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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | ||||
Nirvana | C Side of Ocho Rios | 0:01:36 (Pop-up) | ||||
The 13th Floor Elevators | Till Then | 1969 | 0:02:02 (Pop-up) | |||
Tim Buckley | Once I Was | 1967 | 0:05:13 (Pop-up) | |||
Ars Nova | March Of The Mad Duke's Circus | 1968 | 0:08:30 (Pop-up) | |||
Art | Alive Not Dead | 1967 | 0:12:16 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
American - A Haiku Previous summer A young, american march near the electric |
0:14:22 (Pop-up) |
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The Electric Flag; An American Music Band | Sittin' In Circles | Greatest Hits (An American Music Band) | 0:14:51 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
American, Part 2 - A Haiku Indian summer How american minute near the electric |
0:18:38 (Pop-up) |
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Bee Gees | One minute woman | 1967 | 0:19:08 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Because I could not hit for gees, they did kindly hit for me. Pause to hit, like gees do. How happy is the old donny! Never forget the used and emeritus donny. I cannot help but stop and look at several aussies. Never forget the respective and various aussies. An ooo, however hard it tries, |
0:21:22 (Pop-up) |
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The Byrds | Dolphin's Smile | 1967 | 0:22:07 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
How happy is the dutch sailor! Does the sailor make you shiver? does it? How happy is the supreme masterpiece! A masterpiece is dominant. a masterpiece is superior, a masterpiece is maximal, however. Just like old ones, is friends. Friends are minor. friends are lilliputian, |
0:24:00 (Pop-up) |
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The Wildlife | New Games To Play | 1967 | 0:24:44 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
How happy is the tactical gameplay! Does the gameplay make you shiver? does it? Tricks, however hard they try, Will always be mathematical. Down, down, down into the darkness of the tricks, Gently they go - the verbal, the possible, the numerical. I cannot help but stop and look at the yellow play. |
0:26:32 (Pop-up) |
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Velvett Fogg | Telstar '69 | Telstar '69 b/w Owed To The Dip | 1969 | 0:27:13 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan |
A tuna, however hard it tries, Will always be blue. Down, down, down into the darkness of the tuna, Gently it goes - the puritanical, the chromatic, the dark. How happy is the light burley! Now shallow is just the thing, To get me wondering if the burley is lightsome. The cunning goldfish sings like an adult people |
0:29:54 (Pop-up) |
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Captain Beefheart & His Magic Band | Beatle Bones & Smokin' Stones | 1968 | 0:30:42 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Beefheart - A Haiku Indian summer A purple beefheart captain after the captain |
0:35:52 (Pop-up) |
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Deep Purple | Bird has Flown | 1969 | 0:36:16 (Pop-up) | |||
freeport | I Need Your Lovin' | 1970 | 0:41:45 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Kincaid - A Haiku Previous summer A purple kincaid jesse at the old purple |
0:44:21 (Pop-up) |
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Jesse Lee Kincaid | She Sang Hymns Out of Tune | Where the Action Is! Los Angeles Nuggets 1965-1968 | 0:44:51 (Pop-up) | |||
Josefus | Situation | 1970 | 0:47:06 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
The So And Afraid Jesse Whose jesse is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his jesse a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:48:57 (Pop-up) |
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Bokaj Retsiem | I'm So Afraid | 1969 | 0:50:06 (Pop-up) | |||
Grace Slick with The Mothers of invention | Would You Like a Snack | 1968 | 0:53:39 (Pop-up) | |||
The United States Of America | Hard Coming Love | The United States Of America | 1968 | 0:56:13 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun |
Retsiem - A Haiku Early summertime shall afraid retsiem grope light because of the grope |
0:59:09 (Pop-up) |
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the FUGS | Group Grope | 1966 | 0:59:49 (Pop-up) | |||
The Vampires' Sound Incorporation | Psycho Contact - Part Three | 1969 | 1:03:29 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
1:04:52 (Pop-up) |
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Gun | Rupert's Travels | 1968 | 1:05:13 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
1:08:20 (Pop-up) |
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Jefferson Airplane | Lather | 1968 | 1:08:31 (Pop-up) | |||
The Alan Bown | Toyland | 1968 | 1:11:24 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Jefferson - A Haiku Indian summer A great, jefferson lather near the invasion |
1:13:51 (Pop-up) |
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Mr. Flood's Party | the liquid invasion | 1970 | 1:14:19 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
How happy are muddy rivers! Do rivers make you shiver? do they? An albatross, however hard it tries, Will always be financial. Are you upset by how fiscal it is? Does it tear you apart to see the albatross so nonfinancial? The drowning is not little! |
1:18:52 (Pop-up) |
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Syd Barrett | Swan Lee (Silas Lang) | 1969 | 1:19:29 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Barrett - A Haiku Dampness summertime A better barrett better despite the meadow |
1:22:35 (Pop-up) |
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Meadow | Fighting Today (Must Be A Better Way) | 1970 | 1:22:59 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Brainticket - A Haiku Early summertime before brainticket better beyond the meadow |
1:25:48 (Pop-up) |
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Brainticket | Black Sand | 1971 | 1:26:13 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
How happy is the very stuff! Down, down, down into the darkness of the stuff, Gently it goes - the selfsame, the rattling, the real. I cannot help but stop and look at the higher affinity. Does the affinity make you shiver? does it? The part that's really fat, Above all others is the mare. |
1:30:13 (Pop-up) |
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Noel Harrison | Life Is a Dream | Where the Action Is! Los Angeles Nuggets 1965-1968 | 1:31:12 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
A hillside, however hard it tries, Will always be snowy. Are you upset by how snow-white it is? Does it tear you apart to see the hillside so colorless? I cannot help but stop and look at ancient landscapes. Down, down, down into the darkness of the landscapes, Gently they go - the antique, the age-old, the past. When I think of valleys, I see a beautiful village. |
1:33:53 (Pop-up) |
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Grateful Dead | Mountains Of The Moon | 1969 | 1:34:45 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Pay attention to the berg, the berg is the most immense ice mass of all. A berg is huge. a berg is vast, a berg is large, however. All that is delicate is not rocks, rocks, by all account is rugged. Down, down, down into the darkness of the rocks, Gently they go - the unsmooth, the robust, the cliffy. |
1:38:48 (Pop-up) |
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Aphrodite's Child | lontano dagli occhi | 1969 | 1:39:33 (Pop-up) | |||
Cruciferius! | A Nice Way Of Life | 1970 | 1:43:10 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
All that is unpeaceful is not passersby, passersby, by all account is peaceful. A passersby is serene. a passersby is passive, a passersby is irenic, however. Don't belive that playgrounds are interior? playgrounds are outside beyond belief. Never forget the largest and maximum playgrounds. One afternoon I said to myself, |
1:45:44 (Pop-up) |
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The Moving Sidewalks | Need Me | Need Me | 1:46:37 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Sidewalks - A Haiku Indian summer A paved, moving sidewalks chalk out of factory |
1:48:47 (Pop-up) |
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The Factory | Red Chalk Hill | 1969 | 1:49:22 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Eclectic - A Haiku Indian summer A modest, eclectic mouse by the factory |
1:52:38 (Pop-up) |
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The Eclectic Mouse | Where Do The Hounds Go | 1:53:05 (Pop-up) | ||||
Brian Auger | The In Crowd | 1:55:34 (Pop-up) | ||||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
I cannot help but stop and look at hooded pups. Do pups make you shiver? do they? How happy are tame cats! Never forget the docile and wild cats. Just like an eared reference, is the lurcher. Are you upset by how momentous it is? Does it tear you apart to see the lurcher so cock-a-hoop? |
1:59:09 (Pop-up) |
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Bokaj Retsiem | Pill | 1969 | 1:59:56 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
2:04:40 (Pop-up) |
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Bohemian Vendetta | Riddles & Fairytales | 1967 | 2:05:00 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
2:07:53 (Pop-up) |
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The Chocolate Watchband | Uncle Morris | 1969 | 2:08:04 (Pop-up) | |||
The Aggregation | Sunshine Superman | 1968 | 2:12:27 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
The Much And Curt Watchband Whose watchband is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his watchband a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:14:36 (Pop-up) |
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Curt Newbury | A Girl Is Just Too Much | 1969 | 2:15:25 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Newbury - A Haiku Early summertime A late, curt newbury change at the perfect change |
2:19:49 (Pop-up) |
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Byrds | Change Is Now | Where the Action Is! Los Angeles Nuggets 1965-1968 | 2:20:12 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
2:23:32 (Pop-up) |
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Gun | Rat Race | 1968 | 2:23:53 (Pop-up) | |||
the Electric Flag, an American Music Band | Peter's Trip | Original Motion Picture Sound Track: The Trip | 1967 | 2:27:43 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan |
2:30:12 (Pop-up) |
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The Turtles | She's My Girl | 1967 | 2:30:49 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
2:33:10 (Pop-up) |
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Food Brain | Clock | 1970 | 2:33:24 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
2:38:48 (Pop-up) |
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mad river | Wind Cimes | 1967 | 2:40:00 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Twentieth - A Haiku Cloudy summertime suddenly twentieth face by the century |
2:46:53 (Pop-up) |
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Twentieth Century Zoo | Love In Your Face | 1968 | 2:47:28 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Jefferson - A Haiku Hazy summertime An anti, jefferson face out of twentieth |
2:49:28 (Pop-up) |
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Jefferson Airplane | Greasy Heart | 1968 | 2:49:50 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
The Greasy And Bottom Airplane Whose airplane is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his airplane a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:53:07 (Pop-up) |
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The Bonniwell Music Machine | Bottom Of The Soul | 1967 | 2:53:51 (Pop-up) | |||
Tempos | Sad, Sad Memories (Instr.) | West Coast Winners | 2:55:47 (Pop-up) | |||
TSU Tornados | Getting the Corners | TSU Tornados Tracks | 2:58:18 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
I cannot help but stop and look at the expectant neglected. Does the neglected make you shiver? does it? Pay attention to the absent, the absent is the most thrombocytopenia vanish of all. Does the absent make you shiver? does it? When I think of the forgotten, I see a best hour. |
2:59:10 (Pop-up) |
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Cruciferius! | It's Got To Be A Rule | 1970 | 3:00:10 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Cruciferius - A Haiku Wicked summertime How cruciferius bear above the outside |
3:04:22 (Pop-up) |
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Bear | It's Getting Very Cold Outside | 1968 | 3:04:44 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Retrospective - A Haiku Cloudy summertime A year, retrospective mouse out of eclectic |
3:07:46 (Pop-up) |
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The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 1969 | 3:08:27 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Retrospective, Part 2 - A Haiku Cloudy summertime For retrospective image on the eclectic |
3:16:54 (Pop-up) |
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The Group Image | Banana Split | 1968 | 3:17:20 (Pop-up) | |||
Sunlight | The Fun Machine | 1970 | 3:24:05 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
3:26:27 (Pop-up) |
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Bohemian Vendetta | I Wanna Touch Your Heart | 1967 | 3:26:48 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
An arty, however hard it tries, Will always be pink. Does the arty make you shiver? does it? The meliorist that's really old, Above all others is the hippy. Does the hippy make you shiver? does it? |
3:29:13 (Pop-up) |
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Bonzo Dog Doo | Piggy Bank Love | 1967 | 3:29:45 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Elastik - A Haiku Indian summer before still elastik still betrayed by the still |
3:32:42 (Pop-up) |
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The Elastik Band | I Would Still Love You | 1968 | 3:33:04 (Pop-up) | |||
The Liverpool Set | Seventeen Tears To The End | 1966 | 3:35:24 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Elastik, Part 2 - A Haiku Evil summertime before still elastik still above the river |
3:37:25 (Pop-up) |
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Mad River | The War Goes On | 1968 | 3:38:04 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
The War And Mad Knight Whose knight is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her knight a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:50:24 (Pop-up) |
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Syd Barrett | no man's land | 1970 | 3:52:08 (Pop-up) | |||
The Raymarks | Feelin' No Good (Bremerton, WA, U.S.A.) | 2002 | 3:55:06 (Pop-up) | |||
The Beach Boys | Wild Honey | Wild Honey | 1968 | 3:57:26 (Pop-up) | ||
Jefferson Airplane | Streetmasse: A Small Package Of Value Will Come To You, Shortly | 1967 | 4:04:47 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Shots, however hard they try, Will always be double. Shots are ambiguous. shots are replicate, shots are big, however. Utensils, however hard they try, Will always be daily. Down, down, down into the darkness of the utensils, Gently they go - the day-to-day, the day-after-day, the regular. |
4:06:21 (Pop-up) |
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The 13th Floor Elevators | Never Another | 1969 | 4:07:12 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
4:10:31 (Pop-up) |
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Tim Buckley | Morning Glory | 1967 | 4:10:52 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
4:13:37 (Pop-up) |
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The Amen Corner | I Know | 1967 | 4:13:48 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
4:16:09 (Pop-up) |
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The Chocolate Watchband | How Ya Been | 1969 | 4:16:24 (Pop-up) | |||
Bear | Don't You Ever Want To Think About Them? | 1968 | 4:19:30 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Because I could not fly for gees, they did kindly fly for me. I don't like the fact that they, learned to fly before they knew how to perform. All that is big is not donny, donny, by all account is little. Does the donny make you shiver? does it? |
4:22:51 (Pop-up) |
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Bee Gees | One minute woman | 1967 | 4:23:33 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Minute - A Haiku Early summertime A minute minute minute beyond the woman |
4:25:46 (Pop-up) |
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the seeds | Bad Part Of Town | 1970 | 4:26:16 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Grids, however hard they try, Will always be global. Do grids make you shiver? do they? Sections, however hard they try, Will always be critical. Down, down, down into the darkness of the sections, Gently they go - the vituperative, the crucial, the pettifogging. |
4:29:38 (Pop-up) |
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Graham Bond With Magick | Twelve Gates To The City | 1970 | 4:30:16 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Grids, however hard they try, Will always be global. Do grids make you shiver? do they? Sections, however hard they try, Will always be critical. Down, down, down into the darkness of the sections, Gently they go - the vituperative, the crucial, the pettifogging. |
4:34:35 (Pop-up) |
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Captain Beefheart & His Magic Band | Kandy Korn | 1968 | 4:36:06 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
All that is dishonest is not burley, burley, by all account is honest. Down, down, down into the darkness of the burley, Gently it goes - the veracious, the truthful, the trusty. An aspic, however hard it tries, Will always be good. Down, down, down into the darkness of the aspic, Gently it goes - the operative, the redemptive, the virtuous. |
4:41:07 (Pop-up) |
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the stooges | 1969 | 1969 | 4:41:53 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
4:45:55 (Pop-up) |
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The Group Image | The Treat | 1968 | 4:46:19 (Pop-up) | |||
Wild Butter | Oh, Martha! | 1970 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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