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Observations of Deviance is a vinyl focused, free form program that harkens back to early days of underground FM radio. Your host, David Mittleman, hunts down the most exotic, unusual and off-the-beaten-track music from around the world in a number of genres: Spiritual Jazz, Free Improvisation, Experimental Electronics, Ethnographic Oddities and World-Wide Psychedelic Funk. You are guaranteed to hear sounds you’ve never heard before.
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Artist | Track | Album | Label | Year | Comments | Approx. start time | ||||
---|---|---|---|---|---|---|---|---|---|---|
Emperors New Clothes | Strange Charm | Surreal Estate | None | 1995 | https://soundcloud.com/trevor-jackson/sets/enc-surreal-estate-remastered | 0:02:40 (Pop-up) | ||||
Red Twist & Tuned Arrow : Christy Doran / Fredy Studer / Stephan Wittwer | Backtalk | Red Twist & Tuned Arrow | ECM | 1987 | 0:11:05 (Pop-up) | |||||
Cuarteto Yemayá | Descarga Yemayá | El Tic Tac | VampiSoul | 2023 | https://vampisoul.bandcamp.com/album/el-tic-tac | 0:14:33 (Pop-up) | ||||
The Thing | Red River | Boot! | The Thing | 2013 | 0:17:02 (Pop-up) | |||||
Deben Bhattacharya | Chholia - Dance | Music From The Himalayas | Argo | 1967 | 0:25:04 (Pop-up) | |||||
Manfred Schoof Quintet | Light Lines | Light Lines | Japo | 1978 | 0:32:36 (Pop-up) | |||||
Ingebrigt Håker Flaten Chicago Sextet | Irrational Ceremony | Live At Jazzfest Saalfelden | Tektite Records Co.Operative | 2012 | 0:38:40 (Pop-up) | |||||
John Blum, David Murray, Chad Taylor | Fire In The Branches | The Recursive Tree | Relative Pitch | 2023 | https://relativepitchrecords.bandcamp.com/album/the-recursive-tree | 0:51:42 (Pop-up) | ||||
Rochester / Veasley Band | The Struggle (Free South Africa) | One Minute Of Love | Gramavision | 1985 | feat. James Blood Ulmer | 1:02:08 (Pop-up) | ||||
Rich Halley | Fire Within | Fire Within | Pine Eagle | 2023 | https://richhalley.bandcamp.com/album/fire-within | 1:08:45 (Pop-up) | ||||
Clifford Jordan | John Coltrane (Live) | Spiritual Jazz 15: A Tribute to 'Trane | Jazzman | 2023 | https://spiritualjazz.bandcamp.com/album/spiritual-jazz-15-a-tribute-to-trane-2 | 1:21:31 (Pop-up) | ||||
OM | Karpfenteich | Kirikuki | Japo | 1976 | feat. Christy Doran & Fredy Studer | 1:32:11 (Pop-up) | ||||
Cecil McBee | Flying Out | Flying Out | India Navigation | 1982 | 1:38:05 (Pop-up) | |||||
Quintet Moderne | The Strange And The Commonplace | The Strange And The Commonplace 12" | Po Torch | 1991 | 1:45:11 (Pop-up) | |||||
Animal Collective | Isn't It Now? (Moor Mother Collage) | Isn't It Now? (Moor Mother Collage) | Domino | 2023 | https://youtu.be/qgDX10FoucI?si=XUaQrtIjOgPdMWTg | 1:48:34 (Pop-up) | ||||
Mary Halvorson | The Gate | Cloudward | Nonesuch | 2024 | https://www.nonesuch.com/albums/cloudward | 1:52:41 (Pop-up) | ||||
Jahari Massamba Unit | Stomping Gamay | YHWH Is Love | Law Of Rhythm | 2024 | https://jaharimassambaunit.bandcamp.com/album/yhwh-is-love | 1:57:09 (Pop-up) | ||||
Charles Earland | Freedom Jazz Dance | Live at the Lighthouse | Prestige | 1972 | 2:04:29 (Pop-up) | |||||
Muriel Grossmann | Absolute Truth | Devotion | Third Man | 2023 | https://murielgrossmann.bandcamp.com/album/devotion-2 | 2:10:44 (Pop-up) | ||||
Owen Marshall | Evolove (previously unreleased full length version) | Spiritual Jazz 14: PRIVATE | Jazzman | 2023 | https://spiritualjazz.bandcamp.com/album/spiritual-jazz-14-private | 2:34:03 (Pop-up) | ||||
The Human Arts Ensemble | Concere Natashiah | The Human Arts Ensemble Live Vol. I | Circle | 1978 | 2:39:39 (Pop-up) | |||||
Frode Gjerstad, Isach Skeidsvoll, Ole Mofjell | Is the fish a he or a she? | Broken Compass | Circulasione Totale | 2023 | https://frodegjerstad.bandcamp.com/album/broken-compass | 2:48:29 (Pop-up) | ||||
Eddie Palmieri & Friends | Vamonos Pal' Monte | In Concert Live At The University Of Puerto Rico | Coco | 1973 | ||||||
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Listener comments!
Observations:
Observations:
Observations:
Observations:
Bass Clarinet – Michel Pilz
Drums – Ralf Hübner
Trumpet, Flugelhorn [Fluegelhorn] – Manfred Schoof
Piano, Electric Piano, Organ – Jasper van't Hof
Observations:
Jeff Parker – guitar/pedals
Dave Rempis – reeds
Ola Kvernberg – violin
Jason Adasiewicz – vibraphone
Frank Rosaly – drums
Observations:
WR:
Observations:
WR:
WR:
Dean:
WR:
WR:
WR:
Dean:
Listener Gregory:
Hmmm, I seem to have misplaced my fingers by one letter on the keyboard. Perhaps this explains why I am arriving late.
Observations:
Matthew Shipp - piano
Michael Bisio - bass
Newman Taylor Baker - drums
Observations:
WR:
WR:
Dean:
Long story short, here is a recently updated website from a friend of mine who made the film The Reach of Resonance. The site includes a number of interviews and outtakes...
https://www.steveelkins.net/Interviews/Makin
g-Reach
Observations:
Listener Gregory:
Listener Gregory:
Listener Gregory:
Observations:
Cello – David Eyges
Violin – John Blake
Observations:
Listener Gregory:
Observations:
Drums, Cymbal [Cymbals], Producer – Paul Lovens
Soprano Saxophone – Harri Sjöström
Trombone – Paul Rutherford
Violin – Phil Wachsmann
Observations:
Listener Gregory:
Dean:
"I have no problem with 'Yahweh' as a matter of historical scholarship. As a matter of comparative religion and general discussion, however, it's offensive, though almost always unintentionally."
Whence the offense?
Observations:
Also, one could study the "N" word, or any offensive term, in a scholarly/historical/theological way that avoids offense. I assume that was the writer's point.
Listener Gregory:
Dean:
And yet I have the sense that Hollywood has full license to say whatever it wants to say, purportedly in the name of a kind of cinematic or musical verisimilitude, as if that equates with honesty.
I'm puzzled.
Dean:
Observations:
Observations:
Observations:
Observations:
Dean:
You ask me to point to mistakes, but I'm not charging mistakes. I'm afraid it's your burden to clarify why it's offensive.
I'm not infrequently mistaken for a Jew. People ask me, as you have just done, whether I'm Jewish. I am not. My studies? Gershom Scholem, Walter Benjamin, Franz Rosenberg, Moshe Idel...
I do not "correct" anybody. I ask questions.
Dean:
Observations:
Observations:
Dean:
I'll leave. Thanks.
Observations:
Observations:
Observations:
1. It's linguistically incorrect & incoherent.
2. It's factually incorrect & incoherent.
3. It's historically incorrect & incoherent.
4. It's theologically incorrect & incoherent.
5. It's crass cultural appropriation.
Observations:
Observations:
WR:
Passaic River Blues: