartet with Eisenberg, Shane Parish, and Ava Mendoza (who i saw the same night as Eisenberg, also for the first time, double WOW!)
Listener Gregory:
Jeff Golick:
doctorjazz:
tom tom the pipers son:
Jeff Golick:
adamdoesit:
DJ Peter:
I agree with all of the points made above (from adamdoesit, doctor jazz, et al.). My point is slightly different: I situate the essay in the context of Iverson's own position (often stated) as a musician who has sought out the masters to talk to and play with (Charles McPherson, Billy Hart, Tootie Heath) and who also teaches in the Jazz Educational Complex (at NEC): classical musicians don't work on rhythm and indeed often lack the innate clock that folk musicians have. (By "folk" here I mean blues, country, jazz, rock...) The most honest and open-minded classical musicians acknowledge this: a college friend of mine who has gone on to make a living as a professional musician in a "name" string quartet was hanging in my dorm room when I put on the CD reissue of Wayne Shorter's first Blue Note album, and when "Black Nile" came on he stopped talking and just listened and then turned to me and said of the way Lee Morgan and Shorter phrased the melody together: classical musicians can't do that, they can't phrase together without discussing in advance how to approach it.
Iverson has proposed that all symphony musicians should learn how to play a basic swing beat on the drum kit (spang-a-lang on the ride cymbal, clave on the snare drum) until they internalize the polyrhythms and the metronome. I agree with him.
Listener Gregory:
Jeff Golick:
Jeff Golick:
adamdoesit:
As an aside, I've heard from NYT writers that they're not fond of the clickbaity headlines their pieces are saddled with, either.
zzz:
DJ Peter:
DJ Peter:
ugh.
Dean:
Rhapsody in Blue is as much pop as it is jazz or classical music. Mary Lou Williams' remark surprises me, but a charitable reading of the quote invites me to assume that she didn't mean to identify RiB with "heavy classical things," though there certainly are plenty of those at least as cheesy as Gershwin. Among my least favorite songs in the world, "Summertime" is a thick, cheesy blob on a hot summer sidewalk. Yet I love "I Loves You, Porgy" sung by, take your pick--Nina Simone, for instance. Nor does the racial aspect, nor the implicit command to acknowledge it, escape me.
The call to "move beyond nostalgia" is well-intended, but absurd. It's asking a paying public to fit its aesthetics to some extra-aesthetic instruction. I myself am happy ignoring many flawed masterpieces until a time when I no longer need or want to do so. Also, I have yet to encounter a masterpiece that is not flawed.
chresti:
tom tom the pipers son:
Jeff Golick:
Dean:
https://www.nytimes.com/2024/01/26/arts/music/george-gershwin-rhapsody-in-blue.html?unlocked_article_code=1.RE0.ywx3.rFAsdp-Akgkj&smid=url-share
Jeff Golick:
DJ Peter:
mic drop
DJ Peter:
Excerpted from her great book: "The Right To Sex"
chresti:
Dean:
DJ Peter:
Srinivasan basically argues that teaching is fraught with Freudian transference. The student wants to be like the teacher and thinks they desire the teacher. The instructors job is to direct that energy into self-sufficient intellectual growth.
Listener Gregory:
hyde:
tom tom the pipers son:
Star's Record-Setting Night Is Overshadowed by Disgusting Secrets of a Healthy Breakfast Stripped, Beaten or Vanished, Treatment of Detainees Raises Alarm, A Bird’s-Eye View of Technicolor Genes Reveal Less Inbreeding Than Expected
Revolution Rabbit Nov63:
...oh the huge manatee...
Dean:
https://www.nytimes.com/2021/09/03/opinion/metoo-teachers-students-consent.html?unlocked_article_code=1.RE0.-gel.knERxPBML58O&smid=url-share
zzz:
Revolution Rabbit Nov63:
www.facebook.com...
DJ Peter:
But he hadn't played in bands, he was a pianist. He couldn't keep in time (and knew it: he copped to it).
Listener Gregory:
Jeff Golick:
DJ Peter:
Ugh I forgot about the illustration. Terrible.
Malcontent:
malcontent.com...
Jeff Golick:
Jeff Golick:
doctorjazz:
hyde:
Jeff Golick:
zzz:
DJ Peter:
I take it you also designed the Cassandra Wilson as Miles Davis and other covers on your site?
hyde:
zzz:
DJ Peter:
Listener Gregory:
doctorjazz:
Jeff Golick:
Malcontent:
Mxter Baba:
doctorjazz:
zzz:
Mxter Baba:
Listener Gregory:
hyde:
Jeff Golick:
adamdoesit:
DJ Peter:
Listener Gregory:
Jeff Golick:
John in £ngland:
Listener Gregory:
Doug Schulkind:
tom tom the pipers son:
www.artsforart.org...
Jeff Golick:
doctorjazz:
DJ Peter:
Tony Williams gets to heaven and Peter tells him: so glad you're hear, we've got a great band! Hendrix is on guitar, Blanton on bass, Hodges and Coltrane lead the saxes.
Tony says: that's great! Wow!
Peter says: just one thing. God knows this girl singer...
Jeff Golick:
doctorjazz:
John in £ngland:
DJ Peter:
zzz:
adamdoesit:
tom tom the pipers son:
Listener Gregory:
zzz:
doctorjazz:
Doug Schulkind:
Doug Schulkind:
doctorjazz:
wendy del formaggio:
Dean:
Listener Gregory:
Listener Gregory:
zzz:
…and Deodato’s version for “Being There”
DJ Peter:
Uncle Michael:
archive.culturalequity.org...
DJ Peter:
doctorjazz:
Jeff Golick:
Dean:
Being There! A movie I actually saw in a theater. Kosinski.
adamdoesit:
Probably I "should" have started by playing "Body and Soul" until I "got" it, but whatever. There is no one point where the field begins. You just walk in and lose yourself as best you can.
wendy del formaggio:
Listener Gregory:
DJ Peter:
tom tom the pipers son:
adamdoesit:
Listener Gregory:
Jeff Golick:
DJ Peter:
Jeff Golick:
DJ Peter:
Jeff Golick:
Revolution Rabbit Nov63:
tom tom the pipers son:
DJ Peter:
doctorjazz:
doctorjazz:
Jeff Golick:
adamdoesit:
wendy del formaggio:
doctorjazz:
DJ Peter:
tom tom the pipers son:
Uncle Michael:
Revolution Rabbit Nov63:
Andrew in Toronto:
'Thanks, Jeff!
Jeff Golick:
Uncle Michael:
Uncle Michael:
adamdoesit:
Jeff Golick:
Revolution Rabbit Nov63:
Listener Gregory:
tom tom the pipers son:
DJ Peter:
DJ Peter:
Listener Gregory:
doctorjazz:
doctorjazz:
Revolution Rabbit Nov63:
DJ Peter:
doctorjazz:
Sem:
Uncle Michael:
Stanley:
Thanks Jeff for the good music.
DJ Peter:
Jeff Golick:
Uncle Michael:
tom tom the pipers son:
Stanley:
I'll have a good read of your missive.
tom tom the pipers son:
DJ Peter:
Revolution Rabbit Nov63:
Stanley:
Sem:
zzz:
doctorjazz:
hyde:
Jeff Golick:
Listener Gregory:
Uncle Michael:
listener james from westwood:
rw:
Uncle Michael:
zzz:
doctorjazz:
Listener Gregory:
Thanks a lot, Jeff. Great show.
DJ Peter:
doctorjazz:
Revolution Rabbit Nov63:
...Beatles' first couple of Albums - recorded on so few trax with Mono the intention - a lot of Vocals one channel & Instruments the other - as per what Uncle Michael suggests... With Peter Jackson's Demixing Tech - other things are possible now...
coelacanth∅:
DJ Peter:
doctorjazz:
Yvang:
Revolution Rabbit Nov63:
Jeff Golick: