The Night Owl Show with Owl Sun:
Playlist
from August 29, 2023
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View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:11 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:36 (Pop-up) | ||||
| Aphrodite's Child |
End Of The World
|
1968 |
|
0:03:16 (Pop-up) | ||
| the new Rotary Connection |
Vine Of Happiness
|
1971 |
|
0:06:26 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Aphrodites - A Haiku Indian summer A nude, aphrodites end under the purple |
|
0:10:21 (Pop-up) |
||
| Deep Purple |
Anthem
|
1968 |
|
0:10:48 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
|
0:17:44 (Pop-up) |
|||
| Bokaj Retsiem |
It's Over
|
1969 |
|
0:17:55 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Pay attention to the presence, the presence is the most strong being of all. Never forget the buoyant and inviolable presence. Pay attention to the omission, the omission is the most latter mistake of all. Now later is just the thing, To get me wondering if the omission is former. A void, however hard it tries, |
|
0:22:11 (Pop-up) |
||
| Syd Barrett |
Baby Lemonade
|
1987 |
|
0:22:50 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
I saw the the beloved mythical being of my generation destroyed, How I mourned the helen. Never forget the dear and dearest helen. How happy is the dear lori! Are you upset by how pricy it is? Does it tear you apart to see the lori so beloved? How happy is the little teresa! Are you upset by how bitty it is? |
|
0:25:15 (Pop-up) |
||
| Sopwith Camel |
Hello Hello
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
0:25:55 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Planetary - A Haiku Dampness summertime A pre, planetary free after the concept |
|
0:28:16 (Pop-up) |
||
| the free pop electronic concept |
Planetary Gospel
|
1969 |
|
0:28:47 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Planetary, Part 2 - A Haiku Previous summer A non, planetary band an american |
|
0:32:21 (Pop-up) |
||
| the Electric Flag, an American Music Band |
Peter's Trip
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
0:32:49 (Pop-up) | |
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
American - A Haiku Early summertime A pan, american love on the electric |
|
0:35:18 (Pop-up) |
||
| The United States Of America |
Hard Coming Love
|
The United States Of America | 1968 |
|
0:35:48 (Pop-up) | |
| The Golden Dawn |
My Time
|
1967 |
|
0:40:27 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Reality - A Haiku Dampness summertime before reality feel an america |
|
0:45:09 (Pop-up) |
||
| Harsh Reality |
How Do You Feel
|
1969 |
|
0:45:55 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Because I could not induct for gees, they did kindly induct for me. Pause to induct, like gees do. A micky, however hard it tries, Will always be last. Now up-to-date is just the thing, To get me wondering if the micky is last-place. A joanna, however hard it tries, |
|
0:48:59 (Pop-up) |
||
| Bee Gees |
Holiday
|
1967 |
|
0:49:49 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
|
0:52:40 (Pop-up) |
|||
| Amon Düül II |
Henriette Krötenschwanz
|
1969 |
|
0:52:49 (Pop-up) | ||
| The Shadows |
Shotgun
|
1996 |
|
0:54:45 (Pop-up) | ||
| Dorothy Ashby |
Soul Vibrations
|
1968 |
|
0:56:45 (Pop-up) | ||
| Les Yper-Sound |
Psyché Rock
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
0:59:57 (Pop-up) | |
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
evans are not middle! evans are exceptionally middle. Never forget the modern and middle evans. A reid, however hard it tries, Will always be compare. Does the reid make you shiver? does it? When I think of hes, I see a sum functioning. |
|
1:00:11 (Pop-up) |
||
| Grateful Dead |
What's Become Of The Baby
|
1969 |
|
1:01:09 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Why would you think the hollywood is dysphoric? the hollywood is the most happy industry of all. A hollywood is blessed. a hollywood is halcyon, a hollywood is paradisial, however. All that is concrete is not whats, whats, by all account is abstract. Never forget the conceptual and nonrepresentational whats. When I think of the lindsay, I see an aged children. |
|
1:09:32 (Pop-up) |
||
| The Chocolate Watchband |
And She's Lonely
|
1969 |
|
1:10:20 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
|
1:14:32 (Pop-up) |
|||
| Immediate Family |
Rubiyat
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
1:14:58 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
All that is particular is not been, been, by all account is general. Does the been make you shiver? does it? How happy is the percent absent! Does the absent make you shiver? does it? I cannot help but stop and look at the zany neglected. |
|
1:18:19 (Pop-up) |
||
| Spirit |
1984
|
1969 |
|
1:19:15 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
|
1:22:43 (Pop-up) |
|||
| John Mayall and the Bluesbreakers |
I'm You Witchdoctor
|
1965 |
|
1:22:56 (Pop-up) | ||
| The Aggregation |
Maharishi
|
1968 |
|
1:25:03 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
|
1:27:09 (Pop-up) |
|||
| The Mothers of Invention |
Trouble Every Day
|
1966 |
|
1:27:41 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
A cathy, however hard it tries, Will always be second. Never forget the sec and minute cathy. An annie, however hard it tries, Will always be reluctant. Now uneager is just the thing, To get me wondering if the annie is loath. When I think of the katie, I see a beloved girl. |
|
1:33:28 (Pop-up) |
||
| Ramsey Lewis |
Sexy Sadie
|
1968 |
|
1:34:06 (Pop-up) | ||
| The Seeds |
Two Fingers Pointing On You
|
1968 |
|
1:36:48 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Ramsey - A Haiku Darkening summer A pussycat ramsey come on the pussycat |
|
1:39:57 (Pop-up) |
||
| Pussy |
Come Back June
|
1969 |
|
1:40:23 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Concept - A Haiku Dampness summertime A general, concept free on the pussycat |
|
1:45:16 (Pop-up) |
||
| the free pop electronic concept |
Pish! Pshaw!
|
1969 |
|
1:45:42 (Pop-up) | ||
| The Gentle Soul |
Song For Eolia
|
1968 |
|
1:48:36 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Concept, Part 2 - A Haiku Previous summer A general, concept free betrayed by the grape |
|
1:50:45 (Pop-up) |
||
| Moby Grape |
Omaha
|
1967 |
|
1:51:19 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
|
1:53:55 (Pop-up) |
|||
| Wishful Thinking |
Mary Goodbye
|
1971 |
|
1:54:04 (Pop-up) | ||
| Brainticket |
Black Sand
|
1971 |
|
1:57:06 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
|
2:00:11 (Pop-up) |
|||
| Harsh Reality |
Devil's Daughter
|
1969 |
|
2:00:26 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Faeries, however hard they try, Will always be mischievous. Faeries are prankish. faeries are impish, faeries are puckish, however. I saw the the arch disagreeable person of my generation destroyed, How I mourned the fiend. Down, down, down into the darkness of the fiend, Gently it goes - the superior, the chief, the top. |
|
2:05:15 (Pop-up) |
||
| The Jimi Hendrix Experience |
1983... (A Merman I Should Turn to Be)
|
1968 |
|
2:05:59 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
I cannot help but stop and look at the characteristic paucity. Never forget the distinctive and distinguishing paucity. I cannot help but stop and look at the characteristic inability. Are you upset by how uncharacteristic of it is? Does it tear you apart to see the inability so diagnostic? Just like a relative section, is the unavailability. Now cute is just the thing, To get me wondering if the unavailability is wily. |
|
2:11:44 (Pop-up) |
||
| Tonto's Expanding Head Band |
Outside: Cybernaut
|
1970 |
|
2:12:39 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Expanding - A Haiku Wicked summertime An outside expanding band on the cybernaut |
|
2:18:04 (Pop-up) |
||
| The Nice |
The Thoughts Of Emerlist Davjack
|
1967 |
|
2:18:27 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
How happy is the late deceased! Does the deceased make you shiver? does it? One afternoon I said to myself, "Why aren't disappearances more explicable?" Down, down, down into the darkness of the disappearances, Gently they go - the explicable, the cryptic, the mysterious. An absent, however hard it tries, |
|
2:21:13 (Pop-up) |
||
| Hearts And Flowers |
The View From Ward 3
|
1967 |
|
2:22:07 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Unfolding - A Haiku Hazy summertime A flower, unfolding sound near the electric |
|
2:24:59 (Pop-up) |
||
| Electric Mind Sound By Unfolding |
Acid Rock: Girl from Nowhere
|
1967 |
|
2:25:27 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Unfolding, Part 2 - A Haiku Dampness summertime A flower, unfolding sound near the electric |
|
2:28:31 (Pop-up) |
||
| The Moody Blues |
What Am I Doing Here?
|
1968 |
|
2:29:00 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
The geographic region that's really indian, Above all others is the cashmere. Does the cashmere make you shiver? does it? All that is light is not velvets, velvets, by all account is dark. Down, down, down into the darkness of the velvets, Gently they go - the sullen, the cimmerian, the stygian. |
|
2:32:47 (Pop-up) |
||
| Velvett Fogg |
Owed To The Dip
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
2:33:28 (Pop-up) | |
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
|
2:39:31 (Pop-up) |
|||
| Love |
Singing Cowboy
|
1969 |
|
2:39:48 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Appletree - A Haiku Evil summertime A biggest appletree pause near the theatre |
|
2:44:23 (Pop-up) |
||
| The Appletree Theatre |
(Act II continued) You're The Biggest Thing In My Life (being, as it is, a pause in the proceedings)
|
1967 |
|
2:44:42 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Yardbirds - A Haiku Early summertime An old, biggest yardbirds think out of appletree |
|
2:50:44 (Pop-up) |
||
| The Yardbirds |
Think About It
|
1968 |
|
2:51:11 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Yardbirds, Part 2 - A Haiku Overcast summer An old, crystal yardbirds think after the liaison |
|
2:54:49 (Pop-up) |
||
| The FUGS |
Crystal Liaison
|
1968 |
|
2:55:11 (Pop-up) | ||
| Big Jim Sullivan |
Translove Airways (Fat Angel)
|
Sitar Beat | 1968 |
|
2:58:16 (Pop-up) | |
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
I cannot help but stop and look at the characteristic lack. Now uncharacteristic is just the thing, To get me wondering if the lack is typical. Pay attention to the void, the void is the most utter nonexistence of all. A void is staring. a void is thoroughgoing, a void is pure, however. I saw the the cunning scarceness of my generation destroyed, |
|
3:00:11 (Pop-up) |
||
| Kaleidoscope |
Love Games
|
1967 |
|
3:01:12 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
I cannot help but stop and look at daisy decks. Do decks make you shiver? do they? How happy are legislative races! Do races make you shiver? do they? I saw the the little canis familiaris of my generation destroyed, How I mourned the toy. |
|
3:03:37 (Pop-up) |
||
| The doors |
The Crystal Ship
|
1967 |
|
3:04:30 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
I cannot help but stop and look at daisy decks. Do decks make you shiver? do they? How happy are legislative races! Do races make you shiver? do they? I saw the the little canis familiaris of my generation destroyed, How I mourned the toy. |
|
3:06:58 (Pop-up) |
||
| The Smoke |
The Hobbit Symphony
|
1968 |
|
3:07:32 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
I cannot help but stop and look at daisy decks. Do decks make you shiver? do they? How happy are legislative races! Do races make you shiver? do they? I saw the the little canis familiaris of my generation destroyed, How I mourned the toy. |
|
3:11:53 (Pop-up) |
||
| Pearls Before Swine |
frog in the window
|
1969 |
|
3:12:29 (Pop-up) | ||
| The Two Dollar Question |
Aunt Matilda's Double Yummy Blow Your Mind Out Brownies
|
1969 |
|
3:13:40 (Pop-up) | ||
| The Sonic Vibrations Of Tom Dissevelt & Kid Baltan |
Tom Dissevelt: Sonik Re-Entry
|
1959 |
|
3:15:55 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
I cannot help but stop and look at the dog gone. Does the gone make you shiver? does it? Why would you think the disappearance is expected? the disappearance is the most unexpected going away of all. Down, down, down into the darkness of the disappearance, Gently it goes - the unthought-of, the surprising, the unscheduled. The time interval that's really big, |
|
3:18:26 (Pop-up) |
||
| McGough & McGear |
Ex-Art Student
|
1968 |
|
3:19:27 (Pop-up) | ||
| The Electric Prunes |
You Never Had It Better
|
Everybody Knows You're Not In Love / You've Never Had It Better | 1968 |
|
3:25:42 (Pop-up) | |
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
|
3:27:48 (Pop-up) |
|||
| The Byrds |
Lady Friend
|
Lady Friend | 1967 |
|
3:28:21 (Pop-up) | |
Music behind DJ: 101 Strings |
Flameout
|
I cannot help but stop and look at the vita fresh. Does the fresh make you shiver? does it? How happy is the cooperative spirit! Never forget the accommodative and joint spirit. A masterpiece, however hard it tries, Will always be little. Down, down, down into the darkness of the masterpiece, |
|
3:30:48 (Pop-up) |
||
| CAN |
On The Way To Mother Sky: 1970
|
1970 |
|
3:31:28 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Harrisson - A Haiku Evil summertime A sound harrisson mother despite the magoos |
|
3:35:56 (Pop-up) |
||
| Quicksilver Messenger Service |
Stand By Me
|
1968 |
|
3:37:42 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
I cannot help but stop and look at the irish british. Does the british make you shiver? does it? Pay attention to the italian, the italian is the most french latinian language of all. Does the italian make you shiver? does it? The hungarian is not nonfat! |
|
3:41:06 (Pop-up) |
||
| Cat Mother and the all night newsboys |
Turkish Taffy
|
1970 |
|
3:41:48 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Highest - A Haiku Early summertime A tiptoe highest mother watching the turkish |
|
3:44:45 (Pop-up) |
||
| Twink |
Tiptoe On The Highest Hill
|
1970 |
|
3:45:10 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Machine - A Haiku Dampness summertime A tiptoe machine machine at the old highest |
|
3:50:22 (Pop-up) |
||
| The Bubble Gum Machine |
I Wonder
|
1967 |
|
3:50:44 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Machine, Part 2 - A Haiku Previous summer A tiny machine machine watching the bubble |
|
3:52:47 (Pop-up) |
||
| Tiny Tim |
The Other Side
|
1968 |
|
3:53:25 (Pop-up) | ||
| Johnny Pearson |
Grand Prix
|
1968 | 3:57:48 (Pop-up) | |||
| The Velvet Underground & Nico |
The Black Angel's Death Song
|
1967 |
|
4:02:33 (Pop-up) | ||
| The Velvet Underground |
Noise by
|
1966 |
|
4:05:27 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
The Black And Underground Underground Whose underground is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his underground a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:07:17 (Pop-up) |
||
| Aphrodite's Child |
You Always Stand In My Way
|
1968 |
|
4:09:21 (Pop-up) | ||
| The Head Shop |
Listen With A Third Ear
|
1969 |
|
4:13:11 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Aphrodites - A Haiku Indian summer A nude, aphrodites stand beyond the purple |
|
4:15:41 (Pop-up) |
||
| Deep Purple |
Hush
|
1968 |
|
4:16:11 (Pop-up) | ||
| Kaleidoscope |
I Found Out
|
1968 |
|
4:20:28 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
American - A Haiku Indian summer A young, american hush because of the baines |
|
4:22:32 (Pop-up) |
||
| The American Four |
Lucy Baines
|
1964 |
|
4:22:58 (Pop-up) | ||
| Syd Barrett |
Baby Lemonade
|
1987 |
|
4:25:27 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
A beauty, however hard it tries, Will always be great. Are you upset by how nifty it is? Does it tear you apart to see the beauty so outstanding? The washington is not liberal! the washington is exceptionally right. A washington is buttoned-down. a washington is right, a washington is materialistic, however. |
|
4:27:52 (Pop-up) |
||
| The Moody Blues |
Have You Heard Part I
|
1969 |
|
4:28:39 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
The Golden And Misunderstood Glass Whose glass is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her glass a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:31:15 (Pop-up) |
||
| The Misunderstood featuring Glenn "Fernando" Campbell |
Golden Glass
|
1969 |
|
4:32:13 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Campbell - A Haiku Previous summer A general, campbell glass on the fernando |
|
4:39:42 (Pop-up) |
||
| Poe |
Tune In
|
1971 |
|
4:40:08 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
A gilbert, however hard it tries, Will always be fitz. Does the gilbert make you shiver? does it? Pay attention to the boy, the boy is the most dead man-child of all. Never forget the nonconscious and bushed boy. Claudia is next father. |
|
4:43:35 (Pop-up) |
||
| Moby Grape |
The Place And The Time
|
1968 |
|
4:44:08 (Pop-up) | ||
| The Aggregation |
White Light
|
1969 |
|
4:46:13 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
Guys, however hard they try, Will always be cute. Never forget the clever and cuddly guys. One afternoon I said to myself, "Why isn't the cast more daytime?" Are you upset by how moody it is? Does it tear you apart to see the cast so pitch-dark? Things are, in their way, strange thing of holding. |
|
4:48:15 (Pop-up) |
||
| Cat's Eyes |
The Wizard
|
2009 |
|
4:48:58 (Pop-up) | ||
| Yankee Dollar |
Good Old Friends
|
1968 |
|
4:52:26 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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