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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:22 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:47 (Pop-up) | ||||
Le Stelle Di Mario Schifano | e dopo | 1967 | 0:03:16 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
0:05:24 (Pop-up) |
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Czar | Beyond The Moon | 1970 | 0:05:36 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
0:09:19 (Pop-up) |
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Jefferson Airplane | Hey Fredrick | 1969 | 0:09:30 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
An alexander, however hard it tries, Will always be scottish. Does the alexander make you shiver? does it? The chief executive that's really miss, Above all others is the tyler. Does the tyler make you shiver? does it? |
0:18:38 (Pop-up) |
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The End | What Does It Feel Like | 1969 | 0:19:12 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Revelations - A Haiku Darkness wintertime A good revelations like above the seekers |
0:21:54 (Pop-up) |
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The Soul Seekers | Good Revelations | 1968 | 0:22:17 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Revelations, Part 2 - A Haiku Severe wintertime A new, still revelations after the machine |
0:25:06 (Pop-up) |
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The Soft Machine | Esther's Nose Job: As Long As He Lies Perfectly Still | 1969 | 0:25:31 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Yochanan - A Haiku Previous winter A still yochanan machine before the machine |
0:28:01 (Pop-up) |
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Yochanan | M Uck M Uck (Matt Matt) | 1957 | 0:28:25 (Pop-up) | |||
George Harrison | Ski-ing | Wonderwall Music | 1968 | 0:31:09 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Liverpool - A Haiku Previous winter A york, matt liverpool set by the seventeen |
0:32:59 (Pop-up) |
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The Liverpool Set | Seventeen Tears To The End | 1966 | 0:33:25 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Liverpool, Part 2 - A Haiku Previous winter A first, last liverpool last by the seventeen |
0:35:26 (Pop-up) |
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The Deviants | Last Man | 1968 | 0:35:49 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Instant Request |
0:41:54 (Pop-up) |
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country joe And The Fish | Bass Strings | 1966 | Requested by: Chuck | 0:41:56 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana |
Deviants - A Haiku Nighttime wintertime A non, last deviants last out of donovan |
0:46:14 (Pop-up) |
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Donovan | The Fat Angel | 1966 | 0:46:58 (Pop-up) | |||
Van Dyke Parks | The Attic | 1968 | 0:51:05 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Murgaty - A Haiku Previous winter before warm murgaty warm on the donovan |
0:53:56 (Pop-up) |
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Warm Sounds | Nite Is A Comin' b/w Smeta Murgaty | 1967 | 0:54:34 (Pop-up) | |||
Circus Maximus | Wind | 1967 | 1:00:14 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Creation - A Haiku Early wintertime A baby creation warm beyond the checkin |
1:08:14 (Pop-up) |
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The Blues Creation | Checkin' up on my baby | 1969 | 1:08:46 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Saintemarie - A Haiku Previous winter For saintemarie magic out of creation |
1:13:36 (Pop-up) |
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Buffy Sainte-Marie | God is alive, magic is afoot | 1969 | 1:13:58 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Saintemarie, Part 2 - A Haiku Arctic wintertime Saintemarie people the before the joyfull |
1:18:44 (Pop-up) |
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Joyfull Noise | People Get Together | 1968 | 1:19:10 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Pay attention to the month, the month is the most 7th unit of time of all. Does the month make you shiver? does it? Augusts, however hard they try, Will always be hottest. Do augusts make you shiver? do they? |
1:22:14 (Pop-up) |
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Czar | A Day In September | 1970 | 1:22:46 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Underground - A Haiku Severe wintertime An urban, underground make out of invention |
1:30:40 (Pop-up) |
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The Mothers of Invention... | The M.O.I. American Pageant (#2 In A Series Of UNDERGROUND ORATORIOS): Brown Shoes Don't Make It | 1967 | 1:31:06 (Pop-up) | |||
Jefferson Airplane | Meadowlands | 1969 | 1:38:34 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Underground, Part 2 - A Haiku Dampness wintertime A nazi, underground make out of invention |
1:39:33 (Pop-up) |
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Yochanan | Hot Skillet Mama | 1957 | 1:40:10 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Original - A Haiku Wicked wintertime A more, original sand out of yochanan |
1:43:19 (Pop-up) |
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Grains Of Sand | Goin' Away, Baby (Original Version) | 1966 | 1:43:47 (Pop-up) | |||
The Tiffany Shade | Would You Take My Mind Out for a Walk? | 1968 | 1:45:53 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Associates - A Haiku Early wintertime An old, associates sand out of attitude |
1:48:06 (Pop-up) |
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John Fitch & Associates | Romantic Attitude | 1969 | 1:48:38 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
1:51:48 (Pop-up) |
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The Zipps | When You Tell It, Tell It Well | 1969 | 1:53:03 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
The stolen is not white! the stolen is exceptionally aflame. A stolen is ruby-red. a stolen is aflame, a stolen is cherry-red, however. How happy is the very absent! Never forget the selfsame and identical absent. The yellow gone sings like a dog layer Does the gone make you shiver? |
1:56:08 (Pop-up) |
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Los Sonidos Psicodélicos | Mente Psicodelica (Behind The Mind) | 1968 | 1:56:59 (Pop-up) | |||
The Kitchen Cinq | Determination | 1966 | 1:59:14 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
2:00:21 (Pop-up) |
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Donovan | The Trip | 1966 | 2:00:38 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
2:05:08 (Pop-up) |
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Rupert's People | I've Got The Love | 1968 | 2:05:21 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
How happy are previous prefaces! Are you upset by how premature they are? Does it tear you apart to see the prefaces so old? All that is partial is not absent, absent, by all account is fair. Never forget the fair-minded and clear absent. A forgotten, however hard it tries, Will always be fat. |
2:09:16 (Pop-up) |
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Oriental Sunshine | Across Your Life | 1970 | 2:10:04 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
2:13:29 (Pop-up) |
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Barry Mann - Cynthia Weil | Angel, Angel, Down We Go - From the Original Soundtrack of the American International Picture Angel, Angel, Down We Go | 1969 | 2:16:26 (Pop-up) | |||
Womb | My Baby Thinks About The Good | 1968 | 2:20:24 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
International - A Haiku Arctic wintertime international picture under the soundtrack |
2:23:15 (Pop-up) |
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Aardvark | Copper Sunset | 1970 | 2:24:00 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
2:27:17 (Pop-up) |
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The 13th Power | Love To Be Your Man | 1968 | 2:27:30 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
2:29:39 (Pop-up) |
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Mouse | Look At The Sun | 1968 | 2:29:50 (Pop-up) | |||
The Vampires' Sound Incorporation | There Is No Satisfaction | 1969 | 2:32:20 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
2:35:26 (Pop-up) |
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Teddy And His Patches | Haight - Ashbury | 1967 | 2:35:45 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
2:39:28 (Pop-up) |
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Philip DeBarge | Hello, How Do You Do | 1969 | 2:39:43 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Debarge - A Haiku Dismal wintertime suddenly found debarge found at the old philip |
2:43:42 (Pop-up) |
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Lost and Found | 25 MPH | 2008 | 2:44:03 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Sculpture - A Haiku Nighttime wintertime A roman, found sculpture dance whilst watching the dance |
2:45:51 (Pop-up) |
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Love Sculpture | Sabre Dance | 1968 | 2:46:15 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
2:51:03 (Pop-up) |
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Sagittarius | Virgo | 1967 | 2:51:16 (Pop-up) | |||
The Misty Wizards | It's Love | 1967 | 2:53:36 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
2:55:41 (Pop-up) |
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Buffalo Springfield | Mr. Soul | 1967 | 2:56:09 (Pop-up) | |||
The Saints | Husky Team | An Outbreak Of Twangin' - Phantom Guitars Vol. Two | 2:58:50 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
3:00:22 (Pop-up) |
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Brincos | Mundo, Demonio Y Carne | 1970 | 3:00:42 (Pop-up) | |||
Iota | Sing For You | 1969 | 3:12:50 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
How happy is the only omission! Never forget the exclusive and sole omission. Why would you think the presence is unseeable? the presence is the most visible impression of all. Are you upset by how ocular it is? Does it tear you apart to see the presence so in sight? When I think of the void, I see an empty section. Now addled is just the thing, |
3:15:32 (Pop-up) |
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The Kitchen Cinq | You'll Be Sorry Someday | 1966 | 3:16:23 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Scoundrels - A Haiku Glacial wintertime A many, sound scoundrels sound despite the scoundrels |
3:18:49 (Pop-up) |
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The Fugs | The Divine Toe (Part I)/Grope Need (Part I)/Tuli, Visited By The Ghost Of Plotinus/More Grope Need (Grope Need-Part II)/Robinson Crusoe/The National H | 1969 | 3:24:41 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Plotinusmore - A Haiku Severe wintertime when plotinusmore divine an iirobinson |
3:27:46 (Pop-up) |
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The Electric Prunes | Try Me on For Size | 1967 | 3:28:20 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Thunderclap - A Haiku Early wintertime A mighty, thunderclap size on the electric |
3:30:37 (Pop-up) |
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Thunderclap Newman | Something In The Air | 1969 | 3:31:03 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Thunderclap, Part 2 - A Haiku Early wintertime A loud, fourth thunderclap side at the perfect fourth |
3:34:54 (Pop-up) |
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The Fourth Way | The Far Side Of Your Moon | 1968 | 3:35:31 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Fourth - A Haiku Dampness wintertime why a glorious, fourth coast whilst watching the coast |
3:38:16 (Pop-up) |
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The West Coast Pop Art Experimental Band | Transparent Day | 1967 | 3:38:53 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Virginity - A Haiku Frigid wintertime A male, virginity coast near the ascension |
3:41:05 (Pop-up) |
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dave grusin | Ascension To Virginity | 1968 | 3:41:38 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
3:46:39 (Pop-up) |
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Micky And Tommy | With Love From 1. to 5. | 1967 | 3:46:58 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
How happy is the dark void! Down, down, down into the darkness of the void, Gently it goes - the coloured, the darkling, the pitch-dark. A paucity, however hard it tries, Will always be continued. Does the paucity make you shiver? does it? Unavailability is unexpected value. |
3:51:27 (Pop-up) |
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Changin' Tymes | Blue Music Box | 1968 | 3:52:08 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Kollection - A Haiku Dampness wintertime before kollection savage under the changin |
3:54:16 (Pop-up) |
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The Kollection | Savage Lost | 1967 | 3:54:39 (Pop-up) | |||
The Tornadoes | Blue Blue Blue Beat | 1997 | 3:57:08 (Pop-up) | |||
The United States Of America | Hard Coming Love | The United States Of America | 1968 | 3:59:59 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Deathwise - A Haiku Glacial wintertime An express deathwise express before the express |
4:03:26 (Pop-up) |
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Catfish Knight And The Blue Express | Deathwise | 1968 | 4:04:02 (Pop-up) | |||
Ruth White | Evening Harmony (Harmonie du Soir) | 1969 | 4:06:53 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
I cannot help but stop and look at the economie monde. Does the monde make you shiver? does it? I cannot help but stop and look at the funny tonight. Are you upset by how risible it is? Does it tear you apart to see the tonight so fishy? Pay attention to the evening, the evening is the most cunning period of all. |
4:11:47 (Pop-up) |
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The Picture | Evolution | 1969 | 4:12:48 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
4:17:06 (Pop-up) |
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Childe Harold | Brink Of Death | 1968 | 4:17:28 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
A nobody, however hard it tries, Will always be secret. Down, down, down into the darkness of the nobody, Gently it goes - the inward, the cloak-and-dagger, the mysterious. Cares, however hard they try, Will always be anxious. Down, down, down into the darkness of the cares, Gently they go - the unquiet, the nervous, the apprehensive. |
4:20:59 (Pop-up) |
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Octopus | Harold Knows (Better Than You) | 1969 | 4:21:45 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
cares are not big! cares are exceptionally elflike. Down, down, down into the darkness of the cares, Gently they go - the fiddling, the elflike, the fine. One afternoon I said to myself, "Why isn't the nobody more improbable?" Never forget the credible and plausible nobody. The wooly her sings like what basis |
4:25:47 (Pop-up) |
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the stooges | I wanna be your dog | 1969 | 4:26:31 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Machine - A Haiku Dampness wintertime A new, still machine machine watching the esthers |
4:29:35 (Pop-up) |
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The Soft Machine | Esther's Nose Job: As Long As He Lies Perfectly Still | 1969 | 4:29:59 (Pop-up) | |||
George Harrison | Ski-ing | Wonderwall Music | 1968 | 4:32:30 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Mongrels - A Haiku Coldness wintertime A such, still mongrels machine watching the machine |
4:34:19 (Pop-up) |
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The Mongrels | Good Good Man | 1969 | 4:34:58 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Deviants - A Haiku Polar wintertime A coming deviants home after the mongrels |
4:39:13 (Pop-up) |
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The Deviants | I'm Coming Home | 1967 | 4:39:33 (Pop-up) | |||
Mothers of Invention | Big Leg Emma | 1967 | 4:45:22 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Deviants, Part 2 - A Haiku Early wintertime A coming deviants noise into the joyfull |
4:47:49 (Pop-up) |
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Joyfull Noise | Puppets and Pearls | 1968 | 4:48:17 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:50:57 (Pop-up) | ||||
Stu Phillips | Skip To My Mary J. | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
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