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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:27 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:54 (Pop-up) | ||||
Fire And Ice, Ltd. | Summertime | 1966 | 0:03:19 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
I cannot help but stop and look at the electric company. Down, down, down into the darkness of the company, Gently it goes - the electrical, the exciting, the galvanic. I cannot help but stop and look at the historic efter. Does the efter make you shiver? does it? The integra is a cultural system, a cultural system that likes to Japan. |
0:09:12 (Pop-up) |
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Side Show | Ah! | 1970 | 0:09:57 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
0:13:56 (Pop-up) |
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Dr. Z | Summer For The Rose | 1971 | 0:14:12 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
I cannot help but stop and look at the electric company. Down, down, down into the darkness of the company, Gently it goes - the electrical, the exciting, the galvanic. I cannot help but stop and look at the historic efter. Does the efter make you shiver? does it? The integra is a cultural system, a cultural system that likes to Japan. |
0:19:11 (Pop-up) |
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The Wizards from Kansas | Flyaway Days | 1970 | 0:19:54 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
I cannot help but stop and look at the electric company. Down, down, down into the darkness of the company, Gently it goes - the electrical, the exciting, the galvanic. I cannot help but stop and look at the historic efter. Does the efter make you shiver? does it? The integra is a cultural system, a cultural system that likes to Japan. |
0:23:55 (Pop-up) |
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The Cords | Ghost Power | 1970 | 0:24:52 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
0:27:51 (Pop-up) |
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calliope | Jimmy Bell | 1968 | 0:28:02 (Pop-up) | |||
Kubla Kahn | Out in the Country | 1970 | 0:35:06 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Tasmanians - A Haiku Perpetual spring where tasmanians explain the calliope |
0:37:21 (Pop-up) |
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Tasmanians | I Can't Explain This Feeling | 1967 | 0:37:47 (Pop-up) | |||
The 3rd Evolution | Don't Play With Me | 1966 | 0:39:36 (Pop-up) | |||
The Act Of Creation | Yesterday Noontime | 1967 | 0:41:52 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Springfield - A Haiku Beautiful springtime A feeling springfield explain a tasmanians |
0:44:45 (Pop-up) |
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The Jon Bartel Thing | This Girl In Springfield | 1969 | 0:45:20 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
I cannot help but stop and look at the nearby chicopee. Does the chicopee make you shiver? does it? How happy is the dear pittsfield! Never forget the pricy and costly pittsfield. I cannot help but stop and look at the big jonesboro. Never forget the prodigious and fully grown jonesboro. Refresh until you're happy with your poem. |
0:48:13 (Pop-up) |
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people | prayer - part 2 | 1970 | 0:48:59 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Synthesizer - A Haiku Perpetual spring Synthesizer people the near the brandenburg |
0:53:31 (Pop-up) |
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Walter Carlos Performing On The Moog Synthesizer | Brandenburg Concerto No. 3 in G Major: I. Allegro | 1968 | 0:54:03 (Pop-up) | |||
The Mongrels | Funny Day | 1969 | 1:00:27 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Synthesizer, Part 2 - A Haiku Beautiful springtime why synthesizer major near the brandenburg |
1:00:27 (Pop-up) |
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the Electric Flag, an American Music Band | A Little Head | Original Motion Picture Sound Track: The Trip | 1967 | 1:01:04 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
American - A Haiku Eternal springtime A pan, american band out of electric |
1:02:42 (Pop-up) |
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The Who | I Can See For Miles | 1967 | 1:03:17 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Denis, however hard they try, Will always be rue. Do denis make you shiver? do they? I cannot help but stop and look at subterranean springs. Are you upset by how ulterior they are? Does it tear you apart to see the springs so covert? Don't belive that the trout is little? |
1:07:14 (Pop-up) |
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Lightnin' Rod | Doriella Du Fontaine (Instrumental) | Doriella Du Fontaine | 1984 | 1:07:53 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69 |
The caterina is not big! the caterina is exceptionally smaller. Down, down, down into the darkness of the caterina, Gently it goes - the petite, the smaller, the teeny. The trout is not awful! the trout is exceptionally skillful. Does the trout make you shiver? does it? |
1:11:59 (Pop-up) |
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Alice Cooper | Titanic Overture | Pretties For You | 1969 | 1:13:13 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Liverpool - A Haiku Perpetual spring Liverpool overture the near the seventeen |
1:14:20 (Pop-up) |
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The Liverpool Set | Seventeen Tears To The End | 1966 | 1:14:48 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
A swansea, however hard it tries, Will always be cardiff. Does the swansea make you shiver? does it? How happy is the familiar mersey! Never forget the everyday and strange mersey. An albion, however hard it tries, Will always be cunning. |
1:16:49 (Pop-up) |
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Fire And Ice, Ltd. | The Happening | 1966 | 1:17:24 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
A swansea, however hard it tries, Will always be cardiff. Does the swansea make you shiver? does it? How happy is the familiar mersey! Never forget the everyday and strange mersey. An albion, however hard it tries, Will always be cunning. |
1:26:51 (Pop-up) |
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Big Jim Sullivan | The Koan | Sitar Beat | 1968 | 1:27:27 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
The Big And Funky Skull Whose skull is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his skull a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:30:30 (Pop-up) |
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Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 1:31:27 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Jackson - A Haiku Eternal springtime A general, jackson coast after the melvin |
1:36:16 (Pop-up) |
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The West Coast Pop Art Experimental Band | Transparent Day | 1967 | 1:36:52 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Anger - A Haiku Beautiful springtime A righteous, anger anger in spite of the coast |
1:39:05 (Pop-up) |
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Dr. Z | Burn In Anger | 1971 | 1:39:39 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Hagstrom - A Haiku Perpetual spring A certain, frank hagstrom frank under the guitar |
1:43:05 (Pop-up) |
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Side Show | Joanna | 1970 | 1:45:13 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Progressive - A Haiku Eternal springtime A labour, progressive show before the pilgrims |
1:49:37 (Pop-up) |
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John Bunyan's Progressive Pilgrims | Spaced Out | 1969 | 1:50:00 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Mountainside - A Haiku Early dull springtime A rugged, mountainside out on the progressive |
1:53:31 (Pop-up) |
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The Wizards from Kansas | Misty Mountainside | 1970 | 1:53:56 (Pop-up) | |||
Melvin Carter | Midnight Brew | Welfare Cadillac / Midnight Brew | 1:57:26 (Pop-up) | |||
Ramsey Lewis | Uptight (Everything's Alright) | Hang On Ramsey / Wade in the Water | 2002 | 1:59:31 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
2:00:27 (Pop-up) |
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calliope | Atlas | 1968 | 2:01:00 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
2:06:18 (Pop-up) |
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Musiche Originali Di Ennio Morricone | L'Ultima Corrida | 1968 | 2:06:31 (Pop-up) | |||
featuring John Zacherle | The Ha-Ha-Ha | Monster Mash | 2:09:07 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Capilouto - A Haiku Beautiful springtime before capilouto glass on the morricone |
2:11:44 (Pop-up) |
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Kubla Kahn | Call Me Brother | 1970 | 2:14:08 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Sixpence - A Haiku Depressing springtime A crooked, small sixpence call above the brother |
2:18:00 (Pop-up) |
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Procol Harum | In The Wee Small Hours Of Sixpence * | The Best Of Procol Harum | 1968 | 2:18:24 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana |
Instrumental - A Haiku Eternal springtime A best, instrumental wee an instrumental |
2:21:19 (Pop-up) |
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Electric Banana | (Instrumental Tracks): The Dark Theme (Moody melodic instrumental) | even more electric banana | 1969 | 2:21:48 (Pop-up) | ||
George Harrison | On The Bed | Wonderwall Music | 1968 | 2:24:41 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing |
Instrumental, Part 2 - A Haiku New dampness springtime instrumental bedazzled an instrumental |
2:26:57 (Pop-up) |
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Peter Cook And Dudley Moore | Bedazzled | 1967 | 2:27:36 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
2:29:59 (Pop-up) |
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The Art Of Lovin' | You Got The Power | 1968 | 2:30:12 (Pop-up) | |||
Sun Ra & His Outer-Space Arkestra | Rocket #9 | Sun Ra | 2:33:09 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
One afternoon I said to myself, "Why aren't napkins more unfolded?" Now bifold is just the thing, To get me wondering if napkins are pleated. I cannot help but stop and look at cheap trays. Never forget the bum and inferior trays. Clothes are warm column. warm column are clothes. |
2:35:31 (Pop-up) |
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Lothar & The Hand People | Nobody Knows | 1968 | 2:37:26 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
2:40:02 (Pop-up) |
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State of Micky and Tommy | Julian Waites | 1967 | 2:40:16 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
2:42:36 (Pop-up) |
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Hal Blaine | Love-In (December) | Wiggy (November) / Love-In (December) | 2:43:09 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
One afternoon I said to myself, "Why aren't napkins more unfolded?" Now bifold is just the thing, To get me wondering if napkins are pleated. I cannot help but stop and look at cheap trays. Never forget the bum and inferior trays. Clothes are warm column. warm column are clothes. |
2:45:18 (Pop-up) |
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Pesky Gee | Where Is My Mind? | 2:46:08 (Pop-up) | ||||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Eugene - A Haiku Perpetual spring A great, careful eugene pink in spite of the floyd |
2:49:04 (Pop-up) |
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Pink Floyd | Careful With That Axe, Eugene | Point Me At The Sky / Careful With That Axe Eugene | 1968 | 2:49:28 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
The Pink And Careful Despair Whose despair is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his despair a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:55:09 (Pop-up) |
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Dr. Z | In A Token Of Despair | 1971 | 2:55:56 (Pop-up) | |||
Plus | Sloth: "Open Up Your Eyes" | 1969 | 3:05:54 (Pop-up) | |||
electric banana; Arranged and Directed By Reginald Tilsley | Vocal Versions with Accompaniment: Free Love (Strident - rhythmic - harmony vocal) | 1967 | 3:08:57 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Despair - A Haiku Beautiful springtime A gentle despair despair at the old flower |
3:11:40 (Pop-up) |
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The Flower Pot | Gentle People | 1967 | 3:12:21 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
3:15:01 (Pop-up) |
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calliope | I Wanna Thank You | 1968 | 3:15:13 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Pay attention to the absent, the absent is the most total go away of all. Now complete is just the thing, To get me wondering if the absent is unconditioned. How happy is the vital omission! Never forget the animated and animate omission. The forgotten is not large! the forgotten is exceptionally weensy. |
3:19:48 (Pop-up) |
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Twice As Much | You'll Never Get To Heaven | That's All | 3:20:30 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Robbery - A Haiku Beautiful springtime A little robbery train before the heaven |
3:23:03 (Pop-up) |
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The Little Boy Blues | The Great Train Robbery | 1966 | 3:23:36 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Connection - A Haiku Eternal wet spring A causal, connection train out of everyman |
3:26:09 (Pop-up) |
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the new Rotary Connection | Song For Everyman | 1971 | 3:26:35 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Connection, Part 2 - A Haiku Beautiful springtime A direct, connection foot near the everyman |
3:31:56 (Pop-up) |
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Fifty Foot Hose....... | Red The Sign Post | 1968 | 3:32:28 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Shelf - A Haiku Wickedness springtime A bottom, baby shelf slip in spite of the twixt |
3:35:22 (Pop-up) |
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The Top Shelf | Baby The World Really Turns (Many A Slip Twixt Cup And Lip) | 1969 | 3:35:46 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Changes, however hard they try, Will always be marked. Changes are conspicuous. changes are unmarked, changes are noticeable, however. I cannot help but stop and look at what goes. Do goes make you shiver? do they? Looks, however hard they try, |
3:38:41 (Pop-up) |
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The Staff | Would You Take Me For A Ride | 1994 | 3:39:19 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Ballad - A Haiku Darkening springtime A famous, thin ballad grass at the perfect roots |
3:41:55 (Pop-up) |
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Grass Roots | Mr. Jones (A Ballad Of A Thin Man) | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 3:42:18 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Ballad, Part 2 - A Haiku Beautiful springtime A scottish, sound ballad sound at the perfect sound |
3:47:11 (Pop-up) |
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Ace of Cups | Hear Every Sound | 2004 | 3:47:58 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Marriage - A Haiku Beautiful springtime An early, sweet marriage sound by the titania |
3:52:30 (Pop-up) |
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Sweet Marriage | Titania | 1969 | 3:52:49 (Pop-up) | |||
Dream | Night Of The Lonely Organist And His Mysterious Pals | 1967 | 3:57:09 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
People - A Haiku Eternal springtime A common people people watching the common |
4:04:04 (Pop-up) |
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Ill Wind | Full Cycle | 1968 | 4:04:26 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Odyssey - A Haiku Eternal springtime A long odyssey cycle at the old cycle |
4:10:30 (Pop-up) |
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Odyssey | How Long Is Time | 4:10:49 (Pop-up) | ||||
Music behind DJ: David Axelrod |
The Human Abstract |
The journey that's really longer, Above all others is the excursion. Are you upset by how long it is? Does it tear you apart to see the excursion so longest? I cannot help but stop and look at the italian jaunt. Does the jaunt make you shiver? does it? When I think of the meandering, I see a complex research. |
4:14:59 (Pop-up) |
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Pearls Before Swine | Drop Out! | 1967 | 4:15:39 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Earrings, however hard they try, Will always be jewelled. Are you upset by how bejewelled they are? Does it tear you apart to see the earrings so sequined? The cast that's really mere, Above all others is the natural. Never forget the bare and simple natural. Why would you think the drop is lean? |
4:19:31 (Pop-up) |
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The Whazoos | Inside Of Me | 1968 | 4:20:10 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Salvation - A Haiku Depressing springtime An inside salvation come at the old whazoos |
4:23:14 (Pop-up) |
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Salvation | Come On Over Here | 1968 | 4:23:48 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Salvation, Part 2 - A Haiku Eternal springtime A human, salvation come near the devotion |
4:28:06 (Pop-up) |
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Grateful Dead | The Golden Road (To Unlimited Devotion) | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 4:28:49 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Calliope - A Haiku Beautiful springtime A cold, calliope bell by the devotion |
4:30:55 (Pop-up) |
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calliope | Jimmy Bell | 1968 | 4:31:28 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
I cannot help but stop and look at the presidential stolen. Does the stolen make you shiver? does it? One afternoon I said to myself, "Why isn't the absence more unmarked?" Are you upset by how unmarked it is? Does it tear you apart to see the absence so scarred? How happy is the fat gone! |
4:38:11 (Pop-up) |
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Kubla Kahn | Out in the Country | 1970 | 4:39:02 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Strawberry - A Haiku Wickedness springtime A red, strawberry mushroom above the mushroom |
4:41:15 (Pop-up) |
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The Strawberry Alarm Clock | Rainy Day Mushroom Pillow | 1968 | 4:41:38 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
All that is intermediate is not carla, carla, by all account is last. A carla is ultimate. a carla is lowest, a carla is latest, however. An angela, however hard it tries, Will always be mystic. Now esoteric is just the thing, To get me wondering if the angela is occult. |
4:45:05 (Pop-up) |
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Marlena Shaw | Woman Of The Ghetto | 1969 | 4:45:46 (Pop-up) | |||
Thursday's Children | A Part of You | 2008 | 4:51:40 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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