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Description: Exuberance/Ebullience, banter, possibly an interview, context and connection, the familiar, the strange.
Find: Symphonies of Treble, Words Of Expectation, stab, skronk, shimmer, sheen, The New Sound of Now, Ideas for Walls, pleasure, pith, Flutter and Wow, Motorik, cowbells, disco akimbo, at least one Cantankerous Singer, The German Language, shards of glass, Ethiopian Punk, organic, synthetic, sawtooths & squarewaves, Library Riffage, yesterday's recipes, the wrong speed, intentional static, floating, ethereal, time and timelessness.
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October 19, 2023: Hellraiser Special: FallCon 2023: Singles Going Belatedly: Fall on '45!
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Artist | Track | Album | Label | Year | Comments | Approx. start time |
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The Fall | Cash 'N' Carry (Live / Excerpt) | A Part Of America Therein, 1981 | Cottage Records | 1982 | So begins our Hellraiser special - Fall on 45 - extravaganza show! This, however, is not from a single... It does parody 'Stars on 45', though, something they did quite often during shows around this time... From the re-issue notes... "'C'N'C' is the skewiff highlight, with its organ frenzy sounding not unlike Ray Manzaraek being overtaken by the first year infants. The lyrics and Smith's delivery make a case for just how unique the group are; Smith almost like a poet or a stand-up spieliing away over the most skeletal of beats. Of course, there is always the pleasure of hearing this particular song, which was, in part, influenced by the group's previous rip to America, and with its barbed words, "then there was America; we went there; big A&M Herb was there; His offices had fresh air, but his rota was mediocre US purge, rock n pop filth," before again rounding on English groups who "act like peasants with free milk, on a route to the loot." There is a fantastic 'Stars On 45' addition to the song, parodying the recent trend that had swept the UK and American charts, with Burns - who was frequently mistaken for The Clash's Mick Jones while in New York, fact fans - frantically breaking into a disco beat..." | 0:00:00 (Pop-up) |
The Fall | Lie Dream of a Casino Soul | Lie Dream Of A Casino Soul 7" | Kamera Records | 1981 | Smith spoke to the NME in 1983 about the song: That song actually did create quite a bit of resentment in the North because people thought it was being snobby and horrible about the old soul boys, which it was never about anyway. Because I was brought up with people that were into Northern Soul five years before anybody down here [in London] had even heard about it. But they've all grown out of it, which is what the song is about, but it wasn't putting them down at all. If anything, it was glorifying them, but not in the format of, where are those soul boys that used to be here? There are actually a lot of old soul boys who like The Fall, because that music was always offbeat and it gives them a feeling for the sort of wackiness that you find in our music. It's really funny because Dexys bust a gut trying to attract that audience and never even got close. All the kids I know just thought it was pathetic 'cause they were wearing the clothes they'd been wearing six years ago and ripping off all these horn riffs that they knew off by heart from the originals. | 0:01:50 (Pop-up) |
Music behind DJ: The Fall |
Living Too Late |
Living Too Late 7" |
Beggar's Banquet |
1986 |
We pick up the under-the-voice music with the song we faded out last week... Samantha Fox actually reviewed the song in Smash Hits: "I didn't like this at all -- it's really crappy. He sounds like he's been having yodelling lessons. It seems to be the fashion of the moment to like The Smiths and these sorts of groups, and to me the lyrics are really depressing. I heard one the other day while I was in Kensington Market trying on some jeans and it gave me a headache. The Smiths, it was. Singing 'Oh my God, I can't get a job, what am I going to do?' As for this song, I listened to the first half and I had to turn it off. My mother was in the other room and she shouted, 'Nah, I don't like that one -- get it off!'" //// MES comments (in his Renegade book): "That's as good as it got inside Smash Hits: Page 3 birds airing their views. I think it's great, actually -- better than being harangued by Tony Parsons and Julie Burchill."" |
0:05:05 (Pop-up) |
The Fall | Putta Block | Totally Wired 7" | Rough Trade | 1980 | Recorded at Cargo Studios, Rochdale in July 1980. A Song sandwiched between two snippets of other songs..though the opening 40 seconds of "THE NWRA" is hardly a snippet. Putta Block is perhaps Mark E having a laugh...putting a block on his words and lyrics to confound and confuse the listener? It is a psychic block? Crackpot-pseudo history? Only he knows... | 0:09:01 (Pop-up) |
The Fall | British People In Hot Weather | Telephone Thing 7" | Cog Sinister | 1990 | The Fall as ever skewered the humble UK holiday goer in the cheerfully acerbic British People In Hot Weather proving that there is indeed a Fall song for every occasion. This isn’t the Riviera, and as long as there is sun, there is trouble. The obvious reference for this song is Noel Coward's "Mad Dogs and Englishmen," a song mocking the British habit of eschewing a siesta in all the hotter colonies, where the natives are bemused by this behavior. The Fall would later entitle a track "Mad.Men-Eng.Dog." | 0:13:20 (Pop-up) |
The Fall | Shoulder Pads #1B | Hey! Luciani 7" | Beggar's Banquet | 1986 | MES: "Shoulder Pads is just about a lot of different people and why I think they're twats - there's two parts to the song, one on each side of the LP, but really I could have written about nine different songs on that subject. I suppose it is an odd title; it' s an American football term and I can't stand American football. It's so boring and complicated -like a sort of moronic chess." BRIX: Mark borrowed a shirt of mine that I had borrowed from my mother and it had shoulder pads in it. This struck me as hilarious - MES in shoulder pads. I just remember (sings riff) being so irritating. | 0:16:32 (Pop-up) |
The Fall | 2nd Dark Age | Fiery Jack 7" | Step Forward Records | 1980 | Recorded in Wales during September 1979 & released January 1980; the song "veers from the general to the particular, but seems – where dates can be identified - to relate specifically to the politics of 1979. The year, lest we forget, that Thatcher became Prime Minister for the first time (the election was on 3rd May). Some of its themes seem to, maybe, vaguely (very vaguely) echo The Clash’s song “London Calling”, released in December 1979...The song has what seem to be clear references to contemporary political issues scattered throughout. There's a reference to ABBA in this song and MES was quoted in interview years later in 1999 and had this to say..."The references to ABBA here may be explicable in terms of the following quote by MES, which comes from a 14 page feature on ABBA in the May 1999 issue of Mojo magazine, as part of which various musicians were invited to talk about their favourite ABBA track. MES: "GIMME! GIMME! GIMME! (A MAN AFTER MIDNIGHT) My favourite, the real evil, pagan crypto-Nazi one. Genuinely frightening, wasn't it? They got really depraved after Fernando. I can't stand Swedes, me. They're pagans, aren't they? Liberal Nazis. I find it very weird this revival; but it fits in with the new regime we've got here: all cleanliness, no smoking, no drinking, all that crap. And open sex. All their stuff was based on The Beach Boys, the way they used to write, like, eight parts for each song. When we started out playing workmen's clubs, every fucking group was playing ABBA. The second Dark Age, we used to call it." | 0:21:37 (Pop-up) |
The Fall | Why Are People Grudgeful? | Why Are People Grudgeful? Single | Matador | 1993 | "Why Are People Grudgeful?" is a 1993 single by British post-punk band the Fall. It reached number 43 on the UK singles chart. The song is based on two Jamaican recordings from 1968, "People Funny Boy" by Lee Perry, and its answer record, "People Grudgeful" by Joe Gibbs, which are regarded as being among the first reggae records. In the mid-1960s Lee Perry worked with Joe Gibbs at Wirl Records in Kingston, but after a disagreement left to form his own label, Upsetter. His first release, "People Funny Boy", credited to Lee (King) Perry, was seen as a direct attack on Gibbs, and became highly popular, heralding the new reggae sound with its "loping, lazy, bass-driven beat". Gibbs retaliated with "People Grudgeful", credited to Sir Gibbs. Mark E. Smith combined parts of both Perry's and Gibbs' lyrics in the Fall's version. The band at the time of the recording comprised Smith (vocals), Craig Scanlon (guitar), Steve Hanley (bass), Dave Bush (keyboards), Simon Wolstencroft (drums, keyboards). The record was produced by ex-Fall member Simon Rogers. | 0:23:40 (Pop-up) |
Music behind DJ: The Fall |
Hit The North (Part 1) |
Hit The North 7" |
Beggar's Banquet |
1987 |
0:28:10 (Pop-up) |
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The Fall | Psycho Mafia | Rehearsal Early '77 (Vol 1.) 7" | Total Eclipse Records | 1977 / 8? | From a bootleg released sometime in the 80's (and later included in bonus tracks on a more recent expanded re-issue of The Fall's first album.) The three tracks on this album have a lot of attack & are the best quality I've heard of the earliest era of the band. The b-side has two songs (this being one) & is labelled "More Songs From The Front Parlour (Parts 1 & 2)" on the 7" itself. -- I wish there were more vol.'s of this series, as the "unofficial" releases stopped at Vol. 1. | 0:38:09 (Pop-up) |
The Fall | Victrola Time | NIght of The Humerons (7") | Cherry Red Records | 2012 | One of my favourite songs from the final line-up of The Fall. - First released on 21 April 2012, limited edition 7" single of 1,000 copies, issued exclusively for Record Store Day 2012. - His lyrics & singing off the top is hilarious. A sort of "I challenge you to interpret this" kind of taunt for the fans, perhaps... The song is a sinister slab of Motorik-y Electronicische, it goes for the throat from the jump & never lets up. It thrilled me the first time I ever heard it, and continues to do so to this day. | 0:40:29 (Pop-up) |
The Fall | Chilinist | The Chiselers | Jet Records | 1996 | An absolute epic! First released on 12 February 1996. I remember Mark E. Smith stating in the press around that the time that they had been working on it longer than any other they'd recorded previously. Also (according to TheFall.Org) this is the swansong of Craig Scanlon, who would leave the band before the 1996 album. The number of classic/longstanding members in the band at the time was staggering in their combined age of Fall service: "Mark E Smith - vocals, tapes // Craig Scanlon - guitar // Brix Smith - guitar // Steve Hanley - bass // Julia Nagle - keyboards // Simon Wolstencroft - drums, keyboards // Karl Burns - drums //// Produced by: Mike Bennett" | 0:44:17 (Pop-up) |
The Fall | Look, Know | Look, Know (7") | Kamera | 1982 | First released 19 April 1982, this track (side A) was recorded at Hijorite, Reykjavik, Iceland in September 1981. (Both sides of the 7" apparently left over from the Hex Enduction Hour sessions.) The two songs on the single featured: Mark E Smith - vocals, tapes, guitar / Marc Riley - guitar, keyboards, vocals / Craig Scanlon - guitar, keyboards, vocals / Steve Hanley - bass / Paul Hanley - drums, guitar / Karl Burns - drums, vocals, tapes / With: Kay Carroll - vocals, percussion // Produced by: Richard Mazda and Mark E Smith // Written: Smith/Riley/Hanley, S/Burns /////// I'm not sure why this song seemingly fell out of favour w/ Mark E. Smith, as some expanded re-issues chronicling this era of the band excluded this song at Smith's behest. Look, Know (Info/Artwork) | 0:50:32 (Pop-up) |
The Fall | Susan vs Youthclub | The Fall vs 2003 (7") | Action Records | 2002 | First released on 2 December 2002 on Action Records. Recorded at Gracielands Studio, Rochdale late 2002. Mark E Smith - vocals / Ben Pritchard - guitar, vocals / Jim Watts - bass, guitar, programming / Dave Milner - drums, vocals, keyboards / Elena Poulou - keyboards, vocals // Produced by: Grant Showbiz. Re: the lyrics... "Reading book I had no teeth / To talk about on that day / Badly Boy Drawn had confiscated them / And put them in / A mouldy old accoustic case / Safe and warm for a Saturday" ...Personally, I hear this as 'Badly Bug Drawn", and these lyrics in particular reference this incident: "Badly Drawn Boy is English singer-songwriter Damon Gough, with whom the Fall collaborated on [1998 'Masquerade' B-side] Calendar. Apparently the collaboration began with MES, one drunken evening, mistaking Badly Drawn Boy for a cabbie, and then, when the latter gave him a ride home, leaving his teeth in the car." | 0:55:24 (Pop-up) |
Music behind DJ: The Fall |
Monocard (Single Mix) |
Laptop Dog (7") |
Cherry Red Records |
2011 |
First released on 7 November 2011, limited edition 7" single that plays at 33rpm. Cosmos 7 and Monocard are different to the album versions. Mark E Smith - vocals / Peter Greenway - guitar / David Spurr - bass / Keiron Melling - drums / Eleni Poulou - keyboards //// Produced by: Mark E Smith, Simon "Ding" Archer - - - - - - Recorded at Metropolis Studios, London and Toerag Studio, London in mid 2011 |
0:59:04 (Pop-up) |
The Fall | Container Drivers | Kicker Conspiracy 7" | Rough Trade | 1983 | A gatefold 7" with a couple of 1980 Peel sessions on the second disc... Specifically from the session that was recorded: 1981-03-24. &First Broadcast: 31 March 1981. ----- One of my all time favourites, this embodies MES' working class sensibilities, the "Mancabilly" sound, and also another fantastic speed fueled romper. The song positions itself in a rather extensive tradition of trucker songs, while at the same time lampooning the genre (cf. the huge snare build-up to the 3 second guitar solo), which comprises mostly country and rockabilly paeans to, or laments about, the trucking life. Like Fiery Jack, the titular drivers are probably best imagined as middle aged men devoted to hard living and prolific alcohol consumption. Also, although in interviews and writings MES always describes Jack as an alcoholic, the lyrics suggest he is a speed freak, and (particularly in the early 80s, an era before drug testing) truck drivers have long been notorious for their speed use. | 1:11:32 (Pop-up) |
The Fall | Higgle-Dy-Piggle-Dy | Higgle-Dy Piggle-Dy / Monk Time 7" | Play Loud | 2006 | Featured on the v/a double disc tribute to The Monks: "Silver Monk Time"; this was also released on a split 7" as the flipside to 'Monk Time' by Alec Empire Feat. Gary Burger (An original member of The Monks). -- The Monks, referred to by the name monks on record sleeves, were an American rock band formed in Gelnhausen, West Germany in 1964. Since the band's 1960s heyday, the influence of the Monks has grown steadily, beginning with krautrock then followed by successive generations of musicians in disparate genres such as punk rock, experimental, alternative and hip-hop, with acts such as the Dead Kennedys, the Beastie Boys, the White Stripes, the Fall and The Early Years exhibiting signs of their influence. The Fall covered "I Hate You" (re-titled "Black Monk Theme Part I" and "Oh, How To Do Now" (re-titled "Black Monk Theme Part II" on their 1990 album Extricate and "Shut Up" on their 1994 album Middle Class Revolt. | 1:14:49 (Pop-up) |
The Fall | Theme From Sparta F.C.#2 | Theme From Sparta F.C. #2 7" | Action Records | 2004 | This version of the song was recorded by the band in early 2004, after Simon Archer replaced Watts. This version, produced by Smith and Archer and known as "Theme from Sparta F.C. #2", was issued as a single in July 2004, and reached number 66 on the UK singles chart. From 2005 until 2009, the song was used as theme music to the Final Score section of BBC television's Saturday afternoon sports coverage, and as a result Smith was invited on one occasion to read the football scores. Written from the perspective of a Greek football fan, with references to rivalries with Galatasaray and Chelsea F.C. Smith said that "Elena came up with some great words and I added some words I thought were like the Greek football fans' attitude, you know. I do know quite a few Greek football fans, and their attitude to soccer is completely different to Britain. Sort of cobbled it all together, put a Greek motif on the guitar and that was it." | 1:18:12 (Pop-up) |
The Fall | Cab it Up! | Cab It Up!/Dead Beat Descendant 7" | Beggar's Banquet | 1989 | Moving along now to the taxi ranks of Manchester and the unmistakable sound of Mark E Smith’s barking voice, one of many Fall songs in which taxis appear, in a frenetic schedule between gig, studio and pub. Hailing a cab is probably best known in the song Touch Sensitive (previously highlighted on SOTD), but his particular number, from the latter stages of Brix Smith era, and the album I Am Kurious Oranj, 1988, one of their best, has a particularly energetic, fresh sound, particularly with that keyboard riff by Marcia Schofield, and Stephen Hanley on bass. The guitar opening riff and rhythm is reminiscent of the song Dead Beat Descendant, which did not make the album but appeared on a later compilation. The song expresses a frenetic period for the band, when they were frequently touring, but also performing the album to accompany performances of Michael Clark & Company ballet – I Am Curious, Orange – for this the album was planned as a soundtrack. This statement from MES in the New Musical Express: "Like there's a song 'Cab It Up' in there which was originally intended to be about William Of Orange living it up after he'd got to London. But it's turned into a song about Michael Clark and his mates, full of gross insults. They haven't realised that yet. Ha ha!" | 1:22:01 (Pop-up) |
The Fall | Ed's Babe | Ed's Babe 12" | Am I cheating? A bit. Is this a 12" single? Yes. But it plays at 45rpm and I'm sneaking it in because it's a great tune. "Folly is the cloak of knavery" is a quote from William Blake's poem The Marriage of Heaven and Hell. When people have children in Fall songs, the results are never exactly positive (see "Married, Two Kids" and "My Ex-Classmates' Kids"). | 1:26:55 (Pop-up) | ||
Music behind DJ: The Fall |
Sleep Debt Snatches |
There's A Ghost In My House 7" |
Beggar's Banquet |
1987 |
From a gatefold 7". |
1:30:10 (Pop-up) |
The Fall | Guest Informant (Live in Vienna) [Miscue /Wrong Speed / Restart] | Sniffin' Rock Presents - Given Away With Sniffin' Rock #9 | Sniffin' Rock | 1989 | (From a v/a 7" included with issue 9 of the Sniffin' Rock 'zine, 1989.) A storming live version that I may actually prefer to the recorded studio track. Speaking of live performances, I was very recenly surprised to find that though the original recording was released in1988 on a b-side, it had been performed as early as 1986, with a very different (otherwise unreleased) intro. You can find the version I mean (and the whole concert, in fact, downloadable at "name your price") on the fabulous Sheffield Tape Archive Bandcamp Page (Sheffield Poly 26-11-1986) | 1:38:30 (Pop-up) |
The Fall | Cosmos 7 (Single Mix) | Laptop Dog (7") | Cherry Red Records | 2011 | One of many examples where the 7" single version varies significantly from the album. Lyrically, there is very little overlap between the two. (This single version features many more lyrics, in fact.) Length-wise, it is 30 seconds longer with an extended intro. Mix-wise, there are different elements, parts & approaches throughout. Listening casually/distractedly, you might think they're almost the same. Listening closely, the differences are considerable. -- "First released on 7 November 2011, limited edition 7" single that plays at 33rpm. Cosmos 7 and Monocard are different to the album versions. //// Mark E Smith - vocals / Peter Greenway - guitar / David Spurr - bass / Keiron Melling - drums / Eleni Poulou - keyboards //// Produced by: Mark E Smith, Simon "Ding" Archer - - - - - - Recorded at Metropolis Studios, London and Toerag Studio, London in mid 2011 -- Lastly, please visit the excellent Annotated Fall to find a very detailed account of both versions of this song & more: Annotated Fall ("Cosmos 7" page) | 1:44:18 (Pop-up) |
The Fall | Hey! Luciani (Original Version) | Sounds Showcase 1 (v/a 7") | Beggar's Banquet | 1987 | Another rare Fall track included as a free bonus various artists 7" with one of the UK music papers of the time. From the back cover of the single: "Not the recent single version, but the original John Leckie recording of the track, which presaged the staging of Mark E. Smith's play of the same title. Last year celebrating ten years of The Fall, this sparkling yet sinister track shows their continuing ability to surprise and stimulate with every new release." | 1:47:37 (Pop-up) |
Music behind DJ: The Fall |
Janet vs Johnny |
The Fall vs 2003 (7") |
Action Records |
2002 |
Would later be released in a much different version on LP as "Janet, Johnny + James" -- First released on 2 December 2002 on Action Records. Recorded at Gracielands Studio, Rochdale late 2002. Mark E Smith - vocals / Ben Pritchard - guitar, vocals / Jim Watts - bass, guitar, programming / Dave Milner - drums, vocals, keyboards / Elena Poulou - keyboards, vocals // Produced by: Grant Showbiz. From Annotated Fall... "The riff, written by Ben Pritchard, is influenced by Mason Williams' hit "Classical Gas." Jim Watts ("sdOK") from the Fall online forum (this is not all entirely relevant, but I put his whole post here as it's worth reading): "That is correct from what I remember. Ben was learning Classical Gas around that time and Mark had him play it a bit and it influenced JJ+J. I think Ben was just learning finger picking technique and Classical Gas is an excellent song for that. The original song was by Mason Williams I think but I prefer the Clapton version. The original is a bit cheese. I am pretty good with the old finger picking nowadays. Keep thinking of doing a solo acoustic set. But most times you start playing instrumental music, no matter how amazing it is people tend to just start talking and waiting for some singing. And I refuse to do all that banging and tapping stuff that seems to be in vogue in acoustic circles at the moment. It is just slap bass on acoustic guitar. And just as irritating to me. Also Steve the bass player was a very proficient finger picker. He made me jealous by playing Cavatina one time. I am petty like that." //// From Pritchard on Twitter, 14 September 2019: the J,J & J riff was kind of inspired by classical gas, I was trying to learn it at the time. I pinched one of the chord transitions and changed the tempo and just repeated it." |
1:51:22 (Pop-up) |
The Fall | Zandra (Excerpt / Fade) | Popcorn Double Feature (7") | Cog Sinister/Fontana | 1990 | First released 12 March 1990, on a limited edition 7". // Mark E Smith - vocals / Craig Scanlon - guitar / Martin Bramah - guitar / Steve Hanley - bass / Marcia Schofield - keyboards / Simon Wolstencroft - drums. // Produced by Mark E. Smith. Written by Smith/Beddington (M. Beddington was a pseudonym used during this era for Martin Bramah re: his co-composition credits.) At the time, this was a somewhat rare b-side [since surfacing via re-issues] & a catchy one at that. I have always very much enjoyed this song, despite its relegation to the corners of the catalogue. Bonus pedantic trivia: 1990 was the year M.E.S. chose to address the fact no Fall songs had started with the letter "Z"... 'Zandra' and 'Zagreb', two different b-sides in 1990, would be the only songs in the 250+ song catalogue to start with the letter "Z". | 1:56:29 (Pop-up) |
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Derek Westerholm:
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Robm:
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Robm:
ultradamno:
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Robm:
Tom P:
Scott_Oz:
🌏🌞🍻😎🤙💨🍺🍺🌻🌊⛱️🌴
Robm:
hi scott
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ultradamno:
Scott_Oz:
laurapanic:
Robm:
Scott_Oz:
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laurapanic:
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Robm:
laurapanic:
ultradamno:
laurapanic:
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🍻😎🤙💨☕🌻
WR:
laurapanic:
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🍻😎🤙💨🍺
DJ Babs:
@WR Lol....naww we like clarinet just not THAT clarinet in that particular moment!
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Robm:
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Derek Westerholm:
Robm:
laurapanic:
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laurapanic:
Robm:
ultradamno:
ultradamno:
laurapanic:
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laurapanic:
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laurapanic:
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ultradamno:
Derek Westerholm:
ultradamno:
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ultradamno:
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shellioh:
shellioh:
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shellioh:
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northguineahills:
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northguineahills:
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coelacanth∅:
DJ Babs:
Tonight is our single going steady show
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ultradamno:
laurapanic:
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Bob Barth:
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laurapanic:
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Derek Westerholm:
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Scott_Oz:
I can't listen to some musicians who've died without getting sad. But whenever I hear The Fall, I'm just fucken glad Mark E Smith has lived!
🌏🌞🍻😎🤙💨🍺🍺🌻❣️❣️
northguineahills:
/sorry, all convos w/ me always devolve to footy....
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Up
With FALLOWEEN!!!!
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🍻😎🤙💨🍺🍺🍷🍷
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