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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | ||||
Nirvana | C Side of Ocho Rios | 0:01:48 (Pop-up) | ||||
The Electric Light Orchestra | Mr. Radio | 1971 | 0:02:18 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Orchestra - A Haiku Early summertime A modern, orchestra light near the electric |
0:07:13 (Pop-up) |
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Sun Dial | Plains of Nazca | 1990 | 0:07:38 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
0:15:00 (Pop-up) |
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Koobas | Barricades | 1969 | 0:15:19 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
How happy are pitous vois! Do vois make you shiver? do they? I must mention with the statute feh again, Does the feh make you shiver? does it? The overthrow is not small! the overthrow is exceptionally monolithic. |
0:20:54 (Pop-up) |
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Val Stöecklein | Possibility I Was Wrong | 1968 | 0:21:28 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
The Wrong And Passing Possibility Whose possibility is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her possibility a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:24:20 (Pop-up) |
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Archibald | Passing Thoughts | 1969 | 0:25:05 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Archibald - A Haiku Early summertime A passing archibald do enjoying the thoughts |
0:29:59 (Pop-up) |
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Isaac Hayes | Do Your Thing (Vocal) | 1971 | 0:30:19 (Pop-up) | |||
T.Rex | Diamond Meadows | 1970 | 0:49:49 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
The Vocal And Growing Vocal Whose vocal is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his vocal a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:51:44 (Pop-up) |
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The Vaqueros | Growing Pains | 1966 | 0:52:34 (Pop-up) | |||
Big Jim Sullivan | Translove Airways (Fat Angel) | Sitar Beat | 1968 | 0:55:04 (Pop-up) | ||
Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 0:57:06 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party |
Whose vocal is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his vocal a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:59:22 (Pop-up) |
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Calcium | Je T'ai Crue | 1969 | 1:00:25 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
1:03:37 (Pop-up) |
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The Rats | The Rise And Fall Of Bernie Gripplestone | 1968 | 1:03:57 (Pop-up) | |||
The Petards | Sun Came Out At Seven | 1968 | 1:07:59 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Don't belive that the stephanie is large? the stephanie is little beyond belief. Never forget the large and runty stephanie. How happy is the clad kathryn! Never forget the caparisoned and lobster-backed kathryn. A catherine, however hard it tries, Will always be yellow. Now white-livered is just the thing, |
1:10:57 (Pop-up) |
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The Herd | Sweet William | 1967 | 1:11:43 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Don't belive that the stephanie is large? the stephanie is little beyond belief. Never forget the large and runty stephanie. How happy is the clad kathryn! Never forget the caparisoned and lobster-backed kathryn. A catherine, however hard it tries, Will always be yellow. Now white-livered is just the thing, |
1:13:49 (Pop-up) |
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Faine Jade | People Games Play | 1968 | 1:14:29 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Orchestra - A Haiku Wicked summertime A large, orchestra people by the electric |
1:18:37 (Pop-up) |
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The Electric Light Orchestra | Queen Of The Hours | 1971 | 1:19:01 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Orchestra, Part 2 - A Haiku Indian summer A major, orchestra light near the electric |
1:22:20 (Pop-up) |
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Sun Dial | She's Looking All Around | 1990 | 1:22:45 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
How happy is the dynamic perspective! Are you upset by how dynamical it is? Does it tear you apart to see the perspective so resurgent? The watch that's really overall, Above all others is the viewing. Now gross is just the thing, To get me wondering if the viewing is total. I cannot help but stop and look at the zany turning. |
1:32:55 (Pop-up) |
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The Misunderstood | Children Of The Sun | Children Of The Sun / I Unseen | 1969 | 1:33:39 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
How happy is the famous pei! A pei is notable. a pei is famed, a pei is renowned, however. An intrinsic, however hard it tries, Will always be non. Intrinsic, intrinsic, every where, Yet not a drop to depend. One afternoon I said to myself, |
1:36:27 (Pop-up) |
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The Griffin | I'm Movin' On | 1968 | 1:37:14 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Leviathan - A Haiku Indian summer An old, war leviathan despite the machine |
1:40:05 (Pop-up) |
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Leviathan | The War Machine | 1969 | 1:40:38 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
I cannot help but stop and look at tiny drawers. Do drawers make you shiver? do they? I cannot help but stop and look at gay togs. Never forget the homo and jolly togs. When I think of the frock, I see a gay appearance. Never forget the mingy and weeny frock. Refresh until you're happy with your poem. |
1:45:56 (Pop-up) |
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Koobas | Gold Leaf Tree | 1969 | 1:48:06 (Pop-up) | |||
Syd Barrett | Dolly Rocker | 1989 | 1:51:43 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Pay attention to the disappearance, the disappearance is the most probable conclusion of all. Are you upset by how unlikely it is? Does it tear you apart to see the disappearance so equiprobable? A gone, however hard it tries, Will always be far. Does the gone make you shiver? does it? |
1:54:40 (Pop-up) |
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Val Stöecklein | Seven Days Away From You | 1968 | 1:55:26 (Pop-up) | |||
Yesterday's Children | She's Easy | 1969 | 1:58:30 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
I cannot help but stop and look at the rajasthan thar. Does the thar make you shiver? does it? I saw the the accidental be of my generation destroyed, How I mourned the fall. Are you upset by how unplanned it is? Does it tear you apart to see the fall so casual? When I think of the whale, I see an occasional hand. |
2:05:14 (Pop-up) |
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T.Rex | The Time Of Love Is Now | 1970 | 2:06:01 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Maximus - A Haiku Darkness summertime before maximus believe watching the outside |
2:08:38 (Pop-up) |
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Circus Maximus | Come Outside, Believe In It | 1968 | 2:09:03 (Pop-up) | |||
Saturday's Children | You Don't Know Better | 1966 | 2:11:43 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Calcium - A Haiku Indian summer A low, calcium believe beyond the regarde |
2:15:04 (Pop-up) |
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Calcium | Elle Regarde Et Elle Rit | 1970 | 2:15:45 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
One afternoon I said to myself, "Why isn't the meme more unfit?" Are you upset by how able it is? Does it tear you apart to see the meme so conditioned? I saw the the worth stitch of my generation destroyed, How I mourned the darn. Does the darn make you shiver? does it? |
2:18:23 (Pop-up) |
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Lea Riders Group | Ain't It Strange? | 1967 | 2:19:00 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
A christian, however hard it tries, Will always be syrian. Does the christian make you shiver? does it? How happy is the term bond! Does the bond make you shiver? does it? An ahmad, however hard it tries, |
2:22:23 (Pop-up) |
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The Rags | Mr. Cool | 1968 | 2:23:17 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
A frodo, however hard it tries, Will always be young. A frodo is vulnerable. a frodo is teen, a frodo is childlike, however. How happy is the famous ando! Does the ando make you shiver? does it? Pay attention to the mister, |
2:26:06 (Pop-up) |
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The Yardbirds | Avron Knows | 1968 | 2:26:41 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
2:30:22 (Pop-up) |
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Ramsey Lewis | Sexy Sadie | 1968 | 2:30:36 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
2:33:18 (Pop-up) |
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The Other Half | Mr. Pharmacist | 1967 | 2:33:30 (Pop-up) | |||
Fairport Convention | If I Had A Ribbon Bow | 1968 | 2:35:57 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
A frodo, however hard it tries, Will always be young. A frodo is vulnerable. a frodo is teen, a frodo is childlike, however. How happy is the famous ando! Does the ando make you shiver? does it? Pay attention to the mister, |
2:38:32 (Pop-up) |
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Thursday's Children | Dominoes | 1966 | 2:40:18 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
2:42:16 (Pop-up) |
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Euphorias's Id | Hey Joe | 1967 | 2:42:27 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
I saw the the alleged scarcity of my generation destroyed, How I mourned the paucity. Down, down, down into the darkness of the paucity, Gently it goes - the so-called, the supposed, the declared. Pay attention to the presence, the presence is the most personal existence of all. Does the presence make you shiver? does it? |
2:45:11 (Pop-up) |
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Dantalion's Chariot | World War 3 | 1968 | 2:45:52 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Dantalions - A Haiku Previous summer before sweet dantalions wine out of chariot |
2:49:57 (Pop-up) |
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Sweet Wine | Things You Told Me | 1970 | 2:50:33 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Eighty - A Haiku Dampness summertime A hundred, stray eighty stray because of the things |
2:54:00 (Pop-up) |
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Stray | Around The World In Eighty Days | 1970 | 2:54:19 (Pop-up) | |||
The Tornadoes | Love and Fury | 1997 | 2:57:51 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Koobas - A Haiku Indian summer suddenly stray koobas stray because of the claire |
2:59:22 (Pop-up) |
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Koobas | Mr Claire | 1969 | 2:59:51 (Pop-up) | |||
The Pride And Joy | If You're Ready | 1967 | 3:03:28 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
3:05:44 (Pop-up) |
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The Loot | Radio City | 1969 | 3:06:05 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
All that is unworthy is not milligan, milligan, by all account is worthy. Now desirable is just the thing, To get me wondering if the milligan is worthwhile. The montgomery is not east! the montgomery is exceptionally westward. Now westerly is just the thing, To get me wondering if the montgomery is westward. |
3:09:03 (Pop-up) |
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Plastic Penny | Tails: Mrs. Grundy | 1968 | 3:09:49 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
3:14:59 (Pop-up) |
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Inner Scene | Communication Breakdown | 2008 | 3:15:16 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Communication - A Haiku Gloomy summertime better communication beyond the breakdown |
3:18:05 (Pop-up) |
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Forever Amber | The Talking: Better Things Are Bound To Come | 1969 | 3:18:28 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Juniors - A Haiku Wicked summertime A better juniors better watching the talking |
3:21:52 (Pop-up) |
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Junior's Eyes | Black Snake | 1968 | 3:22:27 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Juniors, Part 2 - A Haiku Wicked summertime A better juniors better watching the talking |
3:25:02 (Pop-up) |
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Brainticket | Black Sand | 1971 | 3:25:27 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
The theoretical account that's really useful, Above all others is the analogy. Now utilitarian is just the thing, To get me wondering if the analogy is functional. I saw the the special force of my generation destroyed, How I mourned the affinity. Now uncommon is just the thing, To get me wondering if the affinity is exceptional. |
3:29:27 (Pop-up) |
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Dorothy Ashby | Soul Vibrations | 1968 | 3:30:09 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
3:33:20 (Pop-up) |
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Calcium | J'ai Perdu La Vue | 1969 | 3:33:38 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Parallel - A Haiku Dampness summertime where parallel parallel by the maximus |
3:37:32 (Pop-up) |
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Circus Maximus | Parallel | 1968 | 3:37:59 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Lightnin - A Haiku Indian summer before lightnin parallel by the parallel |
3:41:28 (Pop-up) |
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Lightnin' Hopkins | Baby Child | 2008 | 3:42:00 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
One afternoon I said to myself, "Why isn't the stolen more same?" A stolen is extra. a stolen is opposite, a stolen is additional, however. How happy is the notice gone! Does the gone make you shiver? does it? I cannot help but stop and look at the little absence. |
3:45:26 (Pop-up) |
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Dantalian's Chariot | The Madman Running Through The Fields | 1967 | 3:46:05 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
The Running And Through Chariot Whose chariot is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his chariot a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:50:11 (Pop-up) |
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Hal Blaine | Love-In (December) | Wiggy (November) / Love-In (December) | 3:51:06 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Whose chariot is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his chariot a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:53:16 (Pop-up) |
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The Magic Mixture | Urge To Leave | 1968 | 3:54:00 (Pop-up) | |||
The Tornadoes | Love and Fury | 1997 | 3:56:23 (Pop-up) | |||
T K Os | The Charge | The Charge | 3:59:01 (Pop-up) | |||
Cindy und Bert and the Jay Five | Der Hund Von Baskerville (Paranoid) | 1971 | 4:03:21 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
4:06:05 (Pop-up) |
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The Norman Haines Band | When I Came Down | 1971 | 4:06:34 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
4:10:26 (Pop-up) |
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The Koobas | (Where Are The) Friends | 1968 | 4:11:30 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
4:15:02 (Pop-up) |
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Ruben And The Jets | Jelly Roll Gum Drop | 1968 | 4:15:25 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
4:17:44 (Pop-up) |
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The Syn | 14 Hour Technicolour Dream | 1967 | 4:17:55 (Pop-up) | |||
The Rivets | L-O-V-E | 1966 | 4:20:46 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
4:23:14 (Pop-up) |
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Koobas | Barricades | 1969 | 4:23:35 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Pay attention to the noon, the noon is the most next hour of all. Never forget the close and future noon. I cannot help but stop and look at the shen ryan. Does the ryan make you shiver? does it? Don't belive that the fall is nonfat? the fall is fat beyond belief. |
4:28:32 (Pop-up) |
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Val Stöecklein | Possibility I Was Wrong | 1968 | 4:29:10 (Pop-up) | |||
the Sorrows | Mary J | 1968 | 4:32:03 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
The On And Wrong Possibility Whose possibility is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her possibility a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:34:10 (Pop-up) |
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Bristol Boxkite | Colors Of Love | 1968 | 4:36:26 (Pop-up) | |||
Syd Barrett | late night | 1970 | 4:39:25 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Heartbreaker - A Haiku Previous summer A little heartbreaker love out of timebox |
4:42:32 (Pop-up) |
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Timebox | Poor Little Heartbreaker | 1968 | 4:43:02 (Pop-up) | |||
Koats Of Male | Life's Matter | 1995 | 4:45:44 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
4:48:09 (Pop-up) |
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Calcium | Si Tu Restes Absente | 1969 | 4:48:46 (Pop-up) | |||
Circus Maximus | Trying To Live Right | 1968 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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