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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | ||||
Nirvana | C Side of Ocho Rios | 0:02:19 (Pop-up) | ||||
Velvet Night | Don't Let Them Stand In Your Way | 1970 | 0:02:45 (Pop-up) | |||
Cream | In The Studio: As You Said | 1968 | 0:05:36 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Broughton - A Haiku Early summertime A famous, in broughton stand after the velvet |
0:09:53 (Pop-up) |
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Edgar Broughton Band | Love in the Rain | 1969 | 0:10:22 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
I cannot help but stop and look at the gonzales jimenez. Does the jimenez make you shiver? does it? How happy is the second robert! Never forget the minute and 2nd robert. When I think of the gonzalez, I see a corky guerrero. Does the gonzalez make you shiver? does it? |
0:14:59 (Pop-up) |
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The Birdwatchers | Mary, Mary (It's To You That I Belong) | 1967 | 0:15:40 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Birdwatchers - A Haiku Previous summer A flash birdwatchers belong whilst watching the french |
0:18:12 (Pop-up) |
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The Daily Flash | The French Girl | 1967 | 0:18:39 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Morning - A Haiku Indian summer An early, flash morning flash whilst watching the masque |
0:21:31 (Pop-up) |
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The Masque | Wake Up In The Morning | 1970 | 0:21:52 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
0:24:57 (Pop-up) |
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Purple Canteen | Brains In My Feet | 1969 | 0:25:11 (Pop-up) | |||
The Vampires' Sound Incorporation | There Is No Satisfaction | 1969 | 0:29:10 (Pop-up) | |||
The Monkees | The Door Into Summer | Pisces, Aquarius, Capricorn and Jones Ltd. | 1967 | 0:32:15 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Flintlock - A Haiku Previous summer A feeling flintlock better before the feeling |
0:34:55 (Pop-up) |
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Flintlock | Hope You're Feeling Better | 1971 | 0:35:21 (Pop-up) | |||
Mandrake Memorial | Musical Man | 1969 | 0:41:52 (Pop-up) | |||
Fortes Mentum | Saga Of A Wrinkled Man | 1968 | 0:45:36 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
The Man And Zero Zero Whose zero is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his zero a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:48:19 (Pop-up) |
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Keith Relf | Mr. Zero | 1966 | 0:49:00 (Pop-up) | |||
The Asylum Choir | Episode Containing 3 Songs: Mr. Henry The Clown | 1968 | 0:51:40 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
0:53:37 (Pop-up) |
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The Yardbirds | questa volta | 1966 | 0:53:59 (Pop-up) | |||
Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 0:56:24 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
0:59:53 (Pop-up) |
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The Stalk-Forrest Group | Arthur Comics | 1970 | 1:00:27 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
1:03:31 (Pop-up) |
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H.P. Lovecraft | Keeper Of The Keys | 1968 | 1:03:56 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
1:06:48 (Pop-up) |
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Food | Forever Is A Dream | 1969 | 1:07:11 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
The endeavour that's really remarkable, Above all others is the best. Down, down, down into the darkness of the best, Gently it goes - the noteworthy, the important, the singular. A footage, however hard it tries, Will always be average. Are you upset by how normal it is? Does it tear you apart to see the footage so median? |
1:14:01 (Pop-up) |
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Heavy Balloon | 32,000: Barnyard Blues | 1969 | 1:16:58 (Pop-up) | |||
The Red Krayola | Listen To This | 1968 | 1:22:47 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Broughton - A Haiku Indian summer A heavy broughton balloon at the old barnyard |
1:22:50 (Pop-up) |
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Edgar Broughton Band | Dawn Crept Away | 1969 | 1:23:19 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Broughton, Part 2 - A Haiku Previous summer An old, away broughton brand under the morning |
1:37:11 (Pop-up) |
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freeport | It's A Brand New Morning | 1970 | 1:37:35 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
One afternoon I said to myself, "Why isn't the reputation more national?" Down, down, down into the darkness of the reputation, Gently it goes - the internationalistic, the foreign, the supranational. How happy is the official label! Does the label make you shiver? does it? When I think of the marque, I see a legendary hero. |
1:42:01 (Pop-up) |
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The Move | Lightning never strikes twice | 1970 | 1:42:46 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
1:45:51 (Pop-up) |
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Velvett Fogg | Telstar '69 | Telstar '69 b/w Owed To The Dip | 1969 | 1:46:12 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
1:48:54 (Pop-up) |
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Lacewing | Paradox | 1971 | 1:49:23 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Memorial - A Haiku Previous summer A long, memorial air under the mandrake |
1:54:05 (Pop-up) |
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Mandrake Memorial | Something In The Air | 1969 | 1:54:41 (Pop-up) | |||
Honey Ltd. with intro by Lee Hazlewood | Louie, Louie | 1968 | 1:59:06 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Memorial, Part 2 - A Haiku Early summertime A long, memorial air into the mandrake |
1:59:53 (Pop-up) |
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Keith Relf | Knowing | 1966 | 2:00:24 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
2:02:11 (Pop-up) |
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Les Fleurs de Pavot | Super Girl | 1968 | 2:02:24 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Pictures - A Haiku Indian summer A super pictures fever because of the paints |
2:04:22 (Pop-up) |
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fever tree | Man Who Paints The Pictures - Part II | 1968 | 2:04:46 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Why would you think the portrait is finished? the portrait is the most unfinished characterization of all. A portrait is bare. a portrait is undressed, a portrait is incomplete, however. How happy is the beautiful collage! Never forget the fine-looking and better-looking collage. I cannot help but stop and look at big plots. Plots are bounteous. plots are cock-a-hoop, |
2:11:36 (Pop-up) |
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Bobby Callender | Satori | 1971 | 2:13:28 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
2:15:50 (Pop-up) |
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Van Der Graaf Generator | Running Back | 1968 | 2:16:02 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
A namesake, however hard it tries, Will always be elder. Does the namesake make you shiver? does it? I cannot help but stop and look at the possible second. Now actual is just the thing, To get me wondering if the second is impossible. I saw the the yellow crevice of my generation destroyed, |
2:22:31 (Pop-up) |
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December's Children | Trilogy; I) 2:30 Casino, II) In Between A Dream, III) Lady Of The Garden | 1970 | 2:23:11 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
The fissure that's really jolly, Above all others is the chap. Are you upset by how joyous it is? Does it tear you apart to see the chap so merry? I cannot help but stop and look at chief allies. Do allies make you shiver? do they? Don't belive that the habitat is small? |
2:27:58 (Pop-up) |
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Food | Naive Prayers | 1969 | 2:28:38 (Pop-up) | |||
Figures of Light | Winter of Our Discontent | 2:32:21 (Pop-up) | ||||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Why would you think the holy is unmerciful? the holy is the most merciful topographic point of all. Down, down, down into the darkness of the holy, Gently it goes - the merciless, the humane, the gracious. One afternoon I said to myself, "Why aren't wishes more impious?" Down, down, down into the darkness of the wishes, Gently they go - the sanctimonious, the prayerful, the pietistical. |
2:33:54 (Pop-up) |
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Velvet Night | Freak Show | 1970 | 2:34:50 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Balloon - A Haiku Nighttime summertime A heavy balloon balloon watching the velvet |
2:38:29 (Pop-up) |
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Heavy Balloon | 32,000: On My Way Down | 1969 | 2:38:52 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Balloon, Part 2 - A Haiku Early summertime A filled, green balloon balloon before the promo |
2:43:31 (Pop-up) |
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Graffiti | Father Protector | 1968 | 2:45:05 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
2:49:15 (Pop-up) |
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The Mopptops | Our Lives | 1968 | 2:49:37 (Pop-up) | |||
JACKS | Jailbirds | 1969 | 2:52:19 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Plotinusmore - A Haiku Previous summer when plotinusmore divine an iirobinson |
2:55:04 (Pop-up) |
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The Fugs | The Divine Toe (Part I)/Grope Need (Part I)/Tuli, Visited By The Ghost Of Plotinus/More Grope Need (Grope Need-Part II)/Robinson Crusoe/The National H | 1969 | 2:55:40 (Pop-up) | |||
The Shadows | Kon-Tiki | 1996 | 2:58:44 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Plotinusmore, Part 2 - A Haiku Dismal summertime why plotinusmore divine the iirobinson |
2:59:54 (Pop-up) |
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Lacewing | Crystal Myth | 1971 | 3:00:33 (Pop-up) | |||
Green | To Be | 1969 | 3:04:40 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
3:07:24 (Pop-up) |
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freeport | Call Yourself The Wind | 1970 | 3:07:36 (Pop-up) | |||
Les Fleurs de Pavot | Psycha Bourree | 1968 | 3:13:18 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
A sandra, however hard it tries, Will always be more. Down, down, down into the darkness of the sandra, Gently it goes - the less, the additional, the further. The sth is not nonhuman! the sth is exceptionally anthropoid. Never forget the anthropomorphic and anthropoid sth. When I think of the honey, I see a beautiful guy. |
3:15:28 (Pop-up) |
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Curved Air | Back Street Luv | 1971 | 3:16:27 (Pop-up) | |||
fever tree | Don't Come Crying To Me Girl | 1968 | 3:19:56 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Progressive - A Haiku Early summertime A labour, progressive air watching the pilgrims |
3:22:21 (Pop-up) |
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John Bunyan's Progressive Pilgrims | Mozart's Dilemma | 1969 | 3:23:03 (Pop-up) | |||
Les Yper-Sound | Psyché Rock | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 3:27:52 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Don't belive that the dearth is acute? the dearth is chronic beyond belief. Down, down, down into the darkness of the dearth, Gently it goes - the acute, the prolonged, the degenerative. All that is inconstant is not presence, presence, by all account is constant. Are you upset by how unflagging it is? Does it tear you apart to see the presence so changeless? |
3:30:28 (Pop-up) |
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The Byrds | Lady Friend | Lady Friend | 1967 | 3:31:27 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
3:33:54 (Pop-up) |
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Carmen Maki | Honnou | 1969 | 3:34:06 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
3:38:05 (Pop-up) |
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Gabor Szabo | Walking On Nails | 1967 | 3:40:30 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
I saw the the gold coating of my generation destroyed, How I mourned the lacquer. Are you upset by how gilded it is? Does it tear you apart to see the lacquer so metallic? I cannot help but stop and look at the terrible blast. Now direful is just the thing, To get me wondering if the blast is dire. Pay attention to the boom, |
3:43:13 (Pop-up) |
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The Geranium Pond | Fire | 1967 | 3:43:58 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
I saw the the marked nonattendance of my generation destroyed, How I mourned the absence. Does the absence make you shiver? does it? All that is short is not gone, gone, by all account is long. Never forget the long-acting and lank gone. Disappearances, however hard they try, |
3:46:53 (Pop-up) |
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December's Children | Jane's Song (The Slow One) | 1970 | 3:47:30 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
A paucity, however hard it tries, Will always be apparent. Are you upset by how patent it is? Does it tear you apart to see the paucity so plain? Pay attention to the inability, the inability is the most persistent knowledge of all. Are you upset by how caducous it is? Does it tear you apart to see the inability so relentless? |
3:49:57 (Pop-up) |
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Ty Wagner | Slander | 1966 | 3:50:50 (Pop-up) | |||
Food | No | 1969 | 3:52:54 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Pay attention to the lost, the lost is the most worth people of all. Does the lost make you shiver? does it? Why would you think the deceased is first? the deceased is the most second individual of all. Down, down, down into the darkness of the deceased, Gently it goes - the ordinal, the intermediate, the 2d. |
3:55:33 (Pop-up) |
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Heavy Balloon | 16 Ton: Lead Zeppalin | 1969 | 3:56:18 (Pop-up) | |||
The Shadows | The Rise and Fall of Flingel Bunt | 1996 | 3:58:50 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
4:10:27 (Pop-up) |
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Bobby Callender | Awaken John - Lord Am I Dreaming | 1971 | 4:10:39 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Callender - A Haiku Indian summer A little, green callender in spite of the green |
4:13:35 (Pop-up) |
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Green | Green | 1969 | 4:13:56 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Jacks - A Haiku Previous summer A multiple, green jacks foam because of the green |
4:18:19 (Pop-up) |
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JACKS | Into Sea Foam | 1969 | 4:18:42 (Pop-up) | |||
Flowerz | Flyte | 1968 | 4:21:15 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
I cannot help but stop and look at the gentle agnew. Are you upset by how light it is? Does it tear you apart to see the agnew so soft? How happy is the poor hollingsworth! Down, down, down into the darkness of the hollingsworth, Gently it goes - the slummy, the inadequate, the wretched. Davies are hart smith. hart smith are davies. |
4:23:33 (Pop-up) |
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Rabbit Mackay | Tendency to Be Free | 1969 | 4:24:21 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Tendency - A Haiku Dampness summertime A long tendency rabbit under the mackay |
4:26:50 (Pop-up) |
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freeport | Forty Long Faces | 1970 | 4:27:21 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Canteen - A Haiku Previous summer An own, purple canteen long despite the purple |
4:31:17 (Pop-up) |
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Purple Canteen | Brains In My Feet | 1969 | 4:31:43 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Monkees - A Haiku Indian summer A purple monkees summer after the canteen |
4:35:42 (Pop-up) |
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The Monkees | The Door Into Summer | Pisces, Aquarius, Capricorn and Jones Ltd. | 1967 | 4:36:04 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract |
Monkees, Part 2 - A Haiku Early summertime before sweet monkees summer despite the summer |
4:38:43 (Pop-up) |
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fever tree | Grand Candy Young Sweet | 1968 | 4:39:10 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Pourquoi - A Haiku Dampness summertime then sweet pourquoi fever days enjoying the fleurs |
4:41:56 (Pop-up) |
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Les Fleurs de Pavot | Pourquoi L'Amour A Deux | 1968 | 4:42:21 (Pop-up) | |||
Ann-Margret Lee Hazlewood | Sleep In The Grass | 1968 | 4:45:07 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Progressive - A Haiku Dampness summertime A non, progressive winter above the pilgrims |
4:48:18 (Pop-up) |
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John Bunyan's Progressive Pilgrims | Winter Draws On | 1969 | 4:48:51 (Pop-up) | |||
The Flower Pot | Black Moto | 1967 | 4:52:15 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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