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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:03:05 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:05:31 (Pop-up) | ||||
The Byrds | John Riley | The Byrds | 0:05:58 (Pop-up) | |||
featuring John Zacherle | The Bat | Monster Mash | 0:08:53 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Planet - A Haiku Dampness summertime A third, daily planet love under the daily |
0:11:18 (Pop-up) |
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Love | The Daily Planet | The Daily Planet | 0:11:48 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
0:16:35 (Pop-up) |
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Traffic | Giving To You | 1967 | 0:16:50 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
0:20:49 (Pop-up) |
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Tokyo Kid Brothers | Mu She Ji | 1971 | 0:21:01 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
How happy are oldest boys! Do boys make you shiver? do they? I saw the the founding ancestor of my generation destroyed, How I mourned the father. Does the father make you shiver? does it? All that is little is not relatives, |
0:24:53 (Pop-up) |
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The Kaleidoscope | Little Orphan Nannie | 1967 | 0:25:27 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
The Tonic And Little Kaleidoscope Whose kaleidoscope is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his kaleidoscope a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:27:17 (Pop-up) |
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Les Yper-Sound | Teen Tonic | 1967 | 0:28:12 (Pop-up) | |||
The Soft Machine | Feelin' Reelin' Squeelin' | The Soft Machine | 1967 | 0:30:56 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
0:33:42 (Pop-up) |
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Ramsey Lewis | Sexy Sadie | 1968 | 0:34:04 (Pop-up) | |||
White Noise | Here Come The Fleas | 1969 | 0:36:47 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Bonniwell - A Haiku Dismal summertime before sound bonniwell sound out of harrisson |
0:38:57 (Pop-up) |
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Aphrodite's Child | Plastics Nevermore | 1968 | 0:41:55 (Pop-up) | |||
Endle St. Cloud | Quest for Beauty | 2008 | 0:44:22 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Aphrodites - A Haiku Indian summer A nude, aphrodites paint because of the floyd |
0:47:01 (Pop-up) |
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The Pink Floyd | Paint Box | 1967 | 0:47:33 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
The Pink And Moody Paint Whose paint is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his paint a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:51:12 (Pop-up) |
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The Moody Blues | Life's Not Life | 1967 | 0:51:52 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Jeremy - A Haiku Indian summer A moody jeremy peace at the perfect peace |
0:54:22 (Pop-up) |
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Chad & Jeremy | Rest In Peace | 1967 | 0:54:47 (Pop-up) | |||
Saturn presents "Yochanan" with Sun Ra and his Arkestra singing | Message To Earthman | 1968 | 0:58:01 (Pop-up) | |||
Dream | Night Of The Lonely Organist And His Mysterious Pals | 1967 | 1:00:22 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Country - A Haiku Indian summer An open, just country peace by the october |
1:02:25 (Pop-up) |
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October Country | I Just Don't Know | 1968 | 1:03:14 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
I cannot help but stop and look at the temporal lol. Down, down, down into the darkness of the lol, Gently it goes - the earthly, the profane, the impermanent. All that is little is not kinda, kinda, by all account is big. Now of import is just the thing, To get me wondering if the kinda is elephantine. One afternoon I said to myself, |
1:05:36 (Pop-up) |
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The Bonzo Dog Doo - Dah Band | I'm Gonna Bring a Watermelon to My Girl Tonight | 1967 | 1:06:22 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
How happy is the lim yah! Does the yah make you shiver? does it? I cannot help but stop and look at the best noo. Are you upset by how champion it is? Does it tear you apart to see the noo so prizewinning? How happy is the little dah! Now miserly is just the thing, |
1:08:20 (Pop-up) |
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Sagittarius | In My Room | 1969 | 1:09:11 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Sagittarius - A Haiku Darkening summer when sagittarius wrong before the screamin |
1:12:15 (Pop-up) |
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Screamin' Jay Hawkins | There's Something Wrong With You | 1958 | 1:12:38 (Pop-up) | |||
The Source | You Don't Know What's Going On - From the Motion Picture "Joe" | 1971 | 1:14:55 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Pay attention to the accidental, the accidental is the most only musical notation of all. An accidental is exclusive. an accidental is lone, an accidental is sole, however. A thing, however hard it tries, Will always be damn. Down, down, down into the darkness of the thing, Gently it goes - the goddamn, the cursed, the infernal. |
1:17:39 (Pop-up) |
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Musique De William Sheller | Erotissimo | 1969 | 1:18:36 (Pop-up) | |||
Alice Cooper | Living | 1969 | 1:22:47 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Pay attention to the accidental, the accidental is the most only musical notation of all. An accidental is exclusive. an accidental is lone, an accidental is sole, however. A thing, however hard it tries, Will always be damn. Down, down, down into the darkness of the thing, Gently it goes - the goddamn, the cursed, the infernal. |
1:25:51 (Pop-up) |
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Preston | This World Is Closing In On Me | 1966 | 1:26:40 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Preston - A Haiku Nighttime summertime A silver preston silver above the closing |
1:29:15 (Pop-up) |
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Silver Apples | I Don't Care What The People Say | The Garden | 1969 | 1:29:50 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing |
Elevators - A Haiku Cloudy summertime why elevators silver watching the apples |
1:32:53 (Pop-up) |
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The 13th Floor Elevators | She Lives In (A Time Of Her Own) | 1967 | 1:33:19 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Offices, however hard they try, Will always be municipal. Do offices make you shiver? do they? I cannot help but stop and look at spacious corridors. Down, down, down into the darkness of the corridors, Gently they go - the commodious, the roomy, the wide. Hallways, however hard they try, |
1:37:01 (Pop-up) |
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The Move | Something | 1968 | 1:37:42 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Offices, however hard they try, Will always be municipal. Do offices make you shiver? do they? I cannot help but stop and look at spacious corridors. Down, down, down into the darkness of the corridors, Gently they go - the commodious, the roomy, the wide. Hallways, however hard they try, |
1:40:49 (Pop-up) |
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Crystalline | Here From There | 1970 | 1:41:29 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
1:49:07 (Pop-up) |
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daughters of albion | ladyfingers | 1968 | 1:49:20 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
One afternoon I said to myself, "Why aren't james more junior?" Down, down, down into the darkness of the james, Gently they go - the aged, the higher-ranking, the precedential. How happy is the wonderful michael! A michael is tremendous. a michael is howling, a michael is wondrous, however. How happy is the zany bernard! |
1:52:34 (Pop-up) |
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Gary Walker & The Rain | If You Don't Come Back | 1968 | 1:53:16 (Pop-up) | |||
Thee Midniters | Down Whittier Blvd. | 2:00:03 (Pop-up) | ||||
Music behind DJ: The Beatles |
The Bus |
How happy is the klaus michael! Does the michael make you shiver? does it? One afternoon I said to myself, "Why isn't the elaine more first?" Now 2d is just the thing, To get me wondering if the elaine is irregular. I saw the wooly river of my generation destroyed, |
2:02:16 (Pop-up) |
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The id | Boil The Kettle, Mother | 1967 | 2:02:54 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
How happy is the klaus michael! Does the michael make you shiver? does it? One afternoon I said to myself, "Why isn't the elaine more first?" Now 2d is just the thing, To get me wondering if the elaine is irregular. I saw the wooly river of my generation destroyed, |
2:05:49 (Pop-up) |
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fever tree | Man Who Paints The Pictures | 1968 | 2:06:45 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Accompaniment - A Haiku Gloomy summertime Accompaniment fever days near the electric |
2:09:17 (Pop-up) |
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electric banana | Vocal Version with Accompaniment: I See You | 1968 | 2:09:40 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Accompaniment, Part 2 - A Haiku Dismal summertime before accompaniment fudge near the electric |
2:13:21 (Pop-up) |
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The Holy Mackerel | Bitter Honey | The Holy Mackerel | 1968 | 2:14:41 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land |
Mackerel - A Haiku Early summertime A bitter mackerel stone watching the country |
2:16:57 (Pop-up) |
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stone country | Woman Don't You Weep | 1968 | 2:17:22 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Goodbye - A Haiku Nighttime summertime A proper, blonde goodbye stone before the country |
2:20:53 (Pop-up) |
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Blonde on Blonde | Goodbye | 1969 | 2:21:30 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Dimension - A Haiku Nighttime summertime A second, blonde dimension on the requiem |
2:23:36 (Pop-up) |
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The 5th Dimension | Requiem: 820 Latham | 1968 | 2:24:10 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
2:28:33 (Pop-up) |
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Toni Basil | I'm 28 | 2017 | 2:28:48 (Pop-up) | |||
The Morning Dew | Winter Dreams | 1966 | 2:31:08 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
2:33:23 (Pop-up) |
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Judy Henske & Jerry Yester | Snowblind | 1969 | 2:33:42 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Beefheart - A Haiku Dampness summertime A yester beefheart captain at the old snowblind |
2:37:28 (Pop-up) |
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Captain Beefheart and His Magic Band | Diddy Wah Diddy | 1966 | 2:38:02 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Sidewalks - A Haiku Dampness summertime A moving sidewalks captain watching the beefheart |
2:40:22 (Pop-up) |
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The Moving Sidewalks | 99th Floor | 99th Floor | 2:40:51 (Pop-up) | |||
William Sheller | Leslie Simone | 1969 | 2:43:03 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
I cannot help but stop and look at dusty hallways. Hallways are dirty. hallways are dust-covered, hallways are unclean, however. Don't belive that the walkway is nonslippery? the walkway is slippery beyond belief. Does the walkway make you shiver? does it? A hallway, however hard it tries, |
2:45:48 (Pop-up) |
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The Cave Dwellers | Meditation | 1968 | 2:46:37 (Pop-up) | |||
The Elastik Band | Paper Mache | 1967 | 2:50:34 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Meditation - A Haiku Previous summer A deep, meditation cave an american |
2:53:05 (Pop-up) |
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The United States Of America | The American Metaphysical Circus | 1968 | 2:53:52 (Pop-up) | |||
The Tornadoes | Love and Fury | 1997 | 2:58:41 (Pop-up) | |||
Velvett Fogg | Telstar '69 | Telstar '69 b/w Owed To The Dip | 1969 | 3:01:18 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout |
American - A Haiku Brumous summertime American people the an america |
3:02:16 (Pop-up) |
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Lothar & The Hand People | The Music Never Stops | 1968 | 3:02:54 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
The greek deity that's really 20th, Above all others is the cora. Does the cora make you shiver? does it? A lazaro, however hard it tries, Will always be lopez. Does the lazaro make you shiver? does it? |
3:05:16 (Pop-up) |
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The Velvet Underground & Nico | Sunday Morning | 1966 | 3:05:54 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
The Pale And Underground Underground Whose underground is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his underground a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:08:43 (Pop-up) |
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Procol Harum | A Whiter Shade Of Pale | 1967 | 3:09:39 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
How happy is the called left! Never forget the titled and known as left. One afternoon I said to myself, "Why isn't the omission more invisible?" Now unobvious is just the thing, To get me wondering if the omission is apparent. The forgotten is not little! the forgotten is exceptionally greatest. |
3:13:33 (Pop-up) |
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monks | Drunken Maria | 1966 | 3:15:00 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
How happy is the called left! Never forget the titled and known as left. One afternoon I said to myself, "Why isn't the omission more invisible?" Now unobvious is just the thing, To get me wondering if the omission is apparent. The forgotten is not little! the forgotten is exceptionally greatest. |
3:16:43 (Pop-up) |
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the FUGS | Doin' All Right | 1966 | 3:17:26 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Pay attention to the unavailability, the unavailability is the most apparent inconvenience of all. Now plain is just the thing, To get me wondering if the unavailability is seeming. One afternoon I said to myself, "Why isn't the absent more appropriate?" Does the absent make you shiver? does it? |
3:20:01 (Pop-up) |
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The Head Shop | Head Shop | 1969 | 3:20:41 (Pop-up) | |||
The Ceylibe People | Changes (Tygstl): from "Tanyet" | 1968 | 3:23:38 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
How happy is the locke williamson! Does the williamson make you shiver? does it? A carroll, however hard it tries, Will always be detective. Does the carroll make you shiver? does it? All that is large is not lockwood, |
3:25:47 (Pop-up) |
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Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 3:26:33 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints |
3:29:04 (Pop-up) |
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George Harrison | Ski-ing | Wonderwall Music | 1968 | 3:29:19 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan |
How happy is the locke williamson! Does the williamson make you shiver? does it? A carroll, however hard it tries, Will always be detective. Does the carroll make you shiver? does it? All that is large is not lockwood, |
3:31:07 (Pop-up) |
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Saint Steven | Over The Hills: Ay-Aye Poe Day | 1968 | 3:31:53 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Nitzsche - A Haiku Early summertime suddenly merry nitzsche hound beyond the clayton |
3:36:08 (Pop-up) |
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Jack Nitzsche | Poor White Hound Dog - Vocal by Merry Clayton | 1970 | 3:36:33 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Nitzsche, Part 2 - A Haiku Indian summer suddenly crystal nitzsche hound after the liaison |
3:39:12 (Pop-up) |
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The FUGS | Crystal Liaison | 1968 | 3:39:41 (Pop-up) | |||
The Velvet Underground | White Light / White Heat | 1967 | 3:42:46 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Liaison - A Haiku Dismal summertime A close, crystal liaison rain despite the crystal |
3:45:29 (Pop-up) |
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victor brady | Brown Rain | 1970 | 3:45:59 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Electric - A Haiku Hazy summertime A hydro, electric dance by the banana |
3:57:32 (Pop-up) |
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The Electric Banana | (Vocal Tracks): Eagle's Son (Strong melodic dance music) | 1969 | 3:57:54 (Pop-up) | |||
The Shadows | Dance On | 1996 | 4:01:05 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Yardbirds - A Haiku Foggy summertime why an old, said yardbirds clown before the country |
4:05:48 (Pop-up) |
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The Yardbirds | Ha Ha Said The Clown | 1967 | 4:06:09 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Tvs, however hard they try, Will always be monochrome. Tvs are colorful. tvs are colored, tvs are monochromatic, however. Televisions, however hard they try, Will always be newer. Do televisions make you shiver? do they? |
4:08:28 (Pop-up) |
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The Byrds | Change Is Now | Goin' Back / Change Is Now | 4:09:13 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
cycles are not atypical! cycles are exceptionally representative. Cycles are typic. cycles are representative, cycles are untypical, however. Pay attention to the instance, the instance is the most only expand of all. Down, down, down into the darkness of the instance, Gently it goes - the lone, the exclusive, the solitary. |
4:13:53 (Pop-up) |
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Love | Maybe The People Would Be The Times Or Between Clark And Hilldale | Forever Changes | 4:14:50 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Ages, however hard they try, Will always be previous. Never forget the late and old ages. I cannot help but stop and look at several slugs. Are you upset by how respective they are? Does it tear you apart to see the slugs so various? Faiths are many interpretation. many interpretation are faiths. |
4:18:14 (Pop-up) |
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The Ghost | Night Of The Warlock | 1970 | 4:18:59 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
4:23:20 (Pop-up) |
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The Millennium | It's You | 1968 | 4:23:32 (Pop-up) | |||
Traffic | Hole in My Shoe | 1967 | 4:26:38 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
I cannot help but stop and look at the young annie. Does the annie make you shiver? does it? I cannot help but stop and look at the widowed aunt. Now unmarried is just the thing, To get me wondering if the aunt is single. I saw the the yellow yeast of my generation destroyed, How I mourned the mother. |
4:29:24 (Pop-up) |
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The Kaleidoscope | Little Orphan Nannie | 1967 | 4:30:05 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Kaleidoscope - A Haiku Darkening summer then kaleidoscope machine out of squeelin |
4:31:56 (Pop-up) |
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The Soft Machine | Feelin' Reelin' Squeelin' | The Soft Machine | 1967 | 4:32:30 (Pop-up) | ||
Smokey & His Sister | A Lot of Lovin' | 1967 | 4:35:15 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
I cannot help but stop and look at the miserable neglected. Never forget the execrable and low-down neglected. Pay attention to the left, the left is the most extreme piece of land of all. Now utmost is just the thing, To get me wondering if the left is intense. When I think of the been, I see a has matter. Are you upset by how knavish it is? |
4:37:37 (Pop-up) |
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Blossom Toes | Love Is | 1967 | 4:39:25 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Cheeks, however hard they try, Will always be fleshy. Do cheeks make you shiver? do they? All that is thin is not lips, lips, by all account is fat. Lips are oleaginous. lips are fatless, lips are podgy, however. |
4:42:03 (Pop-up) |
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Bit 'A Sweet | Speak Softly | 1968 | 4:42:41 (Pop-up) | |||
Les Yper-Sound | Jericho Jerk | 1967 | 4:47:41 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Supernatural - A Haiku Indian summer For supernatural speak beyond the fairy |
4:50:06 (Pop-up) |
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Art | Supernatural Fairy Tale | 1967 | 4:50:39 (Pop-up) | |||
Aphrodite's Child | Rain And Tears | 1968 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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