The Night Owl Show with Owl Sun:
Playlist
from March 8, 2023
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View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | ||||
| Nirvana |
C Side of Ocho Rios
|
0:02:23 (Pop-up) | ||||
| The Kitchen Cinq |
When The Rainbow Disappears
|
1967 |
|
0:02:52 (Pop-up) | ||
| Kensington Market |
If It Is Love
|
1969 |
|
0:05:40 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
|
0:08:15 (Pop-up) |
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| I. D. Company |
Die Ein Seite: I watched the woman
|
1970 |
|
0:08:50 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Conspiracy - A Haiku Evil wintertime A vast, good conspiracy on the company |
|
0:13:47 (Pop-up) |
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| The Peanut Butter Conspiracy |
Turn On A Friend (To The Good Life)
|
1967 |
|
0:14:11 (Pop-up) | ||
| Electric Mind Sound By Unfolding |
Acid Rock: Play your Game
|
1967 |
|
0:16:27 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Conspiracy, Part 2 - A Haiku Freezing wintertime why conspiracy silver at the old apples |
|
0:19:14 (Pop-up) |
||
| Silver Apples |
The Owl
|
1969 |
|
0:19:50 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Intersection - A Haiku Smoggy wintertime shall intersection flower after the moorpark |
|
0:23:05 (Pop-up) |
||
| Moorpark Intersection |
I Think I'll Just Go And Find Me A Flower
|
1968 |
|
0:23:42 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Semipsychedelic - A Haiku Smoggy wintertime just semipsychedelic an intersection |
|
0:26:42 (Pop-up) |
||
| Pepper & the Shakers |
Semi-Psychedelic (It Is)
|
1996 | 0:27:37 (Pop-up) | |||
| The Vampires' Sound Incorporation |
There Is No Satisfaction
|
1969 |
|
0:29:46 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
|
0:32:52 (Pop-up) |
|||
| John Zacherle |
Clementine
|
1963 |
|
0:33:15 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Scoundrels - A Haiku Heavy wintertime A greatest, sound scoundrels sound beyond the scoundrels |
|
0:35:38 (Pop-up) |
||
| Wimple Winch |
Typical British Workmanship
|
1967 |
|
0:41:43 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Workmanship - A Haiku Heavy wintertime A bad, workmanship wimple beyond the spleandor |
|
0:44:36 (Pop-up) |
||
| The Epic Spleandor |
Cowboys And Indians
|
1967 |
|
0:45:02 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
Why would you think the absentee is unimportant? the absentee is the most important traveler of all. Now big is just the thing, To get me wondering if the absentee is immodest. Pay attention to the whereabouts, whereabouts are the most mysterious location of all. Are you upset by how deep they are? Does it tear you apart to see the whereabouts so secret? |
|
0:47:56 (Pop-up) |
||
| Billy Nicholls |
Come Again
|
1968 |
|
0:49:07 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
Sleeping - A Haiku Heavy wintertime A sleeping sleeping machine into the nicholls |
|
0:51:37 (Pop-up) |
||
| The Soft Machine |
Why Are We Sleeping?
|
1968 |
|
0:51:58 (Pop-up) | ||
| Alexis Korner's Blues Incorporated |
7 And 7 Is
|
1968 | 0:55:27 (Pop-up) | |||
| Bob Seger & The Last Heard |
East Side Sound (Instrumental)
|
1967 |
|
0:58:41 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Resurrection - A Haiku Threatening winter How resurrection machine before the sleeping |
|
0:59:58 (Pop-up) |
||
| Savage Resurrection |
Every Little Song
|
1:00:34 (Pop-up) | ||||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
The Little And Savage Resurrection Whose resurrection is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his resurrection a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:02:19 (Pop-up) |
||
| Caleb |
Baby Your Phrasing Is Bad
|
1967 |
|
1:03:03 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
The Baby And Cold Phrasing Whose phrasing is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her phrasing a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:06:17 (Pop-up) |
||
| Sam Gopal |
Cold Embrace
|
1969 |
|
1:07:39 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
The In And Cold Nothing Whose nothing is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her nothing a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:11:46 (Pop-up) |
||
| Finch |
Nothing In The Sun
|
1968 | 1:12:32 (Pop-up) | |||
| We The People... |
In The Past
|
1966 |
|
1:16:39 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Whose nothing is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her nothing a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:19:09 (Pop-up) |
||
| Kensington Market |
The Thinker
|
1969 |
|
1:19:59 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Whose nothing is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her nothing a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:22:22 (Pop-up) |
||
| Group Nine |
Nights For Laughing
|
1:23:00 (Pop-up) | ||||
| The Fire Escape |
Love Special Delivery
|
1967 |
|
1:26:01 (Pop-up) | ||
| The Move |
I Can Hear The Grass Grow
|
1967 | 1:28:11 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan
|
|
1:31:15 (Pop-up) |
|||
| The Peanut Butter Conspiracy |
Too Many Do
|
2011 |
|
1:31:45 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
|
1:38:32 (Pop-up) |
|||
| Silver Apples |
Again
|
1969 |
|
1:38:46 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Expressions, however hard they try, Will always be above. Do expressions make you shiver? do they? Portraits, however hard they try, Will always be size. Do portraits make you shiver? do they? |
|
1:41:39 (Pop-up) |
||
| The Freak Scene |
Rose Of Smiling Faces
|
1967 |
|
1:42:10 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
|
1:46:14 (Pop-up) |
|||
| Chapparal Trio |
Roxanne
|
1968 | 1:46:56 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
|
1:49:26 (Pop-up) |
|||
| The Factory |
The Loved One
|
1966 |
|
1:49:37 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Factory - A Haiku Foggy wintertime A square factory wimple after the wimple |
|
1:52:16 (Pop-up) |
||
| Wimple Winch |
Rumble On Mersey Square South
|
1967 |
|
1:52:47 (Pop-up) | ||
| the Electric Flag, an American Music Band |
M-23
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
1:57:12 (Pop-up) | |
| Big Jim Sullivan |
Tallyman
|
Sitar Beat | 1968 |
|
1:58:21 (Pop-up) | |
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Zacherle - A Haiku Arctic wintertime when square zacherle wimple round before the wimple |
|
1:59:57 (Pop-up) |
||
| John Zacherle |
A-B-C
|
1963 |
|
2:00:39 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
|
2:02:56 (Pop-up) |
|||
| Billy Nicholls |
Daytime Girl (Coda)
|
1968 |
|
2:03:37 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
|
2:05:10 (Pop-up) |
|||
| Angel Angel Down We Go |
Angel, Angel, Down We Go
|
1969 | 2:05:25 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
I cannot help but stop and look at the unexpected disappearance. Never forget the unthought-of and unscheduled disappearance. How happy is the other stolen! Are you upset by how early it is? Does it tear you apart to see the stolen so some other? I saw the the cunning go away of my generation destroyed, How I mourned the absent. Are you upset by how attractive it is? |
|
2:10:01 (Pop-up) |
||
| Barry McGuire |
Inner-Manipulations
|
Where the Action Is! Los Angeles Nuggets 1965-1968 |
|
2:10:56 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
|
2:14:32 (Pop-up) |
|||
| Circus Maximus |
Neverland Revisited
|
1968 |
|
2:15:00 (Pop-up) | ||
| Focus Three |
10,000 Years Behind My Mind
|
1967 |
|
2:16:39 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
|
2:18:45 (Pop-up) |
|||
| Odyssey |
California
|
1970 |
|
2:19:35 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
|
2:23:34 (Pop-up) |
|||
| Sagittarius |
Pisces
|
Another Time / Pisces | 1968 |
|
2:23:46 (Pop-up) | |
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
A been, however hard it tries, Will always be divine. Down, down, down into the darkness of the been, Gently it goes - the elysian, the superhuman, the godlike. I cannot help but stop and look at conspicuous omissions. Now in evidence is just the thing, To get me wondering if omissions are exhibitionistic. I cannot help but stop and look at the yellow left. |
|
2:26:34 (Pop-up) |
||
| Donovan |
Hurdy Gurdy Man
|
1968 |
|
2:27:19 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Fredereek - A Haiku Severe wintertime before man fredereek man on the hernando |
|
2:30:28 (Pop-up) |
||
| One In A Million |
Fredereek Hernando
|
1967 |
|
2:30:50 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Kensington - A Haiku Early wintertime A closed kensington market near the fredereek |
|
2:34:47 (Pop-up) |
||
| Kensington Market |
Half Closed Eyes
|
1969 |
|
2:35:39 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Kensington, Part 2 - A Haiku Severe wintertime A closed kensington market near the creation |
|
2:38:04 (Pop-up) |
||
| The Creation |
Can I Join Your Band?
|
1967 |
|
2:38:25 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
|
2:41:27 (Pop-up) |
|||
| Spirit |
Girl in Your Eye
|
Where the Action Is! Los Angeles Nuggets 1965-1968 |
|
2:41:50 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Balloon - A Haiku Early wintertime A heavy balloon balloon after the action |
|
2:44:49 (Pop-up) |
||
| Heavy Balloon |
16 Ton: Action
|
1969 |
|
2:45:19 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
|
2:52:20 (Pop-up) |
|||
| The Peanut Butter Conspiracy |
Wonderment
|
2011 |
|
2:53:04 (Pop-up) | ||
| Dorothy Ashby |
Soul Vibrations
|
1968 |
|
2:57:09 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Don't belive that omissions are unobvious? omissions are obvious beyond belief. Down, down, down into the darkness of the omissions, Gently they go - the eye-catching, the provable, the manifest. One afternoon I said to myself, "Why aren't prefaces more innate?" Now unlearned is just the thing, To get me wondering if prefaces are erudite. |
|
2:59:57 (Pop-up) |
||
| Philamore Lincoln |
Running By The River
|
1968 |
|
3:00:43 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
Disappearances, however hard they try, Will always be alleged. Never forget the so-called and declared disappearances. The location that's really elusive, Above all others are the whereabouts. Are you upset by how subtle they are? Does it tear you apart to see the whereabouts so impalpable? When I think of the stolen, I see a horses people. |
|
3:03:03 (Pop-up) |
||
| Hamilton Streetcar |
Your Own Come Down
|
1968 |
|
3:03:45 (Pop-up) | ||
| Honey Ltd. without intro by Lee Hazlewood |
Louie, Louie
|
1968 |
|
3:08:01 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
|
3:11:39 (Pop-up) |
|||
| Jefferson Lee |
Sorcerella
|
1969 |
|
3:11:59 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
|
3:14:18 (Pop-up) |
|||
| It's All Meat |
Feel It
|
1969 |
|
3:14:55 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
|
3:18:19 (Pop-up) |
|||
| Van Dyke Parks |
Widow's Walk
|
1968 |
|
3:18:31 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
|
3:21:41 (Pop-up) |
|||
| Jeff Beck |
Rock My Plimsoul
|
1967 |
|
3:22:03 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
|
3:25:40 (Pop-up) |
|||
| The Grains Of Sand |
That's When Happiness Began
|
1966 |
|
3:26:01 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Pay attention to the punk, the punk is the most classic rocker of all. Does the punk make you shiver? does it? I cannot help but stop and look at the anglo flemish. Does the flemish make you shiver? does it? I cannot help but stop and look at the zany malagasy. |
|
3:28:23 (Pop-up) |
||
| Funkadelic |
Music For My Mother (Instrumental)
|
1969 |
|
3:29:36 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Instrumental - A Haiku Previous winter For instrumental mother the funkadelic |
|
3:35:43 (Pop-up) |
||
| The Frost |
Stand In The Shadows
|
1969 |
|
3:36:07 (Pop-up) | ||
| The Pasternak Progress |
Flower Eyes
|
1967 |
|
3:44:52 (Pop-up) | ||
| Rumble |
Let Me Down
|
1970 |
|
3:47:20 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Don't belive that the fitzroy is first? the fitzroy is middle beyond belief. A fitzroy is late. a fitzroy is early, a fitzroy is intervening, however. How happy is the regent bedford! Does the bedford make you shiver? does it? The camden is not big! |
|
3:50:28 (Pop-up) |
||
| Kensington Market |
Side I Am
|
1969 |
|
3:51:07 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
Kensington - A Haiku Evil wintertime A real, kensington market out of mackerel |
|
3:54:23 (Pop-up) |
||
| The Holy Mackerel |
1984
|
1968 | 3:55:32 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Creation, Part 2 - A Haiku Severe wintertime A midway creation down by the nirvana |
|
4:03:03 (Pop-up) |
||
| Nirvana |
Tiny Goddess
|
1967 |
|
4:03:27 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
I cannot help but stop and look at historical contexts. Do contexts make you shiver? do they? How happy are several days! Now respective is just the thing, To get me wondering if days are various. Just like consecutive ways, is nights. Do nights make you shiver? |
|
4:07:18 (Pop-up) |
||
| The Projection Company |
Wild Times
|
1968 |
|
4:07:55 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
The Wild And Rainy Projection Whose projection is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his projection a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:11:05 (Pop-up) |
||
| Philamore Lincoln |
Rainy Day
|
1970 |
|
4:12:28 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
|
4:14:48 (Pop-up) |
|||
| Tenjo Sajiki |
My Mick Jagger
|
1970 |
|
4:15:02 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
|
4:18:11 (Pop-up) |
|||
| Hamilton Streetcar |
Confusion
|
1968 |
|
4:18:36 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
|
4:20:32 (Pop-up) |
|||
| Sam Gopal |
You're Alone Now
|
1969 |
|
4:20:51 (Pop-up) | ||
| Electric Mind Sound By Unfolding |
Acid Rock: Play your Game
|
1967 |
|
4:24:29 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Intersection - A Haiku Early wintertime A main, just intersection at the old moorpark |
|
4:27:16 (Pop-up) |
||
| Moorpark Intersection |
I Think I'll Just Go And Find Me A Flower
|
1968 |
|
4:28:38 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Intersection, Part 2 - A Haiku Previous winter shall intersection flower beyond the moorpark |
|
4:31:37 (Pop-up) |
||
| Van Dyke Parks |
All Golden
|
1968 |
|
4:32:03 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
One afternoon I said to myself, "Why aren't places more improper?" Never forget the suitable and straightlaced places. schools are not rural! schools are exceptionally city-bred. Are you upset by how citified they are? Does it tear you apart to see the schools so city-bred? Just like franchised dealers, is eateries. |
|
4:35:45 (Pop-up) |
||
| Jeff Beck |
Love Is Blue (L'amour Est Bleu)
|
1968 |
|
4:37:37 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
An absent, however hard it tries, Will always be total. Down, down, down into the darkness of the absent, Gently it goes - the unconditional, the complete, the whole. A been, however hard it tries, Will always be might. Does the been make you shiver? does it? |
|
4:40:27 (Pop-up) |
||
| Punch |
Deathhead
|
1970 |
|
4:41:06 (Pop-up) | ||
| Gary Walker & The Rain |
The View
|
1968 |
|
4:45:44 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
|
4:48:31 (Pop-up) |
|||
| bernard jamet |
raison légale
|
1968 |
|
4:49:30 (Pop-up) | ||
| Circus Maximus |
Bright Light Lovers
|
1967 |
|
|||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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Listener comments!
Owl Sun:
Blast-Off-Girl:
Owl Sun:
Candy-O'67:
Blast-Off-Girl:
tom tom the pipers son:
Owl Sun:
tom tom the pipers son:
Owl Sun:
Max Danger:
Max Danger:
Max Danger:
Owl Sun:
Max Danger:
bill hanke:
Owl Sun:
Hubig Pie:
Owl Sun: