The Night Owl Show with Owl Sun:
Playlist
from June 21, 2023
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Mono]
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1967 | 0:00:29 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
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0:02:54 (Pop-up) | ||||
| The Litter |
Blue Ice
|
1969 |
|
0:03:20 (Pop-up) | ||
| Rotary Connection |
Burning Of The Midnight Lamp
|
1969 |
|
0:06:26 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
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Experience - A Haiku Perpetual spring where laughing experience above the laughing |
|
0:10:57 (Pop-up) |
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| The Jimi Hendrix Experience |
The Stars That Play With Laughing Sam's Dice
|
1967 |
|
0:11:25 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
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Experience, Part 2 - A Haiku Beautiful springtime evergreen experience on the evergreen |
|
0:15:35 (Pop-up) |
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| Aphrodite's Child |
You Always Stand In My Way
|
1968 |
|
0:17:01 (Pop-up) | ||
| The Other Half |
Oz Lee Eaves Drops
|
1968 |
|
0:20:51 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Aphrodites - A Haiku Beautiful springtime A nude, aphrodites stand before the yardbirds |
|
0:23:14 (Pop-up) |
||
| The Yardbirds |
Ten Little Indians
|
1967 |
|
0:24:00 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
Aldebaran - A Haiku Beautiful springtime How aldebaran farewell despite the yardbirds |
|
0:26:11 (Pop-up) |
||
| Judy Henske & Jerry Yester |
Farewell Aldebaran
|
1969 |
|
0:26:46 (Pop-up) | ||
| Love |
7 And 7 Is
|
7 And 7 Is | 1967 |
|
0:30:42 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
A presence, however hard it tries, Will always be unexpected. Are you upset by how unheralded it is? Does it tear you apart to see the presence so sudden? A void, however hard it tries, Will always be silent. Are you upset by how incommunicative it is? Does it tear you apart to see the void so inaudible? |
|
0:32:58 (Pop-up) |
||
| Stu Phillips |
Skip To My Mary J.
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
0:34:09 (Pop-up) | |
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
I cannot help but stop and look at confederate davis. Down, down, down into the darkness of the davis, Gently they go - the southern, the confederative, the allied. I cannot help but stop and look at lloyd jones. Do jones make you shiver? do they? The wooly alston sings like a further girl Never forget the soft and woolly-headed alston. |
|
0:36:14 (Pop-up) |
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| Jefferson Airplane |
It's No Secret
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
0:37:03 (Pop-up) | ||
| Deep Purple |
Blind
|
1969 |
|
0:40:26 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
|
0:45:46 (Pop-up) |
|||
| The Wanderers with Ronnie Cole |
Higher Education
|
1967 |
|
0:46:12 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
I cannot help but stop and look at confederate davis. Down, down, down into the darkness of the davis, Gently they go - the southern, the confederative, the allied. I cannot help but stop and look at lloyd jones. Do jones make you shiver? do they? The wooly alston sings like a further girl Never forget the soft and woolly-headed alston. |
|
0:48:44 (Pop-up) |
||
| Coven |
Black Sabbath
|
1969 |
|
0:49:29 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
Sabbath - A Haiku Beautiful springtime A weekly, jagged sabbath black under the coven |
|
0:52:47 (Pop-up) |
||
| Stoney & The Jagged Edge |
The Dues Song
|
1968 |
|
0:53:11 (Pop-up) | ||
| The Tornadoes |
Blue Blue Blue Beat
|
1997 |
|
0:58:13 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
The Stoney And Jagged Five Whose five is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his five a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:00:28 (Pop-up) |
||
| Dave Clark Five |
Everybody Get Together
|
2000 |
|
1:01:35 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
1:04:42 (Pop-up) |
|||
| the Collectors |
What Is Love
|
1968 |
|
1:05:06 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Collectors - A Haiku Beautiful springtime An abstract collectors abstract under the abstract |
|
1:08:46 (Pop-up) |
||
| David Axelrod |
The Human Abstract
|
1969 |
|
1:09:10 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Abstract - A Haiku Beautiful springtime An abstract abstract abstract by the axelrod |
|
1:15:13 (Pop-up) |
||
| The Common People |
Those Who Love
|
1969 |
|
1:15:40 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Meadow - A Haiku Eternal springtime A better meadow better beyond the better |
|
1:18:45 (Pop-up) |
||
| Meadow |
Fighting Today (Must Be A Better Way)
|
1970 |
|
1:19:06 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Rubiyat - A Haiku New dampness springtime before rubiyat better near the family |
|
1:21:56 (Pop-up) |
||
| Immediate Family |
Rubiyat
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
1:22:31 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Beefheart - A Haiku Depressing springtime suddenly beefheart captain near the tomorrow |
|
1:24:58 (Pop-up) |
||
| Captain Beefheart & His Magic Band |
On Tomorrow
|
1968 |
|
1:25:41 (Pop-up) | ||
| Les Yper-Sound |
Psyché Rock
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
1:29:07 (Pop-up) | |
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Virginity - A Haiku Wickedness springtime then virginity captain out of ascension |
|
1:31:43 (Pop-up) |
||
| dave grusin |
Ascension To Virginity
|
1968 |
|
1:32:30 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
|
1:37:31 (Pop-up) |
|||
| Chad Stuart & Jeremy Clyde |
Sunstroke
|
1968 |
|
1:37:44 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
|
1:42:29 (Pop-up) |
|||
| Lee Hazlewood |
Rainbow Woman
|
Where the Action Is! Los Angeles Nuggets 1965-1968 |
|
1:42:43 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
|
1:45:52 (Pop-up) |
|||
| Circus Maximus |
Wind
|
1967 |
|
1:46:11 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
|
1:54:12 (Pop-up) |
|||
| Hamilton Streetcar |
Now I Taste The Tears
|
Original Lp - Dot Records DLP 25939 | 1969 |
|
1:54:35 (Pop-up) | |
| The Mighty Typhoons |
Spanish Onions
|
2013 | 1:57:10 (Pop-up) | |||
| The Shadows |
Late Night Set
|
The Early Years: Their Complete Studio Recordings 1959-1966 |
|
1:59:44 (Pop-up) | ||
| Arzachel |
Garden Of Earthly Delights
|
1969 |
|
2:00:29 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
How happy are sweet tastes! Tastes are perfumed. tastes are honeyed, tastes are sugared, however. I cannot help but stop and look at earthly joys. Joys are heavenly. joys are earthborn, joys are sublunary, however. Just like a sensual potato, is pleasures. Now crafty is just the thing, |
|
2:03:07 (Pop-up) |
||
| Acanthus |
Le Frisson Des Vampires
|
1971 |
|
2:03:50 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
Acanthus - A Haiku Perpetual spring A classic, acanthus free before the vampires |
|
2:06:28 (Pop-up) |
||
| the free pop electronic concept |
Cosmos Rhythms
|
1969 |
|
2:06:53 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
Harrisson - A Haiku Beautiful springtime suddenly harrisson sound at the old concept |
|
2:11:33 (Pop-up) |
||
| The Vampires' Sound Incorporation |
Psycho Contact - Part One
|
1969 |
|
2:13:34 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
Incorporation - A Haiku New dampness springtime why incorporation sound above the vampires |
|
2:15:02 (Pop-up) |
||
| Free Action inc. |
Aunt Trudy
|
1970 |
|
2:15:28 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Retsiem - A Haiku Early dull springtime before over retsiem free under the action |
|
2:17:55 (Pop-up) |
||
| Bokaj Retsiem |
It's Over
|
1969 |
|
2:18:18 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
How happy is the glaring omission! Are you upset by how egregious it is? Does it tear you apart to see the omission so crying? A paucity, however hard it tries, Will always be resultant. Now subsequent is just the thing, To get me wondering if the paucity is ensuant. Void is sudden ruin. |
|
2:22:35 (Pop-up) |
||
| Move |
Cherry Blossom Clinic Revisited
|
1970 |
|
2:23:14 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
|
2:30:47 (Pop-up) |
|||
| The Sunshine Company |
Love, That's Where It Is
|
1968 |
|
2:31:09 (Pop-up) | ||
| The Electric Prunes |
You Never Had It Better
|
Everybody Knows You're Not In Love / You've Never Had It Better | 1968 |
|
2:33:10 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
|
2:35:15 (Pop-up) |
|||
| Amon Düül II |
Henriette Krötenschwanz
|
1969 |
|
2:35:50 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
|
2:38:40 (Pop-up) |
|||
| Gary Lewis & the Playboys |
Jill
|
Where the Action Is! Los Angeles Nuggets 1965-1968 |
|
2:39:09 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Corporal - A Haiku New dampness springtime A former, corporal pink at the old playboys |
|
2:41:20 (Pop-up) |
||
| Pink Floyd |
Corporal Clegg
|
1968 |
|
2:41:52 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
Corporal, Part 2 - A Haiku Beautiful springtime A second, corporal dawn at the perfect floyd |
|
2:45:55 (Pop-up) |
||
| The Golden Dawn |
My Time
|
1967 |
|
2:46:20 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Preston - A Haiku Beautiful springtime An old, golden preston dawn despite the closing |
|
2:50:08 (Pop-up) |
||
| Preston |
This World Is Closing In On Me
|
1966 |
|
2:50:30 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Preston, Part 2 - A Haiku Overcast springtime A late, on preston spirit at the old closing |
|
2:53:06 (Pop-up) |
||
| Spirit |
1984
|
1969 |
|
2:53:37 (Pop-up) | ||
| the FUGS |
Morning Morning
|
1966 |
|
2:57:05 (Pop-up) | ||
| Sagittarius |
Pisces
|
Another Time / Pisces | 1968 |
|
2:59:10 (Pop-up) | |
Music behind DJ: Roland Vincent |
LSD Party
|
How happy is the pestilential swamp! Down, down, down into the darkness of the swamp, Gently it goes - the epidemic, the pestilent, the plaguey. Rivers, however hard they try, Will always be freshwater. Do rivers make you shiver? do they? Pay attention to the breakdown, |
|
3:00:28 (Pop-up) |
||
| Mr. Flood's Party |
the mind circus
|
1970 |
|
3:01:23 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
A drowning, however hard it tries, Will always be severe. Are you upset by how critical it is? Does it tear you apart to see the drowning so strong? I saw the shallow body fluid of my generation destroyed, How I mourned waters. Never forget the shoal and deep waters. The situation that's really fat, |
|
3:08:08 (Pop-up) |
||
| The Mothers of Invention |
Trouble Every Day
|
1966 |
|
3:08:49 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Invention - A Haiku Beautiful springtime A new, invention trouble beyond the mothers |
|
3:14:36 (Pop-up) |
||
| Grateful Dead |
What's Become Of The Baby
|
1969 |
|
3:14:59 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Millennium - A Haiku Perpetual spring A first, millennium bank an americard |
|
3:23:22 (Pop-up) |
||
| the free pop electronic concept |
Planetary Gospel
|
1969 |
|
3:24:43 (Pop-up) | ||
| The Express |
You Gotta Understand (Oklahoma City, OK, U.S.A.)
|
2002 | 3:28:17 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Planetary - A Haiku Eternal springtime A non, planetary free under the daughter |
|
3:31:02 (Pop-up) |
||
| Harsh Reality |
Devil's Daughter
|
1969 |
|
3:31:31 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
weirdos are not less! weirdos are exceptionally less. Weirdos are more than. weirdos are less, weirdos are additional, however. How happy is the melancholy fiend! Never forget the sad and melancholic fiend. Just like a called integration, is vices. Never forget the biggest and monstrous vices. |
|
3:36:20 (Pop-up) |
||
| The Jimi Hendrix Experience |
1983... (A Merman I Should Turn to Be)
|
1968 |
|
3:37:04 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
weirdos are not less! weirdos are exceptionally less. Weirdos are more than. weirdos are less, weirdos are additional, however. How happy is the melancholy fiend! Never forget the sad and melancholic fiend. Just like a called integration, is vices. Never forget the biggest and monstrous vices. |
|
3:42:49 (Pop-up) |
||
| The Waphphle |
Going Down
|
1967 |
|
3:43:37 (Pop-up) | ||
| Big Jim Sullivan |
Tallyman
|
Sitar Beat | 1968 |
|
3:45:11 (Pop-up) | |
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
Watchband - A Haiku Depressing springtime A new, lonely watchband down after the chocolate |
|
3:47:43 (Pop-up) |
||
| The Chocolate Watchband |
And She's Lonely
|
1969 |
|
3:48:13 (Pop-up) | ||
| The Aggregation |
Maharishi
|
1968 |
|
3:54:15 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
thats are not sad! thats are exceptionally sad. Are you upset by how gladsome they are? Does it tear you apart to see the thats so sad? The incline that's really wicked, Above all others is the cant. Now good is just the thing, To get me wondering if the cant is corruptive. |
|
3:56:21 (Pop-up) |
||
| The Gentrys |
I Need Love
|
1970 |
|
3:57:06 (Pop-up) | ||
| Pussy |
Come Back June
|
1969 |
|
3:59:37 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
The people that are really wonderful, Above all others is the lost. Never forget the extraordinary and rattling lost. A disappearance, however hard it tries, Will always be possible. Now assertable is just the thing, To get me wondering if the disappearance is contingent. When I think of disappearances, I see unexplained mysteries. |
|
4:05:33 (Pop-up) |
||
| Rotomagus |
Fightin' Cock
|
1971 |
|
4:06:18 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
The traveller that's really remarkable, Above all others is the absentee. Are you upset by how noteworthy it is? Does it tear you apart to see the absentee so singular? One afternoon I said to myself, "Why isn't the lost more lost?" Does the lost make you shiver? does it? |
|
4:09:42 (Pop-up) |
||
| The Nice |
The Thoughts Of Emerlist Davjack
|
1967 |
|
4:10:25 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Unfolding - A Haiku New dampness springtime A flower, unfolding sound near the electric |
|
4:14:42 (Pop-up) |
||
| Electric Mind Sound By Unfolding |
Acid Rock: Girl from Nowhere
|
1967 |
|
4:15:09 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
The Sound And Electric Electric Whose electric is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his electric a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:18:12 (Pop-up) |
||
| Jerry Howard |
Wild In The Streets
|
1968 |
|
4:18:59 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
The Wild And Moody Doing Whose doing is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his doing a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:21:38 (Pop-up) |
||
| The Moody Blues |
What Am I Doing Here?
|
1968 |
|
4:22:33 (Pop-up) | ||
| The Appletree Theatre |
Act I: Saturday Morning (about a Saturday morning)
|
1967 |
|
4:26:20 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
The Moody And Yester Farewell Whose farewell is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her farewell a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:27:10 (Pop-up) |
||
| Judy Henske & Jerry Yester |
Farewell Aldebaran
|
1969 |
|
4:28:05 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
The disappear that's really dead, Above all others is the absent. Down, down, down into the darkness of the absent, Gently it goes - the nonconscious, the gone, the exanimate. Because I could not submit for revised, it did kindly submit for me. I don't like the fact that it, learned to submit before it knew how to update. |
|
4:32:00 (Pop-up) |
||
| Love |
7 And 7 Is
|
7 And 7 Is | 1967 |
|
4:32:42 (Pop-up) | |
Music behind DJ: David Axelrod |
The Human Abstract
|
Rvs, however hard they try, Will always be pricier. Do rvs make you shiver? do they? How happy are panel tvs! Do tvs make you shiver? do they? Just like a , is the encoder. |
|
4:34:58 (Pop-up) |
||
| The Yardbirds |
Think About It
|
1968 |
|
4:35:32 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
How happy are pricier rvs! Do rvs make you shiver? do they? I cannot help but stop and look at the stage encoder. Does the encoder make you shiver? does it? Just like an inch breaker, is tvs. Down, down, down into the darkness of the tvs, |
|
4:40:07 (Pop-up) |
||
| Moby Grape |
Omaha
|
1967 |
|
4:40:44 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
|
4:43:19 (Pop-up) |
|||
| The Pasternak Progress |
Flower Eyes
|
1967 |
|
4:43:29 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Pasternak - A Haiku Perpetual spring A late, pasternak progress beyond the progress |
|
4:45:57 (Pop-up) |
||
| Deep Purple |
Shield
|
1968 |
|
4:46:18 (Pop-up) | ||
| Syd Barrett |
Let's Split
|
1989 |
|
4:52:15 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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