The Night Owl Show with Owl Sun:
Playlist
from April 16, 2023
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
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On
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:25 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:50 (Pop-up) | ||||
| the Electric Flag, an American Music Band |
Joint Passing
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
0:03:18 (Pop-up) | |
| Lothar And The Hand People |
Every Single Word
|
1967 |
|
0:04:18 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
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Aphrodites - A Haiku Wickedness springtime A nude, aphrodites joint the american |
|
0:06:23 (Pop-up) |
||
| Aphrodite's Child |
End Of The World
|
1968 |
|
0:06:58 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
How happy are twin artemis! Are you upset by how duplicate they are? Does it tear you apart to see the artemis so siamese? The daphne is not ugly! the daphne is exceptionally sleek. Now prettier is just the thing, To get me wondering if the daphne is sleek. I cannot help but stop and look at little maidens. |
|
0:11:03 (Pop-up) |
||
| The Asylum Choir |
Welcome To Hollywood
|
1968 |
|
0:11:54 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
All that is wise is not oscar, oscar, by all account is foolish. Does the oscar make you shiver? does it? A beverly, however hard it tries, Will always be nearby. Are you upset by how close it is? Does it tear you apart to see the beverly so near? |
|
0:14:49 (Pop-up) |
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| people |
shomyo - part 1
|
1970 |
|
0:15:25 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Connection - A Haiku Eternal wet spring A close, connection people by the happiness |
|
0:28:04 (Pop-up) |
||
| the new Rotary Connection |
Vine Of Happiness
|
1971 |
|
0:28:41 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
|
0:32:35 (Pop-up) |
|||
| Public Nuisance |
America
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
0:32:46 (Pop-up) | ||
| Rotary Connection |
Trip II: Teach Me How To Fly
|
Aladdin | 1968 |
|
0:36:06 (Pop-up) | |
| October Country |
Cowboys And Indians
|
October Country | 1968 |
|
0:39:19 (Pop-up) | |
| William Sheller |
Living East Dreaming West
|
1970 |
|
0:41:25 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Connection - A Haiku New dampness springtime A purple connection shield under the purple |
|
0:45:14 (Pop-up) |
||
| Deep Purple |
Shield
|
1968 |
|
0:45:55 (Pop-up) | ||
| The Flower Pot Men |
Am I Losing You
|
1967 |
|
0:51:47 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Playboys - A Haiku Eternal springtime A young, purple playboys shield above the purple |
|
0:53:44 (Pop-up) |
||
| Gary Lewis & the Playboys |
Jill
|
Where the Action Is! Los Angeles Nuggets 1965-1968 |
|
0:54:12 (Pop-up) | ||
| The Deep |
Your Choice To Choose
|
1966 |
|
0:56:25 (Pop-up) | ||
| Fathers Angels |
Bok to Bach
|
Bok To Bach / Disco Trucking |
|
0:58:22 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
|
1:00:25 (Pop-up) |
|||
| Hamilton Streetcar |
Now I Taste The Tears
|
Original Lp - Dot Records DLP 25939 | 1969 |
|
1:01:17 (Pop-up) | |
Music behind DJ: Velvett Fogg |
Telstar '69
|
Pay attention to the enjoyment, the enjoyment is the most musical pleasance of all. Now dissonant is just the thing, To get me wondering if the enjoyment is mellifluous. I cannot help but stop and look at exquisite pleasures. Do pleasures make you shiver? do they? When I think of delicacies, I see choicest gifts. |
|
1:03:51 (Pop-up) |
||
| Arzachel |
Garden Of Earthly Delights
|
1969 |
|
1:04:39 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Arzachel - A Haiku Early dull springtime suddenly arzachel free after the delights |
|
1:07:16 (Pop-up) |
||
| the free pop electronic concept |
Cosmos Rhythms
|
1969 |
|
1:07:41 (Pop-up) | ||
| amon düül II |
Archangels Thunderbird
|
1970 |
|
1:12:41 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Kaleidoscope - A Haiku New hazy springtime A huge, kaleidoscope love under the concept |
|
1:16:11 (Pop-up) |
||
| Kaleidoscope |
Love Games
|
1967 |
|
1:16:41 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
I saw the the mere nonexistence of my generation destroyed, How I mourned the void. Are you upset by how bare it is? Does it tear you apart to see the void so simple? The spirit that's really continued, Above all others is the presence. Does the presence make you shiver? does it? |
|
1:19:06 (Pop-up) |
||
| Immediate Family |
Rubiyat
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
1:19:57 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
Rubiyat - A Haiku Early foggy spring suddenly rubiyat dawn near the family |
|
1:22:23 (Pop-up) |
||
| The Golden Dawn |
My Time
|
1967 |
|
1:22:58 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Funkadelic - A Haiku Darkening springtime before funkadelic dawn in spite of the dawn |
|
1:26:47 (Pop-up) |
||
| Funkadelic |
I'Ll Bet You
|
1969 |
|
1:27:11 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
Experience - A Haiku Early hazy spring How burning experience the funkadelic |
|
1:31:18 (Pop-up) |
||
| The Jimi Hendrix Experience |
Burning Of The Midnight Lamp
|
The Jimi Hendrix Experience | 1968 |
|
1:31:50 (Pop-up) | |
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Experience, Part 2 - A Haiku Perpetual spring then burning experience before the midnight |
|
1:35:25 (Pop-up) |
||
| Bokaj Retsiem |
It's Over
|
1969 |
|
1:36:04 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
|
1:41:21 (Pop-up) |
|||
| Mr. Flood's Party |
advice
|
1970 |
|
1:41:32 (Pop-up) | ||
| The Yellow Payges |
Little Woman
|
1969 |
|
1:44:36 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
|
1:47:13 (Pop-up) |
|||
| Amon Düül II |
Henriette Krötenschwanz
|
1969 |
|
1:47:48 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
replies are not nonstandard! replies are exceptionally accepted. Now normative is just the thing, To get me wondering if replies are accepted. How happy is the brief battle! A battle is concise. a battle is little, a battle is short, however. The time period that's really zany, |
|
1:49:44 (Pop-up) |
||
| The Creation |
Painter Man
|
1966 |
|
1:50:41 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Creation - A Haiku Eternal dull spring A whole, harsh creation feel the reality |
|
1:53:32 (Pop-up) |
||
| Harsh Reality |
How Do You Feel
|
1969 |
|
1:53:51 (Pop-up) | ||
| The Beach Boys |
Wild Honey
|
Wild Honey | 1968 |
|
1:56:55 (Pop-up) | |
| Brainticket |
Black Sand
|
1971 |
|
1:59:25 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Quicksilver - A Haiku Early cloudy spring A crude, quicksilver service by the messenger |
|
2:00:24 (Pop-up) |
||
| Quicksilver Messenger Service |
Light Your Windows
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
2:00:58 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Quicksilver, Part 2 - A Haiku Darkening springtime A much, quicksilver service on the messenger |
|
2:03:30 (Pop-up) |
||
| Grateful Dead |
What's Become Of The Baby
|
1969 |
|
2:04:21 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
One afternoon I said to myself, "Why isn't the hollywood more dark?" Does the hollywood make you shiver? does it? All that is rich is not lindsay, lindsay, by all account is poor. A lindsay is short. a lindsay is miserable, a lindsay is rich, however. |
|
2:12:44 (Pop-up) |
||
| The Chocolate Watchband |
And She's Lonely
|
1969 |
|
2:13:20 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Planetary - A Haiku Eternal springtime A non, planetary free watching the watchband |
|
2:18:33 (Pop-up) |
||
| the free pop electronic concept |
Planetary Gospel
|
1969 |
|
2:19:07 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Planetary, Part 2 - A Haiku Eternal wet spring when planetary winter at the old concept |
|
2:22:41 (Pop-up) |
||
| Family |
Winter
|
1968 |
|
2:23:04 (Pop-up) | ||
| The Aggregation |
Maharishi
|
1968 |
|
2:25:25 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
|
2:27:32 (Pop-up) |
|||
| The Mothers of Invention |
Trouble Every Day
|
1966 |
|
2:27:46 (Pop-up) | ||
| Pink Floyd |
Vegetable Man
|
Scream Thy Last Scream / Vegetable Man | 1967 |
|
2:33:33 (Pop-up) | |
Music behind DJ: David Axelrod |
The Human Abstract
|
Businesses, however hard they try, Will always be unincorporated. Do businesses make you shiver? do they? How happy are day schools! Never forget the daytime and nighttime schools. How happy are little roads! Are you upset by how midget they are? |
|
2:36:01 (Pop-up) |
||
| lee hazlewood |
Ten Or 11 Towns Ago
|
1972 |
|
2:36:49 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Pussycat - A Haiku Darkening springtime A cuddly, pussycat come betrayed by the towns |
|
2:39:17 (Pop-up) |
||
| Pussy |
Come Back June
|
1969 |
|
2:39:40 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Magazine - A Haiku Wickedness springtime A little, magazine come on the pussycat |
|
2:43:35 (Pop-up) |
||
| Tonto's Expanding Head Band |
Outside: Cybernaut
|
1970 |
|
2:44:33 (Pop-up) | ||
| Amerika |
The Sky Is Falling
|
1970 |
|
2:48:55 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Expanding - A Haiku Eternal dull spring An outside expanding band out of cybernaut |
|
2:51:18 (Pop-up) |
||
| The Nice |
The Thoughts Of Emerlist Davjack
|
1967 |
|
2:51:47 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
|
2:54:32 (Pop-up) |
|||
| Crazy Elephant |
Higher And Higher
|
1969 |
|
2:54:44 (Pop-up) | ||
| Ramsey Lewis |
Uptight (Everything's Alright)
|
Hang On Ramsey / Wade in the Water | 2002 |
|
2:58:16 (Pop-up) | |
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Unfolding - A Haiku Beautiful springtime A fleeting, unfolding sound by the electric |
|
3:00:24 (Pop-up) |
||
| Electric Mind Sound By Unfolding |
Acid Rock: Girl from Nowhere
|
1967 |
|
3:01:17 (Pop-up) | ||
| The Moody Blues |
What Am I Doing Here?
|
1968 |
|
3:04:20 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Unfolding, Part 2 - A Haiku Early wet springtime A fleeting, unfolding sound out of electric |
|
3:08:08 (Pop-up) |
||
| The FUGS |
Crystal Liaison
|
1968 |
|
3:08:41 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Liaison - A Haiku Eternal wet spring A close, crystal liaison bash beyond the crystal |
|
3:11:45 (Pop-up) |
||
| CAN |
On The Way To Mother Sky: 1970
|
1970 |
|
3:12:56 (Pop-up) | ||
| Prophecy |
Take A Look At Mary
|
1968 |
|
3:17:25 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Appletree - A Haiku Beautiful springtime A great, appletree mother near the saturday |
|
3:19:48 (Pop-up) |
||
| The Appletree Theatre |
Act I: Saturday Morning (about a Saturday morning)
|
1967 |
|
3:20:14 (Pop-up) | ||
| The doors |
The Crystal Ship
|
1967 |
|
3:21:03 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Why would you think the sat is intermediate? the sat is the most last weekday of all. A sat is latter. a sat is next-to-last, a sat is terminal, however. Why would you think the tomorrow is unhappy? the tomorrow is the most happy twenty-four hours of all. Does the tomorrow make you shiver? does it? |
|
3:23:32 (Pop-up) |
||
| Dorothy Ashby |
Soul Vibrations
|
1968 |
|
3:24:20 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Tasmanians - A Haiku Early hazy spring For tasmanians explain under the feeling |
|
3:27:32 (Pop-up) |
||
| Tasmanians |
I Can't Explain This Feeling
|
1967 |
|
3:27:56 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Tasmanians, Part 2 - A Haiku Darkening springtime shall tasmanians explain by the symphony |
|
3:30:07 (Pop-up) |
||
| The Smoke |
The Hobbit Symphony
|
1968 |
|
3:30:42 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Symphony - A Haiku Eternal wet spring A second, symphony smoke above the concept |
|
3:35:34 (Pop-up) |
||
| the free pop electronic concept |
Pish! Pshaw!
|
1969 |
|
3:35:57 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Grandmother - A Haiku Early hazy spring A beloved, grandmother band on the motherhood |
|
3:38:51 (Pop-up) |
||
| The Apple Pie Motherhood Band |
Grandmother Hooker
|
1969 |
|
3:39:19 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Pay attention to the era, the era is the most industrial geological time of all. Never forget the heavy-duty and developed era. The standard is not individual! the standard is exceptionally individual. Down, down, down into the darkness of the standard, Gently it goes - the unrefined, the individual, the informal. wooly headlines sings like such amounts |
|
3:42:19 (Pop-up) |
||
| Kaleidoscope |
I Found Out
|
1968 |
|
3:43:06 (Pop-up) | ||
| The Weirdos and the voice of Mr. Gasser |
Hearse With A Curse
|
1964 |
|
3:45:09 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Kaleidoscope - A Haiku Early cloudy spring A vast, found kaleidoscope at the perfect pearls |
|
3:47:34 (Pop-up) |
||
| Pearls Before Swine |
frog in the window
|
1969 |
|
3:48:17 (Pop-up) | ||
| Grahame Bond |
Crossroads Of Time
|
1968 |
|
3:49:29 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Balloons - A Haiku Eternal springtime A large, good balloons window despite the fairies |
|
3:52:00 (Pop-up) |
||
| Peter Pan & The Good Fairies |
Balloons
|
1967 |
|
3:52:34 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Dissevelt - A Haiku Eternal dull spring before dissevelt peter on the dissevelt |
|
3:54:55 (Pop-up) |
||
| The Sonic Vibrations Of Tom Dissevelt & Kid Baltan |
Tom Dissevelt: Sonik Re-Entry
|
1959 |
|
3:55:33 (Pop-up) | ||
| The Lovin' Spoonful |
Full Measure (instrumental version)
|
1966 |
|
3:58:04 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Highest - A Haiku Eternal dull spring before tiptoe highest twink under the tiptoe |
|
4:06:22 (Pop-up) |
||
| Tiny Tim |
The Other Side
|
1968 |
|
4:06:44 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Aphrodites - A Haiku New cloudy springtime A nude, aphrodites stand at the perfect child |
|
4:11:07 (Pop-up) |
||
| Aphrodite's Child |
You Always Stand In My Way
|
1968 |
|
4:11:29 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Aphrodites, Part 2 - A Haiku Perpetual spring A great aphrodites stand at the old spencer |
|
4:15:19 (Pop-up) |
||
| The Velvet Underground & Nico |
The Black Angel's Death Song
|
1967 |
|
4:16:41 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
The Black And Underground Underground Whose underground is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his underground a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:19:49 (Pop-up) |
||
| Raul Danks - Jon Taylor |
You're A Fool
|
1967 |
|
4:20:36 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
The Fool And Moody Part Whose part is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his part a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:23:18 (Pop-up) |
||
| The Moody Blues |
Have You Heard Part I
|
1969 |
|
4:24:03 (Pop-up) | ||
| The Velvet Underground |
Noise by
|
1966 |
|
4:25:31 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
I cannot help but stop and look at the internal gear. Does the gear make you shiver? does it? The non-standard speech that's really german, Above all others is the dialect. Does the dialect make you shiver? does it? The yellow semitism sings like polish states |
|
4:27:20 (Pop-up) |
||
| people |
shomyo - part 1
|
1970 |
|
4:28:10 (Pop-up) | ||
| The Asylum Choir |
Welcome To Hollywood
|
1968 |
|
4:40:49 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Campbell - A Haiku Eternal springtime A chamley, campbell people near the fernando |
|
4:43:44 (Pop-up) |
||
| The Misunderstood featuring Glenn "Fernando" Campbell |
Golden Glass
|
1969 |
|
4:44:15 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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Listener comments!
Owl Sun:
Charles:
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