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Tangents, parenthetical asides, and digressions.
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Artist | Track | Album | Label | Comments | New | Approx. start time |
---|---|---|---|---|---|---|
The New Pornographers | Bottle Episodes | Continue as a Guest | Merge Records | 0:00:00 (Pop-up) | ||
Terry Jacks | Seasons in the Sun | 0:04:05 (Pop-up) | ||||
Bria | When You Know Why You're Happy | Cuntry Covers Vol. 2 | Sub Pop Records | Mary Margaret O'Hara cover | * | 0:07:23 (Pop-up) |
Scott Walker | The Seventh Seal | It's Raining Today: The Scott Walker Story (1967-70) | Razor & Tie | 0:11:05 (Pop-up) | ||
Esquivel | Delta Dawn | The Sights and Sounds of Esquivel | Bar None Records | 0:16:01 (Pop-up) | ||
Music behind DJ: The B-52's |
Follow Your Bliss |
Cosmic Thing |
Reprise Records |
0:19:07 (Pop-up) |
||
Chromatics | Girls Just Wanna Have Fun | Girls | Italians Do It Better | Cyndi Lauper cover | 0:25:20 (Pop-up) | |
スーザン (Susan) | Ah! Soka | Pacific Breeze 3: Japanese City Pop, AOR & Boogie 1976-1986 | Light in the Attic Records | * | 0:29:06 (Pop-up) | |
Chumbawamba | Dumbing Down | WYSIWYG | Republic Records | 0:34:03 (Pop-up) | ||
U.S. Girls | Just Space for Light | Bless This Mess | 4AD | * | 0:37:10 (Pop-up) | |
En Attendant Ana | Wonder | Principia | Trouble in Mind Records | 0:41:07 (Pop-up) | ||
M83 | Deceiver | Fantasy | Mute Records | * | 0:47:23 (Pop-up) | |
Junior Boys | Must Be All the Wrong Things | Waiting Game | City Slang | * | 0:53:46 (Pop-up) | |
Marianne Faithfull | Broken English | Faithfull: A Collection of Her Best Recordings | Island Records | 0:57:53 (Pop-up) | ||
Music behind DJ: The B-52’s |
Follow Your Bliss |
Cosmic Thing |
Reprise Records |
1:00:57 (Pop-up) |
||
Yo La Tengo | This Stupid World | This Stupid World | Matador Records | * | 1:12:28 (Pop-up) | |
Harold Alexander | Mama Soul | This is Flying Dutchman 1969-1975 | Ace Records | * | 1:19:17 (Pop-up) | |
Salami Rose Joe Louis | Cumulous Potion (For the Clouds to Sing) | Zdenka 2080 | Brainfeeder | * | 1:25:07 (Pop-up) | |
Time Wharp | East River Dusk | Spiro World | Leaving Records | * | 1:28:02 (Pop-up) | |
Death Valley Girls | Journey to Dog Star | Islands in the Sky | Suicide Squeeze | * | 1:30:45 (Pop-up) | |
Koleżanka | Saddle Up, Cowboy | Alone with the Sound the Mind Makes | Bar None Records | * | 1:34:33 (Pop-up) | |
Music behind DJ: The B-52’s |
Follow Your Bliss |
Cosmic Thing |
Reprise Records |
1:43:19 (Pop-up) |
||
Nada Surf | Let the Fight Do the Fighting | The Stars Are Indifferent to Astronomy | Barsuk Records | 1:49:13 (Pop-up) | ||
Samia | Charm You | Honey | Grand Jury Music | * | 1:52:16 (Pop-up) | |
Linda Smith & Nancy Andrews | Room 435 | A Passing Cloud | Grapefruit Records | * | 1:55:11 (Pop-up) | |
Shana Cleveland | Evil Eye | Manzanita | Hardly Art | * | 1:58:37 (Pop-up) | |
One Eleven Heavy | Plinth | Poolside | Kith & Kin Records | * | 2:01:29 (Pop-up) | |
Music behind DJ: The B-52’s |
Follow Your Bliss |
Cosmic Thing |
Reprise Records |
2:06:24 (Pop-up) |
||
Things Fall Apart | Bye Bye My Rose | Bye Bye My Rose b/w Manna | Just Add Water Records | * | 2:13:09 (Pop-up) | |
Screaming Females | Let You Go | Desire Pathway | Don Giovanni Records | * | 2:16:09 (Pop-up) | |
Miss Grit | Nothing's Wrong | Follow the Cyborg | Mute Artists | * | 2:19:31 (Pop-up) | |
Broadcast | Come On Let's Go (Evening Session 1st March 1997) | Maida Vale Sessions | BBC / Warp Records | * | 2:23:10 (Pop-up) | |
Ami Dang | Become | The Living World's Demands | Plancha | 2:26:48 (Pop-up) | ||
Meg Baird | Star Hill Song | Furling | Drag City Records | * | 2:32:53 (Pop-up) | |
Music behind DJ: The B-52’s |
Follow Your Bliss |
Cosmic Thing |
Reprise Records |
2:38:52 (Pop-up) |
||
The Cactus Blossoms | Tell Me That It Isn't True | If Not for You: Bob Dylan Songs, Vol.1 | Self-Released | Bob Dylan cover | 2:43:14 (Pop-up) | |
Bria | I Dream a Highway | Cuntry Covers Vol. 2 | Sub Pop Records | Written by Gillian Welch & David Rawlings | * | 2:46:34 (Pop-up) |
Eleni Mandell | Don't Say You Care | Country for True Lovers | Zedtone | 2:52:54 (Pop-up) | ||
Kate Bollinger | Connecting Dots | Look at It in the Light | Ghostly International | 2:57:07 (Pop-up) |
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Listener comments!
?:
Therese:
Robm:
Destroit:
Robm:
tim from washington:
alex in san francisco:
Roberto:
McGroovey:
Destroit:
ultradamno:
Robm:
@Mcgroovey remember hearing this on WABC
Destroit:
Robm:
KWilde:
Rick A:
Robm:
?:
atl:
Roberto:
ultradamno:
?:
Robm:
Fragonard:
Robm:
?:
Fragonard:
Harry Corvair:
Delta Dawn by Esquivel (The Sights and Sounds of Esquivel)
radioronan:
McGroovey:
Fragonard:
Roberto:
Bob in Los Angeles:
alex in san francisco:
Robm:
Fragonard:
?:
Fragonard:
spodiodi:
Fragonard:
Fragonard:
Greg g:
?:
McGroovey:
McGroovey:
?:
Roberto:
McGroovey:
?:
McGroovey:
McGroovey:
McGroovey:
No glasses right now
prof.fuzz:
McGroovey:
prof.fuzz:
McGroovey:
laurapanic:
Phillippe Bastille:
prof.fuzz:
Benoni:
McGroovey:
McGroovey:
laurapanic:
tim from washington:
prof.fuzz:
Phillippe Bastille:
Revolution Rabbit Nov63:
Harry Corvair:
Broken English by Marianne Faithfull (Faithfull: A Collection of Her Best Recordings)
Roberto:
prof.fuzz:
Stevel:
?:
?:
Phillippe Bastille:
?:
Revolution Rabbit Nov63:
What has Bonamassa ever done that was even interesting ? I ask sincerely & perhaps out of ignorance.
Stevel:
I've fallen hard for Death Valley Girls as of a couple of years ago. So trance-y, with a proper edge.
Yuri G:
Stevel:
Yuri G: Checking. Any favorite starting points?
Tome:
?:
?:
Yuri G:
McGroovey:
Yuri G:
impboy:
Dano59:
Jiff:
Yuri G:
Jiff:
Stevel:
Strong point McGroovy. I'd say we're talking about the ones who come closest to the real mark. Yet, it is from a very white point of view, parsing who came closest to mimicking a powerful musical culture/s.
Its a limited discussion, to be sure.
Bonamassa has brought ;nothing to the game but is a strong blues/rock guitarist. People enjoy his shows and come back.
(another) Patrick in Hoboken:
?:
https://www.youtube.com/watch?v=RtmW2ek7WkQ
Revolution Rabbit Nov63:
Clapton for me inspires ambivalence like no other. Not uncommon to like one period of an Artist more than another - but him in the 1960s hugely important - & his subsequent Solo career hugely not. His personality aside (tho not unrelated).
Hendrix of course was inventive as well as expressive - & more & more. & Clapton about playing the precisely right thing. A bit like Coltrane & Miles I often think (forgive me)... In fact in my own gittar diddling - I like to play one influence against the other, as it were.
?:
Dano59:
I began to wonder just how long Dead Jackie would be torturing Shauna. months? years? I also wanted more about Lottie, not more of Tiessa's troubles. And after the Servant finale, I can't wait for Lauren Ambrose as older Van.
Bob in DC and/or Virginia:
Revolution Rabbit Nov63:
Therese:
AlanthePainter:
Vac the vacuous…
?:
Dano59:
I'm still not over the Cessna blowing up, actually.
Revolution Rabbit Nov63:
Stevel:
I prefer what-came-out-of Chicago Blues over most: Buddy Guy, Muddy Waters, Koko Taylor, Magic Slim and the Teardrops. Sharp guitar lead, always.
Dano59:
Stevel:
AlanthePainter:
Mandy:
Dano59:
AlanthePainter:
Revolution Rabbit Nov63:
AlanthePainter:
Dano59:
Even the Kinks and Van Morrison played around with the blues early on.
impboy:
Stevel:
www.youtube.com...
Revolution Rabbit Nov63:
Dano59:
Jiff:
Jiff:
Revolution Rabbit Nov63:
Karl Ward:
Dano59:
Stevel:
www.youtube.com...
Revolution Rabbit Nov63:
Dano59:
Stevel:
Dano59:
Revolution Rabbit Nov63:
Karl Ward:
McGroovey:
Revolution Rabbit Nov63:
Dano59:
Karl Ward:
Dano59:
McGroovey:
Dano59:
Revolution Rabbit Nov63:
Dano59:
McGroovey:
Karl Ward:
Revolution Rabbit Nov63:
...It's always been both Show & Business. Okay.
...But Rawk is a Folk Music of the People ...& a Mass market ...it's got string DNA from a racial underclass - passed onto a cultural underclass of kids - & then an entire counter-culture. How is that supposed to square with sales ? No one has ever figured it out, exactly.
Revolution Rabbit Nov63:
McGroovey:
prof.fuzz:
Karl Ward:
Karl Ward:
Dano59:
Revolution Rabbit Nov63:
- Bob
prof.fuzz:
Karl Ward:
McGroovey:
I'll gladly listen to Hubert Sumlin any time, without the slightest coercion.
Dano59:
McGroovey:
But maybe it's always tacotime.
I just ate a small bowl of cashews.
Dano59:
The only one I really go back and listen to much in this decade is Memphis Slim.
prof.fuzz:
McGroovey:
Dano59:
prof.fuzz:
Harry Corvair:
Come On Let's Go (Evening Session 1st March 1997) by Broadcast (Maida Vale Sessions)
Karl Ward:
Dano59:
Revolution Rabbit Nov63:
Cletus:
Rick A:
Dano59:
Revolution Rabbit Nov63:
Rick A:
Cletus:
probablyjohn:
Hoboken Jack:
Rick A:
Karl Ward:
McGroovey:
McGroovey:
spodiodi:
Revolution Rabbit Nov63:
Sorry if too much gab about off-topic stuff.
Fred and Alan: