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Sounds ripped from cassettes & CDs found in immigrant-run mom & pop stores. Deconstructed icons. Field recordings. Sonic mayhem from the far corners of the internet.
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September 13, 2023: Women : Folk : Japan
An all-vinyl celebration of more than half-a-dozen folk-forward singer-songwriters, from traditionalists like Keiko Hanawa and Mayumi Itsuwa to avant-garde legends Sai Yoshiko and Maki Asakawa.
Listen to this show:
Pop-up player!
Artist | Track | Album | Year | Approx. start time |
---|---|---|---|---|
Music behind DJ: Bodega Pop |
Introduction |
Bodega Pop |
||
Keiko Hanawa 花環敬子 | Come to Me 私のところへおいでよ | Come to Me b/w Yurikamome 私のところへおいでよ b/w ゆりかもめ | 1979 | 0:04:00 (Pop-up) |
Mayumi Itsuwa 五輪真弓 | In the Misty Morning | Girl 少女 | 1972 | 0:07:15 (Pop-up) |
Yoshiko Sai 佐井好子 | Spring 春 | Stowaway 密航 | 1976 | 0:10:36 (Pop-up) |
Sachiko Kanenobu 金延幸子 | Falcon and I | Misora | 1972 | 0:15:40 (Pop-up) |
Carmen Maki & Oz | Asa no Fukei | Carmen Maki & Oz | 1975 | 0:23:36 (Pop-up) |
Music behind DJ: Shingo Yuji |
Ame (Rain) - Interlude |
Introducing Shingo Yuji |
0:28:29 (Pop-up) |
|
Rabi Nakayama 中山ラビ | Nenbutsu Life 念仏ぐらし | Very Soon ラビ・もうすぐ | 1976 | 0:34:16 (Pop-up) |
Rabi Nakayama 中山ラビ | People Change Little by Little 人は少しづつ変る | Hirahira (Fluttering) ひらひら | 1974 | 0:39:16 (Pop-up) |
Rabi Nakayama 中山ラビ | What I Want Is わたしが望むのは | I'm Like This 私ってこんな | 1972 | 0:44:05 (Pop-up) |
Rabi Nakayama 中山ラビ | You あんた | Very Soon ラビ・もうすぐ | 1976 | 0:50:09 (Pop-up) |
Rabi Nakayama 中山ラビ | Sometimes It's Rambo 時にはランボーに | I'm a Woman 女です | 1975 | 0:55:41 (Pop-up) |
Rabi Nakayama 中山ラビ | Even If I Turn 20 | Very Soon ラビ・もうすぐ | 1976 | 1:00:50 (Pop-up) |
Music behind DJ: Shingo Yuji |
Improvisation and Variations on the Theme of Itsuki Lullaby |
Introducing Shingo Yuji |
1:05:01 (Pop-up) |
|
Doji Morita 森田童子 | Sentimental Road センチメンタル通り | Good Bye | 1975 | 1:09:39 (Pop-up) |
Doji Morita 森田童子 | Carrier Pigeon 伝書鳩 | Mother Sky = Can You Fly Alone in the Blue of Sadness マザー・スカイ = きみは悲しみの青い空をひとりで飛べるか | 1976 | 1:13:30 (Pop-up) |
Morita Doji 森田童子 | The Blue Night 蒼き夜は | A Boy ボーイ | 1977 | 1:16:55 (Pop-up) |
Doji Morita 森田童子 | Colonel Green, Please Answer Me グリーン大佐答えて下さい | The Last Walz, Un Deux, Trois ラスト・ワルツ Un, Deux, Trois | 1980 | 1:21:02 (Pop-up) |
Doji Morita 森田童子 | Today Is a Miraculous Morning 今日は奇蹟の朝です | Mother Sky = Can You Fly Alone in the Blue of Sadness マザー・スカイ = きみは悲しみの青い空をひとりで飛べるか | 1976 | 1:26:51 (Pop-up) |
Music behind DJ: Shingo Yuji |
The Dry Cleaner from Des Moines |
Introducing Shingo Yuji |
1:31:53 (Pop-up) |
|
Doji Morita 森田童子 | Horizon 地平線 | Tokyo Cathedral St. Mary's Cathedral Recording 東京カテドラル聖マリア大聖堂録音盤 | 1978 | 1:35:32 (Pop-up) |
Asakawa Maki 浅川マキ | Asahiro (House of the Rising Sun) and Kamome (Seagull) 朝日樓(朝日のあたる家), かもめ | Live | 1972 | 1:43:04 (Pop-up) |
Sachiko Kanenobu 金延幸子 | Hoshi no Densetsu (Tells of Stars) | Live at WFMU for Surface Noise with Joe McGasko, 5/14/2018 | 2018 | 1:54:04 (Pop-up) |
Music behind DJ: Shingo Yuji |
A Song for the One |
Introducing Shingo Yuji |
1:57:25 (Pop-up) |
|
Hako Yamasaki 山崎ハコ | In That Sea あの海に | Indigo Poem 藍色の詩 | 1977 | 2:02:57 (Pop-up) |
Hako Yamasaki 山崎ハコ | Headwind 向かい風 | Tightrope Walking 綱渡り | 1976 | 2:07:41 (Pop-up) |
Hako Yamasaki 山崎ハコ | Curse 呪い | Impersonation 人間まがい | 1979 | 2:13:04 (Pop-up) |
Hako Yamasaki 山崎ハコ | I Can't See the Shadow 影が見えない | Tobimasu 飛・び・ま・す | 1975 | 2:17:01 (Pop-up) |
Hako Yamasaki 山崎ハコ | 13 Girls 13の女の子 | Walk 歩いて | 1980 | 2:23:20 (Pop-up) |
Music behind DJ: Shingo Yuji |
Help |
Introducing Shingo Yuji |
2:28:17 (Pop-up) |
|
Asakawa Maki 浅川マキ | Dream 夢なら | Phantom Men 幻の男たち | 1983 | 2:32:01 (Pop-up) |
Asakawa Maki 浅川マキ | Fireworks 花火 | Phantom Men 幻の男たち | 1983 | 2:36:04 (Pop-up) |
Asakawa Maki 浅川マキ | Telegram "Katteni Shiteyo" 電文「カッテニ シテヨ」 | Phantom Men 幻の男たち | 1983 | 2:39:13 (Pop-up) |
Asakawa Maki 浅川マキ | Tokyo Goes Dark トーキョー暮れて行く | Phantom Men 幻の男たち | 1983 | 2:40:17 (Pop-up) |
Asakawa Maki 浅川マキ | September 九月 | Phantom Men 幻の男たち | 1983 | 2:45:38 (Pop-up) |
Asakawa Maki 浅川マキ | Quartet 四重奏 | Phantom Men 幻の男たち | 1983 | 2:47:33 (Pop-up) |
Asakawa Maki 浅川マキ | Street Woman 街の女 | Phantom Men 幻の男たち | 1983 | 2:51:17 (Pop-up) |
Asakawa Maki 浅川マキ | Beyond the Fire 炎の向こうに | Phantom Men 幻の男たち | 1983 | 2:53:45 (Pop-up) |
Asakawa Maki 浅川マキ | It's All Right Tonight 今夜はオーライ | Phantom Men 幻の男たち | 1983 | 2:56:08 (Pop-up) |
Music behind DJ: Catrina Paslaru |
Hei La Bodega |
Hei La Bodega - Carnaval! |
2000 |
2:58:39 (Pop-up) |
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Listener comments!
Listener Gregory:
Richard from Venezuela:
Gary:
Gary:
tim abdellah:
Gary:
Listener Gregory:
WR:
northguineahills:
Threemoons 🌛🌕🌜:
slugluv1313:
gotta step away from the comments, but will be listening -- happy and grateful to be here with you all!
chresti:
Listener Gregory:
Gary:
peter:
rw:
Gary:
northguineahills:
Gary:
northguineahills:
peter:
chresti:
Listener Gregory:
Listener Gregory:
northguineahills:
tim abdellah:
Malcontent:
Gary:
northguineahills:
chresti:
Listener Gregory:
northguineahills:
tom tom the pipers son:
tim abdellah:
Gary:
northguineahills:
tom tom the pipers son:
Gary:
Gary:
tom tom the pipers son:
Listener Gregory:
Gary:
Gary:
northguineahills:
Gary:
northguineahills:
headcleaner:
chresti:
Listener Gregory:
Gary:
chresti:
tom tom the pipers son:
tom tom the pipers son:
WR:
morning scenery
rateyourmusic.com...
northguineahills:
doctorjazz:
Listener Gregory:
New album by composer Brian Baumbusch, "Chemistry for Gamelan and String Quartet" on New World Records. One composition is for Balinese gamelan, one for string quartet, and one of the combination. I found it very attractive.
Gary:
Gary:
northguineahills:
Gary:
tom tom the pipers son:
northguineahills:
Revolution Rabbit Nov63:
Gary:
tom tom the pipers son:
Polyus:
Gary:
headcleaner:
chresti:
Listener Gregory:
Listener Gregory:
chresti:
tom tom the pipers son:
Gary:
peter:
northguineahills:
northguineahills:
peter:
Gary:
headcleaner:
Gary:
chresti:
Listener Gregory:
chresti:
chresti:
slugluv1313:
i am not cat sitting right now, but totally agree 😺😺
northguineahills:
slugluv1313:
all of your selections have been phenomenal, but this is exceptionally gorgeous -- thank you!
northguineahills:
tom tom the pipers son:
northguineahills:
Listener Gregory:
TDK60:
tom tom the pipers son:
slugluv1313:
slugluv1313:
tim abdellah:
Gary:
slugluv1313:
northguineahills:
Listener Gregory:
northguineahills:
northguineahills:
Gary:
northguineahills:
coelacanth∅:
northguineahills:
Gary:
northguineahills:
StringOFperils:
Bobby:
Gary:
northguineahills:
chresti:
doctorjazz:
Listener Gregory:
Listener Gregory:
headcleaner:
northguineahills:
doctorjazz:
Gary:
TDK60:
still b/p:
northguineahills:
northguineahills:
you owe me a new laptop!
northguineahills:
Listener Gregory:
Gary:
northguineahills:
flowerlover:
Revolution Rabbit Nov63:
Listener Gregory:
headcleaner:
Gary:
Gary:
Gary:
Listener Gregory:
TDK60:
Revolution Rabbit Nov63:
northguineahills:
chresti:
northguineahills:
Listener Gregory:
northguineahills:
doctorjazz:
northguineahills:
northguineahills:
Gary:
tom tom the pipers son:
Listener Gregory:
northguineahills:
Listener Gregory:
A: Are you still going crazy, running around trying to get pristine copies of all the Beatles' albums?
B: Yes, I need Help.
Gary:
northguineahills:
iratemix:
https://www.youtube.com/watch?v=ePhSZ0FIa94
Since I tuned in late and most of these artists are new to me I am going to have to go back and listen once this is up on the archives.
A male Japanese artist that does similarly sounding folk on his early records that you should check out if you have never heard of is Inoue Yosui
Listener Gregory:
northguineahills:
Listener Gregory:
Gary:
northguineahills:
northguineahills:
Gary:
iratemix:
There are tons of Inoue Yosui videos on YouTube
Listener Gregory:
headcleaner:
Listener Gregory:
headcleaner:
Gary:
Listener Gregory:
Gary:
Gary:
Listener Gregory:
headcleaner:
TDK60:
WR:
Gary:
Bobby:
StringOFperils:
Listener Gregory:
tim abdellah:
Gary:
Revolution Rabbit Nov63:
slugluv1313:
still b/p:
So there's that, even while there are plenty NOT in need. And there's the impracticality of on-the-spot means testing in retail/services/consumer world. There's also what I've always assumed to be our society's own more blurred version of simply recognizing the life effort and journey of those who make it to senior years, as so many other cultures do in tradition and respect.
I just made it a couple months ago to the standard senior discount age, and I can use and will take some of 'em, even with the hue of weirdness upon entry to the landscape of discounts.
northguineahills:
StringOFperils:
Listener Gregory:
rw:
Gary:
chresti:
Listener Gregory:
coelacanth∅: