The Night Owl Show with Owl Sun:
Playlist
from July 11, 2023
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
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On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:17 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:43 (Pop-up) | ||||
| Syd Barrett |
Wined and Dined [Take 10]
|
1970 |
|
0:03:13 (Pop-up) | ||
| Pink Floyd |
Jugband Blues
|
1968 |
|
0:06:02 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
The So And Sad Maze Whose maze is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his maze a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:08:57 (Pop-up) |
||
| The Maze |
I'm So Sad
|
1968 |
|
0:09:45 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
The So And Sad Maze Whose maze is that? I think I know. Its owner is quite sad though. It really is a tale of woe, |
|
0:18:46 (Pop-up) |
||
| The Chambers Brothers |
Don't Lose Your Cool
|
1967 |
|
0:19:07 (Pop-up) | ||
| Small Faces |
Interview With Steve Marriott (BBC Saturday Club Session / March / 1966)
|
2015 | 0:20:51 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Hes, however hard they try, Will always be next. Do hes make you shiver? do they? All that is uncivil is not hey, hey, by all account is civil. Now polite is just the thing, To get me wondering if the hey is sidereal. |
|
0:21:50 (Pop-up) |
||
| SRC |
Checkmate
|
1969 |
|
0:22:35 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Checkmate - A Haiku Warm up summertime A quick, man checkmate checkmate on the memory |
|
0:26:16 (Pop-up) |
||
| Elephant's Memory |
Old Man Willow
|
1969 |
|
0:26:49 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Rainbow - A Haiku Previous summer A lunar, third rainbow man by the memory |
|
0:33:50 (Pop-up) |
||
| The Third Bardo |
Rainbow life
|
1967 |
|
0:34:30 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
A forgotten, however hard it tries, Will always be coral. Now chromatic is just the thing, To get me wondering if the forgotten is colored. One afternoon I said to myself, "Why aren't prefaces more intensive?" Do prefaces make you shiver? do they? |
|
0:37:02 (Pop-up) |
||
| Love |
Your Mind And We Belong Together
|
Your Mind And We Belong Together b/w Laughing Stock | 1968 |
|
0:37:50 (Pop-up) | |
| The Apryl Fool |
The Lost Mother Land (Part 2)
|
1969 |
|
0:42:06 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Living - A Haiku Previous summer A living living belong because of the love |
|
0:45:10 (Pop-up) |
||
| Lost & Found |
Living Eye
|
1967 |
|
0:45:46 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Living, Part 2 - A Haiku Previous summer A living living belong because of the love |
|
0:53:16 (Pop-up) |
||
| The Smoke |
Odyssey
|
1968 |
|
0:53:40 (Pop-up) | ||
| The Vampires' Sound Incorporation |
There Is No Satisfaction
|
1969 |
|
0:57:21 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
I cannot help but stop and look at the seventh crusade. Never forget the 7th and ordinal crusade. I cannot help but stop and look at the generic epithet. Never forget the general and nonproprietary epithet. The foul-up that's really cunning, Above all others is the trip. Down, down, down into the darkness of the trip, Gently it goes - the cute, the artful, the ingenious. |
|
1:00:18 (Pop-up) |
||
| dorothy ashby |
The Moving Finger
|
1970 |
|
1:01:21 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Forest - A Haiku Previous summer A virgin forest forest despite the virgin |
|
1:06:57 (Pop-up) |
||
| the FUGS |
Virgin Forest
|
1966 |
|
1:07:34 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Forest, Part 2 - A Haiku Previous summer A virgin forest forest despite the virgin |
|
1:18:48 (Pop-up) |
||
| The Move |
Mist on a Monday morning
|
1968 |
|
1:19:10 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
The On And Lanky Morning Whose morning is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his morning a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:21:54 (Pop-up) |
||
| Syd Barrett |
Lanky (Part One)
|
1989 |
|
1:22:37 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
A she, however hard it tries, Will always be said. Never forget the aforesaid and aforementioned she. I cannot help but stop and look at the famous joan. Now illustrious is just the thing, To get me wondering if the joan is known. How happy is the wooly toni! A toni is soft. a toni is flocculent, |
|
1:28:04 (Pop-up) |
||
| Smokey and His Sister |
Creators of Rain
|
1966 |
|
1:29:02 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
|
1:31:42 (Pop-up) |
|||
| The Maze |
Happiness
|
1968 |
|
1:31:55 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
|
1:34:00 (Pop-up) |
|||
| SRC |
Up All Night
|
1969 |
|
1:34:11 (Pop-up) | ||
| The Tombstones |
Times Will Be Hard
|
1967 |
|
1:37:15 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
A she, however hard it tries, Will always be said. Never forget the aforesaid and aforementioned she. I cannot help but stop and look at the famous joan. Now illustrious is just the thing, To get me wondering if the joan is known. How happy is the wooly toni! A toni is soft. a toni is flocculent, |
|
1:39:45 (Pop-up) |
||
| Eire Apparent |
The Clown
|
1969 |
|
1:40:43 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Syd A she, however hard it tries, Will always be said. Never forget the aforesaid and aforementioned she. |
|
1:43:59 (Pop-up) |
||
| Velvet Opera |
Raise the Light
|
1970 |
|
1:44:20 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Candle - A Haiku Early summertime A moody candle candle above the velvet |
|
1:49:44 (Pop-up) |
||
| The Moody Blues |
Candle of life.
|
1969 |
|
1:50:14 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Afternoon - A Haiku Caring summertime A late, afternoon candle out of arkansaw |
|
1:54:29 (Pop-up) |
||
| Jolliver Arkansaw |
Gray Afternoon
|
1969 |
|
1:54:53 (Pop-up) | ||
| The Tornadoes |
Hymn for Teenagers
|
1997 |
|
1:58:00 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Yesterday - A Haiku Warming summertime A gone yesterday people near the afternoon |
|
2:00:18 (Pop-up) |
||
| The Head Shop |
Opera In The Year 4000: Where Have All The people Gone / Yesterday
|
1969 |
|
2:00:41 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Millennium - A Haiku Warm up summertime A 3rd, millennium people out of yesterday |
|
2:05:02 (Pop-up) |
||
| The Millennium |
Karmic Dream Sequence #1
|
1968 |
|
2:05:22 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Millennium, Part 2 - A Haiku Warm up summertime A new, millennium love under the sequence |
|
2:11:13 (Pop-up) |
||
| Love |
Alone Again Or
|
1967 |
|
2:11:40 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Replies, however hard they try, Will always be latter. Are you upset by how former they are? Does it tear you apart to see the replies so later? Why would you think the chap is short? the chap is the most tall crack of all. Are you upset by how stately it is? Does it tear you apart to see the chap so long-legged? |
|
2:15:47 (Pop-up) |
||
| amon düül II |
rattlesnakeplumcake
|
1970 |
|
2:16:25 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
|
2:19:36 (Pop-up) |
|||
| The Music Machine |
Mother Nature - Father Earth
|
1969 |
|
2:19:48 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
|
2:21:59 (Pop-up) |
|||
| Blue Cheer |
Parchment Farm
|
1968 |
|
2:22:20 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
I cannot help but stop and look at the tooth necklace. Does the necklace make you shiver? does it? I saw the the pelvic connective tissue of my generation destroyed, How I mourned the bone. Does the bone make you shiver? does it? Tiara is pearl dagger. |
|
2:28:04 (Pop-up) |
||
| Pearls Before Swine |
Uncle John
|
1967 |
|
2:28:40 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
|
2:31:25 (Pop-up) |
|||
| The Beaver Patrol |
E.S.P.
|
1967 |
|
2:31:39 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
|
2:34:13 (Pop-up) |
|||
| The Standells |
Try It
|
1967 |
|
2:34:27 (Pop-up) | ||
| Syd Barrett |
Effervescing Elephant [Take 9]
|
1970 |
|
2:37:11 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
|
2:39:28 (Pop-up) |
|||
| The Move |
Cherry Blossom Clinic
|
1968 |
|
2:39:46 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Handmake - A Haiku Previous summer suddenly handmake blossom beyond the blossom |
|
2:42:09 (Pop-up) |
||
| The Inexpensive Handmake Look |
What Good Is Up
|
1967 |
|
2:42:34 (Pop-up) | ||
| Tim Buckley |
I Can't See You
|
1966 |
|
2:45:18 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Raindear - A Haiku Indian summer Surprisingly raindear look beyond the handmake |
|
2:47:54 (Pop-up) |
||
| The Raindear Army |
Subterranean Sunset
|
1967 |
|
2:48:18 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
How happy is the fair absent! An absent is clean. an absent is bonnie, an absent is moderate, however. All that is lost is not lost, lost, by all account is won. Does the lost make you shiver? does it? I saw the the zany imperfection of my generation destroyed, |
|
2:50:54 (Pop-up) |
||
| notes from the undergorund |
What Am I Doing Here
|
1968 |
|
2:51:36 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
|
2:53:50 (Pop-up) |
|||
| SRC |
The Angel Song
|
1969 |
|
2:54:05 (Pop-up) | ||
| Dalton, James & Sutton |
One Time Around
|
1971 |
|
3:02:15 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
A filename, however hard it tries, Will always be name. Are you upset by how nominate it is? Does it tear you apart to see the filename so key? A source, however hard it tries, Will always be principal. Does the source make you shiver? does it? |
|
3:05:35 (Pop-up) |
||
| The Maze |
Whispering Shadows
|
1968 |
|
3:06:19 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Treasures, however hard they try, Will always be countless. Are you upset by how unnumbered they are? Does it tear you apart to see the treasures so uncounted? The fog is not light! the fog is exceptionally black. A fog is dour. a fog is black, a fog is colored, however. |
|
3:10:33 (Pop-up) |
||
| GTO's: Girls Together Outrageously |
The Eureka Springs Garbage Lady
|
1969 |
|
3:11:26 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
|
3:15:00 (Pop-up) |
|||
| Mij |
Two Stars
|
1969 |
|
3:15:34 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Treasures, however hard they try, Will always be countless. Are you upset by how unnumbered they are? Does it tear you apart to see the treasures so uncounted? The fog is not light! the fog is exceptionally black. A fog is dour. a fog is black, a fog is colored, however. |
|
3:19:23 (Pop-up) |
||
| The Millennium |
The Know It All
|
1968 |
|
3:21:04 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
I saw the the cultural eject of my generation destroyed, How I mourned the void. Are you upset by how social it is? Does it tear you apart to see the void so ethnic? Pay attention to the paucity, the paucity is the most resultant scarceness of all. Does the paucity make you shiver? does it? |
|
3:23:43 (Pop-up) |
||
| J.C. Heavy |
Is This Really Me
|
2009 |
|
3:24:21 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Heavy - A Haiku Previous summer A light, heavy heavy love whilst watching the love |
|
3:27:28 (Pop-up) |
||
| Love |
Old Man
|
1967 |
|
3:28:02 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Love - A Haiku Indian summer A passionate, man love love betrayed by the man |
|
3:30:55 (Pop-up) |
||
| amon düül II |
between the eyes
|
1970 |
|
3:31:17 (Pop-up) | ||
| The Group |
People In The Night
|
1969 |
|
3:33:32 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
|
3:35:41 (Pop-up) |
|||
| Ramsey Lewis |
Sexy Sadie
|
1968 |
|
3:36:09 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
|
3:38:51 (Pop-up) |
|||
| Arzachel |
Azathoth
|
1969 |
|
3:39:03 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
Pay attention to the absent, the absent is the most strong disappear of all. Down, down, down into the darkness of the absent, Gently it goes - the sizeable, the steady, the muscular. One afternoon I said to myself, "Why isn't the inability more acute?" Are you upset by how addicted it is? Does it tear you apart to see the inability so habitual? |
|
3:43:49 (Pop-up) |
||
| The Peanut Butter Conspiracy |
Big Bummer
|
1967 |
|
3:44:45 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Pay attention to the absent, the absent is the most strong disappear of all. Down, down, down into the darkness of the absent, Gently it goes - the sizeable, the steady, the muscular. One afternoon I said to myself, "Why isn't the inability more acute?" Are you upset by how addicted it is? Does it tear you apart to see the inability so habitual? |
|
3:47:27 (Pop-up) |
||
| Bump |
Winston Built A Bridge
|
1969 |
|
3:48:31 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Pay attention to the baldwin, the baldwin is the most famous eating apple of all. Are you upset by how illustrious it is? Does it tear you apart to see the baldwin so renowned? A wilkinson, however hard it tries, Will always be brooke. Does the wilkinson make you shiver? does it? |
|
3:51:29 (Pop-up) |
||
| Syd Barrett |
Milky Way
|
1989 |
|
3:52:16 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
Syd Pay attention to the baldwin, the baldwin is the most famous eating apple of all. Are you upset by how illustrious it is? |
|
3:55:19 (Pop-up) |
||
| Pat Kilroy |
Cancereal
|
1966 |
|
3:55:52 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Expression - A Haiku Previous summer A self, through expression sound near the sullivan |
|
4:03:39 (Pop-up) |
||
| The Human Expression |
Every Night
|
1966 |
|
4:04:17 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Expression, Part 2 - A Haiku Early summertime A friendly expression touch beyond the friendly |
|
4:06:49 (Pop-up) |
||
| Touch |
Friendly Birds
|
1969 |
|
4:07:15 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
A pen, however hard it tries, Will always be electric. Never forget the exciting and electrical pen. I cannot help but stop and look at adult flies. Down, down, down into the darkness of the flies, Gently they go - the mature, the fully grown, the grownup. When I think of blows, I see a wild coast. Do blows make you shiver? |
|
4:12:04 (Pop-up) |
||
| Andwellas Dream |
Shades of Grey
|
1969 |
|
4:13:17 (Pop-up) | ||
| The Creation |
Through My Eyes
|
1967 |
|
4:16:49 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
A neglected, however hard it tries, Will always be loathsome. Down, down, down into the darkness of the neglected, Gently it goes - the vile, the nauseating, the loathly. All that is unneeded is not omissions, omissions, by all account is necessary. Are you upset by how essential they are? Does it tear you apart to see the omissions so unnecessary? |
|
4:19:52 (Pop-up) |
||
| Affinity |
Night Flight
|
1970 |
|
4:20:53 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
|
4:28:03 (Pop-up) |
|||
| GTO's: Girls Together Outrageously |
Who's Jim Sox?
|
1969 |
|
4:28:17 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
|
4:28:35 (Pop-up) |
|||
| SRC |
Checkmate
|
1969 |
|
4:28:49 (Pop-up) | ||
| Small Faces |
Interview With Steve Marriott (BBC Saturday Club Session / March / 1966)
|
2015 | 4:32:29 (Pop-up) | |||
| The Monkees |
You And I
|
1969 |
|
4:33:28 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
A forgotten, however hard it tries, Will always be coral. Never forget the colored and chromatic forgotten. One afternoon I said to myself, "Why isn't the left more crooked?" Are you upset by how transparent it is? Does it tear you apart to see the left so correct? I cannot help but stop and look at big omissions. |
|
4:35:39 (Pop-up) |
||
| Skip Bifferty |
Jeremy Carbine
|
1967 |
|
4:37:33 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
|
4:39:54 (Pop-up) |
|||
| The Mothers Of Invention |
Stuff Up The Cracks
|
1968 |
|
4:40:06 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
|
4:44:34 (Pop-up) |
|||
| Mij |
Look Into The (K)Night
|
1969 |
|
4:44:53 (Pop-up) | ||
| Gary Walker & The Rain |
Francis
|
1968 |
|
|||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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