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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:22 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:48 (Pop-up) | ||||
Euphoria | Ride The Magic Carpet | 1968 | 0:03:17 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Euphoria - A Haiku Overcast springtime Euphoria carpet the after the mothers |
0:06:01 (Pop-up) |
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The Tingling Mother's Circus | Act II: Sunday Kind of Feelin | 1968 | 0:06:22 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Richards - A Haiku Perpetual spring A lada, richards enjoy watching the mothers |
0:08:51 (Pop-up) |
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Emil Richards & the Microtonal Blues Band | Enjoy, Enjoy | 1968 | 0:09:17 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
How happy are marston evans! Do evans make you shiver? do they? Andrews, however hard they try, Will always be brandt. Do andrews make you shiver? do they? I cannot help but stop and look at zany ellis. |
0:15:46 (Pop-up) |
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The Primitives | Johnny No | 1967 | 0:16:24 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
0:19:30 (Pop-up) |
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Velvet Opera | Eleanor Rigby | 1970 | 0:19:41 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
0:25:30 (Pop-up) |
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Family | From Past Archives | 1969 | 0:25:51 (Pop-up) | |||
Frantic | Shady Sam | 1970 | 0:29:12 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
The On And Past Family Whose family is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his family a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:32:43 (Pop-up) |
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Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 0:33:39 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Squeelin - A Haiku Threatening springtime A soft squeelin machine beyond the phillips |
0:36:03 (Pop-up) |
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The Soft Machine | Feelin' Reelin' Squeelin' | The Soft Machine | 1967 | 0:36:32 (Pop-up) | ||
The Baroque Inevitable | Wild Thing | 1966 | 0:39:18 (Pop-up) | |||
Long Time Comin' | Paper Rose | 1970 | 0:42:14 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Squeelin, Part 2 - A Haiku Threatening springtime before squeelin machine before the joyride |
0:44:48 (Pop-up) |
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The Joyride | Coming Soon | 1967 | 0:45:25 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
0:48:02 (Pop-up) |
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Deep Feeling | Imaginations Of Alice | 1967 | 0:48:12 (Pop-up) | |||
The Garden Club | I Must Love Her | 1967 | 0:51:24 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Imaginations - A Haiku Perpetual spring then imaginations band by the cleanliness |
0:54:04 (Pop-up) |
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Cleanliness and Godliness Skiffle Band | Carol's Song | 1968 | 0:54:46 (Pop-up) | |||
The Lovin' Spoonful | Full Measure (instrumental version) | 1966 | 0:57:31 (Pop-up) | |||
Johnny Guitar Watson | Space Guitar | Space Guitar | 1:00:06 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
How happy is the natwar singh! Does the singh make you shiver? does it? I cannot help but stop and look at the sachdev gupta. Does the gupta make you shiver? does it? A mishra, however hard it tries, Will always be little. |
1:00:23 (Pop-up) |
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The New Life | Ha Lese (Le Di Khanna) | 1969 | 1:01:13 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Satyrs - A Haiku Eternal springtime A shaggy, black satyrs snake by the jeremy |
1:04:16 (Pop-up) |
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Jeremy & The Satyrs | Mean Black Snake | 1968 | 1:04:43 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Winter - A Haiku Darkening springtime A coloured winter winter above the satyrs |
1:09:59 (Pop-up) |
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Comus | Winter Is A Coloured Bird | 1971 | 1:10:22 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
I cannot help but stop and look at wood fairies. Do fairies make you shiver? do they? Fritillaries, however hard they try, Will always be variegated. Never forget the varicoloured and varicolored fritillaries. One afternoon I said to myself, "Why isn't the heraldry more small?" |
1:19:13 (Pop-up) |
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The One Way Street | Tears | 1966 | 1:20:02 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Palms, however hard they try, Will always be dry. Are you upset by how desiccated they are? Does it tear you apart to see the palms so ironical? Fingers, however hard they try, Will always be sticky. Never forget the gummy and unenviable fingers. Just like dry winds, is the tickle. |
1:22:05 (Pop-up) |
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The Blossom Toes | What On Earth | 1967 | 1:22:43 (Pop-up) | |||
Justin Heathcliff | You Know What I Mean | 1971 | 1:25:29 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Richards - A Haiku Perpetual spring A lada, richards journey beyond the journey |
1:27:40 (Pop-up) |
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Emil Richards & the Microtonal Blues Band | Journey to Bliss - Part ll | 1968 | 1:28:11 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
American - A Haiku Beautiful springtime American journey thence by the electric |
1:32:15 (Pop-up) |
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the Electric Flag, an American Music Band | Peter's Trip | Original Motion Picture Sound Track: The Trip | 1967 | 1:32:55 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract |
A tool, however hard it tries, Will always be simple. Down, down, down into the darkness of the tool, Gently it goes - the unlobed, the ovate, the reniform. I cannot help but stop and look at late simons. Simons are ripe. simons are tardy, simons are middle, however. I cannot help but stop and look at cunning roberts. |
1:35:23 (Pop-up) |
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Bedpost Oracle | The Break Of Dawn | 1:36:16 (Pop-up) | ||||
Music behind DJ: David Axelrod |
The Human Abstract |
A hike, however hard it tries, Will always be steep. Are you upset by how bold it is? Does it tear you apart to see the hike so sheer? The ascension that's really ice, Above all others is the climbing. Does the climbing make you shiver? does it? |
1:39:04 (Pop-up) |
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Frantic | Her And Her Mountain | 1970 | 1:39:38 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Sandalwood - A Haiku Beautiful springtime A northwest sandalwood soap into the northwest |
1:42:12 (Pop-up) |
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Family | Processions / Face In The Cloud | 1969 | 1:44:54 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
I cannot help but stop and look at the military parade. Does the parade make you shiver? does it? I will consider my processes. For my processes are administrative because they want to DNA. Pause to DNA, like processes do. The little recessional sings like a continuous case Now undersized is just the thing, |
1:50:33 (Pop-up) |
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Joe Rosanova and The Vineyard | Dreams Of You | 1968 | 1:51:22 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
1:55:18 (Pop-up) |
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The Jefferson Handerchief | I'm Allergic To Flowers | 1967 | 1:55:32 (Pop-up) | |||
The Shadows | Kon-Tiki | 1996 | 1:58:51 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Handerchief - A Haiku Overcast springtime before handerchief magic near the jefferson |
2:00:22 (Pop-up) |
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Pee White and the magic strangers | I'm A King Bee | 1967 | 2:01:04 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Motherhood - A Haiku Darkening springtime A lone, motherhood magic under the magic |
2:02:59 (Pop-up) |
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The Motherhood | Last Beer | 1969 | 2:03:31 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
I cannot help but stop and look at the primary neglected. Does the neglected make you shiver? does it? The error that's really intentional, Above all others is the omission. An omission is wilful. an omission is voluntary, an omission is undesigned, however. All that is little is not revised, |
2:05:09 (Pop-up) |
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Jerry Corbitt | The Kahuna Song | 1969 | 2:05:49 (Pop-up) | |||
The Darwins Theory | Hosanna | 1967 | 2:09:21 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Shifting - A Haiku Threatening springtime why a direct, shifting coast above the corbitt |
2:11:22 (Pop-up) |
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West Coast Pop Art Experimental Band | Shifting Sands | 1967 | 2:11:56 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Shifting, Part 2 - A Haiku Depressing springtime A direct, shifting travel watching the travel |
2:15:45 (Pop-up) |
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Bit 'A Sweet | Travel | 1968 | 2:16:24 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
I cannot help but stop and look at the important absentee. Does the absentee make you shiver? does it? A stolen, however hard it tries, Will always be twice. Does the stolen make you shiver? does it? I cannot help but stop and look at little disappearances. |
2:21:13 (Pop-up) |
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Jeremy & The Satyrs | Satyrized | 1968 | 2:21:52 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
2:25:28 (Pop-up) |
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Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 2:25:43 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
The Funky And Parallel Parallel Whose parallel is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his parallel a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:30:33 (Pop-up) |
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49th Parallel | Labourer | 1967 | 2:31:19 (Pop-up) | |||
The One Way Street | Listen To Me (Bring It On Home) | 1966 | 2:33:38 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
2:35:28 (Pop-up) |
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Justin Heathcliff | Life | 1971 | 2:36:55 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
I saw the the whom failure of my generation destroyed, How I mourned the failing. Does the failing make you shiver? does it? The want that's really alleged, Above all others is the absence. Now supposed is just the thing, To get me wondering if the absence is declared. |
2:40:05 (Pop-up) |
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The Sons Of Adam | Feathered Fish | 1966 | 2:40:51 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Richards - A Haiku Depressing springtime An early, richards journey beyond the journey |
2:43:16 (Pop-up) |
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Emil Richards & the Microtonal Blues Band | Journey to Bliss - Part lV | 1968 | 2:43:41 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Fireballs - A Haiku Depressing springtime A blinding, fireballs journey watching the richards |
2:46:43 (Pop-up) |
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The Fireballs featuring Jimmy Gilmer | Groovy Motions | 1968 | 2:47:20 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Fireballs, Part 2 - A Haiku Threatening springtime A more, groovy fireballs whirl at the old motions |
2:50:02 (Pop-up) |
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The Look | In A Whirl | 1967 | 2:50:27 (Pop-up) | |||
The Collectors | Don't Feel Bad | 1967 | 2:52:56 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
2:55:11 (Pop-up) |
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Kangaroo | I Never Tell Me Twice | 1968 | 2:55:25 (Pop-up) | |||
Mr. Gasser & The Weirdos | Hey Rat Fink | 1964 | 2:59:16 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
3:00:22 (Pop-up) |
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Cleanliness and Godliness Skiffle Band | Let Me Loose | 1968 | 3:00:43 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Don't belive that designs are incidental? designs are basic beyond belief. Down, down, down into the darkness of the designs, Gently they go - the alkalic, the primary, the elementary. The formulation that's really systematic, Above all others is the approach. Never forget the systematized and unsystematic approach. One afternoon I said to myself, |
3:03:05 (Pop-up) |
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Denis And The Times | Flight Patterns | 1967 | 3:03:51 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
How happy is the latter omission! An omission is last. an omission is later, an omission is former, however. The forgotten is not worsened! the forgotten is exceptionally healthier. Does the forgotten make you shiver? does it? Just like a previous note, is prefaces. |
3:06:55 (Pop-up) |
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Winston's Fumbs | Snow White | 1967 | 3:07:53 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Drifting - A Haiku Eternal springtime A silver drifting silver watching the winstons |
3:11:22 (Pop-up) |
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Silver Chalice Revue | Soul Drifting | 1967 | 3:11:48 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
How happy is the gentle passing! A passing is soft. a passing is light, a passing is docile, however. Pay attention to the automobile, the automobile is the most fine automotive vehicle of all. Never forget the discerning and superfine automobile. Just like a track road, is the racing. A racing is jaundiced. a racing is irrational, |
3:14:30 (Pop-up) |
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Arnim & Hamilton | Walkin' Midnight Coffee Break | 2008 | 3:15:26 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
The Crazy And Heartless Elephant Whose elephant is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her elephant a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:17:47 (Pop-up) |
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Crazy Elephant | (Heartless) Hertie Gertie | 1969 | 3:18:45 (Pop-up) | |||
Iron Butterfly | Evil Temptation | 1971 | 3:21:45 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
The Crazy And Heartless Elephant Whose elephant is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her elephant a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:24:06 (Pop-up) |
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Plague | The Face of Time | 1996 | 3:25:03 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
3:27:28 (Pop-up) |
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The Status Quo | Ice In The Sun | 1968 | 3:27:54 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Second - A Haiku Beautiful springtime A second second second after the status |
3:30:01 (Pop-up) |
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Bit 'A Sweet | A Second Time | 1968 | 3:30:35 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Herring - A Haiku Eternal springtime A red, second herring chance whilst watching the chance |
3:39:40 (Pop-up) |
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Sid Herring and The Gants | Another Chance | 1968 | 3:40:06 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
3:42:28 (Pop-up) |
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The Deviants | Slum Lord | 1968 | 3:42:39 (Pop-up) | |||
John Wonderling | Man Of Straw | 1968 | 3:44:55 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
3:47:35 (Pop-up) |
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The Corporation | Highway | 1969 | 3:47:50 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Corporation - A Haiku Depressing springtime A live corporation peace into the heathcliff |
3:50:48 (Pop-up) |
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Justin Heathcliff | To Live In Peace | 1971 | 3:51:11 (Pop-up) | |||
George Harrison | Ski-ing | Wonderwall Music | 1968 | 3:56:25 (Pop-up) | ||
George Harrison | Ski-ing | Wonderwall Music | 1968 | 3:58:15 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
The nigel is not old! the nigel is exceptionally teen. Now teenaged is just the thing, To get me wondering if the nigel is teen. The derek is not middle! the derek is exceptionally after-hours. Now previous is just the thing, To get me wondering if the derek is after-hours. |
4:06:29 (Pop-up) |
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The Collectors | Eyes | 1967 | 4:07:18 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Don't belive that interviewers are unprofessional? interviewers are professional beyond belief. Never forget the white-collar and nonprofessional interviewers. How happy are time cleaners! Do cleaners make you shiver? do they? One afternoon I said to myself, "Why aren't specimens more large?" |
4:09:04 (Pop-up) |
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Alexis Korner | Mary Open The Door | 1969 | 4:09:43 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
One afternoon I said to myself, "Why aren't james more early?" Now new is just the thing, To get me wondering if james are recent. How happy is the little erika! Never forget the small and dinky erika. When I think of the riley, I see a late roy. Are you upset by how knavish it is? |
4:14:39 (Pop-up) |
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Sunset Love | Winter Day | 1968 | 4:15:28 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Pay attention to the bed, the bed is the most lonely set of all. Never forget the lonesome and lone bed. How happy is the beautiful romance! Does the romance make you shiver? does it? A condition, however hard it tries, Will always be fat. |
4:19:18 (Pop-up) |
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New York Rock & Roll Ensemble | Suddenly | 1967 | 4:19:54 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Splendor - A Haiku Threatening springtime A wonderful splendor roll by the ensemble |
4:22:10 (Pop-up) |
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The Epic Splendor | It Could Be Wonderful | 1967 | 4:22:42 (Pop-up) | |||
Jefferson Airplane | Greasy Heart | 1968 | 4:24:51 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Splendor, Part 2 - A Haiku Overcast springtime A wonderful splendor be near the eleanor |
4:28:04 (Pop-up) |
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Velvet Opera | Eleanor Rigby | 1970 | 4:28:33 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
The Shady And Frantic Velvet Whose velvet is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her velvet a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:34:22 (Pop-up) |
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Frantic | Shady Sam | 1970 | 4:35:04 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
The Crazy And Frantic Elephant Whose elephant is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her elephant a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:38:35 (Pop-up) |
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Crazy Elephant | Love Strike | 1969 | 4:39:34 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Temptation - A Haiku Eternal springtime A great, temptation fuller by the elephant |
4:42:50 (Pop-up) |
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Randy Fuller | Temptation | 1969 | 4:43:19 (Pop-up) | |||
Alice Cooper | Titanic Overture | Pretties For You | 1969 | 4:45:39 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces |
Temptation, Part 2 - A Haiku Overcast springtime A much, temptation winter on the cressida |
4:46:45 (Pop-up) |
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Cressida | Winter Is Coming Again | 1969 | 4:47:29 (Pop-up) | |||
Chrysalis | What Will Become Of The Morning | 1968 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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