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Familiar & forgotten gems from 50-plus years of music on the darker side, shoegaze, synthpop, goth, psychedelia, darkwave, with unapologetic detours into 70s pop. In a dark night of the soul, it's always 3 o'clock in the morning.
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August 14, 2023: Summer Still In The City -- Fill in for Big Planet Noise
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Artist | Track | Album | Label | Year | Comments | Images | Approx. start time |
---|---|---|---|---|---|---|---|
Shocking Blue | Love Buzz | At Home | Pink Elephant | 1969 | 0:00:00 (Pop-up) | ||
The Velvet Underground | I'm Waiting For The Man | The Velvet Underground & Nico | Verve Records | 1967 | 0:04:14 (Pop-up) | ||
The Human Instinct | You Really Got Me | Burning Up Years | Marble Arch | 1970 | 0:08:46 (Pop-up) | ||
Aguaturbia | I Wonder Who | Volumen 2 | Arena Producciones | 1970 | 0:12:11 (Pop-up) | ||
Donovan | Snakeskin | Barabajagal (Reissue) | EMI | 2005 | 0:15:03 (Pop-up) | ||
Lothar and The Hand People | Today Is Only Yesterday's Tomorrow | Space Hymn | Capitol Records | 1969 | 0:17:40 (Pop-up) | ||
Blackburn & Snow | Stranger In A Strange Land | Something Good For Your Head | Big Beat Records | 1999 | b-side from 1967 | 0:22:54 (Pop-up) | |
Smith | I Just Want To Make Love To You | A Group Called Smith | Dunhill | 1969 | 0:25:15 (Pop-up) | ||
The Kinks | Starstruck (2018 Stereo Remaster) | The Kinks Are the Village Green Preservation Society | Reprise Records | 1968 | look, it's the New Zealand cover! | 0:27:50 (Pop-up) | |
Music behind DJ: The Backing Tracks |
Substitute (instrumental) |
0:30:11 (Pop-up) |
|||||
(Sixto) Rodriguez | Only Good For Conversation | Cold Fact | Sussex | 1970 | 0:36:58 (Pop-up) | ||
France Gall | Nefertiti | 1968 | Philips | 1968 | 0:39:21 (Pop-up) | ||
The Peppermint Rainbow | Green Tambourine | Will You Be Staying After Sunday? | Decca | 1969 | 0:41:28 (Pop-up) | ||
T. Rex | Jewel | T. Rex | Fly Records | 1970 | 0:43:47 (Pop-up) | ||
Faine Jade | In A Brand New Groove | Introspection : A Faine Jade Recital | RSVP | 1968 | 0:46:33 (Pop-up) | ||
Nancy Sit | Dizzy | Obladi Oblada | Life | 1969 | 0:49:32 (Pop-up) | ||
The Monkees | Look Out (Here Comes Tomorrow) | More of the Monkees | Colgems | 1967 | 0:52:23 (Pop-up) | ||
Elmer Gantry's Velvet Opera | Long Nights of Summer | Elmer Gantry's Velvet Opera | Epic | 1968 | 0:54:35 (Pop-up) | ||
Jane Birkin | Di Doo Dah | Di Doo Dah | Fontana | 1973 | 0:57:04 (Pop-up) | ||
Ann Wilson & The Daybreaks | Wonder How I Managed | The Daybreaks | TAWT | 2021 | from 1969 | 1:00:31 (Pop-up) | |
The Who | Pinball Wizard | Tommy | Decca | 1969 | 1:02:57 (Pop-up) | ||
Music behind DJ: New World Electronic Chamber Ensemble |
Strawberry Fields |
1:05:58 (Pop-up) |
|||||
Toomorrow | I Wanna Go Back | If Not For You (Deluxe) | Primary Wave Music | 2022 | from 1970 | 1:13:46 (Pop-up) | |
Nancy Sinatra | Flowers On The Wall | Boots | Reprise Records | 1966 | 1:16:30 (Pop-up) | ||
Simon & Garfunkel | A Hazy Shade Of Winter | Bookends | Columbia | 1968 | 1:19:09 (Pop-up) | ||
Jefferson Airplane | Have You Seen The Saucers | Early Flight | Grunt | 1974 | b-side from 1970 | 1:21:33 (Pop-up) | |
Rotary Connection | Tales Of Brave Ulysses | Songs | Cadet Concept | 1969 | 1:25:03 (Pop-up) | ||
13th Floor Elevators | You're Gonna Miss Me | The Psychedelic Sounds Of The 13th Floor Elevators | International Artists | 1966 | 1:29:20 (Pop-up) | ||
The Doors | Love Her Madly | L.A. Woman | Elektra | 1971 | 1:31:44 (Pop-up) | ||
The United States Of America | The Garden of Earthly Delights | The United States Of America | Columbia | 1968 | 1:35:16 (Pop-up) | ||
David Bowie | We Are Hungry Men (Stereo) | David Bowie (Deluxe) | Deram | 1967 | 1:37:36 (Pop-up) | ||
The Band | Just Another Whistle Stop | Stage Fright | Capitol Records | 1970 | 1:40:30 (Pop-up) | ||
Music behind DJ: Helmut Zacharias & His Orchestra |
There's Always Something There To Remind Me |
1:44:26 (Pop-up) |
|||||
Elton John | Can I Put You On (live) | 11-17-70 | UNI Records | 1971 | 1:52:09 (Pop-up) | ||
Steppenwolf | Don't Step On The Grass (live) | Live | Dunhlll | 1970 | 1:58:45 (Pop-up) | ||
Cher | I Will Wait For You | With Love, Cher | Imperial | 1967 | 2:04:23 (Pop-up) | ||
The Id | Wild Times | The Inner Sounds Of The Id | RCA Victor | 1967 | 2:07:25 (Pop-up) | ||
Pink Floyd | Summer '68 | Atom Heart Mother | Harvest | 1970 | 2:10:26 (Pop-up) | ||
Heaven & Earth | Refuge | Refuge | Ovation Records | 1973 | 2:16:00 (Pop-up) | ||
Julian's Treatment | Sixth Chapter / "Altarra, Princess Of The Blue Woman" | A Time Before This | Decca | 1970 | 2:18:30 (Pop-up) | ||
Music behind DJ: Jefferson Airplane |
White Rabbit (instrumental) |
2:22:31 (Pop-up) |
|||||
Elvis Presley | Edge of Reality | Almost In Love | RCA Camden | 1970 | b-side from 1968 | 2:27:16 (Pop-up) | |
The Pleasure Seekers | Mr. Power | What A Way To Die (Compilation) | Cradle Rocks Music | 2011 | from the 60s featuring Suzi Quatro | 2:30:35 (Pop-up) | |
The Holy Mackerel | Scorpio Red | The Holy Mackerel | Reprise Records | 1968 | 2:35:31 (Pop-up) | ||
Can | Mother Sky (reedited from Soundtracks 1970) | Cannibalism I | Mute | 1997 | from 1970 | 2:39:01 (Pop-up) | |
Genesis | The Conqueror | From Genesis To Revelation | Decca | 1969 | 2:45:35 (Pop-up) | ||
Coven | Black Sabbath | Witchcraft Destroys Minds & Reaps Souls | Mercury | 1969 | 2:48:49 (Pop-up) | ||
Circus 2000 | Magic Bean | Circus 2000 | Rifi | 1970 | 2:52:13 (Pop-up) | ||
The Beatles | Love You To | Revolver | Capitol Records | 1966 | 2:54:12 (Pop-up) | ||
Music behind DJ: Mort Garson |
Easy To Be Hard (instrumental) |
2:57:08 (Pop-up) |
|||||
Syd Barrett | Maisie | Barrett | Harvest | 1970 | 3:00:07 (Pop-up) |
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Listener comments!
Scott_Oz:
Great to have you here mate!
🌏🌞🍻😎🤙💨🍺🌻🦜🦜🦜
Max D:
adamdoesit:
Charlie:
Julie:
ike-0:
Julie:
Charlie:
Scott_Oz:
Julie:
WLSClark:
Discotech Underground:
Julie:
Scott_Oz:
WLSClark:
Charlie:
Midge:
Julie:
WLSClark:
Charlie:
Julie:
Discotech Underground:
Max D:
Julie:
Charlie:
Discotech Underground:
Max D:
Charlie:
Discotech Underground:
Midge:
Max D:
bobob plasticland:
Julie:
Ken From Hyde Park:
Julie:
Scott_Oz:
bobob plasticland:
Julie:
Charlie:
Charlie:
Scott_Oz:
Julie:
MOM WHIG:
Julie:
MOM WHIG:
Charlie:
Julie:
Charlie:
Will thee Sound Guy:
Max D:
MOM WHIG:
Midge:
Ken From Hyde Park:
Midge:
Julie:
Julie:
Julie:
Charlie:
Charlie:
Julie:
Charlie:
Charlie:
Julie:
Julie:
bobob fabtriplasticland:
Julie:
Andrew S:
Grew up with a full house of older siblings who left records lying around, set me on my way musically and i miss them too
Julie:
egould:
MOM WHIG:
Julie:
Charlie:
Julie:
Scobot:
Roberto:
Roberto:
Roberto:
Julie:
WLSClark:
Julie:
bobobob Fabtriplasticland:
egould:
still b/p:
That was a good Nancy pick
, but I don't think I've ever heard her Day Tripper and rrrrreally should.
MOM WHIG:
WLSClark:
Julie:
bobob:
WLSClark:
MOM WHIG:
WLSClark:
Andrew S:
bobobob:
WLSClark:
MOM WHIG:
Julie:
MOM WHIG:
bobob fabtriplasticland:
WLSClark:
WLSClark:
Julie:
bobob:
WLSClark:
still b/p:
Julie:
bobob plasticland:
Julie:
bobob:
Julie:
Dean:
Julie:
Julie:
bobob:
Julie:
Julie:
bobob:
WLSClark:
WLSClark:
egould:
Julie:
Parq:
Julie:
Julie:
bobob fabtriplasticland:
Julie:
bobobob:
Dean:
Julie:
egould:
Dean:
Julie:
Julie:
still b/p:
Roberto:
Andrew S:
WLSClark:
Julie:
still b/p:
Andrew S:
MOM WHIG:
Dean:
Dean:
Was Emily Dickinson a dick? No, because she kept out of the limelight. But then yes, because she kept out of the limelight.
Julie:
Andrew S:
Scott_Oz:
🌏🌏🌏🌞🍻😎🤙💨🍺🌻🦜🦜🦜
Dean:
Scott_Oz:
Andrew S:
Julie:
Julie:
Dean:
Julie:
egould:
Parq:
Julie:
Scobot:
Julie:
still b/p:
Scobot:
Julie:
Julie:
still b/p:
Julie:
Julie:
Midge:
Julie:
Scobot:
Julie:
MOM WHIG:
Julie:
asheville jon:
Birds!!! (ssshhhh, i'm thinking they are asleep)
Dean:
Julie:
Julie:
Max D:
Andrew S:
Max D:
Andrew S:
Julie:
Andrew S:
Julie:
Julie:
Dean:
Andrew S:
Julie:
Dean:
Andrew S:
Julie:
Julie:
Julie:
Andrew S:
Julie:
Dean:
Dean:
Andrew S:
Andrew S:
Julie:
Andrew S:
Dean:
It is Krautrock, i.e., German quasi-progressive noodling and jamming.
Julie:
erik (vt):
Julie:
Dean:
Kraftwerk were in many ways sui generis, their own gig. Their early stuff was more "Krautrocky," their later stuff almost unique to them. They obviously influenced Numan, Devo, etc., but they don't particularly belong in a category with those latecomers.
Julie:
Roberto:
Julie:
Dean:
Julie:
Dean:
Julie:
Dean:
Julie:
Erik (VT):
Sorry to be a bit too late for the CAN convo … they blew me away when discovered at 16 1981!
Those developmental years - oh so significant.
I say it was the utter change from album to album of Can that made them so special. Not one feels like the next. So if you wanna fall for a certain
Sound - that would be a challenge.
I adore Future Days, EGE BAMYASI , Unlimited Edition!, Tago Mago!
but imo: everything from 1968 thru 1975 is worthy. etc etc
Julie:
Dean:
Julie:
Max D:
Julie:
Dean:
asheville jon:
Goodnight Birds!
still b/p:
Erik (VT):
Imo , def start with Faust TAPES (their most surreal listing experience), also love their bizarre First album.
So Far (2nd) is more hard to pin down
And many find “IV” their peak. (Not me - but it’s still great). Just get that Re Rec megaCorp box set , and get it over with.
Ps : CAN : Lost Tapes is a surprisingly Strong 💪 barrel scrapings 3xCD set.
Don’t start there - but great addition for collectors !
Scott_Oz:
🍻😎🤙💨🌻❤️🦇🦜🦜
Erik (VT):
Julie:
Julie:
Julie:
Erik (VT):
I highly recommend the band selected 👉
“Unlimited Edition” = such variety on one 80min CD (formerly a 2xLP set). Yet it’s not as classic as their unusual peak period. Note: many fans will direct one to “Soon Over Babaluma” - yet imo that was a very transitional album that had polarizing high highs & a few lows.
“FUTURE DAYS” 1973 is my personal pick winner.