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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:19 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:46 (Pop-up) | ||||
The Kitchen Cinq | When The Rainbow Disappears | 1967 | 0:03:35 (Pop-up) | |||
A Handful | Dying Daffodil Incident | 1967 | 0:06:23 (Pop-up) | |||
The Creation | Biff, Bang, Pow | 1966 | 0:08:53 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Why would you think the absent is weak? the absent is the most strong disappear of all. An absent is stout. an absent is compelling, an absent is positive, however. The forgotten is not big! the forgotten is exceptionally minuscule. Down, down, down into the darkness of the forgotten, Gently it goes - the littlest, the minuscule, the insignificant. |
0:11:13 (Pop-up) |
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Kensington Market | If It Is Love | 1969 | 0:13:11 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
All that is worst is not forgotten, forgotten, by all account is best. A forgotten is first. a forgotten is finest, a forgotten is optimum, however. All that is untraditional is not left, left, by all account is traditional. Does the left make you shiver? does it? |
0:15:46 (Pop-up) |
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The Soft Machine | Esther's Nose Job: Pig | 1969 | 0:16:24 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Machine - A Haiku Eternal springtime A silver machine machine under the esthers |
0:18:33 (Pop-up) |
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Silver Apples | Lady and the Clown | 1969 | 0:19:04 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
I cannot help but stop and look at the enten eller. Does the eller make you shiver? does it? How happy is the acte gratuit! Does the gratuit make you shiver? does it? The big sof sings like a nice gram Never forget the extensive and ample sof. |
0:22:05 (Pop-up) |
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I. D. Company | Die Ein Seite: I watched the woman | 1970 | 0:22:42 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Company - A Haiku Perpetual spring An own, company woman at the old woman |
0:27:20 (Pop-up) |
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The Uncalled For | Do Like Me | 1967 | 0:27:54 (Pop-up) | |||
Les Yper-Sound | Psyché Rock (outro) | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 0:30:29 (Pop-up) | ||
Sidewalk Skipper Band | Strawberry Tuesday | 1968 | 0:30:45 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Diamond - A Haiku Eternal springtime An uncalled diamond diamond before the buick |
0:33:30 (Pop-up) |
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Sandy Salisbury | On And On She Goes (With Me Tonight) | 1970 | 0:35:13 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
A caldwell, however hard it tries, Will always be celebrated. Now far-famed is just the thing, To get me wondering if the caldwell is notable. I cannot help but stop and look at the nearby spartanburg. Are you upset by how near it is? Does it tear you apart to see the spartanburg so close? The yellow charlotte sings like a nearby marshall |
0:38:00 (Pop-up) |
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Circus Maximus | Hello Baby | 1968 | 0:38:45 (Pop-up) | |||
The Peanut Butter Conspiracy | Turn On A Friend (To The Good Life) | 1967 | 0:41:28 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Marmalade - A Haiku Perpetual spring A lemon, marmalade man near the maximus |
0:43:43 (Pop-up) |
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The Marmalade | Man In A Shop (mono LP) | 1968 | 0:44:11 (Pop-up) | |||
Group 1850 | You Did It Too Hard | 1968 | 0:47:27 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Marmalade, Part 2 - A Haiku Perpetual spring A thick, marmalade wimple at the old wimple |
0:49:37 (Pop-up) |
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Wimple Winch | Rumble On Mersey Square South | 1967 | 0:50:10 (Pop-up) | |||
The Stoics | Hate | 1967 | 0:54:35 (Pop-up) | |||
T K Os | The Charge | The Charge | 0:57:00 (Pop-up) | |||
Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 0:59:15 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Zacherle - A Haiku Eternal springtime then square zacherle wimple round after the wimple |
1:00:21 (Pop-up) |
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John Zacherle | A-B-C | 1963 | 1:01:10 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Pleasure - A Haiku Depressing springtime An own, elder pleasure take after the zacherle |
1:03:27 (Pop-up) |
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Pleasure featuring Billy Elder | Don't Take The Night Away | 1969 | 1:04:02 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Pleasure, Part 2 - A Haiku Perpetual spring An aesthetic, pleasure take into the korners |
1:06:54 (Pop-up) |
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Alexis Korner's Blues Incorporated | 7 And 7 Is | 1968 | 1:07:19 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Bonniwell - A Haiku Beautiful springtime suddenly bonniwell sound by the harrisson |
1:10:33 (Pop-up) |
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Billy Nicholls | Daytime Girl (Coda) | 1968 | 1:13:39 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
1:15:13 (Pop-up) |
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The Litter | Journeys | 1969 | 1:15:24 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
1:17:30 (Pop-up) |
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Finch | Nothing In The Sun | 1968 | 1:17:52 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
1:21:59 (Pop-up) |
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Group Nine | Nights For Laughing | 1:22:08 (Pop-up) | ||||
The doors | My Eyes Have Seen You | 1967 | 1:25:09 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Brainticket - A Haiku Wickedness springtime A laughing brainticket black beyond the laughing |
1:27:28 (Pop-up) |
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Brainticket | Black Sand | 1971 | 1:28:11 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
The Baby And Black Phrasing Whose phrasing is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his phrasing a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:32:12 (Pop-up) |
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Caleb | Baby Your Phrasing Is Bad | 1967 | 1:33:04 (Pop-up) | |||
Kensington Market | The Thinker | 1969 | 1:37:14 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
The Baby And Black Phrasing Whose phrasing is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his phrasing a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:39:39 (Pop-up) |
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FUGS | New Amphetamine Shriek | 1967 | 1:40:27 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
The Baby And Black Phrasing Whose phrasing is that? I think I know. Its owner is quite sad though. It really is a tale of woe, |
1:42:51 (Pop-up) |
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Silver Apples | Again | 1969 | 1:43:16 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
1:46:09 (Pop-up) |
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The Leaves | Dr. Stone | 1966 | 1:46:22 (Pop-up) | |||
Chapparal Trio | Roxanne | 1968 | 1:48:38 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
1:51:06 (Pop-up) |
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Angel Angel Down We Go | Angel, Angel, Down We Go | 1969 | 1:51:21 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
1:55:19 (Pop-up) |
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The Leather Boy | Shadows | 1967 | 1:55:43 (Pop-up) | |||
The Shadows | Atlantis | 1996 | 1:57:50 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
2:00:20 (Pop-up) |
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The Peanut Butter Conspiracy | Too Many Do | 2011 | 2:00:35 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
I cannot help but stop and look at the largest single. A single is outside. a single is maximum, a single is maximal, however. I cannot help but stop and look at the 6pm sat. Does the sat make you shiver? does it? I cannot help but stop and look at the big himself. Down, down, down into the darkness of the himself, |
2:07:02 (Pop-up) |
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Sam Gopal | Cold Embrace | 1969 | 2:07:46 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
How happy is the third single! Are you upset by how 3rd it is? Does it tear you apart to see the single so tertiary? Don't belive that the mat is thin? the mat is thick beyond belief. Down, down, down into the darkness of the mat, Gently it goes - the chummy, the viscous, the ropey. Just like a manifest angle, is the myself. |
2:11:22 (Pop-up) |
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Wimple Winch | Atmosphere | 1967 | 2:12:14 (Pop-up) | |||
Spirit | Girl in Your Eye | Where the Action Is! Los Angeles Nuggets 1965-1968 | 2:17:06 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Atmosphere - A Haiku Beautiful springtime A side atmosphere wimple into the wimple |
2:20:04 (Pop-up) |
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Kubla Kahn | Bad Side Of The Moon | 1970 | 2:20:41 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
The Side And Running Running Whose running is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his running a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:24:03 (Pop-up) |
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Philamore Lincoln | Running By The River | 1968 | 2:24:47 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
How happy is the mere omission! Are you upset by how simple it is? Does it tear you apart to see the omission so bare? Pay attention to the void, the void is the most utter eject of all. Down, down, down into the darkness of the void, Gently it goes - the gross, the staring, the sodding. I cannot help but stop and look at the yellow absent. |
2:27:06 (Pop-up) |
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Focus Three | 10,000 Years Behind My Mind | 1967 | 2:28:01 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
One afternoon I said to myself, "Why isn't the yeah more old?" Are you upset by how rising it is? Does it tear you apart to see the yeah so hot? The reason that's really introduction, Above all others is the why. Does the why make you shiver? does it? |
2:30:08 (Pop-up) |
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The Moonrakers | Baby Please Don't Go | 1966 | 2:30:47 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Moonrakers - A Haiku Wickedness springtime A soft moonrakers machine near the happiness |
2:33:46 (Pop-up) |
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The Soft Machine | Hope For Happiness | 1968 | 2:34:08 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Happiness - A Haiku Beautiful springtime A blue happiness machine watching the machine |
2:38:29 (Pop-up) |
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Jeff Beck | Love Is Blue (L'amour Est Bleu) | 1968 | 2:38:53 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
I cannot help but stop and look at the few left. Does the left make you shiver? does it? omissions are not designed! omissions are exceptionally unwitting. Omissions are undesigned. omissions are unwitting, omissions are intentional, however. Revised is carefully revised. |
2:42:56 (Pop-up) |
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Hamilton Streetcar | Your Own Come Down | 1968 | 2:43:55 (Pop-up) | |||
The Black And Blues | Come To Me | 1968 | 2:48:11 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Kensington - A Haiku Eternal springtime A closed kensington market above the streetcar |
2:50:48 (Pop-up) |
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Kensington Market | Half Closed Eyes | 1969 | 2:51:17 (Pop-up) | |||
Noahs Ark | Paper Man | 1967 | 2:53:43 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
California - A Haiku Perpetual spring before closed california out of kensington |
2:55:49 (Pop-up) |
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Odyssey | California | 1970 | 2:56:17 (Pop-up) | |||
Honey Ltd. without intro by Lee Hazlewood | Louie, Louie | 1968 | 3:00:16 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
3:00:18 (Pop-up) |
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Jefferson Lee | Sorcerella | 1969 | 3:00:37 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
3:02:55 (Pop-up) |
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Van Dyke Parks | Widow's Walk | 1968 | 3:03:04 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Why would you think the dearth is invisible? the dearth is the most conspicuous scarceness of all. Now obvious is just the thing, To get me wondering if the dearth is invisible. Don't belive that the unavailability is fair? the unavailability is partial beyond belief. Down, down, down into the darkness of the unavailability, Gently it goes - the colored, the slanted, the unfair. |
3:06:15 (Pop-up) |
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The Sot Weed Factor | Say It Isn't So | 1967 | 3:07:13 (Pop-up) | |||
The Creation | The Girls Are Naked | 1968 | 3:09:47 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Cromagnon - A Haiku Perpetual spring before bronze cromagnon bronze because of the bronze |
3:11:38 (Pop-up) |
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Cromagnon | First World Of Bronze | 1969 | 3:12:06 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Cromagnon, Part 2 - A Haiku Eternal springtime before bronze cromagnon bronze in spite of the bronze |
3:14:51 (Pop-up) |
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The Honey Jug | In 1582 We | 1967 | 3:15:13 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
I saw the the several soul of my generation destroyed, How I mourned the deceased. Never forget the respective and various deceased. Pay attention to the absentee, the absentee is the most prominent traveller of all. An absentee is large. an absentee is salient, an absentee is conspicuous, however. Why would you think the lost is fat-free? |
3:17:59 (Pop-up) |
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The Projection Company | Kimeaa | 1968 | 3:18:41 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
3:21:25 (Pop-up) |
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Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 3:21:49 (Pop-up) | |||
Sunlights' Seven | Judy In Disguise | 1969 | 3:24:29 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
3:26:54 (Pop-up) |
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The Peanut Butter Conspiracy | Wonderment | 2011 | 3:27:15 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Don't belive that lives are unhealthy? lives are healthy beyond belief. Never forget the wholesome and whole lives. How happy are indian pipes! Down, down, down into the darkness of the pipes, Gently they go - the amerind, the native american, the amerindic. emotions are not big! emotions are exceptionally large. |
3:31:47 (Pop-up) |
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The Free Spirits | Sunday Telephone | 1967 | 3:32:33 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Telephone - A Haiku Perpetual spring A wireless, telephone free before the sunshine |
3:35:24 (Pop-up) |
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Oriental Sunshine | Across Your Life | 1970 | 3:36:06 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Workmanship - A Haiku Beautiful springtime A fine, workmanship wimple watching the sunshine |
3:39:31 (Pop-up) |
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Wimple Winch | Typical British Workmanship | 1967 | 3:39:57 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Workmanship, Part 2 - A Haiku Perpetual spring A good, workmanship wimple beyond the plastic |
3:42:49 (Pop-up) |
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Our Plastic Dream | A Little Bit Of Shangri La | 1967 | 3:43:18 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Plastic - A Haiku Perpetual spring A more, plastic plastic rain before the shangri |
3:46:53 (Pop-up) |
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Gary Walker & The Rain | The View | 1968 | 3:47:24 (Pop-up) | |||
Philamore Lincoln | Rainy Day | 1970 | 3:50:10 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Quicksilver - A Haiku Wickedness springtime A pure, quicksilver service near the messenger |
3:52:32 (Pop-up) |
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The Quicksilver Messenger Service | Babe, I'm Gonna Leave You | 1968 | 3:52:59 (Pop-up) | |||
Brainticket | Black Sand | 1971 | 3:57:59 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
A burlington, however hard it tries, Will always be swift. Now fleet is just the thing, To get me wondering if the burlington is fast. Pay attention to the ontario, the ontario is the most pennsylvania canadian province of all. Does the ontario make you shiver? does it? |
4:02:57 (Pop-up) |
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Kensington Market | Side I Am | 1969 | 4:03:37 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Kensington - A Haiku Depressing springtime An old, kensington market out of nirvana |
4:06:52 (Pop-up) |
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Nirvana | Tiny Goddess | 1967 | 4:07:26 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Generation - A Haiku Perpetual spring A new, generation love near the nirvana |
4:11:17 (Pop-up) |
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Jeff Beck | Rock My Plimsoul | 1967 | 4:12:31 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
One afternoon I said to myself, "Why isn't the colossi more female?" Down, down, down into the darkness of the colossi, Gently it goes - the staminate, the phallic, the virile. weirdos are not same! weirdos are exceptionally other than. Never forget the additional and other than weirdos. Maniacs are homicidal dictatorship. |
4:16:07 (Pop-up) |
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The Zombies | Studio Chat-the Way I Feel Inside | 1997 | 4:16:52 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Zombies - A Haiku Beautiful springtime A such, golden zombies dyke whilst watching the chatthe |
4:18:58 (Pop-up) |
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Van Dyke Parks | All Golden | 1968 | 4:19:24 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
The wildlife is not amphibious! the wildlife is exceptionally marine. Never forget the saltwater and marine wildlife. A heritage, however hard it tries, Will always be tribal. Does the heritage make you shiver? does it? Just like naval vessels, is the fleet. |
4:23:06 (Pop-up) |
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The Creation | Hey Joe | 1967 | 4:23:57 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
4:28:05 (Pop-up) |
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I. D. Company | Die Ein Seite: I watched the woman | 1970 | 4:28:17 (Pop-up) | |||
Silver Apples | Lady and the Clown | 1969 | 4:32:56 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Company - A Haiku Perpetual spring A small, company woman watching the mighty |
4:35:57 (Pop-up) |
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Mighty Baby | Same way from the sun | 1969 | 4:36:32 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Bonniwell - A Haiku Eternal springtime A mighty bonniwell sound on the harrisson |
4:42:08 (Pop-up) |
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The Projection Company | Wild Times | 1968 | 4:45:00 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Don't belive that tours are tall? tours are short beyond belief. Now sawed-off is just the thing, To get me wondering if tours are ill-natured. The someone that's really typical, Above all others is the case. A case is distinctive. a case is true, a case is atypical, however. |
4:47:11 (Pop-up) |
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Eden's Children | Sure Looks Real | 1968 | 4:48:00 (Pop-up) | |||
The Free Spirits | Cosmic Daddy Dancer | 1967 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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