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The finest in Micronesian doo-wop, Appalachian mambo, Turkish mariachi, pygmy yodeling of
Baltimore, Portuguese juju, Cajun gamelan, tuba choirs from Mozambique, Inuit marching bands,
Filipino free jazz, Egyptian kabuki theater, and throat singers of the Lower East Side.
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Artist | Track | Album | Label | Year | Approx. start time | |||||
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Music behind DJ: Sarah Webster Fabio |
Jujus: Alchemy of the Blues |
Jujus: Alchemy of the Blues |
Folkways |
1976 |
0:00:00 (Pop-up) |
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Music behind DJ: ECD |
In Tempo |
Major Force: The Original Art-Form |
Mo' Wax |
1990 |
0:04:13 (Pop-up) |
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Pigmeat Pete & Catjuice Charley | Do It Right | b/w The Gin Done Done It | Columbia | 1929 | 0:06:19 (Pop-up) | |||||
Alabama Washboard Stompers | Pig Meat Stomp | b/w If I Could Be With You | Vocalion | 1930 | 0:09:22 (Pop-up) | |||||
Pigmeat Terry | Black Sheep Blues | b/w Moaning the Blues | Champion | 1935 | 0:11:57 (Pop-up) | |||||
Georgia White | Pigmeat Blues | b/w New Dupree Blues | Decca | 1937 | 0:15:06 (Pop-up) | |||||
Blind Boy Fuller | I Crave My Pig Meat | b/w Black Bottom Blues | Okeh | 1939 | 0:17:42 (Pop-up) | |||||
Lead Belly | Pigmeat | b/w Easy Rider | Disc | 1946 | 0:20:29 (Pop-up) | |||||
Pigmeat Markham | We Got the Number | b/w Pig's Popcorn | Chess | 1970 | 0:23:44 (Pop-up) | |||||
Pigmeat Peterson | Loud Mouth Lucy | b/w Everybody Loves a Fat Man | Federal | 1952 | 0:25:47 (Pop-up) | |||||
Pigmeat Jarrett | Pigmeat's Name / Freddie | Snow on the Roof, Fire in the Furnace: Cincinnati Area Traditional Musicians | June Appal | 1979 | 0:27:52 (Pop-up) | |||||
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Music behind DJ: Odell Brown & the Organ-izers |
Tough Tip |
Ducky |
Cadet |
1967 |
0:36:00 (Pop-up) |
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Tokedashita Galasubako | Anmari Fukasugite | Tokedashita Garasubako | URC | 1970 | 0:44:04 (Pop-up) | |||||
Masato Minami | Kanashimi Wasureta Kanashisa | Kaikisen (The Tropics) | RCA | 1971 | 0:49:25 (Pop-up) | |||||
Meiko Kaji | Jingi Komoriuta | Ginchou Wataridori | Golden Star Custom De Luxe | 1972 | 0:55:52 (Pop-up) | |||||
Gypsy Blood | Orokana Boku | Rokko Oroshi | Vertigo | 1971 | 0:59:13 (Pop-up) | |||||
Akiko Yano | Kodomo Tachi | To Ki Me Ki | Philips | 1978 | 1:02:22 (Pop-up) | |||||
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Music behind DJ: Rangda |
Plugged Nickel |
Formerly Extinct |
Drag City |
2012 |
1:06:03 (Pop-up) |
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Jasper String Quartet |
I. Animato II. Interludium III. Pizzzicato IV. Moto Perpetuo - Presto Possible |
Insects & Machines | Sono Luminus | 2022 | 1:12:18 (Pop-up) | |||||
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Music behind DJ: David Darling & the Wulu Bunun |
Pis Lai |
Mudanin Kata |
World Music Network |
2005 |
1:28:46 (Pop-up) |
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Denny Zeitlin | Flamenco Sketches | Solo Piano: Remembering Miles | Sunnyside | 2019 | 1:33:38 (Pop-up) | |||||
Jeff Lederer | Persistence of Memory | Balls of Simplicity | Little (i) Music | 2023 | 1:41:46 (Pop-up) | |||||
Jimmy Giuffre 3 | The Chanting | Music for People, Birds Butterflies & Mosquitoes | Choice | 1972 | 1:46:52 (Pop-up) | |||||
Myra Melford's Fire and Water Quintet | Insertion Two | Hear the Light Singing | Rogue Art | 2022 | 1:51:33 (Pop-up) | |||||
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Music behind DJ: Dave Brubeck Quartet |
Take Five |
Time Out |
Columbia |
1959 |
1:58:35 (Pop-up) |
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Papa Tornado Teiko, Jimmy Beckly & Beach Scorpions | Jealousy | Electric Highlife: Sessions From The Bokoor Studios | Naxos World | 1989 | 2:05:41 (Pop-up) | |||||
Atomic Jazz of Africa | Our Enemy Is Motor | Atomic Jazz of Africa | Editions Namaco | 1977 | 2:10:17 (Pop-up) | |||||
Atakora Manu's Band | Self Contention | Disko Hi-Life | Ambassador | 1981 | 2:16:20 (Pop-up) | |||||
African System Orchestra | Bad Friend | African System Orchestra | Decca | 1978 | 2:25:28 (Pop-up) | |||||
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Music behind DJ: Chris Songxaka & His Home Town Unit |
Marabi Sideways |
Gumba Gumba |
1967 |
2:34:30 (Pop-up) |
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The Bob-Wheels | She's Gone | b/w Love Me (Just a Little Bit) | Tarx | 1963 | 2:36:09 (Pop-up) | |||||
Lynn Day | I'll Understand | b/w Bit Off More (Then I Can Chew) | Big Hit | 1971 | 2:39:00 (Pop-up) | |||||
Little Archie Walker | I'm Asking Forgiveness | b/w The Saw | Pa-Mar | 1976 | 2:43:02 (Pop-up) | |||||
Major Burkes | Who Was the Fool? | b/w Break These Chains | Gulf | 1968 | 2:45:17 (Pop-up) | |||||
Charles Lattimore | We Try Harder | b/w Do the Thing | Shout | 1967 | 2:48:13 (Pop-up) | |||||
Jimmy Braswell | I Can't Give You My Heart | b/w Your Love Is Out of Reach | Gene | 1971 | 2:50:37 (Pop-up) | |||||
Pat Peterman | You Gonna Reap It | b/w Like the Way You Do Your Thing | 123 | 1970 | 2:53:40 (Pop-up) | |||||
Jeb Stuart | Can't Count the Days | b/w I Just Love Your Work | Climax | 1971 | 2:56:04 (Pop-up) | |||||
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Music behind DJ: John Lee Hooker |
Stand By |
I Feel Good |
Jewel |
1970 |
2:59:34 (Pop-up) |
Give the Drummer Radio denounces explicit and implicit racism and condemns the culture of white supremacy. Black Lives Matter. |
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Listener comments!
Sem:
Doug Schulkind:
Greetings, Sem!
Irene Trudel:
Webhamster Henry:
Chris Hiatt:
Gina Bacon:
StringOFperils:
dutchtheo:
Webhamster Henry:
WR:
Doug Schulkind:
Glad you've done it right, Irene Trudel! Webhamster Henry! Chris Hiatt! Gina Bacon! StringOFperils! WR!
KWilde:
Listener Gregory:
northguineahills:
Doug Schulkind:
still b/p:
listener james from westwood:
StringOFperils:
Doug Schulkind:
Doug Schulkind:
Doug Schulkind:
StringOFperils:
Doug Schulkind:
Doug Schulkind:
chresti:
still b/p:
Doug Schulkind:
Richard M Jones ~ piano
John Lindsay ~ bass
Ikey Robinson ~ guitar
Andrew Waterloo:
Listener Gregory:
Doug Schulkind:
bigplanetnoise:
adamdoesit:
Webhamster Henry:
Doug Schulkind:
Doug Schulkind:
adamdoesit:
Doug Schulkind:
PAULS:
Doug Schulkind:
Doug Schulkind:
northguineahills:
bobdc:
Doug Schulkind:
Webhamster Henry:
Webhamster Henry:
Doug Schulkind:
still b/p:
Doug Schulkind:
βrian:
BillfromRockTavern:
Doug Schulkind:
Listener Gregory:
Doug Schulkind:
Doug Schulkind:
Mike Lupica:
bigplanetnoise:
adamdoesit:
Andrew Waterloo:
Webhamster Henry:
still b/p:
northguineahills:
TDK60:
(Though I hesitate to use the word "good" these days.)
Webhamster Henry:
βrian:
listener james from westwood:
Webhamster Henry:
Mike Lupica:
Gina Bacon:
Phillippe:
bigplanetnoise:
Doug Schulkind:
Uncle Michael:
Doug Schulkind:
Andrew in Toronto:
Doug Schulkind:
Andrew in Toronto:
Doug Schulkind:
Andrew in Toronto:
Gina Bacon:
still b/p:
Uncle Michael:
Uncle Michael:
Doug Schulkind:
still b/p:
Doug Schulkind:
Uncle Michael:
Gina Bacon:
PAULS:
Doug Schulkind:
Mike Lupica:
coelacanth∅:
Andrew in Toronto:
Doug Schulkind:
TDK60:
Webhamster Henry:
Doug Schulkind:
Listening Out There:
PAULS:
coelacanth∅:
coelacanth∅:
Webhamster Henry:
Doug Schulkind:
chresti:
Doug Schulkind:
StringOFperils:
Listener Gregory:
chresti:
Creature Boy:
dutchtheo:
Doug Schulkind:
TDK60:
bobdc:
Doug Schulkind:
still b/p:
(Wiki tells me nyckelharpa has "key-actuated tangents," which was the name of Doug's first caravan-wandering duo during his school gap year.)
coelacanth∅:
Doug Schulkind:
chresti:
Hi TDK60 in the easty!\\//
Doug Schulkind:
Creature Boy:
Kat in the chat:
Doug Schulkind:
Doug Schulkind:
Doug Schulkind:
Doug Schulkind:
Listener Gregory:
Stork:
Kat in the chat:
Kat in the chat:
Dean:
Stork:
Doug Schulkind:
Stork:
Doug Schulkind:
Doug Schulkind:
Kat in the chat:
Alex In Illinois:
Listener Gregory:
contact me as soon as possible
contattami il prima possibile
(Gurgle translate)
Doug Schulkind:
David Mittleman devoted a show to Zeitlin, including airing an interview with him, on this episode of Observations of Deviance back in May 2022: wfmu.org...
Doug Schulkind:
Little Danny:
Little Danny:
alanr:
Dean:
To my knowledge, Zeitlin has not blended his professional identities, but as an entertainer he can be a bit cerebral, which is fine with me.
Doug Schulkind:
Listener Gregory:
Doug Schulkind:
still b/p:
(Apropos of nearly nuthin', in sorta idly confirming whether Kops or Cops was more common spelling for the old film series, I learned that William Frawley -- Fred Mertz of "I Love Lucy" -- was on the squad once upon a time.)
Doug Schulkind:
Rich in Washington:
Little Danny:
Doug Schulkind:
Little Danny:
Oleh from Pittsburgh:
Little Danny:
Listener Gregory:
Rich in Washington:
Doug Schulkind:
doctorjazz:
Hi Drummers!
still b/p:
Jeff Golick:
Doug Schulkind:
doctorjazz:
Doug Schulkind:
Doug Schulkind:
adamdoesit:
Doug Schulkind:
sinner:
doctorjazz:
Cello – Tomeka Reid
Composed By, Piano – Myra Melford
Drums – Lesley Mok
Guitar – Mary Halvorson
Tenor Saxophone, Soprano Saxophone – Ingrid Laubrock
Doug Schulkind:
Listener Gregory:
doctorjazz:
Dean:
adamdoesit:
doctorjazz:
Webhamster Henry:
Dean:
"The psychotherapeutic journey has commonalities with improvising music, which, as a jazz pianist and composer, has been another major passion. Empathy and communication are paramount in both, and I believe my most creative level of psychotherapy and musical expression occurs when I am able to trust that I will be able to bring to bear everything I have studied and learned while simultaneously allowing myself to be so immersed in the activity that I become 'one' with it—to merge with the music, the musicians, or the patient and his psychological life."
doctorjazz:
adamdoesit:
Listener Gregory:
doctorjazz:
Doug Schulkind:
Stanley:
*comes in, shuffling feet and nodding head*
doctorjazz:
Doug Schulkind:
Dean:
doctorjazz:
Listener Gregory:
adamdoesit:
Listener Gregory:
Doug Schulkind:
adamdoesit:
Dean:
Doug Schulkind:
still b/p:
doctorjazz:
Dean:
PAULS:
still b/p:
Doug Schulkind:
Doug Schulkind:
northguineahills:
adamdoesit:
PAULS:
still b/p:
adamdoesit:
Chris Hiatt:
Doug Schulkind:
Doug Schulkind:
βrian:
Doug Schulkind:
Doug Schulkind:
still b/p:
northguineahills:
PAULS:
doctorjazz:
Doug Schulkind:
Dean:
PAULS:
Kat in the chat:
spodiodi:
Doug Schulkind:
Doug Schulkind:
Dean:
still b/p:
Doug Schulkind:
Andrew in Toronto:
Oleh from Pittsburgh:
doctorjazz:
PAULS:
Doug Schulkind:
Doug Schulkind:
adamdoesit:
Doug Schulkind:
Listener Gregory:
Dean:
The short line (often of 2 syllables only) at the end of the stanza in some old forms of versification; sometimes it introduces rhyming lines in a distinct measure, called the wheel n.
1838
The bob is a very short and abrupt wheel or burthen.
E. Guest, History of English Rhythms (1882) 573
1838
Of all the wheels known to our language, the most important are those fashioned on the bob, that is on the short and abrupt wheel, which came into fashion during the 12th and 13th centuries.
E. Guest, History of English Rhythms (1882) 620
1838
The simplest kind of bob-wheel consists of the bob, and a long verse following, and riming with it.
E. Guest, History of English Rhythms (1882) 621
1842
J. Robson, Three English Metrical Romances Introduction 19.
Kat in the chat:
Doug Schulkind:
Doug Schulkind:
Listener Gregory:
adamdoesit:
"I can't, I have brain freeze!"
Dean:
Andrew in Toronto:
Thanks, Doug!
Doug Schulkind:
rw:
doctorjazz:
Listener Gregory:
Doug Schulkind:
Listener Gregory:
Great show, many thanks!
Phillippe:
doctorjazz:
Doug Schulkind:
doctorjazz:
Dean:
https://en.wikipedia.org/wiki/Bob_and_wheel
Doug Schulkind:
Mike Lupica:
Doug Schulkind:
Uncle Michael:
wfmu.org...
Doug Schulkind:
βrian:
Mike Lupica:
spodiodi:
TDK60:
adamdoesit:
Chris Hiatt:
dutchtheo:
Doug Schulkind:
Kat in the chat:
StringOFperils:
Oleh from Pittsburgh:
bobdc:
KWilde:
listener james from westwood:
Artie:
Doug Schulkind:
Doug Schulkind:
Artie:
coelacanth∅: