The Night Owl Show with Owl Sun:
Playlist
from June 7, 2023
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:16 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:42 (Pop-up) | ||||
| Bill Fay |
Some Good Advice
|
1967 |
|
0:03:08 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Things - A Haiku Depressing springtime An important, sweet things wine despite the advice |
|
0:05:20 (Pop-up) |
||
| Sweet Wine |
Things You Told Me
|
1970 |
|
0:05:52 (Pop-up) | ||
| Los Pasos |
Voces De Otro Mundo
|
1968 |
|
0:09:20 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Valley - A Haiku Depressing springtime A lower, sweet valley wine before the beyond |
|
0:11:49 (Pop-up) |
||
| The Dan-Dees |
Think About It
|
1968 |
|
0:12:43 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Dandees - A Haiku Perpetual spring Surprisingly dandees coast betrayed by the coast |
|
0:15:21 (Pop-up) |
||
| The West Coast Pop Art Experimental Band |
Transparent Day
|
1967 |
|
0:15:43 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Wicker - A Haiku Depressing springtime A natural, wicker mouse betrayed by the mouse |
|
0:17:55 (Pop-up) |
||
| Mouse And The Traps |
Wicker Wine
|
1969 |
|
0:18:21 (Pop-up) | ||
| Group Therapy |
You Haven't Lived (Till You've Loved Someone)
|
1966 |
|
0:20:50 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
The Funky And Wicker Wicker Whose wicker is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his wicker a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:23:08 (Pop-up) |
||
| Melvin Jackson |
Funky Skull - Parts 1 & 2
|
1969 |
|
0:24:06 (Pop-up) | ||
| Big Jim Sullivan |
Tallyman
|
Sitar Beat | 1968 |
|
0:28:57 (Pop-up) | |
| The Beggars Opera Co. |
Escape
|
1968 |
|
0:31:28 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Whose wicker is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his wicker a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:33:54 (Pop-up) |
||
| The Attack |
Anymore Than I Do
|
1967 |
|
0:35:42 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
|
0:37:41 (Pop-up) |
|||
| Nick Garrie |
The Nightmare Of J.B. Stanislas
|
1969 |
|
0:37:53 (Pop-up) | ||
| Colors Of Night |
C-O-L-O-R-S
|
1967 |
|
0:42:49 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
I cannot help but stop and look at vital omissions. Are you upset by how animate they are? Does it tear you apart to see the omissions so critical? prefaces are not incurious! prefaces are exceptionally singular. Do prefaces make you shiver? do they? Pay attention to the omission, |
|
0:44:25 (Pop-up) |
||
| The In-Keepers |
That Was Just His Thing
|
1969 |
|
0:45:11 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Recollections - A Haiku Darkening springtime then recollections mason by the collection |
|
0:48:40 (Pop-up) |
||
| Barry Mason |
Collection Of Recollections
|
1966 |
|
0:49:03 (Pop-up) | ||
| Andy Forray |
Dream With Me
|
1968 |
|
0:51:12 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Recollections, Part 2 - A Haiku Beautiful springtime An old, recollections grease near the collection |
|
0:53:43 (Pop-up) |
||
| Ancient Grease |
Women And Children First
|
1970 |
|
0:54:21 (Pop-up) | ||
| Juan & Junior |
En San Juan
|
1968 |
|
1:00:51 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Playground - A Haiku Beautiful springtime A big, ancient playground grease above the feedback |
|
1:03:56 (Pop-up) |
||
| Culver Street Playground |
Feedback
|
1968 |
|
1:04:48 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
|
1:07:11 (Pop-up) |
|||
| J.A. Seazar |
Gina: Rose Tattoo
|
1972 |
|
1:07:41 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
How happy is the loathsome neglected! Down, down, down into the darkness of the neglected, Gently it goes - the offensive, the disgusting, the revolting. Don't belive that the left is big? the left is little beyond belief. Now slim is just the thing, To get me wondering if the left is miniature. When I think of omissions, I see an obvious effect. |
|
1:14:09 (Pop-up) |
||
| The New York Rock Ensemble |
Gravedigger
|
1971 |
|
1:15:08 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
I saw the the good tactical manoeuver of my generation destroyed, How I mourned the gimmick. Now unspoilt is just the thing, To get me wondering if the gimmick is dandy. How happy is the corporate merchandising! Down, down, down into the darkness of the merchandising, Gently it goes - the corporeal, the bodied, the corporal. The work is not little! |
|
1:19:54 (Pop-up) |
||
| The Plague |
Here Today, Gone Tomorrow
|
1968 |
|
1:21:30 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
The Dozy And Beaky Tomorrow Whose tomorrow is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his tomorrow a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:23:55 (Pop-up) |
||
| Dave, Dee, Dozy, Beaky, Mick & Tich |
The Sun Goes Down
|
1967 |
|
1:24:41 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Spiders - A Haiku Beautiful springtime A black, beaky spiders hitch at the perfect hitch |
|
1:27:29 (Pop-up) |
||
| The Spiders |
Hitch Hike
|
1965 |
|
1:28:08 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
|
1:30:06 (Pop-up) |
|||
| The 23Rd Turnoff |
Leave Me Here
|
1967 |
|
1:30:38 (Pop-up) | ||
| The Uncalled For |
Get Out Of The Way
|
1967 |
|
1:33:26 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
|
1:35:42 (Pop-up) |
|||
| Dorothy Ashby |
Soul Vibrations
|
1968 |
|
1:36:12 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Dorothy - A Haiku Beautiful springtime A last, dorothy police into the police |
|
1:39:24 (Pop-up) |
||
| Dream Police |
Living Is Easy
|
1970 |
|
1:40:06 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Police - A Haiku Perpetual spring A living police police before the living |
|
1:43:58 (Pop-up) |
||
| Lenny Drake |
Love Eyes (Cast Your Spell On Me)
|
1970 |
|
1:44:21 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
How happy is the pal charlie! Does the charlie make you shiver? does it? A jamie, however hard it tries, Will always be sick. Now light is just the thing, To get me wondering if the jamie is woozy. I cannot help but stop and look at the zany rene. |
|
1:47:09 (Pop-up) |
||
| Uppåt Väggarna |
Jag Hatar Politik
|
1971 |
|
1:47:58 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
|
1:51:22 (Pop-up) |
|||
| The Uniques |
My Babe
|
1969 |
|
1:51:42 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
|
1:54:07 (Pop-up) |
|||
| Philamore Lincoln |
Rainy Day
|
1970 |
|
1:54:19 (Pop-up) | ||
| The United States Of America |
Hard Coming Love
|
The United States Of America | 1968 |
|
1:56:40 (Pop-up) | |
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Philamore - A Haiku Eternal springtime before philamore paper before the lincoln |
|
2:00:16 (Pop-up) |
||
| Long Time Comin' |
Paper Rose
|
1970 |
|
2:01:00 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Pasos - A Haiku Perpetual spring A paper pasos paper because of the verte |
|
2:03:30 (Pop-up) |
||
| Los Pasos |
Para Verte
|
1971 |
|
2:03:54 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
|
2:06:52 (Pop-up) |
|||
| The Soul Benders |
Petals
|
1968 |
|
2:07:05 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
Benders - A Haiku Perpetual spring A paper benders paper despite the petals |
|
2:11:39 (Pop-up) |
||
| The Paper Dream |
Shes No Good
|
1968 |
|
2:12:03 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Inside - A Haiku Depressing springtime A sick, inside inside crowd in spite of the crowd |
|
2:14:39 (Pop-up) |
||
| The In Crowd |
Inside Out
|
2008 | 2:15:04 (Pop-up) | |||
| The Ventures |
Psychedelic Venture
|
1967 |
|
2:17:14 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Fairytale - A Haiku Wickedness springtime An inside fairytale crowd above the inside |
|
2:19:13 (Pop-up) |
||
| The Fairytale |
Run And Hide
|
1967 |
|
2:19:41 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
All that is ugly is not fables, fables, by all account is beautiful. Do fables make you shiver? do they? I saw the the natural supernaturalism of my generation destroyed, How I mourned the magic. Are you upset by how raw it is? Does it tear you apart to see the magic so misbegot? |
|
2:22:09 (Pop-up) |
||
| George Harrison |
Party Seacombe
|
Wonderwall Music | 1968 |
|
2:22:58 (Pop-up) | |
Music behind DJ: George Harrison |
Party Seacombe
|
All that is local is not wirral, wirral, by all account is central. Does the wirral make you shiver? does it? I cannot help but stop and look at the jones walton. Does the walton make you shiver? does it? When I think of the hillside, I see terraced eyes. |
|
2:27:24 (Pop-up) |
||
| Love |
Singing Cowboy
|
1969 |
|
2:28:05 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
|
2:32:41 (Pop-up) |
|||
| Hair |
Supermouth
|
1970 |
|
2:32:51 (Pop-up) | ||
| The Countdown 5 |
Speculation
|
1967 |
|
2:37:30 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
I cannot help but stop and look at necessary omissions. Now unneeded is just the thing, To get me wondering if omissions are obligatory. How happy is the noteworthy omission! Never forget the significant and remarkable omission. A been, however hard it tries, Will always be big. Never forget the extensive and hulking been. |
|
2:39:45 (Pop-up) |
||
| Circus Maximus |
Parallel
|
1968 |
|
2:40:34 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
|
2:44:05 (Pop-up) |
|||
| Almond Marzipan |
Summer Love
|
1969 |
|
2:44:17 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
|
2:47:33 (Pop-up) |
|||
| The Zakary Thaks |
Face To Face
|
1967 |
|
2:47:54 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
|
2:50:55 (Pop-up) |
|||
| Al Stewart |
Turn Into Earth
|
1966 |
|
2:51:15 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Experience - A Haiku Beautiful springtime when inside experience above the stewart |
|
2:54:04 (Pop-up) |
||
| Inside Experience |
Be On My Way
|
1969 |
|
2:54:27 (Pop-up) | ||
| Scrugg |
Lavender Popcorn
|
2001 | 2:56:47 (Pop-up) | |||
| Stu Phillips |
Skip To My Mary J.
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
2:59:01 (Pop-up) | |
| Dr. West's Medicine Show and Junk Band |
You Can't Fight City Hall Blues
|
1966 |
|
3:00:17 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Medicine - A Haiku Beautiful springtime before strange medicine fight at the perfect wests |
|
3:03:32 (Pop-up) |
||
| Strange Fox |
time and tide
|
1970 |
|
3:03:58 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
I cannot help but stop and look at the absolute void. Never forget the unmixed and implicit void. I saw the the relative want of my generation destroyed, How I mourned the dearth. Down, down, down into the darkness of the dearth, Gently it goes - the proportional, the comparative, the absolute. I cannot help but stop and look at the cunning lack. Now tricksy is just the thing, |
|
3:08:11 (Pop-up) |
||
| King Crimson |
Cirkus including Entry of the Chameleons
|
1970 |
|
3:08:57 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
|
3:15:49 (Pop-up) |
|||
| Los Pasos |
Yo Fui El Mejor
|
1968 |
|
3:16:02 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
3:19:10 (Pop-up) |
|||
| Eric Burdon And The Animals |
Gratefully Dead
|
1967 |
|
3:19:23 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
I cannot help but stop and look at the absolute void. Never forget the unmixed and implicit void. I saw the the relative want of my generation destroyed, How I mourned the dearth. Down, down, down into the darkness of the dearth, Gently it goes - the proportional, the comparative, the absolute. I cannot help but stop and look at the cunning lack. Now tricksy is just the thing, |
|
3:23:19 (Pop-up) |
||
| The Spiders |
People Deceive
|
1970 |
|
3:24:05 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
I cannot help but stop and look at the enterprising spirit. Never forget the energetic and aggressive spirit. How happy is the creative thinking! Does the thinking make you shiver? does it? One afternoon I said to myself, "Why aren't perceptions more small?" Now conspicuous is just the thing, |
|
3:29:07 (Pop-up) |
||
| Trilogy |
Three Blind Minds
|
1970 |
|
3:29:47 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
How happy is the adult brain! Are you upset by how big it is? Does it tear you apart to see the brain so full-grown? The plant organ that's really spiritual, Above all others is the head. Now ghostly is just the thing, To get me wondering if the head is unworldly. Spirit is kindred world. |
|
3:33:12 (Pop-up) |
||
| Velvett Fogg |
Owed To The Dip
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
3:33:50 (Pop-up) | |
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
I cannot help but stop and look at the amiable grubb. Does the grubb make you shiver? does it? I saw the the historical holy man of my generation destroyed, How I mourned the buddha. Never forget the synchronic and diachronic buddha. When I think of the lowery, I see a general lady. Never forget the foxy and adroit lowery. |
|
3:39:53 (Pop-up) |
||
| Julie Driscoll - Brian Auger And The Trinity |
Black Cat
|
1969 |
|
3:40:40 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
I cannot help but stop and look at the amiable grubb. Does the grubb make you shiver? does it? I saw the the historical holy man of my generation destroyed, How I mourned the buddha. Never forget the synchronic and diachronic buddha. When I think of the lowery, I see a general lady. Never forget the foxy and adroit lowery. |
|
3:43:55 (Pop-up) |
||
| Tokyo Kid Brothers |
Your memories
|
1971 |
|
3:44:47 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
|
3:47:48 (Pop-up) |
|||
| The Ventures |
Guitar Psychedelics
|
1967 |
|
3:48:58 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
|
3:51:14 (Pop-up) |
|||
| Jefferson Airplane |
Plastic Fantastic Lover
|
1967 |
|
3:51:26 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Jefferson - A Haiku Perpetual spring An anti, jefferson rock on the fantastic |
|
3:53:55 (Pop-up) |
||
| The New York Rock Ensemble |
The King Is Dead
|
1971 |
|
3:54:23 (Pop-up) | ||
| Rivieras |
H.B. Goose Step
|
California Sun-The Best Of The Rivieras | 2000 |
|
3:58:28 (Pop-up) | |
Music behind DJ: Beaver & Krause |
Walkin'
|
One afternoon I said to myself, "Why isn't the inability more unmarked?" Never forget the noticeable and obvious inability. Pay attention to the void, the void is the most emotional cancel of all. Does the void make you shiver? does it? Pay attention to the dearth, |
|
4:02:54 (Pop-up) |
||
| Condello: |
The Other Side Of You
|
1968 |
|
4:03:30 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
All that is rich is not been, been, by all account is poor. A been is inadequate. a been is mean, a been is hapless, however. I cannot help but stop and look at the small forgotten. Does the forgotten make you shiver? does it? zany omissions sings like an inadvertent injury |
|
4:07:40 (Pop-up) |
||
| Koobas |
Circus
|
1969 |
|
4:08:16 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro)
|
|
4:14:48 (Pop-up) |
|||
| Hair |
Pleasant Street
|
1970 |
|
4:15:00 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Yellow - A Haiku Beautiful springtime A bright, pleasant yellow lie into the living |
|
4:21:13 (Pop-up) |
||
| Yellow |
Living A Lie
|
1970 |
|
4:21:34 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Crimson - A Haiku Eternal springtime An indoor crimson crimson before the yellow |
|
4:25:23 (Pop-up) |
||
| King Crimson |
Indoor Games
|
1970 |
|
4:25:42 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
I saw the the collegiate ball of my generation destroyed, How I mourned the basketball. Does the basketball make you shiver? does it? I cannot help but stop and look at the bit playstation. Down, down, down into the darkness of the playstation, Gently it goes - the second, the minute, the routine. titles are not fatless! |
|
4:31:08 (Pop-up) |
||
| Los Iberos |
Nighttime
|
1969 |
|
4:31:49 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
|
4:34:33 (Pop-up) |
|||
| The Beggars Opera Co. |
Escape
|
1968 |
|
4:34:47 (Pop-up) | ||
| The Attack |
Anymore Than I Do
|
1967 |
|
4:37:12 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
|
4:39:11 (Pop-up) |
|||
| Les Baxter |
Hell's Belles
|
1969 |
|
4:39:49 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
|
4:42:38 (Pop-up) |
|||
| Trilogy |
Removing Myself
|
1970 |
|
4:42:48 (Pop-up) | ||
| Rex Holman |
Rowin'
|
1970 |
|
4:45:32 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
I saw the the hopeless traveller of my generation destroyed, How I mourned the absentee. Never forget the black and forlorn absentee. I cannot help but stop and look at the several deceased. Never forget the respective and various deceased. When I think of the stolen, I see a horses mayor. A stolen is slick. a stolen is artful, a stolen is crafty, however. |
|
4:47:55 (Pop-up) |
||
| Los Shakers |
Espero Que Les Guste 042 (I Hope You'll Like It 042)
|
1966 |
|
4:48:44 (Pop-up) | ||
| The Shondells |
It's True
|
1965 |
|
|||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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Listener comments!
Owl Sun:
spodiodi:
Blast-Off-Girl:
spodiodi:
Owl Sun:
Hubig Pie:
Am I in heaven?
Owl Sun:
Owl Sun: