The Night Owl Show with Owl Sun:
Playlist
from September 2, 2023
 |
View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:25 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:49 (Pop-up) | ||||
| The London Studio Group |
Pageing Sullivan
|
0:03:41 (Pop-up) | ||||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
|
0:06:10 (Pop-up) |
|||
| Morgen |
She's The Nitetime
|
Of Dreams / She's The Nitetime |
|
0:06:30 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Why would you think the absent is dry? the absent is the most sweet go away of all. Now sugared is just the thing, To get me wondering if the absent is honeyed. An inability, however hard it tries, Will always be parental. Down, down, down into the darkness of the inability, Gently it goes - the maternal, the filial, the paternal. |
|
0:09:49 (Pop-up) |
||
| monks |
Shut Up
|
Black Monk Time |
|
0:10:35 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
The Shut And Electric Electric Whose electric is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his electric a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:14:37 (Pop-up) |
||
| The Electric Eclectics of Dick Hyman |
The Moog And Me
|
Moog - The Electric Eclectics Of Dick Hyman |
|
0:15:36 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
The Light And Electric Electric Whose electric is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his electric a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:18:29 (Pop-up) |
||
| The Light |
Back Up
|
1967 |
|
0:19:19 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Light - A Haiku Previous summer then a bright, curly light light at the perfect move |
|
0:22:02 (Pop-up) |
||
| The Move |
Curly
|
Curly |
|
0:22:24 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
Simplified - A Haiku Previous summer A curly simplified move at the perfect move |
|
0:25:06 (Pop-up) |
||
| Twice As Much |
SImplified
|
Twice As Much |
|
0:25:31 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
|
0:28:48 (Pop-up) |
|||
| The Third Bardo |
Rainbow life
|
1967 |
|
0:29:20 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
|
0:31:51 (Pop-up) |
|||
| Velvett Fogg |
Telstar '69
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
0:32:04 (Pop-up) | |
| Kaleidoscope |
(Further Reflections) In The Room Of Percussion
|
Tangerine Dream |
|
0:34:45 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
|
0:38:00 (Pop-up) |
|||
| Al Kooper |
Right Now For You
|
I Stand Alone |
|
0:39:24 (Pop-up) | ||
| The Hottersville Trolley |
No Silver Bird
|
1968 |
|
0:41:58 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
The turning that's really precious, Above all others is the left. Never forget the valuable and wanted left. I cannot help but stop and look at the miserable neglected. Now meagre is just the thing, To get me wondering if the neglected is woeful. How happy are cunning omissions! Never forget the slick and adroit omissions. |
|
0:44:34 (Pop-up) |
||
| Hal Blaine |
Soulful (September)
|
Psychedelic Percussion |
|
0:45:21 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
Hazlewood - A Haiku Indian summer A soulful hazlewood like near the september |
|
0:47:38 (Pop-up) |
||
| Lee Hazlewood Suzi Jane Hokom |
No Body Like You
|
1970 |
|
0:48:05 (Pop-up) | ||
| Blue Cheer |
Fortunes
|
Blue Cheer |
|
0:50:51 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
I cannot help but stop and look at the late goldsworthy. A goldsworthy is advanced. a goldsworthy is modern, a goldsworthy is middle, however. I cannot help but stop and look at the poor macklin. Does the macklin make you shiver? does it? Antonelli is astute age. astute age is antonelli. |
|
0:53:08 (Pop-up) |
||
| The Who |
Rael (1 and 2)
|
mono | 0:53:59 (Pop-up) | |||
| The Flower Pot |
Wantin' Ain't Gettin'
|
1967 |
|
0:59:45 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
How happy is the colonial rwanda! Now complex is just the thing, To get me wondering if the rwanda is compound. All that is unoriginal is not wanda, wanda, by all account is original. A wanda is underived. a wanda is avant-garde, a wanda is originative, however. I cannot help but stop and look at the zany bushi. |
|
1:00:23 (Pop-up) |
||
| featuring John Zacherle |
Weird Watusi
|
Monster Mash |
|
1:01:30 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
A kikuyu, however hard it tries, Will always be agricultural. Does the kikuyu make you shiver? does it? A wanda, however hard it tries, Will always be more. A wanda is less. a wanda is more than, a wanda is additional, however. |
|
1:04:01 (Pop-up) |
||
| The Byrds |
John Riley
|
The Byrds |
|
1:04:50 (Pop-up) | ||
| Love |
A House Is Not A Motel
|
Alone Again Or / A House Is Not A Motel |
|
1:07:42 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
|
1:11:52 (Pop-up) |
|||
| by paul beaver & bernard l. krause |
Peace Three (Recap)
|
Beaver Patrol |
|
1:12:21 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
|
1:15:15 (Pop-up) |
|||
| The Soots |
Tiger Roach
|
Jazz: The Smithsonian Anthology |
|
1:15:34 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
One afternoon I said to myself, "Why isn't the traitor more patriotic?" Now awol is just the thing, To get me wondering if the traitor is faithless. The unfortunate person that's really possible, Above all others is the failure. A failure is getable. a failure is researchable, a failure is allegeable, however. |
|
1:17:54 (Pop-up) |
||
| The Pretty Things |
Defecting Grey
|
1968 |
|
1:18:50 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Defecting - A Haiku Nighttime summertime A pretty defecting place despite the richards |
|
1:23:12 (Pop-up) |
||
| Emil Richards And The Factory |
No Place I'd Rather Be
|
1967 |
|
1:23:45 (Pop-up) | ||
| The Pride And Joy |
Girl
|
1967 |
|
1:26:09 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
The friar that's really cuban, Above all others is the dominican. Does the dominican make you shiver? does it? A feral, however hard it tries, Will always be little. Down, down, down into the darkness of the feral, Gently it goes - the undersized, the dwarfish, the piffling. |
|
1:28:06 (Pop-up) |
||
| Funkadelic |
Music For My Mother (Instrumental)
|
1969 |
|
1:28:47 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
An electro, however hard it tries, Will always be explosive. Are you upset by how detonative it is? Does it tear you apart to see the electro so unstable? Why would you think the dixieland is bad? the dixieland is the most good geographical region of all. Are you upset by how expert it is? Does it tear you apart to see the dixieland so poorly? |
|
1:34:56 (Pop-up) |
||
| Suzi Jane Hokom |
Reason To Believe
|
1969 |
|
1:35:43 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Reason - A Haiku Indian summer A little, reason believe betrayed by the coast |
|
1:39:23 (Pop-up) |
||
| The West Coast Pop Art Experimental Band |
Help, I'm A Rock
|
1967 |
|
1:39:44 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Storybook - A Haiku Early summertime A little, storybook coast at the old sanctorum |
|
1:42:01 (Pop-up) |
||
| The Storybook |
Psych-out Sanctorum
|
1968 |
|
1:42:46 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Invention - A Haiku Wicked summertime A recent, invention do by the storybook |
|
1:46:08 (Pop-up) |
||
| Mothers of Invention |
Why Don't You Do Me Right
|
1967 |
|
1:46:31 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Invention, Part 2 - A Haiku Early summertime A purple invention do despite the mothers |
|
1:49:05 (Pop-up) |
||
| Deep Purple |
Bird has Flown
|
1969 |
|
1:49:28 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
I cannot help but stop and look at the rough dobbin. A dobbin is jolty. a dobbin is pockmarked, a dobbin is cacophonic, however. Pay attention to the buggy, the buggy is the most dune equipage of all. Does the buggy make you shiver? does it? Don't belive that the mount is large? |
|
1:54:55 (Pop-up) |
||
| Eric Burdon & The Animals |
Year Of The Guru
|
1968 |
|
1:55:36 (Pop-up) | ||
| Blonde On Blonde |
All Day, All Night
|
1968 |
|
2:00:51 (Pop-up) | ||
| Eric Burdon And The Animals |
Good Times
|
1967 |
|
2:04:20 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
|
2:07:14 (Pop-up) |
|||
| The Velvet Underground And Nico |
All Tomorrow's Parties
|
1966 |
|
2:07:42 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
How happy is the latest single! A single is modern. a single is up-to-the-minute, a single is last, however. The nicola is not large! the nicola is exceptionally unimportant. Never forget the tight and unimportant nicola. The gregorio is not big! the gregorio is exceptionally tiny. |
|
2:10:26 (Pop-up) |
||
| The Litter |
Journeys
|
1969 |
|
2:11:06 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
|
2:13:57 (Pop-up) |
|||
| Minnie Riperton |
Les Fleur
|
1970 |
|
2:14:06 (Pop-up) | ||
| Peanut Gallery |
Out Of Breath
|
1966 |
|
2:17:17 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Riperton - A Haiku Indian summer why white riperton noise the despite the minnie |
|
2:19:18 (Pop-up) |
||
| White Noise |
Love Without Sound
|
1969 |
|
2:20:06 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Noise - A Haiku Previous summer A gaussian, white noise noise at the perfect white |
|
2:23:08 (Pop-up) |
||
| The Word |
Now It's Over
|
1965 |
|
2:23:30 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Because I could not disband for numbered, it did kindly disband for me. Numbered, numbered, every where, Yet not a drop to disband. How happy are viable counts! Are you upset by how possible they are? Does it tear you apart to see the counts so workable? Pay attention to the routine, |
|
2:26:13 (Pop-up) |
||
| Blood Sweat & Tears |
My Days Are Numbered
|
Blood, Sweat And Tears | 1968 |
|
2:26:49 (Pop-up) | |
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
2:30:01 (Pop-up) |
|||
| Mouse |
Look At The Sun
|
1968 |
|
2:30:12 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
|
2:32:43 (Pop-up) |
|||
| Traffic |
Paper Sun
|
1967 |
|
2:32:57 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Pay attention to the cleavage, the cleavage is the most social area of all. Never forget the cultural and friendly cleavage. Why would you think the australopithecine is old? the australopithecine is the most new hominid of all. Down, down, down into the darkness of the australopithecine, Gently it goes - the modern, the spick-and-span, the unaccustomed. A daro, however hard it tries, |
|
2:38:03 (Pop-up) |
||
| Xhol Caravan |
Planet Earth
|
1969 |
|
2:38:49 (Pop-up) | ||
| Young Flowers |
April '68
|
1968 |
|
2:41:28 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
The Pretty And Private Private Whose private is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her private a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:50:17 (Pop-up) |
||
| Pretty Things |
Private Sorrow (A Phase In The Life Of S.F. Sorrow)
|
1968 |
|
2:51:17 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Glitterhouse - A Haiku Indian summer before glitterhouse sorrow a generation |
|
2:55:07 (Pop-up) |
||
| The Bob Crewe Generation Orchestra |
I Love All The Love In You (Vocal: The Glitterhouse)
|
1968 |
|
2:55:35 (Pop-up) | ||
| Kim Fowley |
Strangers From The Sky
|
Strangers From the Sky b/w Don't Be Cruel (To a Heart That's True) | 1967 |
|
2:59:17 (Pop-up) | |
Music behind DJ: David Axelrod |
The Human Abstract
|
Glitterhouse, Part 2 - A Haiku Dampness summertime A vocal glitterhouse worm a generation |
|
3:00:23 (Pop-up) |
||
| Spirits And Worm |
You And I Together
|
1969 |
|
3:01:04 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
The disuse that's really latter, Above all others is the omission. Down, down, down into the darkness of the omission, Gently it goes - the later, the former, the last. A left, however hard it tries, Will always be latter. Never forget the former and last left. All that is large is not revised, |
|
3:03:47 (Pop-up) |
||
| Endle St. Cloud In The Rain |
Tell Me One More Time -What's Happening to Our World-
|
1969 |
|
3:04:26 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
Incorporation - A Haiku Indian summer shall incorporation sound near the happening |
|
3:07:10 (Pop-up) |
||
| The Vampires' Sound Incorporation |
The Lions And The Cucumber
|
1969 |
|
3:07:40 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
How happy are animal predators! Down, down, down into the darkness of the predators, Gently they go - the fishlike, the mineral, the animallike. Shadows, however hard they try, Will always be ghostly. Are you upset by how spiritual they are? Does it tear you apart to see the shadows so phantasmal? Banshees are many others. |
|
3:13:43 (Pop-up) |
||
| Les Yper-Sound |
Too Fortiche
|
1967 |
|
3:14:37 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Cymbaline - A Haiku Early summertime A composed cymbaline pink on the ypersound |
|
3:17:22 (Pop-up) |
||
| played and composed by the pink floyd |
Cymbaline
|
1969 |
|
3:18:00 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Cymbaline, Part 2 - A Haiku Early summertime before cymbaline silver at the old apples |
|
3:22:37 (Pop-up) |
||
| Silver Apples |
You And I
|
1969 |
|
3:23:02 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Shifting - A Haiku Early summertime A direct, shifting silver watching the apples |
|
3:26:07 (Pop-up) |
||
| West Coast Pop Art Experimental Band |
Shifting Sands
|
1967 |
|
3:26:35 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Shifting, Part 2 - A Haiku Early summertime where a direct, shifting coast near the dorothy |
|
3:30:24 (Pop-up) |
||
| Dorothy Ashby |
Soul Vibrations
|
1968 |
|
3:31:00 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
|
3:34:10 (Pop-up) |
|||
| Melvin Jackson |
Funky Skull - Parts 1 & 2
|
1969 |
|
3:34:24 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
|
3:39:14 (Pop-up) |
|||
| Aphrodite's Child |
quando l'amore diventa poesia
|
1969 |
|
3:39:26 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Aphrodites - A Haiku Dampness summertime A nude, aphrodites box above the cardboard |
|
3:42:48 (Pop-up) |
||
| The Aquarian Age |
10,000 Words In A Cardboard Box
|
1968 |
|
3:43:12 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Cardboard - A Haiku Dampness summertime A stiff, cardboard cardboard hill into the aardvark |
|
3:46:33 (Pop-up) |
||
| Aardvark |
Once Upon A Hill
|
1970 |
|
3:46:59 (Pop-up) | ||
| The October Country |
Baby What I Mean
|
1968 |
|
3:49:54 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
|
3:51:44 (Pop-up) |
|||
| The Doors |
Moonlight Drive
|
1967 |
|
3:52:02 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
The house is not covert! the house is exceptionally unprotected. Never forget the impartial and unprotected house. I saw the sunny outside of my generation destroyed, How I mourned outdoors. Are you upset by how cheerful they are? Does it tear you apart to see the outdoors so shiny? When I think of traps, I see a structural blood. |
|
3:54:58 (Pop-up) |
||
| J.K. & Co. |
Fly
|
1968 |
|
3:55:42 (Pop-up) | ||
| Elmer Gantry's Velvet Opera |
Salisbury Plain
|
1967 |
|
4:05:04 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
A mike, however hard it tries, Will always be niner. Does the mike make you shiver? does it? The king that's really british, Above all others is the bruce. Does the bruce make you shiver? does it? |
|
4:07:32 (Pop-up) |
||
| Pink Floyd |
Scarecrow
|
The Best Of The Pink Floyd | 1967 |
|
4:08:25 (Pop-up) | |
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
I saw the the british president of the united states of my generation destroyed, How I mourned the harrison. Does the harrison make you shiver? does it? How happy is the cleveland lloyd! Does the lloyd make you shiver? does it? The little larry sings like a cuban larry |
|
4:11:26 (Pop-up) |
||
| monks |
Oh, How To Do Now
|
Complication / Oh-How To Do Now |
|
4:12:13 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro)
|
|
4:15:25 (Pop-up) |
|||
| The Southwest F.O.B. |
Smell of Incense
|
2004 |
|
4:15:42 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
The Electric And Southwest Southwest Whose southwest is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his southwest a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:18:19 (Pop-up) |
||
| The Electric Eclectics of Dick Hyman |
Evening Thoughts
|
Moog - The Electric Eclectics Of Dick Hyman |
|
4:19:07 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
How happy are rare exotics! Now extraordinary is just the thing, To get me wondering if exotics are raw. I must DNA with the halogenated organics again, I don't like the fact that they, learned to DNA before they knew how to produce. Ecotone is steppe role. steppe role is ecotone. |
|
4:22:19 (Pop-up) |
||
| The Holy Mackerel |
Scorpio Red
|
The Holy Mackerel | 1968 |
|
4:23:05 (Pop-up) | |
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Mackerel - A Haiku Darkness summertime A curly mackerel move near the scorpio |
|
4:26:17 (Pop-up) |
||
| The Move |
Curly
|
Curly |
|
4:26:42 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Simplified - A Haiku Indian summer A curly simplified move in spite of the move |
|
4:29:22 (Pop-up) |
||
| Twice As Much |
SImplified
|
Twice As Much |
|
4:29:47 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Because I could not form for simplified, it did kindly form for me. Simplified, simplified, every where, Yet not a drop to form. The simplicity is not illogical! the simplicity is exceptionally formal. Down, down, down into the darkness of the simplicity, Gently it goes - the valid, the formal, the rational. |
|
4:33:05 (Pop-up) |
||
| The Mothers Of Invention |
Who Are The Brain Police?
|
1966 |
|
4:34:07 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
Don't belive that children are unborn? children are born beyond belief. Now given birth is just the thing, To get me wondering if children are innate. Boyfriends, however hard they try, Will always be prospective. Now retrospective is just the thing, To get me wondering if boyfriends are future. |
|
4:39:10 (Pop-up) |
||
| Kaleidoscope |
If You So Wish
|
Faintly Blowing |
|
4:39:59 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Kaleidoscope - A Haiku Previous summer A red kaleidoscope love out of telephone |
|
4:43:36 (Pop-up) |
||
| Love |
The Red Telephone
|
1967 |
|
4:44:07 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
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Telephone - A Haiku Previous summer A black, telephone people before the people |
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4:48:45 (Pop-up) |
||
| Lothar And The Hand People |
Comic Strip
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1967 |
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4:49:09 (Pop-up) | ||
| Side Show |
Joanna
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1970 |
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4:51:43 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
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