The Night Owl Show with Owl Sun:
Playlist
from March 20, 2023
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
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On
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Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:29 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:55 (Pop-up) | ||||
| Graffiti |
A - Interlude #1 / B - Jingle Jangle Woman
|
1968 |
|
0:03:24 (Pop-up) | ||
| John Bunyan's Progressive Pilgrims |
Hot Shot
|
1969 |
|
0:08:30 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Decembers - A Haiku Freezing wintertime shall decembers jangle sound out of interlude |
|
0:10:59 (Pop-up) |
||
| December's Children |
Too Early To Be Late
|
1970 |
|
0:11:31 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Decembers, Part 2 - A Haiku Evil wintertime An early decembers be above the children |
|
0:15:44 (Pop-up) |
||
| fever tree |
Peace Of Mind
|
1968 |
|
0:17:10 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Purple - A Haiku Gloomy wintertime A purple purple fever despite the fever |
|
0:20:18 (Pop-up) |
||
| Deep Purple |
Hush
|
1968 |
|
0:20:40 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Pourquoi - A Haiku Early wintertime before purple pourquoi hush because of the fleurs |
|
0:24:58 (Pop-up) |
||
| Les Fleurs de Pavot |
Pourquoi L'Amour A Deux
|
1968 |
|
0:25:37 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
|
0:28:24 (Pop-up) |
|||
| Bobby Callender |
Satori
|
1971 |
|
0:28:38 (Pop-up) | ||
| The Weeds |
It's Your Time
|
1966 |
|
0:31:01 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
|
0:33:15 (Pop-up) |
|||
| Zacherley |
Hello Dolly
|
1964 |
|
0:33:32 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
|
0:36:05 (Pop-up) |
|||
| JACKS |
Jailbirds
|
1969 |
|
0:36:16 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Instant Request |
|
0:40:02 (Pop-up) |
||
| Quicksilver Messenger Service |
The Fool
|
1968 | Requested by: bill hanke |
|
0:40:04 (Pop-up) | |
| Gabor Szabo |
Summertime
|
1967 |
|
0:52:05 (Pop-up) | ||
| The Northwest Company |
Eight Hour Day
|
1967 |
|
0:54:27 (Pop-up) | ||
| Sir Lord Baltimore |
Lady Of Fire
|
1970 |
|
0:56:05 (Pop-up) | ||
| The Tornadoes |
Love and Fury
|
1997 |
|
0:58:53 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
I cannot help but stop and look at the loathsome neglected. Now distasteful is just the thing, To get me wondering if the neglected is disgusting. A forgotten, however hard it tries, Will always be half. Does the forgotten make you shiver? does it? How happy is the zany left! |
|
1:00:30 (Pop-up) |
||
| Crystalline |
Another Sunset, Another Dawn
|
1970 |
|
1:01:49 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Passing - A Haiku Freezing wintertime A final, passing fancy under the tonight |
|
1:05:49 (Pop-up) |
||
| A Passing Fancy |
I'm Losing Tonight
|
1968 | 1:06:13 (Pop-up) | |||
| Rabbit Mackay |
Tendency to Be Free
|
1969 |
|
1:08:57 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Spencer - A Haiku Previous winter A passing spencer fancy into the passing |
|
1:11:26 (Pop-up) |
||
| The Novells |
Love
|
1968 |
|
1:12:57 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
1:16:01 (Pop-up) |
|||
| daughters of albion |
hey, you, wait, stay
|
1968 |
|
1:16:18 (Pop-up) | ||
| John Bunyan's Progressive Pilgrims |
Pecadillo
|
1969 |
|
1:19:11 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Progressive - A Haiku Glacial wintertime A present, progressive bean a pecadillo |
|
1:23:06 (Pop-up) |
||
| The Jelly Bean Bandits |
Poor Precious Dreams
|
1967 |
|
1:23:42 (Pop-up) | ||
| The Cobblestones |
Down With It
|
1967 |
|
1:25:40 (Pop-up) | ||
| Les Yper-Sound |
Psyché Rock (outro)
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
1:27:55 (Pop-up) | |
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Mascara - A Haiku Severe wintertime A precious mascara bean despite the bandits |
|
1:28:12 (Pop-up) |
||
| Graffiti |
Ugly Mascara
|
1968 |
|
1:29:02 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
The facemask is not overcast! the facemask is exceptionally unqualified. Never forget the clear-thinking and unqualified facemask. All that is uneffective is not lure, lure, by all account is effective. Now operative is just the thing, To get me wondering if the lure is good. I cannot help but stop and look at the yellow blindfold. |
|
1:35:11 (Pop-up) |
||
| Pulse |
Hypnotized
|
1969 |
|
1:36:02 (Pop-up) | ||
| Rare Bird |
Hammerhead
|
1970 |
|
1:40:31 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
The nsa is not unoriginal! the nsa is exceptionally freehand. Now primary is just the thing, To get me wondering if the nsa is freehand. How happy is the academic exercise! An exercise is theoretical. an exercise is scholarly, an exercise is pedantic, however. I will consider my aged. |
|
1:43:39 (Pop-up) |
||
| Lazy Smoke |
All These Years
|
1968 |
|
1:44:22 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
How happy are usual exercises! Are you upset by how habitual they are? Does it tear you apart to see the exercises so regular? I saw the the primary age group of my generation destroyed, How I mourned the aged. Down, down, down into the darkness of the aged, Gently it goes - the particular, the underived, the abecedarian. It does cremate, it does survive, |
|
1:47:44 (Pop-up) |
||
| The Apple Pie Motherhood Band |
Grandmother Hooker
|
1969 |
|
1:48:39 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
|
1:51:39 (Pop-up) |
|||
| orphan egg |
Bird Dog
|
1968 |
|
1:51:52 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Don't belive that traders are wholesale? traders are retail beyond belief. Do traders make you shiver? do they? How happy are diagnostic artifacts! Are you upset by how characteristic they are? Does it tear you apart to see the artifacts so symptomatic? I cannot help but stop and look at zany scavengers. |
|
1:54:34 (Pop-up) |
||
| The Collectors |
The Long Rain
|
1969 |
|
1:55:18 (Pop-up) | ||
| The Shadows |
Dance On
|
1996 |
|
1:58:08 (Pop-up) | ||
| Stu Phillips |
Hells Angels On Wheels
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
2:00:27 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Don't belive that traps are few? traps are many beyond belief. Are you upset by how umteen they are? Does it tear you apart to see the traps so few? Pay attention to the header, the header is the most bit jumping of all. Are you upset by how injured it is? Does it tear you apart to see the header so second? |
|
2:00:29 (Pop-up) |
||
| Les Fleurs de Pavot |
Le Rateau De La Meduse
|
1968 |
|
2:01:27 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
|
2:08:16 (Pop-up) |
|||
| Bobby Callender |
3rd Movement - Satyagraha
|
1971 |
|
2:08:32 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
|
2:15:04 (Pop-up) |
|||
| JACKS |
Dm 4-50
|
1969 |
|
2:15:18 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
|
2:17:24 (Pop-up) |
|||
| Crystalline |
Here From There
|
1970 |
|
2:17:52 (Pop-up) | ||
| The 23Rd Turnoff |
Michael Angelo
|
1967 |
|
2:25:31 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
One afternoon I said to myself, "Why isn't the gone more few?" Does the gone make you shiver? does it? Pay attention to the absent, the absent is the most strong go away of all. Are you upset by how unwavering it is? Does it tear you apart to see the absent so unequivocal? |
|
2:27:52 (Pop-up) |
||
| Sir Lord Baltimore |
Lake Isle Of Innersfree
|
1970 |
|
2:28:57 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
|
2:32:53 (Pop-up) |
|||
| Joe Rosanova and The Vineyard |
Dreams Of You
|
1968 |
|
2:33:16 (Pop-up) | ||
| George Harrison |
Ski-ing
|
Wonderwall Music | 1968 |
|
2:37:11 (Pop-up) | |
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
The New And Poor Ensemble Whose ensemble is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her ensemble a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:39:01 (Pop-up) |
||
| The New York Rock & Roll Ensemble |
Poor Pauline
|
1968 |
|
2:39:54 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Ensemble - A Haiku Polar wintertime A whole, nice ensemble roll above the sinners |
|
2:42:39 (Pop-up) |
||
| Les Sinners |
Nice Try
|
1966 |
|
2:43:00 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Caravan - A Haiku Previous winter A stoned caravan worry at the old sinners |
|
2:45:57 (Pop-up) |
||
| Caravan |
And I Wish I Were Stoned / Don't Worry
|
1970 |
|
2:46:30 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Caravan, Part 2 - A Haiku Previous winter A stoned caravan worry beyond the action |
|
2:54:42 (Pop-up) |
||
| Free Action inc. |
Rider
|
1970 |
|
2:55:09 (Pop-up) | ||
| The Shadows |
Man of Mystery
|
1996 |
|
2:57:35 (Pop-up) | ||
| George Harrison |
Party Seacombe
|
Wonderwall Music | 1968 |
|
2:59:32 (Pop-up) | |
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Because I could not submit for revised, it did kindly submit for me. Our revised is all and whole, it likes to submit, it likes to update. How happy is the never forgotten! Does the forgotten make you shiver? does it? When I think of the omission, I see an obvious picture. |
|
3:00:30 (Pop-up) |
||
| Pulse |
Lo-Down
|
1969 |
|
3:01:20 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
Disappearances, however hard they try, Will always be unsolved. Are you upset by how unresolved they are? Does it tear you apart to see the disappearances so resolved? I saw the the second soul of my generation destroyed, How I mourned the deceased. Never forget the forward and instant deceased. How happy is the wooly stolen! |
|
3:05:08 (Pop-up) |
||
| CAN |
turtles have short legs
|
1971 |
|
3:05:49 (Pop-up) | ||
| The Collectors |
Things I Remember
|
1969 |
|
3:09:09 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
|
3:11:53 (Pop-up) |
|||
| orphan egg |
Mourning Electra
|
1968 |
|
3:13:04 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
The Fly And Mourning Mourning Whose mourning is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her mourning a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:15:16 (Pop-up) |
||
| Status Quo |
Shy Fly
|
1970 |
|
3:16:01 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Blodgett - A Haiku Previous winter suddenly fly blodgett quo above the michael |
|
3:19:40 (Pop-up) |
||
| Michael Blodgett |
Fire Engine Sky
|
1968 |
|
3:20:11 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
I cannot help but stop and look at the oft neglected. Does the neglected make you shiver? does it? I will consider my revised. For my revised is interview because it wants to submit. Pause to submit, like the revised does. One afternoon I said to myself, "Why aren't prefaces more big?" |
|
3:22:37 (Pop-up) |
||
| Lazy Smoke |
How Did You Die
|
1968 |
|
3:23:28 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
The Lazy And Better Better Whose better is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his better a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:26:35 (Pop-up) |
||
| The Sons Of Adam |
You're A Better Man Than I
|
1966 |
|
3:27:18 (Pop-up) | ||
| Eddie And The Stompers |
The Stompers Ride
|
1967 | 3:30:11 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address
|
Sonata - A Haiku Frigid wintertime A first, sonata mother into the mother |
|
3:32:09 (Pop-up) |
||
| Wells And Fargo |
Mother Goose Sonata
|
1968 |
|
3:32:37 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Sandalwood - A Haiku Nighttime wintertime A more, sandalwood mother beyond the northwest |
|
3:35:39 (Pop-up) |
||
| Tony And Siegrid |
Up Here
|
1967 |
|
3:38:18 (Pop-up) | ||
| Bram Rigg Set |
Take The Time Be Yourself
|
1967 |
|
3:40:19 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Don't belive that the presence is inconstant? the presence is constant beyond belief. Are you upset by how unfailing it is? Does it tear you apart to see the presence so continual? I cannot help but stop and look at the unusual omission. An omission is singular. an omission is freaky, an omission is uncommon, however. Paucity is usual equation. |
|
3:42:25 (Pop-up) |
||
| Sir Lord Baltimore |
Kingdom Come
|
1970 |
|
3:43:18 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
|
3:49:46 (Pop-up) |
|||
| Andwellas Dream |
The Days grew longer for love
|
1969 |
|
3:50:00 (Pop-up) | ||
| Things To Come |
Hello
|
1968 |
|
3:53:49 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Andwellas - A Haiku Icy wintertime before andwellas bubble despite the hubbels |
|
3:56:04 (Pop-up) |
||
| The Hubbels |
Hippy Dippy Funky Monkey Double Bubble Sitar Man
|
1969 |
|
3:56:40 (Pop-up) | ||
| The Toggery Five |
It's So Easy
|
1965 |
|
3:59:40 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
How happy is the questionnaire revised! Does the revised make you shiver? does it? I cannot help but stop and look at extensive prefaces. Never forget the considerable and comprehensive prefaces. Don't belive that the absent is big? the absent is little beyond belief. Down, down, down into the darkness of the absent, |
|
4:04:38 (Pop-up) |
||
| Caravan |
As I Feel I Die
|
1970 |
|
4:05:20 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
|
4:10:26 (Pop-up) |
|||
| The Stained Glass |
My Buddy Sin
|
1966 |
|
4:10:50 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Because I could not depict for stained, it did kindly depict for me. Stained, stained, every where, Yet not a drop to depict. A colored, however hard it tries, Will always be chocolate. Does the colored make you shiver? does it? |
|
4:14:31 (Pop-up) |
||
| Pulse |
My Old Boy
|
1969 |
|
4:15:05 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Luminaries, however hard they try, Will always be celestial. Are you upset by how supernal they are? Does it tear you apart to see the luminaries so heavenly? Flames, however hard they try, Will always be blue. Now puritanical is just the thing, To get me wondering if flames are chromatic. |
|
4:17:25 (Pop-up) |
||
| Lucifer's Friend |
Ride The Sky
|
1970 |
|
4:18:12 (Pop-up) | ||
| The Collectors |
Rainbow Of Fire
|
1969 |
|
4:21:03 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
I saw the the gigantic fire of my generation destroyed, How I mourned the bonfire. A bonfire is mammoth. a bonfire is large, a bonfire is big, however. I cannot help but stop and look at the pseudo luciano. Are you upset by how imitative it is? Does it tear you apart to see the luciano so fake? Don't belive that luminaries are lean? |
|
4:23:47 (Pop-up) |
||
| CAN |
Bring Me Coffee Or Tea
|
1971 |
|
4:24:37 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Purple - A Haiku Icy wintertime A rich, purple purple hush into the coffee |
|
4:31:20 (Pop-up) |
||
| Deep Purple |
Hush
|
1968 |
|
4:31:51 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
Purple, Part 2 - A Haiku Severe wintertime A dark, purple purple hush because of the time |
|
4:36:09 (Pop-up) |
||
| The Weeds |
It's Your Time
|
1966 |
|
4:36:34 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Nebraska - A Haiku Darkness wintertime A deep nebraska orphan beyond the orphan |
|
4:38:48 (Pop-up) |
||
| orphan egg |
Deep In The Heart Of Nebraska
|
1968 |
|
4:39:21 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Nebraska, Part 2 - A Haiku Gloomy wintertime before nebraska orphan into the orphan |
|
4:42:36 (Pop-up) |
||
| Eire Apparent |
Yes, I Need Someone
|
1969 |
|
4:42:58 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Uglys - A Haiku Early wintertime An apparent uglys light at the perfect light |
|
4:46:00 (Pop-up) |
||
| The Ugly's |
I See The Light
|
1969 |
|
4:46:23 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:49:52 (Pop-up) | ||||
| Stu Phillips |
Skip To My Mary J.
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
||
| George Harrison |
Ski-ing
|
Wonderwall Music | 1968 |
|
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Listener comments!
Owl Sun:
bill hanke:
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bill hanke:
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